Henry Mancini [[electronic resource] ] : reinventing film music / / John Caps |
Autore | Caps John |
Pubbl/distr/stampa | Urbana, : University of Illinois Press, c2012 |
Descrizione fisica | 1 online resource (316 p.) |
Disciplina | 781.5/42092 |
Collana | Music in American life |
Soggetto topico | Motion picture music - United States - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-58273-2
9786613895189 0-252-09384-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction. Here was something fresh -- Allegheny River launch -- Not quite jazz -- The music factory -- Big screen, little screen -- Blake Edwards and the high times -- Career crescendos -- First cadence -- The break with Blake -- Off to see the world -- Back to television? -- The curse of the Pink Panther -- Maturity, the second cadence -- Frustration -- Stolen moments -- A closing door that wasn't there before -- Almost to Broadway -- Lookin back, looking on. |
Record Nr. | UNINA-9910461800903321 |
Caps John | ||
Urbana, : University of Illinois Press, c2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Henry Mancini [[electronic resource] ] : reinventing film music / / John Caps |
Autore | Caps John |
Pubbl/distr/stampa | Urbana, : University of Illinois Press, c2012 |
Descrizione fisica | 1 online resource (316 p.) |
Disciplina | 781.5/42092 |
Collana | Music in American life |
Soggetto topico | Motion picture music - United States - History and criticism |
ISBN |
1-283-58273-2
9786613895189 0-252-09384-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction. Here was something fresh -- Allegheny River launch -- Not quite jazz -- The music factory -- Big screen, little screen -- Blake Edwards and the high times -- Career crescendos -- First cadence -- The break with Blake -- Off to see the world -- Back to television? -- The curse of the Pink Panther -- Maturity, the second cadence -- Frustration -- Stolen moments -- A closing door that wasn't there before -- Almost to Broadway -- Lookin back, looking on. |
Record Nr. | UNINA-9910790263103321 |
Caps John | ||
Urbana, : University of Illinois Press, c2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Henry Mancini : reinventing film music / / John Caps |
Autore | Caps John |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Urbana, : University of Illinois Press, c2012 |
Descrizione fisica | 1 online resource (316 p.) |
Disciplina | 781.5/42092 |
Collana | Music in American life |
Soggetto topico | Motion picture music - United States - History and criticism |
ISBN |
1-283-58273-2
9786613895189 0-252-09384-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction. Here was something fresh -- Allegheny River launch -- Not quite jazz -- The music factory -- Big screen, little screen -- Blake Edwards and the high times -- Career crescendos -- First cadence -- The break with Blake -- Off to see the world -- Back to television? -- The curse of the Pink Panther -- Maturity, the second cadence -- Frustration -- Stolen moments -- A closing door that wasn't there before -- Almost to Broadway -- Lookin back, looking on. |
Record Nr. | UNINA-9910820591903321 |
Caps John | ||
Urbana, : University of Illinois Press, c2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
How the West Was Sung : Music in the Westerns of John Ford / / Kathryn M. Kalinak |
Autore | Kalinak Kathryn M. |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2007] |
Descrizione fisica | 1 online resource (268 p.) |
Disciplina | 781.5/42 |
Soggetto topico | Motion picture music - United States - History and criticism |
ISBN |
1-282-77223-6
9786612772238 0-520-94107-1 1-4356-1140-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. How the West Was Sung: Music in the Life and Films of John Ford -- 2. Hearing the Music in John Ford's Silents: The Iron Horse and 3 Bad Men -- 3. "Based on American Folk Songs": Scoring the West in Stagecoach -- 4. Two Fordian Film Scores: My Darling Clementine and The Man Who Shot Liberty Valance -- 5. "Western as Hell": 3 Godfathers and Wagon Master -- 6. "The Girl I Left Behind Me": Men, Women, and Ireland in the Cavalry Trilogy -- 7. "What Makes a Man to Wander": The Searchers -- 8. In the Shadow of The Searchers: Two Rode Together and Sergeant Rutledge -- 9. Cheyenne Autumn: A Conclusion -- Notes -- Select Bibliography -- Index |
Record Nr. | UNISA-996248223603316 |
Kalinak Kathryn M. | ||
Berkeley, CA : , : University of California Press, , [2007] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|
Making music in Selznick's Hollywood / / Nathan Platte [[electronic resource]] |
Autore | Platte Nathan |
Pubbl/distr/stampa | New York, NY : , : Oxford University Press, , 2017 |
Descrizione fisica | 1 online resource : illustrations (black and white) |
Disciplina | 781.5420973 |
Collana | The Oxford music/media series |
Soggetto topico |
Motion picture music - United States - History and criticism
Motion picture music - Production and direction - United States - History - 20th century Motion pictures - Production and direction - United States - History - 20th century |
ISBN |
0-19-069815-2
0-19-937113-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910789325203321 |
Platte Nathan | ||
New York, NY : , : Oxford University Press, , 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Making music in Selznick's Hollywood / / Nathan Platte [[electronic resource]] |
Autore | Platte Nathan |
Pubbl/distr/stampa | New York, NY : , : Oxford University Press, , 2017 |
Descrizione fisica | 1 online resource : illustrations (black and white) |
Disciplina | 781.5420973 |
Collana | The Oxford music/media series |
Soggetto topico |
Motion picture music - United States - History and criticism
Motion picture music - Production and direction - United States - History - 20th century Motion pictures - Production and direction - United States - History - 20th century |
ISBN |
0-19-069815-2
0-19-937113-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910809222403321 |
Platte Nathan | ||
New York, NY : , : Oxford University Press, , 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Music, movies, meanings, and markets : cinemajazzamatazz / / Morris B. Holbrook |
Autore | Holbrook Morris B. |
Pubbl/distr/stampa | New York : , : Routledge, , 2011 |
Descrizione fisica | 1 online resource (395 p.) |
Disciplina | 781.5/420973 |
Collana | Routledge interpretive marketing research series |
Soggetto topico |
Motion picture music - United States - History and criticism
Jazz in motion pictures |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-15090-5
9786613150905 1-136-71576-2 0-203-81553-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction : ambi-diegetic music in motion pictures. The role of ambi-diegetic film music in the product design of Hollywood movies : macromarketing in La-La-land -- Ambi-diegetic jazz and the development of character. Ambi-diegetic film music as a product-design and -placement strategy : the Crosby duets in High society (1956) -- The cinemusical role of "My funny Valentine" in The fabulous Baker Boys (1989) and The talented Mr. Ripley (1999) -- The plot thickens : cinemusical meanings in the crime-plus-jazz genre. Pete Kelly's blues (1955) -- The Cotton Club (1984) -- Kansas City (1996) -- Jazz, films, and macromarketing themes : art versus commerce in the young man-with-a-horn genre. Young man with a horn (1949) -- Paris blues (1961) -- Mo' better blues (1990) -- Ambi-diegetic, nondiegetic, and diegetic cinemusical meanings in motion pictures : commerce, art, and Brando loyalty-- or-- De Niro, my God, to thee. Commerce and New York, New York (1977) : he's delightful, he's delicious, he's De Niro -- Art and Heart beat (1980) : stars fell on Algolagnia -- Brando loyalty and The score (2001) : how do you keep the music paying? -- God is in the details. His eye is on the sparrow : small-but-significant cinemusical moments in jazz film scores by Miles Davis and John Lewis -- Small-but-significant implications of the man who isn't there in Sweet smell of success (1957) -- Jazz biopics as tragedy and comedy : pivotal ambi-diegetic. Cinemusical moments in tragedepictions and comedepictions of jazz heroes -- When bad things happen to great musicians : the troubled role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen -- A cinemusicaliterary analysis of the American dream as represented by biographical jazz comedepictions in the golden age of Hollywood biopics : Blow, Horatio, blow; O, Jakie, O; Go, Tommy, go; No, Artie, no. |
Record Nr. | UNINA-9910461319003321 |
Holbrook Morris B. | ||
New York : , : Routledge, , 2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Music, movies, meanings, and markets : cinemajazzamatazz / / Morris B. Holbrook |
Autore | Holbrook Morris B. |
Pubbl/distr/stampa | New York : , : Routledge, , 2011 |
Descrizione fisica | 1 online resource (395 p.) |
Disciplina | 781.5/420973 |
Collana | Routledge interpretive marketing research series |
Soggetto topico |
Motion picture music - United States - History and criticism
Jazz in motion pictures |
ISBN |
1-136-71575-4
1-283-15090-5 9786613150905 1-136-71576-2 0-203-81553-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction : ambi-diegetic music in motion pictures. The role of ambi-diegetic film music in the product design of Hollywood movies : macromarketing in La-La-land -- Ambi-diegetic jazz and the development of character. Ambi-diegetic film music as a product-design and -placement strategy : the Crosby duets in High society (1956) -- The cinemusical role of "My funny Valentine" in The fabulous Baker Boys (1989) and The talented Mr. Ripley (1999) -- The plot thickens : cinemusical meanings in the crime-plus-jazz genre. Pete Kelly's blues (1955) -- The Cotton Club (1984) -- Kansas City (1996) -- Jazz, films, and macromarketing themes : art versus commerce in the young man-with-a-horn genre. Young man with a horn (1949) -- Paris blues (1961) -- Mo' better blues (1990) -- Ambi-diegetic, nondiegetic, and diegetic cinemusical meanings in motion pictures : commerce, art, and Brando loyalty-- or-- De Niro, my God, to thee. Commerce and New York, New York (1977) : he's delightful, he's delicious, he's De Niro -- Art and Heart beat (1980) : stars fell on Algolagnia -- Brando loyalty and The score (2001) : how do you keep the music paying? -- God is in the details. His eye is on the sparrow : small-but-significant cinemusical moments in jazz film scores by Miles Davis and John Lewis -- Small-but-significant implications of the man who isn't there in Sweet smell of success (1957) -- Jazz biopics as tragedy and comedy : pivotal ambi-diegetic. Cinemusical moments in tragedepictions and comedepictions of jazz heroes -- When bad things happen to great musicians : the troubled role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen -- A cinemusicaliterary analysis of the American dream as represented by biographical jazz comedepictions in the golden age of Hollywood biopics : Blow, Horatio, blow; O, Jakie, O; Go, Tommy, go; No, Artie, no. |
Record Nr. | UNINA-9910789545203321 |
Holbrook Morris B. | ||
New York : , : Routledge, , 2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Music, movies, meanings, and markets : cinemajazzamatazz / / Morris B. Holbrook |
Autore | Holbrook Morris B. |
Pubbl/distr/stampa | New York : , : Routledge, , 2011 |
Descrizione fisica | 1 online resource (395 p.) |
Disciplina | 781.5/420973 |
Collana | Routledge interpretive marketing research series |
Soggetto topico |
Motion picture music - United States - History and criticism
Jazz in motion pictures |
ISBN |
1-136-71575-4
1-283-15090-5 9786613150905 1-136-71576-2 0-203-81553-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction : ambi-diegetic music in motion pictures. The role of ambi-diegetic film music in the product design of Hollywood movies : macromarketing in La-La-land -- Ambi-diegetic jazz and the development of character. Ambi-diegetic film music as a product-design and -placement strategy : the Crosby duets in High society (1956) -- The cinemusical role of "My funny Valentine" in The fabulous Baker Boys (1989) and The talented Mr. Ripley (1999) -- The plot thickens : cinemusical meanings in the crime-plus-jazz genre. Pete Kelly's blues (1955) -- The Cotton Club (1984) -- Kansas City (1996) -- Jazz, films, and macromarketing themes : art versus commerce in the young man-with-a-horn genre. Young man with a horn (1949) -- Paris blues (1961) -- Mo' better blues (1990) -- Ambi-diegetic, nondiegetic, and diegetic cinemusical meanings in motion pictures : commerce, art, and Brando loyalty-- or-- De Niro, my God, to thee. Commerce and New York, New York (1977) : he's delightful, he's delicious, he's De Niro -- Art and Heart beat (1980) : stars fell on Algolagnia -- Brando loyalty and The score (2001) : how do you keep the music paying? -- God is in the details. His eye is on the sparrow : small-but-significant cinemusical moments in jazz film scores by Miles Davis and John Lewis -- Small-but-significant implications of the man who isn't there in Sweet smell of success (1957) -- Jazz biopics as tragedy and comedy : pivotal ambi-diegetic. Cinemusical moments in tragedepictions and comedepictions of jazz heroes -- When bad things happen to great musicians : the troubled role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen -- A cinemusicaliterary analysis of the American dream as represented by biographical jazz comedepictions in the golden age of Hollywood biopics : Blow, Horatio, blow; O, Jakie, O; Go, Tommy, go; No, Artie, no. |
Record Nr. | UNINA-9910810466903321 |
Holbrook Morris B. | ||
New York : , : Routledge, , 2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Partners in suspense : Critical essays on Bernard Herrmann and Alfred Hitchcock / / edited by Steven Rawle and K.J. Donnelly |
Pubbl/distr/stampa | Manchester, [England] : , : Manchester University Press, , 2017 |
Descrizione fisica | 1 online resource (242 pages) : illustrations, tables |
Disciplina | 791.4302/33092 |
Altri autori (Persone) |
DonnellyK. J (Kevin J.)
RawleSteven |
Soggetto topico |
Suspense in motion pictures, television, etc
Motion pictures - Production and direction Motion picture music Motion picture music - United States - History and criticism |
Soggetto genere / forma |
Criticism, interpretation, etc.
Electronic books. |
ISBN |
1-5261-0772-4
1-5261-2106-9 1-5261-0771-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910160329803321 |
Manchester, [England] : , : Manchester University Press, , 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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