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Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
| Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
| Descrizione fisica | 1 online resource (525 p.) |
| Disciplina | 781.5/4209 |
| Soggetto topico |
Motion picture music - History and criticism
Motion picture music -- History and criticism Symphony |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Celluloid Symphonies -- Frontmatter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
| Record Nr. | UNINA-9910459979403321 |
| Berkeley, CA : , : University of California Press, , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
David Shire's The conversation : a film score guide / / Juan Chattah
| David Shire's The conversation : a film score guide / / Juan Chattah |
| Autore | Chattah Juan |
| Pubbl/distr/stampa | Lanham, [Maryland] : , : Rowman & Littlefield, , [2015] |
| Descrizione fisica | 1 online resource (228 p.) |
| Disciplina | 782.5/42092 |
| Collana | Film score guides |
| Soggetto topico | Motion picture music - History and criticism |
| ISBN | 1-4422-5164-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | David Shire's life and musical background -- David Shire's approach to film scoring -- Historical and critical context of The conversation -- Analytical approach to meaning in film music -- Background and analysis of the score for The conversation. |
| Record Nr. | UNINA-9910797670703321 |
Chattah Juan
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||
| Lanham, [Maryland] : , : Rowman & Littlefield, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
David Shire's The conversation : a film score guide / / Juan Chattah
| David Shire's The conversation : a film score guide / / Juan Chattah |
| Autore | Chattah Juan |
| Pubbl/distr/stampa | Lanham, [Maryland] : , : Rowman & Littlefield, , [2015] |
| Descrizione fisica | 1 online resource (228 p.) |
| Disciplina | 782.5/42092 |
| Collana | Film score guides |
| Soggetto topico | Motion picture music - History and criticism |
| ISBN | 1-4422-5164-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | David Shire's life and musical background -- David Shire's approach to film scoring -- Historical and critical context of The conversation -- Analytical approach to meaning in film music -- Background and analysis of the score for The conversation. |
| Record Nr. | UNINA-9910812987903321 |
|
Chattah Juan
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| Lanham, [Maryland] : , : Rowman & Littlefield, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dreams of difference, songs of the same [[electronic resource] ] : the musical moment in film / / Amy Herzog
| Dreams of difference, songs of the same [[electronic resource] ] : the musical moment in film / / Amy Herzog |
| Autore | Herzog Amy |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, 2010 |
| Descrizione fisica | 1 online resource (244 p.) |
| Disciplina | 781.5/42 |
| Soggetto topico |
Motion picture music - History and criticism
Musical films |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8166-7058-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Illustrating music : the impossible embodiments of the jukebox film -- Dissonant refrains : Carmen on film -- En chante : music, memory, and perversity in the films of Jacques Demy -- Becoming-fluid : history, corporeality, and the musical spectacle. |
| Record Nr. | UNINA-9910459189203321 |
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Herzog Amy
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| Minneapolis, : University of Minnesota Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dreams of difference, songs of the same [[electronic resource] ] : the musical moment in film / / Amy Herzog
| Dreams of difference, songs of the same [[electronic resource] ] : the musical moment in film / / Amy Herzog |
| Autore | Herzog Amy |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, 2010 |
| Descrizione fisica | 1 online resource (244 p.) |
| Disciplina | 781.5/42 |
| Soggetto topico |
Motion picture music - History and criticism
Musical films |
| ISBN | 0-8166-7058-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Illustrating music : the impossible embodiments of the jukebox film -- Dissonant refrains : Carmen on film -- En chante : music, memory, and perversity in the films of Jacques Demy -- Becoming-fluid : history, corporeality, and the musical spectacle. |
| Record Nr. | UNINA-9910785045303321 |
|
Herzog Amy
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||
| Minneapolis, : University of Minnesota Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dreams of difference, songs of the same [[electronic resource] ] : the musical moment in film / / Amy Herzog
| Dreams of difference, songs of the same [[electronic resource] ] : the musical moment in film / / Amy Herzog |
| Autore | Herzog Amy |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, 2010 |
| Descrizione fisica | 1 online resource (244 p.) |
| Disciplina | 781.5/42 |
| Soggetto topico |
Motion picture music - History and criticism
Musical films |
| ISBN | 0-8166-7058-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Illustrating music : the impossible embodiments of the jukebox film -- Dissonant refrains : Carmen on film -- En chante : music, memory, and perversity in the films of Jacques Demy -- Becoming-fluid : history, corporeality, and the musical spectacle. |
| Record Nr. | UNINA-9910826296203321 |
|
Herzog Amy
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||
| Minneapolis, : University of Minnesota Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Elmer Bernstein's The magnificent seven : a film score guide / / Mariana Whitmer
| Elmer Bernstein's The magnificent seven : a film score guide / / Mariana Whitmer |
| Autore | Whitmer Mariana |
| Pubbl/distr/stampa | Lanham, [Maryland] : , : Rowman & Littlefield, , 2017 |
| Descrizione fisica | 1 online resource ( 174 pages) : illustrations, tables |
| Disciplina | 781.5/42092 |
| Collana | Film Score Guides |
| Soggetto topico | Motion picture music - History and criticism |
| ISBN | 1-4422-8180-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910793095503321 |
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Whitmer Mariana
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| Lanham, [Maryland] : , : Rowman & Littlefield, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Elmer Bernstein's The magnificent seven : a film score guide / / Mariana Whitmer
| Elmer Bernstein's The magnificent seven : a film score guide / / Mariana Whitmer |
| Autore | Whitmer Mariana |
| Pubbl/distr/stampa | Lanham, [Maryland] : , : Rowman & Littlefield, , 2017 |
| Descrizione fisica | 1 online resource ( 174 pages) : illustrations, tables |
| Disciplina | 781.5/42092 |
| Collana | Film Score Guides |
| Soggetto topico | Motion picture music - History and criticism |
| ISBN | 1-4422-8180-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910827204903321 |
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Whitmer Mariana
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| Lanham, [Maryland] : , : Rowman & Littlefield, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Epic sound : music in postwar Hollywood biblical films / / Stephen C. Meyer
| Epic sound : music in postwar Hollywood biblical films / / Stephen C. Meyer |
| Autore | Meyer Stephen C. <1963-> |
| Pubbl/distr/stampa | Bloomington, Indiana : , : Indiana University Press, , 2015 |
| Descrizione fisica | 1 online resource (288 p.) |
| Disciplina | 781.5/420973 |
| Soggetto topico |
Motion picture music - History and criticism
Bible films - United States Film composers |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-253-01459-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A biblical story for the post-World War II generation? : Victor Young's music for DeMille's Samson and Delilah -- Turning away from "concocted spectacle" : Alfred Newman's score for David and Bathsheba -- Spectacle and authenticity in Miklós Rózsa's Quo vadis score -- Novel and film, music and miracle : Alfred Newman's score to The robe -- Spirit and empire : Elmer Bernstein's score to The Ten Commandments -- The law of genre and the music for Ben-Hur -- King of kings and the problem of repetition -- Suoni nuovi, suoni antich i: the soundscapes of Barabbas -- Universality, transcendence, and collapse : music and the greatest story ever told. |
| Record Nr. | UNINA-9910459880403321 |
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Meyer Stephen C. <1963->
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||
| Bloomington, Indiana : , : Indiana University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Epic sound : music in postwar Hollywood biblical films / / Stephen C. Meyer
| Epic sound : music in postwar Hollywood biblical films / / Stephen C. Meyer |
| Autore | Meyer Stephen C. <1963-> |
| Pubbl/distr/stampa | Bloomington, Indiana : , : Indiana University Press, , 2015 |
| Descrizione fisica | 1 online resource (288 p.) |
| Disciplina | 781.5/420973 |
| Soggetto topico |
Motion picture music - History and criticism
Bible films - United States Film composers |
| ISBN | 0-253-01459-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A biblical story for the post-World War II generation? : Victor Young's music for DeMille's Samson and Delilah -- Turning away from "concocted spectacle" : Alfred Newman's score for David and Bathsheba -- Spectacle and authenticity in Miklós Rózsa's Quo vadis score -- Novel and film, music and miracle : Alfred Newman's score to The robe -- Spirit and empire : Elmer Bernstein's score to The Ten Commandments -- The law of genre and the music for Ben-Hur -- King of kings and the problem of repetition -- Suoni nuovi, suoni antich i: the soundscapes of Barabbas -- Universality, transcendence, and collapse : music and the greatest story ever told. |
| Record Nr. | UNINA-9910787039403321 |
|
Meyer Stephen C. <1963->
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| Bloomington, Indiana : , : Indiana University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
