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100 greatest film scores / / Matt Lawson, Laurence E. MacDonald
| 100 greatest film scores / / Matt Lawson, Laurence E. MacDonald |
| Autore | Lawson Matt |
| Pubbl/distr/stampa | Lanham, Maryland : , : Rowman & Littlefield, , [2018] |
| Descrizione fisica | 1 online resource (337 pages) : illustrations |
| Disciplina | 016.781542 |
| Soggetto topico | Motion picture music |
| ISBN | 1-5381-0368-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The adventures of Robin Hood -- Alexander Nevsky -- Around the world in 80 days -- Avalon -- Back to the future -- Batman -- A beautiful mind -- Becket -- Ben-Hur -- The best years of our lives -- The big country -- Blade runner -- Born free -- Braveheart -- Breakfast at Tiffany's -- The bride of Frankenstein -- The bridge on the river Kwai -- Casablanca -- Chariots of fire -- Chinatown -- Cinema paradiso -- Citizen Kane -- City lights -- Close encounters of the third kind -- Conan the Barbarian -- Dances with wolves -- The day the Earth stood still -- Doctor Zhivago -- East of Eden -- Edward Scissorhands -- Empire of the Sun -- E.T. - the extra-terrestrial -- Fargo -- Forrest Gump -- The ghost and Mrs. Muir -- Giant -- Gladiator -- The Godfather I and II (1972-74) -- Gone with the wind -- The great escape -- The green mile -- Henry V -- High noon -- How the west was won -- Interstellar -- Jaws -- Jurassic park -- King Kong -- King of kings -- Kings row -- The last of the Mohicans -- Laura -- Lawrence of Arabia -- The lion in winter -- The lord of the rings : The fellowship of the ring -- Lost horizon -- The magnificent seven -- The man with the golden arm -- The mission -- The natural -- North by Northwest -- Now, voyager -- The omen -- On golden pond -- On the waterfront -- Once upon a time in the West -- Out of Africa -- The piano -- The Pink Panther -- Pirates of the Caribbean : the curse of the black pearl -- Planet of the apes -- The prisoner of Zenda -- Psycho -- Quo vadis -- Raiders of the lost ark -- The red pony -- The red violin -- The robe -- Schindler's list -- Scott of the Antarctic -- The sea hawk -- The 7th voyage of Sinbad -- The Shawshank redemption -- Somewhere in time -- The song of Bernadette -- Spartacus -- Spellbound -- The spirit of St. Louis -- Star trek, the motion picture -- Star wars -- A streetcar named desire -- Sunset Blvd. -- Superman -- The third man -- Titanic -- To kill a mockingbird -- Tom Jones -- Unbreakable -- Up -- Vertigo -- Appendix A. The next 100 film scores -- Appendix B. Profiles of composers. |
| Altri titoli varianti | One hunderd greatest film scores |
| Record Nr. | UNINA-9910796945803321 |
Lawson Matt
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| Lanham, Maryland : , : Rowman & Littlefield, , [2018] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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100 greatest film scores / / Matt Lawson, Laurence E. MacDonald
| 100 greatest film scores / / Matt Lawson, Laurence E. MacDonald |
| Autore | Lawson Matt |
| Pubbl/distr/stampa | Lanham, Maryland : , : Rowman & Littlefield, , [2018] |
| Descrizione fisica | 1 online resource (337 pages) : illustrations |
| Disciplina | 016.781542 |
| Soggetto topico | Motion picture music |
| ISBN | 1-5381-0368-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The adventures of Robin Hood -- Alexander Nevsky -- Around the world in 80 days -- Avalon -- Back to the future -- Batman -- A beautiful mind -- Becket -- Ben-Hur -- The best years of our lives -- The big country -- Blade runner -- Born free -- Braveheart -- Breakfast at Tiffany's -- The bride of Frankenstein -- The bridge on the river Kwai -- Casablanca -- Chariots of fire -- Chinatown -- Cinema paradiso -- Citizen Kane -- City lights -- Close encounters of the third kind -- Conan the Barbarian -- Dances with wolves -- The day the Earth stood still -- Doctor Zhivago -- East of Eden -- Edward Scissorhands -- Empire of the Sun -- E.T. - the extra-terrestrial -- Fargo -- Forrest Gump -- The ghost and Mrs. Muir -- Giant -- Gladiator -- The Godfather I and II (1972-74) -- Gone with the wind -- The great escape -- The green mile -- Henry V -- High noon -- How the west was won -- Interstellar -- Jaws -- Jurassic park -- King Kong -- King of kings -- Kings row -- The last of the Mohicans -- Laura -- Lawrence of Arabia -- The lion in winter -- The lord of the rings : The fellowship of the ring -- Lost horizon -- The magnificent seven -- The man with the golden arm -- The mission -- The natural -- North by Northwest -- Now, voyager -- The omen -- On golden pond -- On the waterfront -- Once upon a time in the West -- Out of Africa -- The piano -- The Pink Panther -- Pirates of the Caribbean : the curse of the black pearl -- Planet of the apes -- The prisoner of Zenda -- Psycho -- Quo vadis -- Raiders of the lost ark -- The red pony -- The red violin -- The robe -- Schindler's list -- Scott of the Antarctic -- The sea hawk -- The 7th voyage of Sinbad -- The Shawshank redemption -- Somewhere in time -- The song of Bernadette -- Spartacus -- Spellbound -- The spirit of St. Louis -- Star trek, the motion picture -- Star wars -- A streetcar named desire -- Sunset Blvd. -- Superman -- The third man -- Titanic -- To kill a mockingbird -- Tom Jones -- Unbreakable -- Up -- Vertigo -- Appendix A. The next 100 film scores -- Appendix B. Profiles of composers. |
| Altri titoli varianti | One hunderd greatest film scores |
| Record Nr. | UNINA-9910824406103321 |
|
Lawson Matt
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| Lanham, Maryland : , : Rowman & Littlefield, , [2018] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
40 sheet music bestsellers : Christian hits : piano, vocal, guitar
| 40 sheet music bestsellers : Christian hits : piano, vocal, guitar |
| Pubbl/distr/stampa | Van Nuys, California : , : Alfred Music Publishing Co., Inc., , [2011] |
| Descrizione fisica | 1 online resource (283 pages) : illustrations |
| Disciplina | 782.8 |
| Soggetto topico | Motion picture music |
| ISBN | 0-7390-8741-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | Forty sheet music bestsellers |
| Record Nr. | UNINA-9910151646403321 |
| Van Nuys, California : , : Alfred Music Publishing Co., Inc., , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Better Love (from "The Legend of Tarzan") : Piano/Vocal/Guitar
| Better Love (from "The Legend of Tarzan") : Piano/Vocal/Guitar |
| Autore | Hozier-Byrne A |
| Pubbl/distr/stampa | Los Angeles, CA : , : Alfred Publishing Company, Incorporated, , 2016 |
| Descrizione fisica | 1 online resource (6 pages) |
| Disciplina | 780 |
| Collana | Original Sheet Music Edition |
| Soggetto topico | Motion picture music |
| ISBN | 1-4706-3737-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front Cover -- Better Love -- Back Cover. |
| Altri titoli varianti |
Original Sheet Music Edition
Better Love |
| Record Nr. | UNINA-9910154843803321 |
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Hozier-Byrne A
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| Los Angeles, CA : , : Alfred Publishing Company, Incorporated, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
| Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
| Descrizione fisica | 1 online resource (525 p.) |
| Disciplina | 781.5/4209 |
| Soggetto topico |
Motion picture music
Symphony |
| Soggetto non controllato |
aesthetics
art history auteurs commercial pressure digital age early sound films elmer bernstein erich korngold film criticism film history film music film studies hollywood scores howard shore jerry goldsmith max steiner movie criticism movie studies music and film music for film music history music popular music postmodern film serialism technological innovations the silent film writings |
| ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
| Record Nr. | UNINA-9910785691503321 |
| Berkeley, CA : , : University of California Press, , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
| Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
| Descrizione fisica | 1 online resource (525 p.) |
| Disciplina | 781.5/4209 |
| Soggetto topico |
Motion picture music
Symphony |
| Soggetto non controllato |
aesthetics
art history auteurs commercial pressure digital age early sound films elmer bernstein erich korngold film criticism film history film music film studies hollywood scores howard shore jerry goldsmith max steiner movie criticism movie studies music and film music for film music history music popular music postmodern film serialism technological innovations the silent film writings |
| ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
| Record Nr. | UNINA-9910825955803321 |
| Berkeley, CA : , : University of California Press, , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Composing for the cinema : the theory and praxis of music in film / / Ennio Morricone and Sergio Miceli, translated by Gillian B. Anderson
| Composing for the cinema : the theory and praxis of music in film / / Ennio Morricone and Sergio Miceli, translated by Gillian B. Anderson |
| Autore | Morricone Ennio |
| Pubbl/distr/stampa | Lanham : , : Scarecrow Press, , [2013] |
| Descrizione fisica | 1 online resource (311 p.) |
| Disciplina | 781.54213 |
| Altri autori (Persone) |
AndersonGillian B. <1943->
MiceliSergio |
| Soggetto topico |
Composition (Music)
Motion picture music - Instruction and study Motion picture music |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-8108-9240-5
0-8108-9242-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Translator's Note; Editor's Note; Acknowledgments; Abbreviations; 1 Introduction; 2 Audiovisual Analysis-Part 1; 3 Production Procedures; 4 Audiovisual Analysis-Part 2; 5 Premix and Final Mix; 6 Compositional Elements; 7 Questions and Answers; Appendix 1: Composing for the Cinema; Appendix 2: Writing for the Cinema; Filmography; Bibliography [to 1999]; Index; About the Authors and Translator |
| Record Nr. | UNINA-9910453340103321 |
|
Morricone Ennio
|
||
| Lanham : , : Scarecrow Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Composing for the cinema : the theory and praxis of music in film / / Ennio Morricone and Sergio Miceli, translated by Gillian B. Anderson
| Composing for the cinema : the theory and praxis of music in film / / Ennio Morricone and Sergio Miceli, translated by Gillian B. Anderson |
| Autore | Morricone Ennio |
| Pubbl/distr/stampa | Lanham : , : Scarecrow Press, , [2013] |
| Descrizione fisica | 1 online resource (311 p.) |
| Disciplina | 781.54213 |
| Altri autori (Persone) |
AndersonGillian B. <1943->
MiceliSergio <1944-> |
| Soggetto topico |
Composition (Music)
Motion picture music - Instruction and study Motion picture music |
| ISBN |
0-8108-9240-5
0-8108-9242-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Translator's Note; Editor's Note; Acknowledgments; Abbreviations; 1 Introduction; 2 Audiovisual Analysis-Part 1; 3 Production Procedures; 4 Audiovisual Analysis-Part 2; 5 Premix and Final Mix; 6 Compositional Elements; 7 Questions and Answers; Appendix 1: Composing for the Cinema; Appendix 2: Writing for the Cinema; Filmography; Bibliography [to 1999]; Index; About the Authors and Translator |
| Record Nr. | UNINA-9910790841903321 |
|
Morricone Ennio
|
||
| Lanham : , : Scarecrow Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Composing for the cinema : the theory and praxis of music in film / / Ennio Morricone and Sergio Miceli, translated by Gillian B. Anderson
| Composing for the cinema : the theory and praxis of music in film / / Ennio Morricone and Sergio Miceli, translated by Gillian B. Anderson |
| Autore | Morricone Ennio |
| Pubbl/distr/stampa | Lanham : , : Scarecrow Press, , [2013] |
| Descrizione fisica | 1 online resource (311 p.) |
| Disciplina | 781.54213 |
| Altri autori (Persone) |
AndersonGillian B. <1943->
MiceliSergio <1944-> |
| Soggetto topico |
Composition (Music)
Motion picture music - Instruction and study Motion picture music |
| ISBN |
0-8108-9240-5
0-8108-9242-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Translator's Note; Editor's Note; Acknowledgments; Abbreviations; 1 Introduction; 2 Audiovisual Analysis-Part 1; 3 Production Procedures; 4 Audiovisual Analysis-Part 2; 5 Premix and Final Mix; 6 Compositional Elements; 7 Questions and Answers; Appendix 1: Composing for the Cinema; Appendix 2: Writing for the Cinema; Filmography; Bibliography [to 1999]; Index; About the Authors and Translator |
| Record Nr. | UNINA-9910815517403321 |
|
Morricone Ennio
|
||
| Lanham : , : Scarecrow Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Deleuze and film music [[electronic resource] ] : building a methodological bridge between film theory and music / / by Gregg Redner
| Deleuze and film music [[electronic resource] ] : building a methodological bridge between film theory and music / / by Gregg Redner |
| Autore | Redner Gregg |
| Pubbl/distr/stampa | Bristol [U.K.], : Intellect, 2011 |
| Descrizione fisica | 1 online resource (204 p.) |
| Disciplina | 781.5 |
| Soggetto topico |
Motion picture music
Music - Philosophy and aesthetics |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-89609-1
9786612896095 1-84150-437-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Foreword; Chapter One: Introduction; Chapter Two: Methodology; Chapter Three: Deleuzian Sensation and Maurice Jaubert's Score for L'Atalante; Chapter Four: The Division of the One: Leonard Rosenman and the Score for East of Eden; Chapter Five: Dmitri Shostakovich's Score for Kozintsev's Hamlet; Chapter Six: Fragments of a Life: Becoming-Music/Woman In Kryzysztof Kieslowski's Blue; Chapter Seven: The Changing Conception of Space As a Delineator In Film Score Style: A Comparative Analysis of the Scores For T; Chapter Eight: Conclusion; References
Corpus of FilmsFilms Cited In Text |
| Record Nr. | UNINA-9910459646503321 |
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Redner Gregg
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| Bristol [U.K.], : Intellect, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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