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Futures of Chinese cinema [[electronic resource] ] : technologies and temporalities in Chinese screen cultures / / edited by Olivia Khoo and Sean Metzger
| Futures of Chinese cinema [[electronic resource] ] : technologies and temporalities in Chinese screen cultures / / edited by Olivia Khoo and Sean Metzger |
| Pubbl/distr/stampa | Bristol, UK ; ; Chicago, : Intellect, 2009 |
| Descrizione fisica | 1 online resource (298 p.) |
| Disciplina | 791.430951 |
| Altri autori (Persone) |
KhooOlivia
MetzgerSean <1973-> |
| Soggetto topico |
Motion picture locations - China
Motion pictures - China |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-45567-2
9786612455674 1-84150-345-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Acknowledgements; Introduction; Part I: Historiography; Chapter 1: Celebratory Screens: Chinese Cinema in the New Millennium; Chapter 2: Island of No Return: Cinematic Narration as Retrospection in Wang Tong and New Taiwan Cinema; Chapter 3: Socialist Geographies, Internationalist Temporalities and Travelling Film Technologies: Sino-Soviet Film Exchange in the 1950's and 1960's; Chapter 4: Hong Kong Ghost in the Japanese Shell? Cross-racial Performance and Transnational Chinese Cinema
Chapter 5: Jia Zhangke and the Temporality of Postsocialist Chinese Cinema: In the Now (and then)Part II: Capital - Economic and Industrial Contexts; Chapter 6: From BitTorrent Piracy to Creative Industries: Hong Kong Cinema Emptied Out; Chapter 7: Genre Film, Media Corporations and the Commercialization of the Chinese Film Industry: The Case of 'New Year Comedies'; Chapter 8: Demand for Cultural Representation: Emerging Independent Film and Video on Lesbian Desires; Part III: Epistemologies; Chapter 9: The Queer Space of China: Expressive Desire in Stanley Kwan's Lan Yu Chapter 10: Saving Face, or the Future Perfect of Queer Chinese/American Cinema?Chapter 11: Remaking the Past, Interrupting the Present: The Spaces of Technology and Futurity in Contemporary Chinese Blockbusters; Chapter 12: Multiple-screen Realities; Contributors; Index; Back Cover |
| Record Nr. | UNINA-9910456875203321 |
| Bristol, UK ; ; Chicago, : Intellect, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Futures of Chinese cinema [[electronic resource] ] : technologies and temporalities in Chinese screen cultures / / edited by Olivia Khoo and Sean Metzger
| Futures of Chinese cinema [[electronic resource] ] : technologies and temporalities in Chinese screen cultures / / edited by Olivia Khoo and Sean Metzger |
| Pubbl/distr/stampa | Bristol, UK ; ; Chicago, : Intellect, 2009 |
| Descrizione fisica | 1 online resource (298 p.) |
| Disciplina | 791.430951 |
| Altri autori (Persone) |
KhooOlivia
MetzgerSean <1973-> |
| Soggetto topico |
Motion picture locations - China
Motion pictures - China |
| ISBN |
1-282-45567-2
9786612455674 1-84150-345-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Acknowledgements; Introduction; Part I: Historiography; Chapter 1: Celebratory Screens: Chinese Cinema in the New Millennium; Chapter 2: Island of No Return: Cinematic Narration as Retrospection in Wang Tong and New Taiwan Cinema; Chapter 3: Socialist Geographies, Internationalist Temporalities and Travelling Film Technologies: Sino-Soviet Film Exchange in the 1950's and 1960's; Chapter 4: Hong Kong Ghost in the Japanese Shell? Cross-racial Performance and Transnational Chinese Cinema
Chapter 5: Jia Zhangke and the Temporality of Postsocialist Chinese Cinema: In the Now (and then)Part II: Capital - Economic and Industrial Contexts; Chapter 6: From BitTorrent Piracy to Creative Industries: Hong Kong Cinema Emptied Out; Chapter 7: Genre Film, Media Corporations and the Commercialization of the Chinese Film Industry: The Case of 'New Year Comedies'; Chapter 8: Demand for Cultural Representation: Emerging Independent Film and Video on Lesbian Desires; Part III: Epistemologies; Chapter 9: The Queer Space of China: Expressive Desire in Stanley Kwan's Lan Yu Chapter 10: Saving Face, or the Future Perfect of Queer Chinese/American Cinema?Chapter 11: Remaking the Past, Interrupting the Present: The Spaces of Technology and Futurity in Contemporary Chinese Blockbusters; Chapter 12: Multiple-screen Realities; Contributors; Index; Back Cover |
| Record Nr. | UNINA-9910780815303321 |
| Bristol, UK ; ; Chicago, : Intellect, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Futures of Chinese cinema : technologies and temporalities in Chinese screen cultures / / edited by Olivia Khoo and Sean Metzger
| Futures of Chinese cinema : technologies and temporalities in Chinese screen cultures / / edited by Olivia Khoo and Sean Metzger |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol, UK ; ; Chicago, : Intellect, 2009 |
| Descrizione fisica | 1 online resource (298 p.) |
| Disciplina | 791.430951 |
| Altri autori (Persone) |
KhooOlivia
MetzgerSean <1973-> |
| Soggetto topico |
Motion picture locations - China
Motion pictures - China |
| ISBN |
1-282-45567-2
9786612455674 1-84150-345-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Acknowledgements; Introduction; Part I: Historiography; Chapter 1: Celebratory Screens: Chinese Cinema in the New Millennium; Chapter 2: Island of No Return: Cinematic Narration as Retrospection in Wang Tong and New Taiwan Cinema; Chapter 3: Socialist Geographies, Internationalist Temporalities and Travelling Film Technologies: Sino-Soviet Film Exchange in the 1950's and 1960's; Chapter 4: Hong Kong Ghost in the Japanese Shell? Cross-racial Performance and Transnational Chinese Cinema
Chapter 5: Jia Zhangke and the Temporality of Postsocialist Chinese Cinema: In the Now (and then)Part II: Capital - Economic and Industrial Contexts; Chapter 6: From BitTorrent Piracy to Creative Industries: Hong Kong Cinema Emptied Out; Chapter 7: Genre Film, Media Corporations and the Commercialization of the Chinese Film Industry: The Case of 'New Year Comedies'; Chapter 8: Demand for Cultural Representation: Emerging Independent Film and Video on Lesbian Desires; Part III: Epistemologies; Chapter 9: The Queer Space of China: Expressive Desire in Stanley Kwan's Lan Yu Chapter 10: Saving Face, or the Future Perfect of Queer Chinese/American Cinema?Chapter 11: Remaking the Past, Interrupting the Present: The Spaces of Technology and Futurity in Contemporary Chinese Blockbusters; Chapter 12: Multiple-screen Realities; Contributors; Index; Back Cover |
| Record Nr. | UNINA-9910827177803321 |
| Bristol, UK ; ; Chicago, : Intellect, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
