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Adaptations and the new art film : remaking the classics in the twilight of cinema / / William H. Mooney
| Adaptations and the new art film : remaking the classics in the twilight of cinema / / William H. Mooney |
| Autore | Mooney William H. <1948-> |
| Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2021] |
| Descrizione fisica | 1 online resource (283 pages) |
| Disciplina | 791.436 |
| Collana | Palgrave Studies in Adaptation and Visual Culture |
| Soggetto topico |
Film remakes - History and criticism
Film adaptations - History and criticism Motion picture industry - History |
| ISBN | 3-030-62934-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910483329403321 |
Mooney William H. <1948->
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| Cham, Switzerland : , : Palgrave Macmillan, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The cinema in flux : the evolution of motion picture technology from the magic lantern to the digital era / / Lenny Lipton
| The cinema in flux : the evolution of motion picture technology from the magic lantern to the digital era / / Lenny Lipton |
| Autore | Lipton Lenny <1940-> |
| Pubbl/distr/stampa | New York, New York : , : Springer, , [2021] |
| Descrizione fisica | 1 online resource (761 pages) |
| Disciplina | 777.09 |
| Soggetto topico |
Cinematography - History
Motion picture cameras - History Motion picture industry - History Motion picture cameras |
| Soggetto genere / forma | History |
| ISBN |
9781071609514
1-0716-0951-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I. The glass cinema: The cinema of real motion. Huygens and the magic lantern ; The magic lanternists ; Lantern light and glass -- Part II. The glass cinema: Apparent motion, discovered and applied. Plateau invents the phenakistoscope ; A persistent myth ; The Zoëtrope and the Praxinoscope ; Daguerre's photography ; Fox Talbot's photography ; Protocinematographers: Duboscq to Le Prince ; Muybridge and Anschütz ; Chronophotographers: Janssen, Marey, and Demenÿ -- Part III. The celluloid cinema: The 35 mm medium. Edison, Dickson, and the Kineto Project ; The Kinetograph ; The Kinetoscope: projection's inspiration ; Dickson moves on: Lambda, Mutoscope, and Bitzer ; Jenkins and Armat: American projection ; The Lumières and the Europeans ; Edison and the Trust ; Porter the filmmaker ; Porter and the Simplex ; Camera design befor WWII ; Camera design after WWII ; Ciné lenses: Part I ; Ciné lenses: Part II -- Part IV. The celluloid cinema: Sound. Silent sound ; Synchronizing the photograph ; Electronics for talking shadows ; The origins of sound-on-film ; One man bands: Lauste and Tykociner ; Tri-Ergon ; de Forest and Case ; Phonofilm ; William Fox hears the future ; Vitaphone ; Movietone ; RCA vs. ERPI ; William Fox vs. the industry ; Optical sound evolution ; Multichannel, magnetic, and digital sound -- Part V. The celluloid cinema: Color. Applied color ; Color elucidated ; Color photography before the movies ; Urban and the origins of Kinemacolor ; The rise and fall of Kinemacolor ; Additive color after Kinemacolor ; Subtractive technologies ; Kelley's color microcosm ; TruColor and Cinecolor ; Two-color Technicolor ; Three-color Technicolor ; Agfa and Ansco color ; Eastman color -- Part VI. The celluloid cinema: Small formats. Early small formats ; 16 mm ; Kodachrome ; Double 8 mm and Super 8 -- Part VII. The celluloid cinema: The big wide screen. The shape of screens to come ; Grandeur et al. ; Expanded screen: the interregnum ends ; This is Cinerama ; Cinerama after Waller ; CinemaScope ; 'Scope variations ; Wide screen and VistaVision ; Todd-AO ; 65/70 mm and Technirama ; IMAX and PLF exhibition -- Part VIII. The celluloid cinema: The Stereoscopic cinema. Early 3-D ; Polarization image selection ; 3-D in the last half of the twentieth century -- Part IX. Television and the digital cinema: Television. Vision at a distance ; Jenkins and Baird ; Farnsworth ; Zworykin ; Broadcasting begins ; Color wars: CBS vs RCA ; High definition television ; Film to video and the VTR -- Part X. Television and the digital cinema: The electronic cinema. Early adopters: electronic cinematography and CGI ; Digital technology ; The hybridization of post-production ; Electro-mechanical to digital projection ; Digital projection and 3-D converge. |
| Record Nr. | UNISA-996466733603316 |
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Lipton Lenny <1940->
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| New York, New York : , : Springer, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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The cinema in flux : the evolution of motion picture technology from the magic lantern to the digital era / / Lenny Lipton
| The cinema in flux : the evolution of motion picture technology from the magic lantern to the digital era / / Lenny Lipton |
| Autore | Lipton Lenny <1940-> |
| Pubbl/distr/stampa | New York, New York : , : Springer, , [2021] |
| Descrizione fisica | 1 online resource (761 pages) |
| Disciplina | 777.09 |
| Soggetto topico |
Cinematography - History
Motion picture cameras - History Motion picture industry - History Motion picture cameras |
| Soggetto genere / forma | History |
| ISBN |
9781071609514
1-0716-0951-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I. The glass cinema: The cinema of real motion. Huygens and the magic lantern ; The magic lanternists ; Lantern light and glass -- Part II. The glass cinema: Apparent motion, discovered and applied. Plateau invents the phenakistoscope ; A persistent myth ; The Zoëtrope and the Praxinoscope ; Daguerre's photography ; Fox Talbot's photography ; Protocinematographers: Duboscq to Le Prince ; Muybridge and Anschütz ; Chronophotographers: Janssen, Marey, and Demenÿ -- Part III. The celluloid cinema: The 35 mm medium. Edison, Dickson, and the Kineto Project ; The Kinetograph ; The Kinetoscope: projection's inspiration ; Dickson moves on: Lambda, Mutoscope, and Bitzer ; Jenkins and Armat: American projection ; The Lumières and the Europeans ; Edison and the Trust ; Porter the filmmaker ; Porter and the Simplex ; Camera design befor WWII ; Camera design after WWII ; Ciné lenses: Part I ; Ciné lenses: Part II -- Part IV. The celluloid cinema: Sound. Silent sound ; Synchronizing the photograph ; Electronics for talking shadows ; The origins of sound-on-film ; One man bands: Lauste and Tykociner ; Tri-Ergon ; de Forest and Case ; Phonofilm ; William Fox hears the future ; Vitaphone ; Movietone ; RCA vs. ERPI ; William Fox vs. the industry ; Optical sound evolution ; Multichannel, magnetic, and digital sound -- Part V. The celluloid cinema: Color. Applied color ; Color elucidated ; Color photography before the movies ; Urban and the origins of Kinemacolor ; The rise and fall of Kinemacolor ; Additive color after Kinemacolor ; Subtractive technologies ; Kelley's color microcosm ; TruColor and Cinecolor ; Two-color Technicolor ; Three-color Technicolor ; Agfa and Ansco color ; Eastman color -- Part VI. The celluloid cinema: Small formats. Early small formats ; 16 mm ; Kodachrome ; Double 8 mm and Super 8 -- Part VII. The celluloid cinema: The big wide screen. The shape of screens to come ; Grandeur et al. ; Expanded screen: the interregnum ends ; This is Cinerama ; Cinerama after Waller ; CinemaScope ; 'Scope variations ; Wide screen and VistaVision ; Todd-AO ; 65/70 mm and Technirama ; IMAX and PLF exhibition -- Part VIII. The celluloid cinema: The Stereoscopic cinema. Early 3-D ; Polarization image selection ; 3-D in the last half of the twentieth century -- Part IX. Television and the digital cinema: Television. Vision at a distance ; Jenkins and Baird ; Farnsworth ; Zworykin ; Broadcasting begins ; Color wars: CBS vs RCA ; High definition television ; Film to video and the VTR -- Part X. Television and the digital cinema: The electronic cinema. Early adopters: electronic cinematography and CGI ; Digital technology ; The hybridization of post-production ; Electro-mechanical to digital projection ; Digital projection and 3-D converge. |
| Record Nr. | UNINA-9910483492503321 |
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Lipton Lenny <1940->
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| New York, New York : , : Springer, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Empire of Effects : Industrial Light and Magic and the Rendering of Realism / / Julie A. Turnock
| The Empire of Effects : Industrial Light and Magic and the Rendering of Realism / / Julie A. Turnock |
| Autore | Turnock Julie A. |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | Austin, TX : , : University of Texas Press, , [2022] |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 777 |
| Soggetto topico |
Cinematography - Special effects
Motion picture industry - History Realism in motion pictures |
| ISBN |
1-4773-2531-X
9781477325315 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction: The ILM Version -- One. ILM Versus Everybody Else -- Two. Perfect Imperfection -- Three. Retconning CGI Innovation -- Four. Monsters Are Real -- Five. That Analog Feeling -- CONCLUSION. Unreal Engine -- Appendix: List of Films Mentioned in the Text -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910795869703321 |
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Turnock Julie A.
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| Austin, TX : , : University of Texas Press, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Empire of Effects : Industrial Light and Magic and the Rendering of Realism / / Julie A. Turnock
| The Empire of Effects : Industrial Light and Magic and the Rendering of Realism / / Julie A. Turnock |
| Autore | Turnock Julie A. |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | Austin, TX : , : University of Texas Press, , [2022] |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 777 |
| Soggetto topico |
Cinematography - Special effects
Motion picture industry - History Realism in motion pictures |
| ISBN |
1-4773-2531-X
9781477325315 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction: The ILM Version -- One. ILM Versus Everybody Else -- Two. Perfect Imperfection -- Three. Retconning CGI Innovation -- Four. Monsters Are Real -- Five. That Analog Feeling -- CONCLUSION. Unreal Engine -- Appendix: List of Films Mentioned in the Text -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910818255503321 |
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Turnock Julie A.
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| Austin, TX : , : University of Texas Press, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Making movies Black [[electronic resource] ] : the Hollywood message movie from World War II to the civil rights era / / Thomas Cripps
| Making movies Black [[electronic resource] ] : the Hollywood message movie from World War II to the civil rights era / / Thomas Cripps |
| Autore | Cripps Thomas |
| Pubbl/distr/stampa | New York, : Oxford University Press, 1993 |
| Descrizione fisica | 1 online resource (401 p.) |
| Disciplina | 791.43/08996073 |
| Soggetto topico |
African Americans in the motion picture industry
Motion picture industry - History |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4294-0757-3
1-280-52631-9 0-19-536034-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; 1. Antebellum Hollywood; 2. Wendell and Walter Go to Hollywood; 3. The Making of a Genre: The Integration of Colin Kelly, Meyer Levin, and Dorie Miller; 4. The Making of The Negro Soldier; 5. Hollywood Wins: The End of ""Race Movies,""; 6. Documentary Film Culture and Postwar Liberal Momentum; 7. Thermidor; 8. ""A Pot of Message,""; 9. Settling In, Settling For; Abbreviations; Notes; Index; |
| Record Nr. | UNINA-9910454898603321 |
|
Cripps Thomas
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| New York, : Oxford University Press, 1993 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Making movies Black : the Hollywood message movie from World War II to the civil rights era / / Thomas Cripps
| Making movies Black : the Hollywood message movie from World War II to the civil rights era / / Thomas Cripps |
| Autore | Cripps Thomas |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , 1993 |
| Descrizione fisica | 1 online resource (401 pages) |
| Disciplina | 791.43/08996073 |
| Soggetto topico |
African Americans in the motion picture industry
Motion picture industry - History |
| ISBN |
0-19-772512-0
1-4294-0757-3 1-280-52631-9 0-19-536034-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; 1. Antebellum Hollywood; 2. Wendell and Walter Go to Hollywood; 3. The Making of a Genre: The Integration of Colin Kelly, Meyer Levin, and Dorie Miller; 4. The Making of The Negro Soldier; 5. Hollywood Wins: The End of ""Race Movies,""; 6. Documentary Film Culture and Postwar Liberal Momentum; 7. Thermidor; 8. ""A Pot of Message,""; 9. Settling In, Settling For; Abbreviations; Notes; Index; |
| Record Nr. | UNINA-9910778479703321 |
|
Cripps Thomas
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| New York : , : Oxford University Press, , 1993 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Making movies Black : the Hollywood message movie from World War II to the civil rights era / / Thomas Cripps
| Making movies Black : the Hollywood message movie from World War II to the civil rights era / / Thomas Cripps |
| Autore | Cripps Thomas |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, : Oxford University Press, 1993 |
| Descrizione fisica | 1 online resource (401 pages) |
| Disciplina | 791.43/08996073 |
| Collana | Oxford scholarship online |
| Soggetto topico |
African Americans in the motion picture industry
Motion picture industry - History |
| ISBN |
0-19-772512-0
1-4294-0757-3 1-280-52631-9 0-19-536034-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; 1. Antebellum Hollywood; 2. Wendell and Walter Go to Hollywood; 3. The Making of a Genre: The Integration of Colin Kelly, Meyer Levin, and Dorie Miller; 4. The Making of The Negro Soldier; 5. Hollywood Wins: The End of ""Race Movies,""; 6. Documentary Film Culture and Postwar Liberal Momentum; 7. Thermidor; 8. ""A Pot of Message,""; 9. Settling In, Settling For; Abbreviations; Notes; Index; |
| Record Nr. | UNINA-9910810882003321 |
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Cripps Thomas
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| New York, : Oxford University Press, 1993 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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A Short History of Film / / Wheeler Winston Dixon, Gwendolyn Audrey Foster
| A Short History of Film / / Wheeler Winston Dixon, Gwendolyn Audrey Foster |
| Autore | Dixon Wheeler W. <1950-> |
| Edizione | [Third edition.] |
| Pubbl/distr/stampa | New Brunswick, NJ : , : Rutgers University Press, , [2018] |
| Descrizione fisica | 1 online resource (449 pages) |
| Disciplina | 791.4309 |
| Soggetto topico |
Motion pictures - History
Motion picture industry - History |
| Soggetto non controllato |
black and white
cinema studies cinema cinematography classic film directing dixon foster film history film studies film |
| ISBN |
0-8135-9514-2
1-78684-766-3 0-8135-9516-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Timeline -- One. The Invention Of The Movies -- Two. The Birth Of An American Industry -- Three. World Cinema: The Silent Era -- Four. The Hollywood Studio System In The 1930S And 1940S -- Five. International Cinema Through World War II -- Six. Postwar Challenges To The Movies -- Seven. World Cinema In The 1950S -- Eight. The 1960S Explosion -- Nine. World Cinema 1970 To The Present -- Ten. The New Hollywood -- Glossary Of Film Terms -- Bibliography -- Index |
| Record Nr. | UNINA-9910795064203321 |
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Dixon Wheeler W. <1950->
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| New Brunswick, NJ : , : Rutgers University Press, , [2018] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A Short History of Film / / Wheeler Winston Dixon, Gwendolyn Audrey Foster
| A Short History of Film / / Wheeler Winston Dixon, Gwendolyn Audrey Foster |
| Autore | Dixon Wheeler W. <1950-> |
| Edizione | [Third edition.] |
| Pubbl/distr/stampa | New Brunswick, NJ : , : Rutgers University Press, , [2018] |
| Descrizione fisica | 1 online resource (449 pages) |
| Disciplina | 791.4309 |
| Soggetto topico |
Motion pictures - History
Motion picture industry - History |
| Soggetto non controllato |
black and white
cinema studies cinema cinematography classic film directing dixon foster film history film studies film |
| ISBN |
0-8135-9514-2
1-78684-766-3 0-8135-9516-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Timeline -- One. The Invention Of The Movies -- Two. The Birth Of An American Industry -- Three. World Cinema: The Silent Era -- Four. The Hollywood Studio System In The 1930S And 1940S -- Five. International Cinema Through World War II -- Six. Postwar Challenges To The Movies -- Seven. World Cinema In The 1950S -- Eight. The 1960S Explosion -- Nine. World Cinema 1970 To The Present -- Ten. The New Hollywood -- Glossary Of Film Terms -- Bibliography -- Index |
| Record Nr. | UNINA-9910821345403321 |
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Dixon Wheeler W. <1950->
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| New Brunswick, NJ : , : Rutgers University Press, , [2018] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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