Autore	Granzer Susanne
Edizione	[1st ed. 2016.]
Pubbl/distr/stampa	2016
Descrizione fisica	1 online resource (xi, 120 pages) : illustrations
Disciplina	792.02801
Collana	Performance Philosophy
Soggetto topico	Motion picture authorship Motion pictures Television broadcasting Performing arts Theater Philosophy Screenwriting Film and Television Studies Theatre and Performance Arts
ISBN	9781137596345 1137596341
Classificazione	PER000000PER004050PER011000PHI000000
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Part I: Hits -- 1. Auditorium X -- Double stalemate -- Turning point, peripeteia -- Turn around -- i, mine -- 2. Speculations -- Actors' fears -- Crying -- Child's play -- Exposed -- With-out me -- 3. Black out -- First time at the theater -- Part II: Experts in being? -- 4. The actor: A creature of fable -- why do you want to be an actor? -- 5. The Causa Corpora -- The kiss of Olympia -- Machine against man -- The actor's trump card -- 6. The gift of acting -- Skipping -- Prejudice -- Subject-based thinking versus stage experience -- Master and servant -- Bodies on stage -- Innocence of becoming -- Language and speaking -- Digesting speech -- Counterwords -- The Other, the others -- Affect versus thought -- Thinking and acting -- Repetition -- 7. The gift of death -- Tu es mort -- Theater as a symbolic death -- Point of no return -- Felicity -- a salto mortale -- Our friend Touchstone -- 8. Finale and punctum -- Why do you want to be an actor?
Record Nr.	UNINA-9910134808903321

Edizione	[1st ed. 2020.]
Pubbl/distr/stampa	Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020
Descrizione fisica	1 online resource (373 pages)
Disciplina	741.5973 801
Collana	Adaptation in Theatre and Performance
Soggetto topico	Performing arts Theater Motion picture acting Literature and technology Mass media and literature Comparative literature Motion picture authorship Theater - Production and direction Theatre and Performance Arts Screen Performance Literature and Technology Comparative Literature Screenwriting Theatre Direction and Production
ISBN	9783030251611 3030251616
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	1. Introduction: Process and Practice -- 2. Collaborating with the Dead, or Adapters as Secret Agents -- 3. 'Playing the Maids': Playing with Adaptive Possibilities - Collaboration and the Actor's Process -- 4. The Not-So-Singular Life of Albert Nobbs -- 5. Adaptation, Devising and Collective Creation: Tracing Histories of Pat McCabe's The Butcher Boy on Stage -- 6. The Alien World of Objects: Stanley Kubrick's The Killing -- 7. Adapting History in the Docupoetry of Lorna Dee Cervantes and Script Poems of Danez Smith and Claudia Rankine -- 8. "His world had vanished long before he entered it" Wes Anderson's homage to Stefan Zweig -- 9. Collaborative Art with Political Intent: The 1933 Adaptation of Theodor Storm's Der Schimmelreiter / The Rider on the White Horse (1888) -- 10. Adapting Hein's Willenbrock: Andreas Dresen and the legacy of the GDR 'Ensemble' Tradition -- 11. Same Player, Shoot Again: Géla Babluan's 13 (Tzameti), Transnational Auto-Remakes, and Collaboration -- 12. Anselm Kiefer's Signature -- 13. Adaptation as Arguing with the Past: The Case of Sherlock -- 14. The Prestige Noverlisation of the Contemporary TV Series: David Hewson's The Killing -- 15. Things You Can Do to an Author When He's Dead: Literary Prosthetics and the Example of Heinrich von Kleist -- 16. Collaborating with the Dead, Playing the Shakespeare Archive; or How We Can Avoid Being Pushed from Our Stools.
Record Nr.	UNINA-9910483880203321

Edizione	[First edition.]
Pubbl/distr/stampa	New York, N.Y. : , : Routledge, , 2011
Descrizione fisica	1 online resource (288 p.)
Disciplina	809.2/3
Altri autori (Persone)	NelmesJill <1954->
Soggetto topico	Motion picture authorship Motion picture plays - Technique
Soggetto genere / forma	Electronic books.
ISBN	1-136-91244-4 1-136-91245-2 1-282-88603-7 9786612886034 0-203-84338-X
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Book Cover; Title; Copyright; Contents; Figures; Contributors; Acknowledgements; Chapter 1 Introduction; Part 1 History of the form; Chapter 2 Entertaining the public option: The popular film writing movement and the emergence of writing for the American silent cinema; Chapter 3 Screenwriters who shaped the Pre-Code woman and their struggle with censorship; Chapter 4 Screenwriting in Britain 1895-1929; Part II Development, craft and process; Chapter 5 An impossible task?: Scripting The Chilian Club; Chapter 6 Boards, beats, binaries and bricolage: Approaches to the animation script Chapter 7 The flexibility of genre: The action-adventure film in 1939Part III Alternatives to the conventional screenplay form; Chapter 8 'Let the audience add up two plus two. They'll love you forever.': The screenplay as a self-teaching system; Chapter 9 The screenplay as prototype; Chapter 10 A similar sense of time: The collaboration between writer Jon Raymond and director Kelly Reichardt in Old Joy and Wendy and Lucy; Chapter 11 On screenwriting outside the West; Part IV Theoretical and critical approaches; Chapter 12 Character in the screenplay text Chapter 13 Realism and screenplay dialogueChapter 14 Analysing the screenplay: A comparative approach; Chapter 15 Beyond McKee: Screenwriting in and out of the academy; Index
Record Nr.	UNINA-9910459186703321