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Beyond the looking glass : narcissism and female stardom in studio-era Hollywood / / Ana Salzberg
| Beyond the looking glass : narcissism and female stardom in studio-era Hollywood / / Ana Salzberg |
| Autore | Salzberg Ana |
| Pubbl/distr/stampa | New York : , : Berghahn, , 2014 |
| Descrizione fisica | 1 online resource (205 p.) |
| Disciplina | 791.4302/80820973 |
| Soggetto topico |
Women in the motion picture industry - California - Los Angeles
Motion picture actors and actresses - California - Los Angeles Motion picture studios - United States - History - 20th century Motion picture audiences - United States Women in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-78238-400-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Figures; Acknowledgments; Introduction - The Narcissistic Woman: Reflections nd Projections; Chapter 1 - Garbo Talks: Expectation and Realization; Chapter 2 - Katharine Hepburn and a Hollywood Story; Chapter 3 - Vanishing Differences in Mildred Pierce (1945) and Leave Her to Heaven (1945); Chapter 4 - One Touch of Venus: Ava Gardner, Rita Hayworth, and the Production Code; Chapter 5 - ""Wherever There's Magic"": Performance Time in Sunset Boulevard (1950) and All About Eve (1950); Chapter 6 - Marilyn Monroe: ""The Last Glimmering of the Sacred""
Chapter 7 - Neo-Screen Tests, Part One: Grace Kelly and Elizabeth TaylorChapter 8 - Neo-Screen Tests, Part Two: The Search for Scarlett Continues; Filmography; Bibliography; Index |
| Record Nr. | UNINA-9910465022103321 |
Salzberg Ana
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| New York : , : Berghahn, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Beyond the looking glass : narcissism and female stardom in studio-era Hollywood / / Ana Salzberg
| Beyond the looking glass : narcissism and female stardom in studio-era Hollywood / / Ana Salzberg |
| Autore | Salzberg Ana |
| Pubbl/distr/stampa | New York : , : Berghahn, , 2014 |
| Descrizione fisica | 1 online resource (205 p.) |
| Disciplina | 791.4302/80820973 |
| Soggetto topico |
Women in the motion picture industry - California - Los Angeles
Motion picture actors and actresses - California - Los Angeles Motion picture studios - United States - History - 20th century Motion picture audiences - United States Women in motion pictures |
| ISBN | 1-78238-400-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Figures; Acknowledgments; Introduction - The Narcissistic Woman: Reflections nd Projections; Chapter 1 - Garbo Talks: Expectation and Realization; Chapter 2 - Katharine Hepburn and a Hollywood Story; Chapter 3 - Vanishing Differences in Mildred Pierce (1945) and Leave Her to Heaven (1945); Chapter 4 - One Touch of Venus: Ava Gardner, Rita Hayworth, and the Production Code; Chapter 5 - ""Wherever There's Magic"": Performance Time in Sunset Boulevard (1950) and All About Eve (1950); Chapter 6 - Marilyn Monroe: ""The Last Glimmering of the Sacred""
Chapter 7 - Neo-Screen Tests, Part One: Grace Kelly and Elizabeth TaylorChapter 8 - Neo-Screen Tests, Part Two: The Search for Scarlett Continues; Filmography; Bibliography; Index |
| Record Nr. | UNINA-9910786795503321 |
|
Salzberg Ana
|
||
| New York : , : Berghahn, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Beyond the looking glass : narcissism and female stardom in studio-era Hollywood / / Ana Salzberg
| Beyond the looking glass : narcissism and female stardom in studio-era Hollywood / / Ana Salzberg |
| Autore | Salzberg Ana |
| Pubbl/distr/stampa | New York : , : Berghahn, , 2014 |
| Descrizione fisica | 1 online resource (205 p.) |
| Disciplina | 791.4302/80820973 |
| Soggetto topico |
Women in the motion picture industry - California - Los Angeles
Motion picture actors and actresses - California - Los Angeles Motion picture studios - United States - History - 20th century Motion picture audiences - United States Women in motion pictures |
| ISBN | 1-78238-400-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Figures; Acknowledgments; Introduction - The Narcissistic Woman: Reflections nd Projections; Chapter 1 - Garbo Talks: Expectation and Realization; Chapter 2 - Katharine Hepburn and a Hollywood Story; Chapter 3 - Vanishing Differences in Mildred Pierce (1945) and Leave Her to Heaven (1945); Chapter 4 - One Touch of Venus: Ava Gardner, Rita Hayworth, and the Production Code; Chapter 5 - ""Wherever There's Magic"": Performance Time in Sunset Boulevard (1950) and All About Eve (1950); Chapter 6 - Marilyn Monroe: ""The Last Glimmering of the Sacred""
Chapter 7 - Neo-Screen Tests, Part One: Grace Kelly and Elizabeth TaylorChapter 8 - Neo-Screen Tests, Part Two: The Search for Scarlett Continues; Filmography; Bibliography; Index |
| Record Nr. | UNINA-9910819046503321 |
|
Salzberg Ana
|
||
| New York : , : Berghahn, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Disney's most notorious film [[electronic resource] ] : race, convergence, and the hidden histories of Song of the South / / by Jason Sperb
| Disney's most notorious film [[electronic resource] ] : race, convergence, and the hidden histories of Song of the South / / by Jason Sperb |
| Autore | Sperb Jason <1978-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, 2012 |
| Descrizione fisica | 1 online resource (295 p.) |
| Disciplina | 791.43/6552 |
| Soggetto topico |
Race relations in motion pictures
African Americans in motion pictures Stereotypes (Social psychology) in motion pictures Motion picture audiences - United States Convergence (Telecommunication) |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-292-73975-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Conditions of possibility: the Disney Studios, postwar "thermidor," and the ambivalent origins of Song of the South -- "Put down the mint julep, Mr. Disney": postwar racial consciousness and Disney's critical legacy in the 1946 reception of Song of the South -- "Our most requested movie": media convergence, black ambivalence, and the reconstruction of Song of the South -- A past that never existed: coonskin, post-racial whiteness, and rewriting history in the era of Reaganism -- On tar babies and honey pots: Splash Mountain, "Zip-a-dee-doo-dah," and the transmedia dissipation of Song of the South -- Reassuring convergence: new media, nostalgia, and the internet fandom of Song of the South -- Conclusion. |
| Record Nr. | UNINA-9910461884203321 |
|
Sperb Jason <1978->
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||
| Austin, : University of Texas Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Disney's most notorious film [[electronic resource] ] : race, convergence, and the hidden histories of Song of the South / / by Jason Sperb
| Disney's most notorious film [[electronic resource] ] : race, convergence, and the hidden histories of Song of the South / / by Jason Sperb |
| Autore | Sperb Jason <1978-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, 2012 |
| Descrizione fisica | 1 online resource (295 p.) |
| Disciplina | 791.43/6552 |
| Soggetto topico |
Race relations in motion pictures
African Americans in motion pictures Stereotypes (Social psychology) in motion pictures Motion picture audiences - United States Convergence (Telecommunication) |
| ISBN | 0-292-73975-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Conditions of possibility: the Disney Studios, postwar "thermidor," and the ambivalent origins of Song of the South -- "Put down the mint julep, Mr. Disney": postwar racial consciousness and Disney's critical legacy in the 1946 reception of Song of the South -- "Our most requested movie": media convergence, black ambivalence, and the reconstruction of Song of the South -- A past that never existed: coonskin, post-racial whiteness, and rewriting history in the era of Reaganism -- On tar babies and honey pots: Splash Mountain, "Zip-a-dee-doo-dah," and the transmedia dissipation of Song of the South -- Reassuring convergence: new media, nostalgia, and the internet fandom of Song of the South -- Conclusion. |
| Record Nr. | UNINA-9910785933103321 |
|
Sperb Jason <1978->
|
||
| Austin, : University of Texas Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Disney's most notorious film : race, convergence, and the hidden histories of Song of the South / / by Jason Sperb
| Disney's most notorious film : race, convergence, and the hidden histories of Song of the South / / by Jason Sperb |
| Autore | Sperb Jason <1978-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, 2012 |
| Descrizione fisica | 1 online resource (295 p.) |
| Disciplina | 791.43/6552 |
| Soggetto topico |
Race relations in motion pictures
African Americans in motion pictures Stereotypes (Social psychology) in motion pictures Motion picture audiences - United States Convergence (Telecommunication) |
| ISBN | 0-292-73975-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Conditions of possibility: the Disney Studios, postwar "thermidor," and the ambivalent origins of Song of the South -- "Put down the mint julep, Mr. Disney": postwar racial consciousness and Disney's critical legacy in the 1946 reception of Song of the South -- "Our most requested movie": media convergence, black ambivalence, and the reconstruction of Song of the South -- A past that never existed: coonskin, post-racial whiteness, and rewriting history in the era of Reaganism -- On tar babies and honey pots: Splash Mountain, "Zip-a-dee-doo-dah," and the transmedia dissipation of Song of the South -- Reassuring convergence: new media, nostalgia, and the internet fandom of Song of the South -- Conclusion. |
| Record Nr. | UNINA-9910807815603321 |
|
Sperb Jason <1978->
|
||
| Austin, : University of Texas Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Euro horror [[electronic resource] ] : classic European horror cinema in contemporary American culture / / Ian Olney
| Euro horror [[electronic resource] ] : classic European horror cinema in contemporary American culture / / Ian Olney |
| Autore | Olney Ian |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, 2013 |
| Descrizione fisica | 1 online resource (280 p.) |
| Disciplina | 791.43/6164 |
| Collana | New directions in national cinemas |
| Soggetto topico |
Horror films - Europe - History and criticism
Motion picture audiences - United States |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-253-00658-9
1-283-97948-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Toward a performative theory of Euro horror cinema. Academic hot spots and blind spots: horror film studies and Euro horror cinema -- Fast, cheap, and out of control: the academic case against Euro horror cinema -- Playing dead, take one: Euro horror film production -- Playing dead, take two: Euro horror film reception -- Return of the repressed: Euro horror cinema in contemporary American culture -- Case studies in Euro horror cinema. Blood and black lace: the Giallo film -- The whip and the body: the S&M horror film -- Cannibal apocalypse: cannibal and zombie films -- Conclusion: from the grindhouse to the arthouse: the legacy of Euro horror cinema. |
| Record Nr. | UNINA-9910452782003321 |
|
Olney Ian
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||
| Bloomington, : Indiana University Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Euro horror [[electronic resource] ] : classic European horror cinema in contemporary American culture / / Ian Olney
| Euro horror [[electronic resource] ] : classic European horror cinema in contemporary American culture / / Ian Olney |
| Autore | Olney Ian |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, 2013 |
| Descrizione fisica | 1 online resource (280 p.) |
| Disciplina | 791.43/6164 |
| Collana | New directions in national cinemas |
| Soggetto topico |
Horror films - Europe - History and criticism
Motion picture audiences - United States |
| ISBN |
0-253-00658-9
1-283-97948-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Toward a performative theory of Euro horror cinema. Academic hot spots and blind spots: horror film studies and Euro horror cinema -- Fast, cheap, and out of control: the academic case against Euro horror cinema -- Playing dead, take one: Euro horror film production -- Playing dead, take two: Euro horror film reception -- Return of the repressed: Euro horror cinema in contemporary American culture -- Case studies in Euro horror cinema. Blood and black lace: the Giallo film -- The whip and the body: the S&M horror film -- Cannibal apocalypse: cannibal and zombie films -- Conclusion: from the grindhouse to the arthouse: the legacy of Euro horror cinema. |
| Record Nr. | UNINA-9910779470503321 |
|
Olney Ian
|
||
| Bloomington, : Indiana University Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Euro horror : classic European horror cinema in contemporary American culture / / Ian Olney
| Euro horror : classic European horror cinema in contemporary American culture / / Ian Olney |
| Autore | Olney Ian |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, 2013 |
| Descrizione fisica | 1 online resource (280 p.) |
| Disciplina | 791.43/6164 |
| Collana | New directions in national cinemas |
| Soggetto topico |
Horror films - Europe - History and criticism
Motion picture audiences - United States |
| ISBN |
0-253-00658-9
1-283-97948-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Toward a performative theory of Euro horror cinema. Academic hot spots and blind spots: horror film studies and Euro horror cinema -- Fast, cheap, and out of control: the academic case against Euro horror cinema -- Playing dead, take one: Euro horror film production -- Playing dead, take two: Euro horror film reception -- Return of the repressed: Euro horror cinema in contemporary American culture -- Case studies in Euro horror cinema. Blood and black lace: the Giallo film -- The whip and the body: the S&M horror film -- Cannibal apocalypse: cannibal and zombie films -- Conclusion: from the grindhouse to the arthouse: the legacy of Euro horror cinema. |
| Record Nr. | UNINA-9910813545503321 |
|
Olney Ian
|
||
| Bloomington, : Indiana University Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Migrating to the movies [[electronic resource] ] : cinema and Black urban modernity / / Jacqueline Najuma Stewart
| Migrating to the movies [[electronic resource] ] : cinema and Black urban modernity / / Jacqueline Najuma Stewart |
| Autore | Stewart Jacqueline Najuma <1970-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2005 |
| Descrizione fisica | 1 online resource (369 p.) |
| Disciplina | 791.43/652996073 |
| Soggetto topico |
African Americans in the motion picture industry
African Americans in motion pictures Motion picture audiences - United States African Americans - Migrations - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-59734-750-7
1-282-76265-6 9786612762659 0-520-93640-X 1-4175-8514-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Preface -- Acknowledgments -- Introduction: A Nigger in the Woodpile, or Black (In)Visibility in Film History -- 1. "To Misrepresent a Helpless Race": The Black Image Problem -- 2. Mixed Colors: Riddles of Blackness in Preclassical Cinema -- 3. "Negroes Laughing at Themselves"? Black Spectatorship and the Performance of Urban Modernity -- 4. "Some Thing to See Up Here All the Time": Moviegoing and Black Urban Leisure in Chicago -- 5. Along the "Stroll": Chicago's Black Belt Movie Theaters -- 6. Reckless Rovers versus Ambitious Negroes: Migration, Patriotism, and the Politics of Genre in Early African American Filmmaking -- 7. "We Were Never Immigrants": Oscar Micheaux and the Reconstruction of Black American Identity -- Conclusion -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910450359603321 |
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Stewart Jacqueline Najuma <1970->
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| Berkeley, : University of California Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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