Attraverso le immagini : tre saggi sull'emozione cinematografica / / Enrico Carocci
| Attraverso le immagini : tre saggi sull'emozione cinematografica / / Enrico Carocci |
| Autore | Carocci Enrico |
| Pubbl/distr/stampa | Roma, : Bulzoni, 2012 |
| Descrizione fisica | 123 p |
| Disciplina | 791 |
| Collana | Cinemaespanso Attraverso le immagini |
| Soggetto topico |
Motion pictures - Psychological aspects
Motion picture audiences - Psychology Emotions Music, Dance, Drama & Film Film |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Altri titoli varianti | Attraverso le immagini |
| Record Nr. | UNINA-9910171030903321 |
Carocci Enrico
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| Roma, : Bulzoni, 2012 | ||
| Lo trovi qui: Univ. Federico II | ||
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Cinema of choice [[electronic resource] ] : optional thinking and narrative movies / / Nitzan Ben Shaul
| Cinema of choice [[electronic resource] ] : optional thinking and narrative movies / / Nitzan Ben Shaul |
| Autore | Ben-Shaul Nitzan S |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, : Berghahn Books, 2012 |
| Descrizione fisica | 1 online resource (198 p.) |
| Disciplina | 791.4301 |
| Soggetto topico |
Motion pictures - Philosophy
Motion picture audiences - Psychology Motion pictures - Psychological aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-25420-0
9786613814852 0-85745-592-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Closed mindedness in movies -- Failed alternatives to optional thinking -- Optional thinking in movies -- Conclusion. |
| Record Nr. | UNINA-9910462526703321 |
Ben-Shaul Nitzan S
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| New York, : Berghahn Books, 2012 | ||
| Lo trovi qui: Univ. Federico II | ||
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Cinema of choice [[electronic resource] ] : optional thinking and narrative movies / / Nitzan Ben Shaul
| Cinema of choice [[electronic resource] ] : optional thinking and narrative movies / / Nitzan Ben Shaul |
| Autore | Ben-Shaul Nitzan S |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, : Berghahn Books, 2012 |
| Descrizione fisica | 1 online resource (198 p.) |
| Disciplina | 791.4301 |
| Soggetto topico |
Motion pictures - Philosophy
Motion picture audiences - Psychology Motion pictures - Psychological aspects |
| ISBN |
1-282-25420-0
9786613814852 0-85745-592-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Closed mindedness in movies -- Failed alternatives to optional thinking -- Optional thinking in movies -- Conclusion. |
| Record Nr. | UNINA-9910790319803321 |
Ben-Shaul Nitzan S
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| New York, : Berghahn Books, 2012 | ||
| Lo trovi qui: Univ. Federico II | ||
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Dreaming of Cinema : Spectatorship, Surrealism, and the Age of Digital Media / / Adam Lowenstein
| Dreaming of Cinema : Spectatorship, Surrealism, and the Age of Digital Media / / Adam Lowenstein |
| Autore | Lowenstein Adam |
| Pubbl/distr/stampa | New York, NY : , : Columbia University Press, , [2014] |
| Descrizione fisica | 1 online resource (275 p.) |
| Disciplina | 302.23/43 |
| Collana | Film and Culture Series |
| Soggetto topico |
Motion picture audiences - Psychology
Motion picture audiences Surrealism in motion pictures |
| ISBN |
9780231538480
0231538480 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- 1. Enlarged Spectatorship -- 2. Interactive Spectatorship -- 3. Globalized Spectatorship -- 4. Posthuman Spectatorship -- 5. Collaborative Spectatorship -- Afterword -- Notes -- Bibliography -- Index -- Back matter |
| Record Nr. | UNINA-9911090670503321 |
Lowenstein Adam
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| New York, NY : , : Columbia University Press, , [2014] | ||
| Lo trovi qui: Univ. Federico II | ||
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Dreaming of Cinema : Spectatorship, Surrealism, and the Age of Digital Media / / Adam Lowenstein
| Dreaming of Cinema : Spectatorship, Surrealism, and the Age of Digital Media / / Adam Lowenstein |
| Autore | Lowenstein Adam |
| Pubbl/distr/stampa | New York, NY : , : Columbia University Press, , [2014] |
| Descrizione fisica | 1 online resource (275 p.) |
| Disciplina | 302.23/43 |
| Collana | Film and Culture Series |
| Soggetto topico |
Motion picture audiences - Psychology
Motion picture audiences Surrealism in motion pictures |
| ISBN |
9780231538480
0231538480 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- 1. Enlarged Spectatorship -- 2. Interactive Spectatorship -- 3. Globalized Spectatorship -- 4. Posthuman Spectatorship -- 5. Collaborative Spectatorship -- Afterword -- Notes -- Bibliography -- Index -- Back matter |
| Record Nr. | UNINA-9911132069503321 |
| Lowenstein Adam | ||
| New York, NY : , : Columbia University Press, , [2014] | ||
| Lo trovi qui: Univ. Federico II | ||
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Ethics of cinematic experience : screens of alterity / / Orna Raviv
| Ethics of cinematic experience : screens of alterity / / Orna Raviv |
| Autore | Raviv Orna |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Abingdon, Oxon, UK ; ; New York : , : Routledge, , 2020 |
| Descrizione fisica | 1 online resource (163 pages) |
| Disciplina | 791.43019 |
| Collana | Routledge advances in film studies |
| Soggetto topico | Motion picture audiences - Psychology |
| ISBN |
0-429-76535-5
0-429-42789-1 0-429-76536-3 9780429427893 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Perspectivalism and beyond -- Point of view -- The cinematic type -- The face and the close-up -- The face and the close-up -- take 2 -- Becoming machine -- Cinema's responsibilities. |
| Record Nr. | UNINA-9911116866503321 |
Raviv Orna
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| Abingdon, Oxon, UK ; ; New York : , : Routledge, , 2020 | ||
| Lo trovi qui: Univ. Federico II | ||
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Ethics of cinematic experience : screens of alterity / / Orna Raviv
| Ethics of cinematic experience : screens of alterity / / Orna Raviv |
| Autore | Raviv Orna |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Abingdon, Oxon, UK ; ; New York : , : Routledge, , 2020 |
| Descrizione fisica | 1 online resource (163 pages) |
| Disciplina | 791.43019 |
| Collana | Routledge advances in film studies |
| Soggetto topico | Motion picture audiences - Psychology |
| ISBN |
0-429-76535-5
0-429-42789-1 0-429-76536-3 9780429427893 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Perspectivalism and beyond -- Point of view -- The cinematic type -- The face and the close-up -- The face and the close-up -- take 2 -- Becoming machine -- Cinema's responsibilities. |
| Record Nr. | UNINA-9911145460603321 |
| Raviv Orna | ||
| Abingdon, Oxon, UK ; ; New York : , : Routledge, , 2020 | ||
| Lo trovi qui: Univ. Federico II | ||
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Memory and the moving image : French film in the digital era / / Isabelle McNeill
| Memory and the moving image : French film in the digital era / / Isabelle McNeill |
| Autore | McNeill Isabelle F (Isabelle Frances) |
| Pubbl/distr/stampa | Edinburgh, Scotland : , : Edinburgh University Press, , [2012] |
| Descrizione fisica | 1 online resource (viii, 181 pages) : digital, PDF file(s) |
| Disciplina | 791.430944 |
| Soggetto topico |
Memory in motion pictures
Motion pictures, French Motion picture audiences - Psychology |
| ISBN |
0-7486-8949-4
0-7486-7101-3 1-282-62056-8 9786612620560 0-7486-4220-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: film and memory in contemporary France -- Memory and the moving image -- Virtual museums and memory objects -- Facing the past -- Memory maps and city space -- Conclusion. |
| Record Nr. | UNINA-9910791261203321 |
McNeill Isabelle F (Isabelle Frances)
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| Edinburgh, Scotland : , : Edinburgh University Press, , [2012] | ||
| Lo trovi qui: Univ. Federico II | ||
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Memory and the moving image : French film in the digital era / / Isabelle McNeill
| Memory and the moving image : French film in the digital era / / Isabelle McNeill |
| Autore | McNeill Isabelle F (Isabelle Frances) |
| Pubbl/distr/stampa | Edinburgh, Scotland : , : Edinburgh University Press, , [2012] |
| Descrizione fisica | 1 online resource (viii, 181 pages) : digital, PDF file(s) |
| Disciplina | 791.430944 |
| Soggetto topico |
Memory in motion pictures
Motion pictures, French Motion picture audiences - Psychology |
| ISBN |
0-7486-8949-4
0-7486-7101-3 1-282-62056-8 9786612620560 0-7486-4220-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: film and memory in contemporary France -- Memory and the moving image -- Virtual museums and memory objects -- Facing the past -- Memory maps and city space -- Conclusion. |
| Record Nr. | UNINA-9910807605003321 |
McNeill Isabelle F (Isabelle Frances)
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| Edinburgh, Scotland : , : Edinburgh University Press, , [2012] | ||
| Lo trovi qui: Univ. Federico II | ||
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Moving image theory [[electronic resource] ] : ecological considerations / / edited by Joseph D. Anderson and Barbara Fisher Anderson ; with a foreword by David Bordwell
| Moving image theory [[electronic resource] ] : ecological considerations / / edited by Joseph D. Anderson and Barbara Fisher Anderson ; with a foreword by David Bordwell |
| Pubbl/distr/stampa | Carbondale, : Southern Illinois University Press, c2005 |
| Descrizione fisica | 1 online resource (269 p.) |
| Disciplina | 302.23/43 |
| Altri autori (Persone) |
AndersonJoseph <1940->
AndersonBarbara Fisher <1951-> |
| Soggetto topico |
Motion pictures - Psychological aspects
Motion picture audiences - Psychology |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8093-8757-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright; Contents; Foreword; Preliminary Considerations; Part One. Information Available in Moving Images; 1. Perceiving Scenes in Film and in the World; 2. The Value of Oriented Geometry for Ecological Psychology and Moving Image Art; Part Two. Perception of Simulated Human Motion; 3. Creating Realistic Motion; 4. Perceiving Human Motion in Synthesized Images; Part Three. Acoustic Events; 5. Background Tracks in Recent Cinema; 6. Acoustic Specification of Object Properties; Part Four. Information in Facial Expression
7. Three Views of Facial Expression and Its Understandingin the Cinema8. Facial Motion as a Cue to Identity; Part Five. Coupling of Perception and Emotion; 9. Film Lighting and Mood; 10. Cinematic Creation of Emotion; Part Six. Appeals of Reality-Based Moving Images; 11. Documentary's Peculiar Appeals; 12. Reality Programming: Evolutionary Models of Film and Television Viewership; Part Seven. Events, Symbols, and Metaphors; 13. Through Alice's Glass: The Creation and Perception of Other Worlds in Movies, Pictures, and Virtual Reality; 14. Metaphors in Movies; Contributors; Index; Back Cover |
| Record Nr. | UNINA-9910452699603321 |
| Carbondale, : Southern Illinois University Press, c2005 | ||
| Lo trovi qui: Univ. Federico II | ||
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