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After uniqueness : a history of film and video art in circulation / / Erika Balsom
| After uniqueness : a history of film and video art in circulation / / Erika Balsom |
| Autore | Balsom Erika |
| Pubbl/distr/stampa | New York : , : Columbia University Press, , 2017 |
| Descrizione fisica | 1 online resource (313 pages) |
| Disciplina | 302.2343 |
| Collana | Film and Culture Series |
| Soggetto topico |
Motion picture audiences - History
Video art - History Motion pictures and the arts Art and motion pictures Motion picture industry - Technological innovations |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-231-17692-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction: Copy Rites -- 1. The Promise and Threat of Reproducibility -- 2. 8 mm and the "Blessings of Books and Records" -- 3. Bootlegging Experimental Film -- 4. Copyright and the Commons -- 5. The Limited Edition -- 6. The Event of Projection -- 7. A Cinematic Bayreuth -- 8. Transmission, from the Movie-Drome to Vdrome -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910466088903321 |
Balsom Erika
|
||
| New York : , : Columbia University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
After uniqueness : a history of film and video art in circulation / / Erika Balsom
| After uniqueness : a history of film and video art in circulation / / Erika Balsom |
| Autore | Balsom Erika |
| Pubbl/distr/stampa | New York : , : Columbia University Press, , 2017 |
| Descrizione fisica | 1 online resource (313 pages) |
| Disciplina | 302.2343 |
| Collana | Film and Culture Series |
| Soggetto topico |
Motion picture audiences - History
Video art - History Motion pictures and the arts Art and motion pictures Motion picture industry - Technological innovations |
| ISBN | 0-231-17692-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction: Copy Rites -- 1. The Promise and Threat of Reproducibility -- 2. 8 mm and the "Blessings of Books and Records" -- 3. Bootlegging Experimental Film -- 4. Copyright and the Commons -- 5. The Limited Edition -- 6. The Event of Projection -- 7. A Cinematic Bayreuth -- 8. Transmission, from the Movie-Drome to Vdrome -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910792796403321 |
|
Balsom Erika
|
||
| New York : , : Columbia University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
After uniqueness : a history of film and video art in circulation / / Erika Balsom
| After uniqueness : a history of film and video art in circulation / / Erika Balsom |
| Autore | Balsom Erika |
| Pubbl/distr/stampa | New York : , : Columbia University Press, , 2017 |
| Descrizione fisica | 1 online resource (313 pages) |
| Disciplina | 302.2343 |
| Collana | Film and Culture Series |
| Soggetto topico |
Motion picture audiences - History
Video art - History Motion pictures and the arts Art and motion pictures Motion picture industry - Technological innovations |
| ISBN | 0-231-17692-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction: Copy Rites -- 1. The Promise and Threat of Reproducibility -- 2. 8 mm and the "Blessings of Books and Records" -- 3. Bootlegging Experimental Film -- 4. Copyright and the Commons -- 5. The Limited Edition -- 6. The Event of Projection -- 7. A Cinematic Bayreuth -- 8. Transmission, from the Movie-Drome to Vdrome -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910826288703321 |
|
Balsom Erika
|
||
| New York : , : Columbia University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Watching Films [[electronic resource] ] : New Perspectives on Movie-Going, Exhibition and Reception
| Watching Films [[electronic resource] ] : New Perspectives on Movie-Going, Exhibition and Reception |
| Autore | Aveyard Karina |
| Pubbl/distr/stampa | Bristol, : Intellect Books Ltd, 2013 |
| Descrizione fisica | 1 online resource (442 p.) |
| Disciplina | 791.43015 |
| Altri autori (Persone) | MoranAlbert |
| Soggetto topico |
Film criticism
Motion pictures -- Appreciation Motion picture audiences - History Motion picture industry Music, Dance, Drama & Film Film |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-78320-042-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover ; Half Title ; Title ; Copyright ; Dedication ; Contents; Foreword; Figures and Tables; Acknowledgements; About the Contributors; Introduction: New Perspectives on Movie-going, Exhibition and Reception ; Part I: Theoretical Perspectives ; Chapter 1: Cinema, Modernity and Audiences: Revisiting and Expanding the Debate; Chapter 2: What is a Cinema? Death, Closure and the Database; Chapter 3: A Poetics of Film-audience Reception? Barbara Deming Goes to the Movies; Chapter 4: The Porous Boundaries of Newsreel Memory Research
Chapter 5: Why are Children the Most Important Audience for Pornography in Australia?Part II: The Film Industry - Systems and Practices ; Chapter 6: Local Promotion of a 'Picture Personality': A Case Study of the Vitagraph Girl ; Chapter 7: 'Calamity Howling': The Advent of Television and Australian Cinema Exhibition; Chapter 8; A Nation of Film-goers: Audiences, Exhibition and Distribution in New Zealand; Chapter 9: The Critical Reception of Certified Copy: Original Art or Copy of a Rom-com?; Part III: Movie Theatres - From Picture Palace to the Multiplex From Out-of-town to the Edge and Back to the Centre: Multiplexes in Britain from the 1990sPart IV: On the Margins ; Chapter 15: The Place of Rural Exhibition: Makeshift Cinema-going and the Highlands and Islands Film Guild (Scotland); Chapter 16: 'A Popcorn-free Zone': Distinctions in Independent Film Exhibition in Wellington, New Zealand; Chapter 17: Getting to See Women's Cinema; Chapter 18: Shifting Fandoms of Film, Community and Family; Part V: Just Watching Movies? ; Chapter 19: Watching Popular Films in the Netherlands, 1934-36 Chapter 20: Contemporary Italian Film-goers and Their CriticsChapter 21: Imagining a 'Decent Crowd' at the Indian Multiplex; Chapter 22: The VHS Generation and their Movie Experiences; Index; Back Cover |
| Record Nr. | UNINA-9910463791803321 |
|
Aveyard Karina
|
||
| Bristol, : Intellect Books Ltd, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Watching Films [[electronic resource] ] : New Perspectives on Movie-Going, Exhibition and Reception
| Watching Films [[electronic resource] ] : New Perspectives on Movie-Going, Exhibition and Reception |
| Autore | Aveyard Karina |
| Pubbl/distr/stampa | Bristol, : Intellect Books Ltd, 2013 |
| Descrizione fisica | 1 online resource (442 p.) |
| Disciplina | 791.43015 |
| Altri autori (Persone) | MoranAlbert |
| Soggetto topico |
Film criticism
Motion pictures -- Appreciation Motion picture audiences - History Motion picture industry Music, Dance, Drama & Film Film |
| ISBN | 1-78320-042-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover ; Half Title ; Title ; Copyright ; Dedication ; Contents; Foreword; Figures and Tables; Acknowledgements; About the Contributors; Introduction: New Perspectives on Movie-going, Exhibition and Reception ; Part I: Theoretical Perspectives ; Chapter 1: Cinema, Modernity and Audiences: Revisiting and Expanding the Debate; Chapter 2: What is a Cinema? Death, Closure and the Database; Chapter 3: A Poetics of Film-audience Reception? Barbara Deming Goes to the Movies; Chapter 4: The Porous Boundaries of Newsreel Memory Research
Chapter 5: Why are Children the Most Important Audience for Pornography in Australia?Part II: The Film Industry - Systems and Practices ; Chapter 6: Local Promotion of a 'Picture Personality': A Case Study of the Vitagraph Girl ; Chapter 7: 'Calamity Howling': The Advent of Television and Australian Cinema Exhibition; Chapter 8; A Nation of Film-goers: Audiences, Exhibition and Distribution in New Zealand; Chapter 9: The Critical Reception of Certified Copy: Original Art or Copy of a Rom-com?; Part III: Movie Theatres - From Picture Palace to the Multiplex From Out-of-town to the Edge and Back to the Centre: Multiplexes in Britain from the 1990sPart IV: On the Margins ; Chapter 15: The Place of Rural Exhibition: Makeshift Cinema-going and the Highlands and Islands Film Guild (Scotland); Chapter 16: 'A Popcorn-free Zone': Distinctions in Independent Film Exhibition in Wellington, New Zealand; Chapter 17: Getting to See Women's Cinema; Chapter 18: Shifting Fandoms of Film, Community and Family; Part V: Just Watching Movies? ; Chapter 19: Watching Popular Films in the Netherlands, 1934-36 Chapter 20: Contemporary Italian Film-goers and Their CriticsChapter 21: Imagining a 'Decent Crowd' at the Indian Multiplex; Chapter 22: The VHS Generation and their Movie Experiences; Index; Back Cover |
| Record Nr. | UNINA-9910787320603321 |
|
Aveyard Karina
|
||
| Bristol, : Intellect Books Ltd, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Watching Films : New Perspectives on Movie-Going, Exhibition and Reception
| Watching Films : New Perspectives on Movie-Going, Exhibition and Reception |
| Autore | Aveyard Karina |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol, : Intellect Books Ltd, 2013 |
| Descrizione fisica | 1 online resource (442 p.) |
| Disciplina | 791.43015 |
| Altri autori (Persone) | MoranAlbert |
| Soggetto topico |
Film criticism
Motion pictures -- Appreciation Motion picture audiences - History Motion picture industry Music, Dance, Drama & Film Film |
| ISBN | 1-78320-042-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover ; Half Title ; Title ; Copyright ; Dedication ; Contents; Foreword; Figures and Tables; Acknowledgements; About the Contributors; Introduction: New Perspectives on Movie-going, Exhibition and Reception ; Part I: Theoretical Perspectives ; Chapter 1: Cinema, Modernity and Audiences: Revisiting and Expanding the Debate; Chapter 2: What is a Cinema? Death, Closure and the Database; Chapter 3: A Poetics of Film-audience Reception? Barbara Deming Goes to the Movies; Chapter 4: The Porous Boundaries of Newsreel Memory Research
Chapter 5: Why are Children the Most Important Audience for Pornography in Australia?Part II: The Film Industry - Systems and Practices ; Chapter 6: Local Promotion of a 'Picture Personality': A Case Study of the Vitagraph Girl ; Chapter 7: 'Calamity Howling': The Advent of Television and Australian Cinema Exhibition; Chapter 8; A Nation of Film-goers: Audiences, Exhibition and Distribution in New Zealand; Chapter 9: The Critical Reception of Certified Copy: Original Art or Copy of a Rom-com?; Part III: Movie Theatres - From Picture Palace to the Multiplex From Out-of-town to the Edge and Back to the Centre: Multiplexes in Britain from the 1990sPart IV: On the Margins ; Chapter 15: The Place of Rural Exhibition: Makeshift Cinema-going and the Highlands and Islands Film Guild (Scotland); Chapter 16: 'A Popcorn-free Zone': Distinctions in Independent Film Exhibition in Wellington, New Zealand; Chapter 17: Getting to See Women's Cinema; Chapter 18: Shifting Fandoms of Film, Community and Family; Part V: Just Watching Movies? ; Chapter 19: Watching Popular Films in the Netherlands, 1934-36 Chapter 20: Contemporary Italian Film-goers and Their CriticsChapter 21: Imagining a 'Decent Crowd' at the Indian Multiplex; Chapter 22: The VHS Generation and their Movie Experiences; Index; Back Cover |
| Record Nr. | UNINA-9910961401503321 |
|
Aveyard Karina
|
||
| Bristol, : Intellect Books Ltd, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
