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Acting in the cinema [[electronic resource] /] / James Naremore
| Acting in the cinema [[electronic resource] /] / James Naremore |
| Autore | Naremore James |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c1988 |
| Descrizione fisica | 1 online resource (318 p.) |
| Disciplina | 791.43/028 |
| Soggetto topico |
Motion picture acting
Motion pictures - United States |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-520-91066-4
1-282-75863-2 9786612758638 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Performance in the age of mechanical reproduction -- pt. 2. Star performances -- pt. 3. Film as a performance text. |
| Record Nr. | UNINA-9910457269503321 |
Naremore James
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||
| Berkeley, : University of California Press, c1988 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Acting in the cinema / / James Naremore
| Acting in the cinema / / James Naremore |
| Autore | Naremore James |
| Edizione | [First paperback edition.] |
| Pubbl/distr/stampa | Berkeley : , : University of California Press, , 1988 |
| Descrizione fisica | 1 online resource (318 pages) |
| Disciplina | 791.43/028 |
| Soggetto topico |
Motion picture acting
Motion pictures - United States |
| ISBN |
0-520-91066-4
1-282-75863-2 9786612758638 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Performance in the age of mechanical reproduction -- pt. 2. Star performances -- pt. 3. Film as a performance text. |
| Record Nr. | UNINA-9910778947103321 |
|
Naremore James
|
||
| Berkeley : , : University of California Press, , 1988 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Acting in the cinema / / James Naremore
| Acting in the cinema / / James Naremore |
| Autore | Naremore James |
| Edizione | [First paperback edition.] |
| Pubbl/distr/stampa | Berkeley : , : University of California Press, , 1988 |
| Descrizione fisica | 1 online resource (318 pages) |
| Disciplina | 791.43/028 |
| Soggetto topico |
Motion picture acting
Motion pictures - United States |
| ISBN |
0-520-91066-4
1-282-75863-2 9786612758638 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Performance in the age of mechanical reproduction -- pt. 2. Star performances -- pt. 3. Film as a performance text. |
| Record Nr. | UNINA-9910824146703321 |
|
Naremore James
|
||
| Berkeley : , : University of California Press, , 1988 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Acting Indie : Industry, Aesthetics, and Performance / / by Cynthia Baron, Yannis Tzioumakis
| Acting Indie : Industry, Aesthetics, and Performance / / by Cynthia Baron, Yannis Tzioumakis |
| Autore | Baron Cynthia |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (xii, 347 pages) : illustrations |
| Disciplina | 791.430280922 |
| Collana | Palgrave Studies in Screen Industries and Performance |
| Soggetto topico |
Motion picture acting
Motion pictures Screen Performance Film/TV Industry |
| ISBN | 1-137-40863-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910483320103321 |
|
Baron Cynthia
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||
| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Adaptation and Nation : Theatrical Contexts for Contemporary English and Irish Drama / / by Catherine Rees
| Adaptation and Nation : Theatrical Contexts for Contemporary English and Irish Drama / / by Catherine Rees |
| Autore | Rees Catherine |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (IX, 185 p.) |
| Disciplina | 792 |
| Collana | Adaptation in Theatre and Performance |
| Soggetto topico |
Theater
Motion picture acting Cultural heritage Communication Ethnology—Europe Theatre and Performance Studies Screen Performance Cultural Heritage Media and Communication British Culture |
| Soggetto genere / forma | Adaptations. |
| ISBN | 1-137-42587-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. Introduction -- Chapter 2. Brian Friel -- Chapter 3. Marina Carr -- Chapter 4. Sarah Kane -- Chapter 5. Patrick Marber -- Chapter 6. “An Interlude” -- Chapter 7. Martin McDonagh -- Chapter 8. Conclusion -- Bibliography -- Index. |
| Record Nr. | UNINA-9910255077003321 |
|
Rees Catherine
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Adaptation Considered as a Collaborative Art : Process and Practice / / edited by Bernadette Cronin, Rachel MagShamhráin, Nikolai Preuschoff
| Adaptation Considered as a Collaborative Art : Process and Practice / / edited by Bernadette Cronin, Rachel MagShamhráin, Nikolai Preuschoff |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (373 pages) |
| Disciplina |
741.5973
801 |
| Collana | Adaptation in Theatre and Performance |
| Soggetto topico |
Performing arts
Motion picture acting Technology in literature Literature—Translations Motion picture authorship Theater—Production and direction Performing Arts Screen Performance Literature and Technology/Media Translation Studies Screenwriting Theatre Direction and Production |
| ISBN | 3-030-25161-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Process and Practice -- 2. Collaborating with the Dead, or Adapters as Secret Agents -- 3. 'Playing the Maids': Playing with Adaptive Possibilities - Collaboration and the Actor's Process -- 4. The Not-So-Singular Life of Albert Nobbs -- 5. Adaptation, Devising and Collective Creation: Tracing Histories of Pat McCabe's The Butcher Boy on Stage -- 6. The Alien World of Objects: Stanley Kubrick's The Killing -- 7. Adapting History in the Docupoetry of Lorna Dee Cervantes and Script Poems of Danez Smith and Claudia Rankine -- 8. "His world had vanished long before he entered it" Wes Anderson's homage to Stefan Zweig -- 9. Collaborative Art with Political Intent: The 1933 Adaptation of Theodor Storm's Der Schimmelreiter / The Rider on the White Horse (1888) -- 10. Adapting Hein's Willenbrock: Andreas Dresen and the legacy of the GDR 'Ensemble' Tradition -- 11. Same Player, Shoot Again: Géla Babluan's 13 (Tzameti), Transnational Auto-Remakes, and Collaboration -- 12. Anselm Kiefer's Signature -- 13. Adaptation as Arguing with the Past: The Case of Sherlock -- 14. The Prestige Noverlisation of the Contemporary TV Series: David Hewson's The Killing -- 15. Things You Can Do to an Author When He's Dead: Literary Prosthetics and the Example of Heinrich von Kleist -- 16. Collaborating with the Dead, Playing the Shakespeare Archive; or How We Can Avoid Being Pushed from Our Stools. |
| Record Nr. | UNINA-9910483880203321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Anglo-American Stage and Screen Drama : The Post-Democratic World Order / / by Mike Ingham
| Anglo-American Stage and Screen Drama : The Post-Democratic World Order / / by Mike Ingham |
| Autore | Ingham Mike |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (293 pages) |
| Disciplina | 792.9 |
| Soggetto topico |
Theater - History
Performing arts Theater Motion pictures Television broadcasting Motion picture acting Cultural policy Popular Culture Contemporary Theatre and Performance Theatre and Performance Arts Film and Television Studies Screen Performance Cultural Policy and Politics |
| ISBN | 3-031-45198-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction:Anglophone Drama in a Post-Democratic, Post-Truth World -- Chapter 1. Western Theatre as Sociopolitical Forum—A Short History -- Chapter 2. Progressive Western Cinema -- Chapter 3. Case-study Films and Plays from the First Decade -- Chapter 4. Case-study Films and Plays from the First Decade -- Chapter 5. Case-study Films and Plays from the Second Decade.-Chapter 6. Case-study Films and Plays from the Second Decade -- Conclusion: Progressive Drama and its Potentialities . |
| Record Nr. | UNINA-9910766890103321 |
|
Ingham Mike
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The art of film acting : a guide for actors and directors / / Jeremiah Comey
| The art of film acting : a guide for actors and directors / / Jeremiah Comey |
| Autore | Comey Jeremiah |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Oxford ; ; Boston : , : Focal Press, , 2002 |
| Descrizione fisica | 1 online resource (301 p.) |
| Disciplina | 791.43/028 |
| Soggetto topico | Motion picture acting |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-136-04721-2
1-136-04722-0 1-281-00580-0 9786611005801 0-08-049050-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; The Art of Film Acting: A Guide for Actors and Directors; Copyright Page; Contents; Preface; Acknowledgments; 1. The Exercise; Transcript of two actors doing a scene in class. Jeremiah interacts with them and guides them through the scene using the Five Arts; Summary; Actor Practice; 2. Stage versus Film Acting; Preparing for a Role; The Demands of Performance; One Good Performance; Projecting; Film and Theater Close-Ups; Emotions and Feelings; Subtext; Camera and Proscenium Arch; Personality and Character; Dialogue; Monologues; Film Experience versus Stage Experience; Reacting
SummaryActor Practice; 3. Becoming a Great Actor; The Actor's Responsibility; Casablanca; Acting Is Being and Awareness; The Five Arts of Film Acting; The Power of Relating; Acting ""On the Nose""; Listen to the Other Actor; Acting Is a Profession; Summary; Actor Practice; 4. Sight Reading; How Sight Reading Works; How to Sight Read; Importance of Sight Reading; Second-Guessing the Director; Multiple Auditions; Helpful Hints; Summary; Actor Practice; 5. The Art of Concentration; Concentration; Internal Rap; Interest Is the Focal Point of Concentration; Feedback; Emotions Happiness, Sadness, Anger, Fear, LoveDifferentiating between the Emotions; Laughter and Sadness; Focused Concentration; How to Increase Your Concentration; Summary; Actor Practice; 6. The Art of Not Knowing; Everything Happens As If for the First Time; Being Intimate without Taking It Personally; Beginner's Mind and Logical Mind; After the Scene, Forget It; Opinions and Beliefs Will Destroy You; Play the Character, Not the Stereotype; Judgment Is a Trap; Leave Your Feelings on the Set; Self-Criticism; Use Your Beginner's Mind to Not Know; Summary; Actor Practice 7. More on the Art of Not KnowingThe First Time; Bad Acting on Film Is the Triumph of Logic; Don't Be Safe; The Power of Not Knowing; Memorizing and Not Knowing; Repeating an Emotional Experience; Discover Facts by Concentrating on the Other Actor; Judgments Ruin Your Acting; A Genuine Experience; Summary; Actor Practice; 8. Still More on the Art of Not Knowing; The Director's Ideas; Ideas and the Actors; The Director's Vision; Good Actors Make Things Happen; Directors Use Blocking to Elicit Responses; A Director's Scene Preparation; Importance of the Art of Not Knowing; Summary Actor Practice9. The Art of Acceptance; Acceptance; Play the Game; Trust the Roller Coaster; Having Fun; Sets and Locations Are Real; Summary; Actor Practice; 10. The Art of Giving and Receiving; Giving and Receiving; Giving, Receiving, and Subtext; Accepting Responsibility; The Relating Exercise; Different Emotional Levels; There Are No Officially Sanctioned Responses; Summary; Actor Practice; 11. The Senses; See through Untainted Eyes; The Abilities; The Maestro's Ears; The Sense of Touch; Touching to Relax; Touching to Stimulate Love; Touching to Provoke Anger Touching to Stimulate Laughter |
| Record Nr. | UNINA-9910457512103321 |
|
Comey Jeremiah
|
||
| Oxford ; ; Boston : , : Focal Press, , 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The art of film acting : a guide for actors and directors / / Jeremiah Comey
| The art of film acting : a guide for actors and directors / / Jeremiah Comey |
| Autore | Comey Jeremiah |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Oxford ; ; Boston : , : Focal Press, , 2002 |
| Descrizione fisica | 1 online resource (301 p.) |
| Disciplina | 791.43/028 |
| Soggetto topico | Motion picture acting |
| ISBN |
1-136-04721-2
1-136-04722-0 1-281-00580-0 9786611005801 0-08-049050-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; The Art of Film Acting: A Guide for Actors and Directors; Copyright Page; Contents; Preface; Acknowledgments; 1. The Exercise; Transcript of two actors doing a scene in class. Jeremiah interacts with them and guides them through the scene using the Five Arts; Summary; Actor Practice; 2. Stage versus Film Acting; Preparing for a Role; The Demands of Performance; One Good Performance; Projecting; Film and Theater Close-Ups; Emotions and Feelings; Subtext; Camera and Proscenium Arch; Personality and Character; Dialogue; Monologues; Film Experience versus Stage Experience; Reacting
SummaryActor Practice; 3. Becoming a Great Actor; The Actor's Responsibility; Casablanca; Acting Is Being and Awareness; The Five Arts of Film Acting; The Power of Relating; Acting ""On the Nose""; Listen to the Other Actor; Acting Is a Profession; Summary; Actor Practice; 4. Sight Reading; How Sight Reading Works; How to Sight Read; Importance of Sight Reading; Second-Guessing the Director; Multiple Auditions; Helpful Hints; Summary; Actor Practice; 5. The Art of Concentration; Concentration; Internal Rap; Interest Is the Focal Point of Concentration; Feedback; Emotions Happiness, Sadness, Anger, Fear, LoveDifferentiating between the Emotions; Laughter and Sadness; Focused Concentration; How to Increase Your Concentration; Summary; Actor Practice; 6. The Art of Not Knowing; Everything Happens As If for the First Time; Being Intimate without Taking It Personally; Beginner's Mind and Logical Mind; After the Scene, Forget It; Opinions and Beliefs Will Destroy You; Play the Character, Not the Stereotype; Judgment Is a Trap; Leave Your Feelings on the Set; Self-Criticism; Use Your Beginner's Mind to Not Know; Summary; Actor Practice 7. More on the Art of Not KnowingThe First Time; Bad Acting on Film Is the Triumph of Logic; Don't Be Safe; The Power of Not Knowing; Memorizing and Not Knowing; Repeating an Emotional Experience; Discover Facts by Concentrating on the Other Actor; Judgments Ruin Your Acting; A Genuine Experience; Summary; Actor Practice; 8. Still More on the Art of Not Knowing; The Director's Ideas; Ideas and the Actors; The Director's Vision; Good Actors Make Things Happen; Directors Use Blocking to Elicit Responses; A Director's Scene Preparation; Importance of the Art of Not Knowing; Summary Actor Practice9. The Art of Acceptance; Acceptance; Play the Game; Trust the Roller Coaster; Having Fun; Sets and Locations Are Real; Summary; Actor Practice; 10. The Art of Giving and Receiving; Giving and Receiving; Giving, Receiving, and Subtext; Accepting Responsibility; The Relating Exercise; Different Emotional Levels; There Are No Officially Sanctioned Responses; Summary; Actor Practice; 11. The Senses; See through Untainted Eyes; The Abilities; The Maestro's Ears; The Sense of Touch; Touching to Relax; Touching to Stimulate Love; Touching to Provoke Anger Touching to Stimulate Laughter |
| Record Nr. | UNINA-9910784580003321 |
|
Comey Jeremiah
|
||
| Oxford ; ; Boston : , : Focal Press, , 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The art of film acting : a guide for actors and directors / / Jeremiah Comey
| The art of film acting : a guide for actors and directors / / Jeremiah Comey |
| Autore | Comey Jeremiah |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Oxford ; ; Boston, : Focal Press, c2002 |
| Descrizione fisica | 1 online resource (301 p.) |
| Disciplina | 791.43/028 |
| Soggetto topico | Motion picture acting |
| ISBN |
1-136-04721-2
1-136-04722-0 1-281-00580-0 9786611005801 0-08-049050-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; The Art of Film Acting: A Guide for Actors and Directors; Copyright Page; Contents; Preface; Acknowledgments; 1. The Exercise; Transcript of two actors doing a scene in class. Jeremiah interacts with them and guides them through the scene using the Five Arts; Summary; Actor Practice; 2. Stage versus Film Acting; Preparing for a Role; The Demands of Performance; One Good Performance; Projecting; Film and Theater Close-Ups; Emotions and Feelings; Subtext; Camera and Proscenium Arch; Personality and Character; Dialogue; Monologues; Film Experience versus Stage Experience; Reacting
SummaryActor Practice; 3. Becoming a Great Actor; The Actor's Responsibility; Casablanca; Acting Is Being and Awareness; The Five Arts of Film Acting; The Power of Relating; Acting ""On the Nose""; Listen to the Other Actor; Acting Is a Profession; Summary; Actor Practice; 4. Sight Reading; How Sight Reading Works; How to Sight Read; Importance of Sight Reading; Second-Guessing the Director; Multiple Auditions; Helpful Hints; Summary; Actor Practice; 5. The Art of Concentration; Concentration; Internal Rap; Interest Is the Focal Point of Concentration; Feedback; Emotions Happiness, Sadness, Anger, Fear, LoveDifferentiating between the Emotions; Laughter and Sadness; Focused Concentration; How to Increase Your Concentration; Summary; Actor Practice; 6. The Art of Not Knowing; Everything Happens As If for the First Time; Being Intimate without Taking It Personally; Beginner's Mind and Logical Mind; After the Scene, Forget It; Opinions and Beliefs Will Destroy You; Play the Character, Not the Stereotype; Judgment Is a Trap; Leave Your Feelings on the Set; Self-Criticism; Use Your Beginner's Mind to Not Know; Summary; Actor Practice 7. More on the Art of Not KnowingThe First Time; Bad Acting on Film Is the Triumph of Logic; Don't Be Safe; The Power of Not Knowing; Memorizing and Not Knowing; Repeating an Emotional Experience; Discover Facts by Concentrating on the Other Actor; Judgments Ruin Your Acting; A Genuine Experience; Summary; Actor Practice; 8. Still More on the Art of Not Knowing; The Director's Ideas; Ideas and the Actors; The Director's Vision; Good Actors Make Things Happen; Directors Use Blocking to Elicit Responses; A Director's Scene Preparation; Importance of the Art of Not Knowing; Summary Actor Practice9. The Art of Acceptance; Acceptance; Play the Game; Trust the Roller Coaster; Having Fun; Sets and Locations Are Real; Summary; Actor Practice; 10. The Art of Giving and Receiving; Giving and Receiving; Giving, Receiving, and Subtext; Accepting Responsibility; The Relating Exercise; Different Emotional Levels; There Are No Officially Sanctioned Responses; Summary; Actor Practice; 11. The Senses; See through Untainted Eyes; The Abilities; The Maestro's Ears; The Sense of Touch; Touching to Relax; Touching to Stimulate Love; Touching to Provoke Anger Touching to Stimulate Laughter |
| Record Nr. | UNINA-9910827623303321 |
|
Comey Jeremiah
|
||
| Oxford ; ; Boston, : Focal Press, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Soggetto topico
-
Motion picture acting
(44)
- Screen Performance (27)
- Motion pictures (11)
- Performing arts (10)
- Performing Arts (8)