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All about Almodóvar [[electronic resource] ] : a passion for cinema / / Brad Epps and Despina Kakoudaki, editors
| All about Almodóvar [[electronic resource] ] : a passion for cinema / / Brad Epps and Despina Kakoudaki, editors |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, 2009 |
| Descrizione fisica | 1 online resource (505 p.) |
| Disciplina | 791.4302/33092 |
| Altri autori (Persone) |
EppsBradley S
KakoudakiDespina |
| Soggetto topico |
Motion pictures - Spain
Motion Pictures Film criticism |
| ISBN | 0-8166-6788-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction. Approaching Almodóvar: thirty years of reinvention / Brad Epps and Despina Kakoudaki -- Forms and figures. Almodóvar on television: industry and thematics / Paul Julian Smith -- Queer sound: musical otherness in three films by Pedro Almodóvar / Kathleen M. Vernon -- Performing identities in the cinema of Pedro Almodóvar / Isolina Ballesteros -- Acts of violence in Almodóvar / Peter William Evans -- Heart of farce: Almodóvar's comic complexities / Andy Medhurst -- Melodrama and its discontents. Mimesis and diegesis: Almodóvar and the limits of melodrama / Mark Allinson -- Melancholy melodrama: Almodovarian grief and lost homosexual attachments / Linda Williams -- Intimate strangers: melodrama and coincidence in Talk to her / Despina Kakoudaki -- The limits of representation. Almodóvar's girls / Leo Bersani and Ulysse Dutoit -- All about the brothers: retroseriality in Almodóvar's cinema / Marsha Kinder -- Blind shots and backward glances: reviewing Matador and Labyrinth of passion / Brad Epps -- Missing a beat: syncopated rhythms and subterranean subjects in the spectral economy of Volver / Steven Marsh -- Postnostalgia in Bad education: written on the body of Sara Montiel / Marvin D'Lugo -- The auteur in context. Inside Almodóvar / Ignacio Oliva -- Pepi, Patty, and beyond: cinema and literature in Almodóvar / Francisco A. Zurián -- Bad education: fictional autobiography and meta-film noir / Víctor Fuentes -- Coda. Volver: a filmmaker's diary / Pedro Almodóvar. |
| Record Nr. | UNINA-9910781190603321 |
| Minneapolis, : University of Minnesota Press, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
All about Almodóvar [[electronic resource] ] : a passion for cinema / / Brad Epps and Despina Kakoudaki, editors
| All about Almodóvar [[electronic resource] ] : a passion for cinema / / Brad Epps and Despina Kakoudaki, editors |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, 2009 |
| Descrizione fisica | 1 online resource (505 p.) |
| Disciplina | 791.4302/33092 |
| Altri autori (Persone) |
EppsBradley S
KakoudakiDespina |
| Soggetto topico |
Motion pictures - Spain
Motion Pictures Film criticism |
| ISBN | 0-8166-6788-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction. Approaching Almodóvar: thirty years of reinvention / Brad Epps and Despina Kakoudaki -- Forms and figures. Almodóvar on television: industry and thematics / Paul Julian Smith -- Queer sound: musical otherness in three films by Pedro Almodóvar / Kathleen M. Vernon -- Performing identities in the cinema of Pedro Almodóvar / Isolina Ballesteros -- Acts of violence in Almodóvar / Peter William Evans -- Heart of farce: Almodóvar's comic complexities / Andy Medhurst -- Melodrama and its discontents. Mimesis and diegesis: Almodóvar and the limits of melodrama / Mark Allinson -- Melancholy melodrama: Almodovarian grief and lost homosexual attachments / Linda Williams -- Intimate strangers: melodrama and coincidence in Talk to her / Despina Kakoudaki -- The limits of representation. Almodóvar's girls / Leo Bersani and Ulysse Dutoit -- All about the brothers: retroseriality in Almodóvar's cinema / Marsha Kinder -- Blind shots and backward glances: reviewing Matador and Labyrinth of passion / Brad Epps -- Missing a beat: syncopated rhythms and subterranean subjects in the spectral economy of Volver / Steven Marsh -- Postnostalgia in Bad education: written on the body of Sara Montiel / Marvin D'Lugo -- The auteur in context. Inside Almodóvar / Ignacio Oliva -- Pepi, Patty, and beyond: cinema and literature in Almodóvar / Francisco A. Zurián -- Bad education: fictional autobiography and meta-film noir / Víctor Fuentes -- Coda. Volver: a filmmaker's diary / Pedro Almodóvar. |
| Record Nr. | UNINA-9910821699903321 |
| Minneapolis, : University of Minnesota Press, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
American film
| American film |
| Pubbl/distr/stampa | Washington, D.C., : American Film Institute, ©1975-©1991 |
| Disciplina | 791.43/05 |
| Soggetto topico |
Motion pictures - United States
Television broadcasting - United States Motion pictures Television broadcasting CINE - PUBLICACIONES PERIODICAS Motion Pictures Motion Pictures as Topic |
| Soggetto genere / forma |
Periodicals.
Periodical |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996335972003316 |
| Washington, D.C., : American Film Institute, ©1975-©1991 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Classics in film and fiction [[electronic resource] /] / edited by Deborah Cartmell, I.Q. Hunter, Heidi Kaye, Imelda Whelehan
| Classics in film and fiction [[electronic resource] /] / edited by Deborah Cartmell, I.Q. Hunter, Heidi Kaye, Imelda Whelehan |
| Pubbl/distr/stampa | London ; ; Sterling, Va., : Pluto Press, 2000 |
| Descrizione fisica | 1 online resource (256 p.) |
| Disciplina | 791.43/6 |
| Altri autori (Persone) | CartmellDeborah |
| Collana | Film/fiction |
| Soggetto topico |
Canon (Literature)
Film adaptations - History and criticism Motion pictures and literature Motion Pictures |
| ISBN |
1-84964-509-4
0-585-42672-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Contents""; ""Notes on Contributors""; ""Introduction: Classics Across the Film/ Literature Divide ""; ""Notes""; ""Further Reading""; ""1. 'If Only You Could See What I've Seen with Your Eyes': Blade Runner and La Symphonie Pastorale""; ""Notes""; ""2. Classic Shakespeare for All: Forbidden Planet and Prospero's Books, Two Screen Adaptations of The Tempest ""; ""Notes""; ""3. The Red and the Blue: Jane Eyre in the 1990's ""; ""Notes""; ""4. Transcultural Aesthetics and the Film Adaptations of Henry James ""; ""The American""; ""The Portrait of a Lady""; ""The Wings of the Dove""; ""Notes""
""5. 'Hystorical' Puritanism: Contemporary Cinematic Adaptations of Nathaniel Hawthorne's The Scarlet Letter and Arthur Mil"" ""Notes""; ""6. Mrs. Dalloway and Orlando: The Subject of Time and Generic Transactions ""; ""Notes""; ""7. 'Desire Projected Itself Visually': Watching Death in Venice ""; ""Notes""; ""8. Leopold Bloom Walks and Jimmy Stewart Stares: On Motion, Genre and the Classic ""; ""Notes""; ""9. Trial and Error: Combinatory Fidelity in Two Versions of Franz Kafka's The Trial ""; ""Notes""; ""10. In Cold Blood : Yellow Birds, New Realism and Killer Culture ""; ""Notes"" ""11. Home by Tea- time: Fear of Imagination in Disney's Alice in Wonderland """"Notes""; ""Index""; ""2001 A Space Odyssey [Kubrick] 43""; ""acting, stage and screen 96-7""; ""actors""; "" foreign 58""; "" recycling 8""; "" recycling 8""; "" recycling 56-7""; "" recycling 56-7""; "" recycling 94""; "" recycling 94""; "" recycling 187-8""; "" recycling 187-8""; "" recycling 189-90""; "" recycling 189-90""; ""adaptations of classics""; "" and contemporary context 3-4""; "" and imaginative rereadings 138""; "" and interpretation 7""; "" and interpretation 8"" "" and interpretation 10"""" and interpretation 48-50""; "" and interpretation 138""; "" and interpretation 181""; "" and making money 9""; "" and making money 94""; "" authority of text 43""; "" authority of text 45""; "" authority of text 46""; "" authority of text 49""; "" bringing past to life 121-3""; "" fidelity 3""; "" fidelity 4-5""; "" fidelity 8""; "" fidelity 181""; "" fidelity 190""; "" fidelity 203""; "" updating 5""; "" updating 6""; "" updating 38""; "" updating 66-7""; "" updating 68""; "" updating 69""; ""Adorno, Theodor 180"" ""aesthetics, and power 2-3""""Age of Innocence [Scorsese] 77""; ""Aladdin [Disney] 222""; ""Aldiss, Brian 40""; ""Alexieff, Alexandre 182""; ""Alice in Wonderland [Disney]""; "" 210""; "" 215""; "" 217-22""; "" Alice objectified 220""; "" and female imagination 210""; "" and female imagination 213""; "" and female imagination 218""; "" and guilt 208""; "" and guilt 221-2""; "" and imaginative freedom 222""; "" and repression 207""; "" and surrealism 221""; "" conservative narrative 218-20""; ""Allan, Robin""; "" 215""; "" 217""; "" 220-1""; ""allegory 44-5"" ""Althusser, Louis 26"" |
| Record Nr. | UNINA-9910779913903321 |
| London ; ; Sterling, Va., : Pluto Press, 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Classics in film and fiction [[electronic resource] /] / edited by Deborah Cartmell, I.Q. Hunter, Heidi Kaye, Imelda Whelehan
| Classics in film and fiction [[electronic resource] /] / edited by Deborah Cartmell, I.Q. Hunter, Heidi Kaye, Imelda Whelehan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; Sterling, Va., : Pluto Press, 2000 |
| Descrizione fisica | 1 online resource (256 p.) |
| Disciplina | 791.43/6 |
| Altri autori (Persone) | CartmellDeborah |
| Collana | Film/fiction |
| Soggetto topico |
Canon (Literature)
Film adaptations - History and criticism Motion pictures and literature Motion Pictures |
| ISBN |
1-84964-509-4
0-585-42672-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Contents""; ""Notes on Contributors""; ""Introduction: Classics Across the Film/ Literature Divide ""; ""Notes""; ""Further Reading""; ""1. 'If Only You Could See What I've Seen with Your Eyes': Blade Runner and La Symphonie Pastorale""; ""Notes""; ""2. Classic Shakespeare for All: Forbidden Planet and Prospero's Books, Two Screen Adaptations of The Tempest ""; ""Notes""; ""3. The Red and the Blue: Jane Eyre in the 1990's ""; ""Notes""; ""4. Transcultural Aesthetics and the Film Adaptations of Henry James ""; ""The American""; ""The Portrait of a Lady""; ""The Wings of the Dove""; ""Notes""
""5. 'Hystorical' Puritanism: Contemporary Cinematic Adaptations of Nathaniel Hawthorne's The Scarlet Letter and Arthur Mil"" ""Notes""; ""6. Mrs. Dalloway and Orlando: The Subject of Time and Generic Transactions ""; ""Notes""; ""7. 'Desire Projected Itself Visually': Watching Death in Venice ""; ""Notes""; ""8. Leopold Bloom Walks and Jimmy Stewart Stares: On Motion, Genre and the Classic ""; ""Notes""; ""9. Trial and Error: Combinatory Fidelity in Two Versions of Franz Kafka's The Trial ""; ""Notes""; ""10. In Cold Blood : Yellow Birds, New Realism and Killer Culture ""; ""Notes"" ""11. Home by Tea- time: Fear of Imagination in Disney's Alice in Wonderland """"Notes""; ""Index""; ""2001 A Space Odyssey [Kubrick] 43""; ""acting, stage and screen 96-7""; ""actors""; "" foreign 58""; "" recycling 8""; "" recycling 8""; "" recycling 56-7""; "" recycling 56-7""; "" recycling 94""; "" recycling 94""; "" recycling 187-8""; "" recycling 187-8""; "" recycling 189-90""; "" recycling 189-90""; ""adaptations of classics""; "" and contemporary context 3-4""; "" and imaginative rereadings 138""; "" and interpretation 7""; "" and interpretation 8"" "" and interpretation 10"""" and interpretation 48-50""; "" and interpretation 138""; "" and interpretation 181""; "" and making money 9""; "" and making money 94""; "" authority of text 43""; "" authority of text 45""; "" authority of text 46""; "" authority of text 49""; "" bringing past to life 121-3""; "" fidelity 3""; "" fidelity 4-5""; "" fidelity 8""; "" fidelity 181""; "" fidelity 190""; "" fidelity 203""; "" updating 5""; "" updating 6""; "" updating 38""; "" updating 66-7""; "" updating 68""; "" updating 69""; ""Adorno, Theodor 180"" ""aesthetics, and power 2-3""""Age of Innocence [Scorsese] 77""; ""Aladdin [Disney] 222""; ""Aldiss, Brian 40""; ""Alexieff, Alexandre 182""; ""Alice in Wonderland [Disney]""; "" 210""; "" 215""; "" 217-22""; "" Alice objectified 220""; "" and female imagination 210""; "" and female imagination 213""; "" and female imagination 218""; "" and guilt 208""; "" and guilt 221-2""; "" and imaginative freedom 222""; "" and repression 207""; "" and surrealism 221""; "" conservative narrative 218-20""; ""Allan, Robin""; "" 215""; "" 217""; "" 220-1""; ""allegory 44-5"" ""Althusser, Louis 26"" |
| Record Nr. | UNINA-9910821203703321 |
| London ; ; Sterling, Va., : Pluto Press, 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The couch and the silver screen : psychoanalytic reflections on European cinema / / edited by Andrea Sabbadini
| The couch and the silver screen : psychoanalytic reflections on European cinema / / edited by Andrea Sabbadini |
| Pubbl/distr/stampa | Hove, East Sussex ; ; New York : , : Brunner-Routledge, , 2003 |
| Descrizione fisica | 1 online resource (xx, 258 pages) |
| Disciplina | 791.4375019 |
| Altri autori (Persone) | SabbadiniAndrea |
| Collana | New library of psychoanalysis |
| Soggetto topico |
Mass Media
Behavioral Disciplines and Activities Audiovisual Aids Communications Media Teaching Materials Educational Technology Information Science Technology Technology, Industry, and Agriculture Psychoanalytic Interpretation Motion Pictures Music, Dance, Drama & Film Film |
| ISBN |
0-203-01391-3
1-280-05991-5 1-135-44452-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | part, Set and stage -- chapter INTRODUCTION / Andrea Sabbadini -- chapter 1 THE INNER AND OUTER WORLDS OF THE FILMMAKER’S TEMPORARY SOCIAL STRUCTURE / BERNARDO BERTOLUCCI FIONA SHAW -- chapter 2 One in the Eye from Sam: Samuel Beckett’s Film (1964) and his contribution to our vision in theatre, cinema and psychoanalysis / Ian Christie Juliet Stevenson Helen Taylor Robinson -- part, Working through trauma -- chapter 3 Sons and fathers: a room of their own – Nanni Moretti’s The Son’s Room (2001) / NANNI MORETTI PAOLA GOLINELLI -- chapter 4 Witness and persecution in two short films: Miguel Sapochnik’s The Dreamer (2001) and Lindy Heymann’s Kissing Buba (2001) JED SEKOFF / Jed Sekoff -- chapter 5 A post-postmodern Walkyrie: psychoanalytic considerations on Tom Tykwer’s Run, Lola, Run (1998) / Annegret Mahler-Bungers -- chapter 6 Thomas Vinterberg’s Festen (1998): an attempt to avoid madness through denunciation / Liliana Pedrón de Martín -- chapter 7 István Szabó’s Sunshine (1999): the cinematic representation of historical and familial trauma / Diana Diamond -- part, Horror perspectives -- chapter 8 NOTES ON THE RELEVANCE OF PSYCHOANALYTIC THEORY TO EURO-HORROR CINEMA / Steven Jay Schneider -- chapter 9 Dario Argento’s Phenomena (1985): a psychoanalytic perspective on the ‘horror film’ genre and adolescent development / Donald Campbell -- chapter 10 Freedom through re-introjection: a Kleinian perspective on Dominik Moll’s Harry: He’s Here to Help (2000) / Candy Aubry -- chapter 11 Cinema, horror and the abominations of hell: Carl-Theodor Dreyer’s Vampyr (1931) and Lucio Fulci’s The Beyond (1981) / Michael Grant -- part, Documenting internal worlds -- chapter 12 Narratives and documentaries: an encounter with Michael Apted and his films / Michael Apted Helen Taylor Robinson -- chapter 13 THE CINEMATIC DREAM-WORK OF INGMAR BERGMAN’S WILD STRAWBERRIES (1957) / Elizabeth Cowie -- chapter 14 Film as an abreaction of totalitarianism:Vinko Bresˇan’s Marshal Tito’s Spirit (1999) LJILJANA FILIPOVI C´ / Ljiljana Filipovic´ -- chapter 15 Documentary directors and their protagonists: a transferential / countertransferential relationship? Timna Rosenheimer’s Fortuna (2000) and Michal Aviad’s Ever Shot Anyone? (1995) / EMANUEL BERMAN TIMNA ROSENHEIMER -- chapter 16 FILMING PSYCHOANALYSIS: FEATURE OR DOCUMENTARY? Two contributions / Hugh Brody Michael Brearley. |
| Record Nr. | UNINA-9910451270103321 |
| Hove, East Sussex ; ; New York : , : Brunner-Routledge, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The couch and the silver screen : psychoanalytic reflections on European cinema / / edited by Andrea Sabbadini
| The couch and the silver screen : psychoanalytic reflections on European cinema / / edited by Andrea Sabbadini |
| Pubbl/distr/stampa | Hove, East Sussex ; ; New York : , : Brunner-Routledge, , 2003 |
| Descrizione fisica | 1 online resource (xx, 258 pages) |
| Disciplina | 791.4375019 |
| Altri autori (Persone) | SabbadiniAndrea |
| Collana | New library of psychoanalysis |
| Soggetto topico |
Mass Media
Behavioral Disciplines and Activities Audiovisual Aids Communications Media Teaching Materials Educational Technology Information Science Technology Technology, Industry, and Agriculture Psychoanalytic Interpretation Motion Pictures Music, Dance, Drama & Film Film |
| ISBN |
1-135-44451-X
0-203-01391-3 1-280-05991-5 1-135-44452-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | part, Set and stage -- chapter INTRODUCTION / Andrea Sabbadini -- chapter 1 THE INNER AND OUTER WORLDS OF THE FILMMAKER’S TEMPORARY SOCIAL STRUCTURE / BERNARDO BERTOLUCCI FIONA SHAW -- chapter 2 One in the Eye from Sam: Samuel Beckett’s Film (1964) and his contribution to our vision in theatre, cinema and psychoanalysis / Ian Christie Juliet Stevenson Helen Taylor Robinson -- part, Working through trauma -- chapter 3 Sons and fathers: a room of their own – Nanni Moretti’s The Son’s Room (2001) / NANNI MORETTI PAOLA GOLINELLI -- chapter 4 Witness and persecution in two short films: Miguel Sapochnik’s The Dreamer (2001) and Lindy Heymann’s Kissing Buba (2001) JED SEKOFF / Jed Sekoff -- chapter 5 A post-postmodern Walkyrie: psychoanalytic considerations on Tom Tykwer’s Run, Lola, Run (1998) / Annegret Mahler-Bungers -- chapter 6 Thomas Vinterberg’s Festen (1998): an attempt to avoid madness through denunciation / Liliana Pedrón de Martín -- chapter 7 István Szabó’s Sunshine (1999): the cinematic representation of historical and familial trauma / Diana Diamond -- part, Horror perspectives -- chapter 8 NOTES ON THE RELEVANCE OF PSYCHOANALYTIC THEORY TO EURO-HORROR CINEMA / Steven Jay Schneider -- chapter 9 Dario Argento’s Phenomena (1985): a psychoanalytic perspective on the ‘horror film’ genre and adolescent development / Donald Campbell -- chapter 10 Freedom through re-introjection: a Kleinian perspective on Dominik Moll’s Harry: He’s Here to Help (2000) / Candy Aubry -- chapter 11 Cinema, horror and the abominations of hell: Carl-Theodor Dreyer’s Vampyr (1931) and Lucio Fulci’s The Beyond (1981) / Michael Grant -- part, Documenting internal worlds -- chapter 12 Narratives and documentaries: an encounter with Michael Apted and his films / Michael Apted Helen Taylor Robinson -- chapter 13 THE CINEMATIC DREAM-WORK OF INGMAR BERGMAN’S WILD STRAWBERRIES (1957) / Elizabeth Cowie -- chapter 14 Film as an abreaction of totalitarianism:Vinko Bresˇan’s Marshal Tito’s Spirit (1999) LJILJANA FILIPOVI C´ / Ljiljana Filipovic´ -- chapter 15 Documentary directors and their protagonists: a transferential / countertransferential relationship? Timna Rosenheimer’s Fortuna (2000) and Michal Aviad’s Ever Shot Anyone? (1995) / EMANUEL BERMAN TIMNA ROSENHEIMER -- chapter 16 FILMING PSYCHOANALYSIS: FEATURE OR DOCUMENTARY? Two contributions / Hugh Brody Michael Brearley. |
| Record Nr. | UNINA-9910784823903321 |
| Hove, East Sussex ; ; New York : , : Brunner-Routledge, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The couch and the silver screen : psychoanalytic reflections on European cinema / / edited by Andrea Sabbadini
| The couch and the silver screen : psychoanalytic reflections on European cinema / / edited by Andrea Sabbadini |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Hove, East Sussex ; ; New York : , : Brunner-Routledge, , 2003 |
| Descrizione fisica | 1 online resource (xx, 258 pages) |
| Disciplina | 791.4375019 |
| Altri autori (Persone) | SabbadiniAndrea |
| Collana | New library of psychoanalysis |
| Soggetto topico |
Mass Media
Behavioral Disciplines and Activities Audiovisual Aids Communications Media Teaching Materials Educational Technology Information Science Technology Technology, Industry, and Agriculture Psychoanalytic Interpretation Motion Pictures Music, Dance, Drama & Film Film |
| ISBN |
1-135-44451-X
0-203-01391-3 1-280-05991-5 1-135-44452-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | part, Set and stage -- chapter INTRODUCTION / Andrea Sabbadini -- chapter 1 THE INNER AND OUTER WORLDS OF THE FILMMAKER’S TEMPORARY SOCIAL STRUCTURE / BERNARDO BERTOLUCCI FIONA SHAW -- chapter 2 One in the Eye from Sam: Samuel Beckett’s Film (1964) and his contribution to our vision in theatre, cinema and psychoanalysis / Ian Christie Juliet Stevenson Helen Taylor Robinson -- part, Working through trauma -- chapter 3 Sons and fathers: a room of their own – Nanni Moretti’s The Son’s Room (2001) / NANNI MORETTI PAOLA GOLINELLI -- chapter 4 Witness and persecution in two short films: Miguel Sapochnik’s The Dreamer (2001) and Lindy Heymann’s Kissing Buba (2001) JED SEKOFF / Jed Sekoff -- chapter 5 A post-postmodern Walkyrie: psychoanalytic considerations on Tom Tykwer’s Run, Lola, Run (1998) / Annegret Mahler-Bungers -- chapter 6 Thomas Vinterberg’s Festen (1998): an attempt to avoid madness through denunciation / Liliana Pedrón de Martín -- chapter 7 István Szabó’s Sunshine (1999): the cinematic representation of historical and familial trauma / Diana Diamond -- part, Horror perspectives -- chapter 8 NOTES ON THE RELEVANCE OF PSYCHOANALYTIC THEORY TO EURO-HORROR CINEMA / Steven Jay Schneider -- chapter 9 Dario Argento’s Phenomena (1985): a psychoanalytic perspective on the ‘horror film’ genre and adolescent development / Donald Campbell -- chapter 10 Freedom through re-introjection: a Kleinian perspective on Dominik Moll’s Harry: He’s Here to Help (2000) / Candy Aubry -- chapter 11 Cinema, horror and the abominations of hell: Carl-Theodor Dreyer’s Vampyr (1931) and Lucio Fulci’s The Beyond (1981) / Michael Grant -- part, Documenting internal worlds -- chapter 12 Narratives and documentaries: an encounter with Michael Apted and his films / Michael Apted Helen Taylor Robinson -- chapter 13 THE CINEMATIC DREAM-WORK OF INGMAR BERGMAN’S WILD STRAWBERRIES (1957) / Elizabeth Cowie -- chapter 14 Film as an abreaction of totalitarianism:Vinko Bresˇan’s Marshal Tito’s Spirit (1999) LJILJANA FILIPOVI C´ / Ljiljana Filipovic´ -- chapter 15 Documentary directors and their protagonists: a transferential / countertransferential relationship? Timna Rosenheimer’s Fortuna (2000) and Michal Aviad’s Ever Shot Anyone? (1995) / EMANUEL BERMAN TIMNA ROSENHEIMER -- chapter 16 FILMING PSYCHOANALYSIS: FEATURE OR DOCUMENTARY? Two contributions / Hugh Brody Michael Brearley. |
| Record Nr. | UNINA-9910811747603321 |
| Hove, East Sussex ; ; New York : , : Brunner-Routledge, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Film & history
| Film & history |
| Pubbl/distr/stampa | [Newark, N.J.], : Historians Film Committee |
| Disciplina | 791 |
| Soggetto topico |
Motion pictures and history
History Motion Pictures Historischer Film Filmkunst Geschiedenis Motion pictures |
| Soggetto genere / forma |
Periodicals.
Zeitschrift Online-Publikation |
| ISSN | 1548-9922 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | Film and history |
| Record Nr. | UNISA-996205112303316 |
| [Newark, N.J.], : Historians Film Committee | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Film & history
| Film & history |
| Pubbl/distr/stampa | [Newark, N.J.], : Historians Film Committee |
| Disciplina | 791 |
| Soggetto topico |
Motion pictures and history
History Motion Pictures Historischer Film Filmkunst Geschiedenis Motion pictures |
| Soggetto genere / forma |
Periodicals.
Zeitschrift Online-Publikation |
| ISSN | 1548-9922 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | Film and history |
| Record Nr. | UNINA-9910393355303321 |
| [Newark, N.J.], : Historians Film Committee | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
