The appropriation of media in everyday life [[electronic resource] /] / edited by Ruth Ayass, Cornelia Gerhardt |
Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : John Benjamins, 2012 |
Descrizione fisica | 1 online resource (316 p.) |
Disciplina | 302.23 |
Altri autori (Persone) |
AyassRuth
GerhardtCornelia |
Collana | Pragmatics & beyond new series |
Soggetto topico |
Mass media and language
Discourse analysis Conversation analysis |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-59430-7
9786613906755 90-272-7337-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
The Appropriation of Media in Everyday Life; Editorial page; Title page; LCC data; Table of contents; Acknowledgments; Introduction; 1. Introduction; 2. Everydayification and boundary dissolution; 3. Disconnection and interweaving; 4. The role of method; 5. Discourse and conversation analysis; References; Overview of the volume; Patterns of television reception; Communicative activities during the television reception; 1. Introduction; 2. General structures of recipient communication; 3. Changes in preference structures in television reception talk: Directness and disagreements
3.1 Disagreements3.2 Backbiting; 3.3 Corrections; 4. The reception of different media genres: The case of television advertisement; 5. Conclusion; References; Appendix; Transcription Conventions; Notability; 1. Introduction; 2. Research on television reception; 3. Analogies of notability to tellability and related concepts; 4. The ATTAC-Corpus; 5. The workings of notability; 5.1 Notability licensing other-interruption; 5.2 Notability licensing self-interruption; 5.3 Simultaneousness between the viewers' talk and the media text; 6. Multimodality: More than words 7. Notability and its connection to the exogenous event8. Conclusion; References; Appendix; Transcription conventions; Intertextual quotation; 1. Introduction; 2. Intertextuality, intertextual repetition, intertextual quotation; 3. Data description and method of analysis; 4. Intertextual quotation as evaluative stance; 5. Conversational strategies of intertextual quoting; 6. Pragmatic strategies of intertextual quoting; 7. Conclusion; References; Appendix; Transcription conventions; part ii. The reception of media genres; Watching out loud; 1. Introduction 2. Television and everyday family life and talk3. Dialogicality and intertextuality in everyday discourse and media texts; 4. Who wants to be a millionaire?; 5. Data and methodology; 6. Watching out loud: Family members' engagement with the millionaire quiz show; 6.1 Television quiz show as 'our' show; 6.2 "Is that your final answer?": Appropriation of kernel phrases; 6.3 Joking engagement with the text and images of millionaire; 6.4 Millionaire as a resource in (re)constructing family relations and identities; 7. Conclusion; References; Appendix; Transcription conventions The construction of audience community via answering machine1. Introduction; 2. Research agenda; 3. The radio broadcast; 4. The audience community; 4.1 From answering machine to cafés repaires; 4.2 The messages on the answering machine: Structural aspects; 4.3 From audience to community; 5. The messages on the answering machine: Between shouting session and story-telling; 5.1 Evaluations of the broadcast; 5.2 Assessments and argumentation; 5.3 Reports and other forms of witnessing; 5.4 Announcements; 6. Conclusion; References; Appendix; Transcription Conventions 'I wanna become a real rock star' |
Record Nr. | UNINA-9910465758703321 |
Amsterdam ; ; Philadelphia, : John Benjamins, 2012 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The appropriation of media in everyday life [[electronic resource] /] / edited by Ruth Ayass, Cornelia Gerhardt |
Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : John Benjamins, 2012 |
Descrizione fisica | 1 online resource (316 p.) |
Disciplina | 302.23 |
Altri autori (Persone) |
AyassRuth
GerhardtCornelia |
Collana | Pragmatics & beyond new series |
Soggetto topico |
Mass media and language
Discourse analysis Conversation analysis |
ISBN |
1-283-59430-7
9786613906755 90-272-7337-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
The Appropriation of Media in Everyday Life; Editorial page; Title page; LCC data; Table of contents; Acknowledgments; Introduction; 1. Introduction; 2. Everydayification and boundary dissolution; 3. Disconnection and interweaving; 4. The role of method; 5. Discourse and conversation analysis; References; Overview of the volume; Patterns of television reception; Communicative activities during the television reception; 1. Introduction; 2. General structures of recipient communication; 3. Changes in preference structures in television reception talk: Directness and disagreements
3.1 Disagreements3.2 Backbiting; 3.3 Corrections; 4. The reception of different media genres: The case of television advertisement; 5. Conclusion; References; Appendix; Transcription Conventions; Notability; 1. Introduction; 2. Research on television reception; 3. Analogies of notability to tellability and related concepts; 4. The ATTAC-Corpus; 5. The workings of notability; 5.1 Notability licensing other-interruption; 5.2 Notability licensing self-interruption; 5.3 Simultaneousness between the viewers' talk and the media text; 6. Multimodality: More than words 7. Notability and its connection to the exogenous event8. Conclusion; References; Appendix; Transcription conventions; Intertextual quotation; 1. Introduction; 2. Intertextuality, intertextual repetition, intertextual quotation; 3. Data description and method of analysis; 4. Intertextual quotation as evaluative stance; 5. Conversational strategies of intertextual quoting; 6. Pragmatic strategies of intertextual quoting; 7. Conclusion; References; Appendix; Transcription conventions; part ii. The reception of media genres; Watching out loud; 1. Introduction 2. Television and everyday family life and talk3. Dialogicality and intertextuality in everyday discourse and media texts; 4. Who wants to be a millionaire?; 5. Data and methodology; 6. Watching out loud: Family members' engagement with the millionaire quiz show; 6.1 Television quiz show as 'our' show; 6.2 "Is that your final answer?": Appropriation of kernel phrases; 6.3 Joking engagement with the text and images of millionaire; 6.4 Millionaire as a resource in (re)constructing family relations and identities; 7. Conclusion; References; Appendix; Transcription conventions The construction of audience community via answering machine1. Introduction; 2. Research agenda; 3. The radio broadcast; 4. The audience community; 4.1 From answering machine to cafés repaires; 4.2 The messages on the answering machine: Structural aspects; 4.3 From audience to community; 5. The messages on the answering machine: Between shouting session and story-telling; 5.1 Evaluations of the broadcast; 5.2 Assessments and argumentation; 5.3 Reports and other forms of witnessing; 5.4 Announcements; 6. Conclusion; References; Appendix; Transcription Conventions 'I wanna become a real rock star' |
Record Nr. | UNINA-9910792086203321 |
Amsterdam ; ; Philadelphia, : John Benjamins, 2012 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The appropriation of media in everyday life [[electronic resource] /] / edited by Ruth Ayass, Cornelia Gerhardt |
Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : John Benjamins, 2012 |
Descrizione fisica | 1 online resource (316 p.) |
Disciplina | 302.23 |
Altri autori (Persone) |
AyassRuth
GerhardtCornelia |
Collana | Pragmatics & beyond new series |
Soggetto topico |
Mass media and language
Discourse analysis Conversation analysis |
ISBN |
1-283-59430-7
9786613906755 90-272-7337-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
The Appropriation of Media in Everyday Life; Editorial page; Title page; LCC data; Table of contents; Acknowledgments; Introduction; 1. Introduction; 2. Everydayification and boundary dissolution; 3. Disconnection and interweaving; 4. The role of method; 5. Discourse and conversation analysis; References; Overview of the volume; Patterns of television reception; Communicative activities during the television reception; 1. Introduction; 2. General structures of recipient communication; 3. Changes in preference structures in television reception talk: Directness and disagreements
3.1 Disagreements3.2 Backbiting; 3.3 Corrections; 4. The reception of different media genres: The case of television advertisement; 5. Conclusion; References; Appendix; Transcription Conventions; Notability; 1. Introduction; 2. Research on television reception; 3. Analogies of notability to tellability and related concepts; 4. The ATTAC-Corpus; 5. The workings of notability; 5.1 Notability licensing other-interruption; 5.2 Notability licensing self-interruption; 5.3 Simultaneousness between the viewers' talk and the media text; 6. Multimodality: More than words 7. Notability and its connection to the exogenous event8. Conclusion; References; Appendix; Transcription conventions; Intertextual quotation; 1. Introduction; 2. Intertextuality, intertextual repetition, intertextual quotation; 3. Data description and method of analysis; 4. Intertextual quotation as evaluative stance; 5. Conversational strategies of intertextual quoting; 6. Pragmatic strategies of intertextual quoting; 7. Conclusion; References; Appendix; Transcription conventions; part ii. The reception of media genres; Watching out loud; 1. Introduction 2. Television and everyday family life and talk3. Dialogicality and intertextuality in everyday discourse and media texts; 4. Who wants to be a millionaire?; 5. Data and methodology; 6. Watching out loud: Family members' engagement with the millionaire quiz show; 6.1 Television quiz show as 'our' show; 6.2 "Is that your final answer?": Appropriation of kernel phrases; 6.3 Joking engagement with the text and images of millionaire; 6.4 Millionaire as a resource in (re)constructing family relations and identities; 7. Conclusion; References; Appendix; Transcription conventions The construction of audience community via answering machine1. Introduction; 2. Research agenda; 3. The radio broadcast; 4. The audience community; 4.1 From answering machine to cafés repaires; 4.2 The messages on the answering machine: Structural aspects; 4.3 From audience to community; 5. The messages on the answering machine: Between shouting session and story-telling; 5.1 Evaluations of the broadcast; 5.2 Assessments and argumentation; 5.3 Reports and other forms of witnessing; 5.4 Announcements; 6. Conclusion; References; Appendix; Transcription Conventions 'I wanna become a real rock star' |
Record Nr. | UNINA-9910818702903321 |
Amsterdam ; ; Philadelphia, : John Benjamins, 2012 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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Argumentation in the newsroom / / Marta Zampa, Zurich University of Applied Sciences |
Autore | Zampa Marta |
Pubbl/distr/stampa | Amsterdam, [Netherlands] ; ; Philadelphia, [Pennsylvania] : , : John Benjamins Publishing Company, , 2017 |
Descrizione fisica | 1 online resource |
Disciplina | 808.06/607 |
Collana | Argumentation in Context (AIC) |
Soggetto topico |
Persuasion (Rhetoric)
Journalism - Language Mass media and language |
Soggetto genere / forma | Electronic books. |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910480439103321 |
Zampa Marta
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Amsterdam, [Netherlands] ; ; Philadelphia, [Pennsylvania] : , : John Benjamins Publishing Company, , 2017 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Argumentation in the newsroom / / Marta Zampa, Zurich University of Applied Sciences |
Autore | Zampa Marta |
Pubbl/distr/stampa | Amsterdam, [Netherlands] ; ; Philadelphia, [Pennsylvania] : , : John Benjamins Publishing Company, , 2017 |
Descrizione fisica | 1 online resource |
Disciplina | 808.06/607 |
Collana | Argumentation in Context (AIC) |
Soggetto topico |
Persuasion (Rhetoric)
Journalism - Language Mass media and language |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910796514403321 |
Zampa Marta
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||
Amsterdam, [Netherlands] ; ; Philadelphia, [Pennsylvania] : , : John Benjamins Publishing Company, , 2017 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Argumentation in the newsroom / / Marta Zampa, Zurich University of Applied Sciences |
Autore | Zampa Marta |
Pubbl/distr/stampa | Amsterdam, [Netherlands] ; ; Philadelphia, [Pennsylvania] : , : John Benjamins Publishing Company, , 2017 |
Descrizione fisica | 1 online resource |
Disciplina | 808.06/607 |
Collana | Argumentation in Context (AIC) |
Soggetto topico |
Persuasion (Rhetoric)
Journalism - Language Mass media and language |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910813977403321 |
Zampa Marta
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||
Amsterdam, [Netherlands] ; ; Philadelphia, [Pennsylvania] : , : John Benjamins Publishing Company, , 2017 | ||
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Lo trovi qui: Univ. Federico II | ||
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Audio description : new perspectives illustrated / / edited by Anna Maszerowska , Anna Matamala, Pilar Orero |
Pubbl/distr/stampa | Amsterdam, Netherlands ; ; Philadelphia, Pennsylvania : , : John Benjamins Publishing Company, , 2014 |
Descrizione fisica | 1 online resource (224 p.) |
Disciplina | 302.2301/4 |
Collana | Benjamins Translation Library |
Soggetto topico |
Audio-visual materials - Translating
Blind - Audio-visual aids Mass media and language |
Soggetto genere / forma | Electronic books. |
ISBN | 90-272-6942-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Audio Description; Editorial page; Title page; LCC data; Dedication page; Table of contents; Introduction. From source text to target text ; 1. The project ; 2. The partners ; 3. The book ; 4. The film ; 5. The chapters ; References ; Film references ; Chapter 1. Audiointroductions ; 1. Literature review ; 2. Audiointroduction for Inglourious Basterds ; 3. Strategies ; 3.1 The process ; 3.2 Characters ; 3.3 Locations ; 3.4 Visual style ; 3.5 Background information ; 3.6 Synopsis ; 3.7 Putting it all together ; 4. Language ; 5. Conclusions and suggestions for further research ; References
Film references Chapter 2. Intertextuality ; 1. Introduction ; 2. Verbal intertextuality and Inglourious Basterds ; 3. Nonverbal intertextuality and Inglourious Basterds ; 4. Context of situation and context of culture ; 5. Author intent and audience interpretation ; 6. Intertextuality and Tarantino ; 7. Conclusion ; References ; Film references ; Chapter 3. Textual cohesion ; 1. Theoretical introduction ; 2. Inglourious Basterds. Initial comments ; 3. Audio description of Inglourious Basterds ; 4. Another example text - The English Patient ; 5. A longer perspective ; 6. Conclusion References Film references ; Appendix 1. Original screenplay of The English Patient ; Appendix 2. Long-term cohesion in continuous and discontinuous phases (Inglourious Basterds) ; Chapter 4. Spatio-temporal setting ; 1. Introduction ; 2. Examples: Analysis ; 3. Theory and bibliography ; 3.1 Literature on the audio description of spatio-temporal settings ; 3.2 The narratological take on spatio-temporal settings for AD ; 3.3 The basic components of spatio-temporal settings ; 3.4 The construction of spatio-temporal settings by the author 3.5 The reconstruction of spatio-temporal settings by the audience 4. A possible strategy for audio describing spatio-temporal settings ; 5. The language ; 6. Conclusion ; References ; Film references ; Chapter 5. Film language and tools ; 1. Introduction ; 2. Analysis of the examples ; 2.1 Aesthetic breaks ; 2.2 Split screen ; 2.3 Sharp scene cuts ; 2.4 Parallel editing ; 2.5 Close-ups ; 2.6 Slow motion ; 2.7 Camera pedding ; 3. Theory and bibliography ; 4. AD strategies: Alternative possibilities ; 4.1 Aesthetic breaks ; 4.2 Split screen ; 4.3 Sharp scene cuts ; 4.4 Parallel editing 4.5 Close-ups 4.6 Slow motion ; 4.7 Camera pedding ; 5. Concluding remarks ; References ; Film references ; Chapter 6. Audio describing text on screen ; 1. Text on screen in Inglourious Basterds: An introduction ; 2. Text on screen in audio description: Guidelines and research ; 3. Text on screen and AD: Possible strategies ; 3.1 Logos and credits ; 3.2 Inserts or superimposed titles ; 3.3 Various types of text on screen ; 3.4 Subtitles ; 4. Conclusions ; References ; Film references ; Chapter 7. The importance of sound for audio description ; 1. Introduction ; 2. The opening scene 3. AD as a type of audiovisual translation |
Record Nr. | UNINA-9910463813803321 |
Amsterdam, Netherlands ; ; Philadelphia, Pennsylvania : , : John Benjamins Publishing Company, , 2014 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Audio description : new perspectives illustrated / / edited by Anna Maszerowska , Anna Matamala, Pilar Orero |
Pubbl/distr/stampa | Amsterdam, Netherlands ; ; Philadelphia, Pennsylvania : , : John Benjamins Publishing Company, , 2014 |
Descrizione fisica | 1 online resource (224 p.) |
Disciplina | 302.2301/4 |
Collana | Benjamins Translation Library |
Soggetto topico |
Audio-visual materials - Translating
Blind - Audio-visual aids Mass media and language |
ISBN | 90-272-6942-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Audio Description; Editorial page; Title page; LCC data; Dedication page; Table of contents; Introduction. From source text to target text ; 1. The project ; 2. The partners ; 3. The book ; 4. The film ; 5. The chapters ; References ; Film references ; Chapter 1. Audiointroductions ; 1. Literature review ; 2. Audiointroduction for Inglourious Basterds ; 3. Strategies ; 3.1 The process ; 3.2 Characters ; 3.3 Locations ; 3.4 Visual style ; 3.5 Background information ; 3.6 Synopsis ; 3.7 Putting it all together ; 4. Language ; 5. Conclusions and suggestions for further research ; References
Film references Chapter 2. Intertextuality ; 1. Introduction ; 2. Verbal intertextuality and Inglourious Basterds ; 3. Nonverbal intertextuality and Inglourious Basterds ; 4. Context of situation and context of culture ; 5. Author intent and audience interpretation ; 6. Intertextuality and Tarantino ; 7. Conclusion ; References ; Film references ; Chapter 3. Textual cohesion ; 1. Theoretical introduction ; 2. Inglourious Basterds. Initial comments ; 3. Audio description of Inglourious Basterds ; 4. Another example text - The English Patient ; 5. A longer perspective ; 6. Conclusion References Film references ; Appendix 1. Original screenplay of The English Patient ; Appendix 2. Long-term cohesion in continuous and discontinuous phases (Inglourious Basterds) ; Chapter 4. Spatio-temporal setting ; 1. Introduction ; 2. Examples: Analysis ; 3. Theory and bibliography ; 3.1 Literature on the audio description of spatio-temporal settings ; 3.2 The narratological take on spatio-temporal settings for AD ; 3.3 The basic components of spatio-temporal settings ; 3.4 The construction of spatio-temporal settings by the author 3.5 The reconstruction of spatio-temporal settings by the audience 4. A possible strategy for audio describing spatio-temporal settings ; 5. The language ; 6. Conclusion ; References ; Film references ; Chapter 5. Film language and tools ; 1. Introduction ; 2. Analysis of the examples ; 2.1 Aesthetic breaks ; 2.2 Split screen ; 2.3 Sharp scene cuts ; 2.4 Parallel editing ; 2.5 Close-ups ; 2.6 Slow motion ; 2.7 Camera pedding ; 3. Theory and bibliography ; 4. AD strategies: Alternative possibilities ; 4.1 Aesthetic breaks ; 4.2 Split screen ; 4.3 Sharp scene cuts ; 4.4 Parallel editing 4.5 Close-ups 4.6 Slow motion ; 4.7 Camera pedding ; 5. Concluding remarks ; References ; Film references ; Chapter 6. Audio describing text on screen ; 1. Text on screen in Inglourious Basterds: An introduction ; 2. Text on screen in audio description: Guidelines and research ; 3. Text on screen and AD: Possible strategies ; 3.1 Logos and credits ; 3.2 Inserts or superimposed titles ; 3.3 Various types of text on screen ; 3.4 Subtitles ; 4. Conclusions ; References ; Film references ; Chapter 7. The importance of sound for audio description ; 1. Introduction ; 2. The opening scene 3. AD as a type of audiovisual translation |
Record Nr. | UNINA-9910787941203321 |
Amsterdam, Netherlands ; ; Philadelphia, Pennsylvania : , : John Benjamins Publishing Company, , 2014 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Audio description : new perspectives illustrated / / edited by Anna Maszerowska , Anna Matamala, Pilar Orero |
Pubbl/distr/stampa | Amsterdam, Netherlands ; ; Philadelphia, Pennsylvania : , : John Benjamins Publishing Company, , 2014 |
Descrizione fisica | 1 online resource (224 p.) |
Disciplina | 302.2301/4 |
Collana | Benjamins Translation Library |
Soggetto topico |
Audio-visual materials - Translating
Blind - Audio-visual aids Mass media and language |
ISBN | 90-272-6942-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Audio Description; Editorial page; Title page; LCC data; Dedication page; Table of contents; Introduction. From source text to target text ; 1. The project ; 2. The partners ; 3. The book ; 4. The film ; 5. The chapters ; References ; Film references ; Chapter 1. Audiointroductions ; 1. Literature review ; 2. Audiointroduction for Inglourious Basterds ; 3. Strategies ; 3.1 The process ; 3.2 Characters ; 3.3 Locations ; 3.4 Visual style ; 3.5 Background information ; 3.6 Synopsis ; 3.7 Putting it all together ; 4. Language ; 5. Conclusions and suggestions for further research ; References
Film references Chapter 2. Intertextuality ; 1. Introduction ; 2. Verbal intertextuality and Inglourious Basterds ; 3. Nonverbal intertextuality and Inglourious Basterds ; 4. Context of situation and context of culture ; 5. Author intent and audience interpretation ; 6. Intertextuality and Tarantino ; 7. Conclusion ; References ; Film references ; Chapter 3. Textual cohesion ; 1. Theoretical introduction ; 2. Inglourious Basterds. Initial comments ; 3. Audio description of Inglourious Basterds ; 4. Another example text - The English Patient ; 5. A longer perspective ; 6. Conclusion References Film references ; Appendix 1. Original screenplay of The English Patient ; Appendix 2. Long-term cohesion in continuous and discontinuous phases (Inglourious Basterds) ; Chapter 4. Spatio-temporal setting ; 1. Introduction ; 2. Examples: Analysis ; 3. Theory and bibliography ; 3.1 Literature on the audio description of spatio-temporal settings ; 3.2 The narratological take on spatio-temporal settings for AD ; 3.3 The basic components of spatio-temporal settings ; 3.4 The construction of spatio-temporal settings by the author 3.5 The reconstruction of spatio-temporal settings by the audience 4. A possible strategy for audio describing spatio-temporal settings ; 5. The language ; 6. Conclusion ; References ; Film references ; Chapter 5. Film language and tools ; 1. Introduction ; 2. Analysis of the examples ; 2.1 Aesthetic breaks ; 2.2 Split screen ; 2.3 Sharp scene cuts ; 2.4 Parallel editing ; 2.5 Close-ups ; 2.6 Slow motion ; 2.7 Camera pedding ; 3. Theory and bibliography ; 4. AD strategies: Alternative possibilities ; 4.1 Aesthetic breaks ; 4.2 Split screen ; 4.3 Sharp scene cuts ; 4.4 Parallel editing 4.5 Close-ups 4.6 Slow motion ; 4.7 Camera pedding ; 5. Concluding remarks ; References ; Film references ; Chapter 6. Audio describing text on screen ; 1. Text on screen in Inglourious Basterds: An introduction ; 2. Text on screen in audio description: Guidelines and research ; 3. Text on screen and AD: Possible strategies ; 3.1 Logos and credits ; 3.2 Inserts or superimposed titles ; 3.3 Various types of text on screen ; 3.4 Subtitles ; 4. Conclusions ; References ; Film references ; Chapter 7. The importance of sound for audio description ; 1. Introduction ; 2. The opening scene 3. AD as a type of audiovisual translation |
Record Nr. | UNINA-9910827375703321 |
Amsterdam, Netherlands ; ; Philadelphia, Pennsylvania : , : John Benjamins Publishing Company, , 2014 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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Beyond classical narration : transmedial and unnatural challenges / / edited by Jan Alber, Per Krogh Hansen |
Pubbl/distr/stampa | Berlin ; ; Boston : , : De Gruyter, , [2014] |
Descrizione fisica | 1 online resource (285 p.) |
Disciplina | 302.23 |
Collana | Narratologia : contributions to narrative theory |
Soggetto topico |
Mass media
Narration (Rhetoric) Storytelling in mass media Discourse analysis, Narrative Mass media and language |
Soggetto genere / forma | Electronic books. |
ISBN |
3-11-037683-0
3-11-035324-5 |
Classificazione | EC 4500 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Introduction: Transmedial and Unnatural Narratology / Alber, Jan / Hansen, Per Krogh -- The Selection and Concretization of Elements in Verbal and Filmic Narration / Schmid, Wolf -- Toward a Transmedial Narratology: On Narrators in Contemporary Graphic Novels, Feature Films, and Computer Games / Thon, Jan-Noël -- From Ironic Distance to Unexpected Plot Twists: Unreliable Narration in Literature and Film / Brütsch, Matthias -- Narratorial Strategies in Drama and Theatre: A Contribution to Transmedial Narratology / Martens, Gunther / Elshout, Helena -- Building Stories around Contemporary Performing Arts: The Case of Romeo Castellucci's Tragedia Endogonidia / Hennaut, Benoît -- Narrative Journalism from a Transdisciplinary Perspective: A Narratological Analysis of Award-Winning Literary Reportages / Berning, Nora -- Web Series between User-Generated Aesthetics and Self- Reflexive Narration: On the Diversification of Audiovisual Narration on the Internet / Kuhn, Markus -- Emergent Narrative, Collaborative Storytelling: Toward a Narratological Analysis of Alternate Reality Games / Meifert-Menhard, Felicitas -- Photography and Narrative: The Representation of the Atomic Bomb in Photographs of Nagasaki from 1945 to 1995 / Tsuchiyama, Yoko -- Musical Narratology: An Outline / Pawłowska, Małgorzata -- Flow-Stoppers and Frame-Breakers: The Cognitive Complexities of the Film Musical Exemplified by Lars von Trier's Dancer in the Dark (2000) / Hansen, Per Krogh -- The Unnatural in E. A. Poe's "The Oval Portrait" / Nielsen, Henrik Skov -- Postmodernist Impossibilities, the Creation of New Cognitive Frames, and Attempts at Interpretation / Alber, Jan -- Notes on Contributors |
Record Nr. | UNINA-9910463552503321 |
Berlin ; ; Boston : , : De Gruyter, , [2014] | ||
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Lo trovi qui: Univ. Federico II | ||
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