Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Metal music and the re-imagining of masculinity, place, race and nation / / Karl Spracklen (Leeds Beckett University, UK)
| Metal music and the re-imagining of masculinity, place, race and nation / / Karl Spracklen (Leeds Beckett University, UK) |
| Autore | Spracklen Karl |
| Pubbl/distr/stampa | Bingley, England : , : Emerald Group Publishing Limited, , [2020] |
| Descrizione fisica | 1 online resource (217 pages) |
| Disciplina | 781.66 |
| Collana | Emerald studies in metal music and culture |
| Soggetto topico |
Heavy metal (Music)
Masculinity in music Music, Genres & Styles, Heavy Metal Heavy Metal music |
| Soggetto genere / forma | Criticism, interpretation, etc. |
| ISBN |
1-83867-445-4
1-83867-443-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter one. Introduction, context and methods -- Chapter two. The old nationalism and masculinity: historical review -- Chapter three. Populism, nationalism and masculinity today: a review chapter -- Chapter four. Theories of leisure and music; and music, identity and place -- Chapter five. Iron Maiden: true stories of men at war -- Chapter six. Manowar: true metal warriors -- Chapter seven. Bathory and Viking metal -- Chapter eight. The Norwegians as 'authentic' Vikings: enslaved, Windir and Wardruna -- Chapter nine. Pagan metal in Eastern Europe -- Chapter ten. Finnish folk metal: raising drinking horns in mainstream metal -- Chapter eleven. English heritage black metal and the equivalents in Scotland, Wales and Yorkshire -- Chapter twelve. Challenging hegemony? Darkestrah, and Zeal & Ardor -- Chapter thirteen. Conclusions -- References -- Discography. |
| Record Nr. | UNINA-9910794053203321 |
Spracklen Karl
|
||
| Bingley, England : , : Emerald Group Publishing Limited, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Metal music and the re-imagining of masculinity, place, race and nation / / Karl Spracklen (Leeds Beckett University, UK)
| Metal music and the re-imagining of masculinity, place, race and nation / / Karl Spracklen (Leeds Beckett University, UK) |
| Autore | Spracklen Karl |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | Bingley, England : , : Emerald Group Publishing Limited, , [2020] |
| Descrizione fisica | 1 online resource (217 pages) |
| Disciplina | 781.66 |
| Collana | Emerald studies in metal music and culture |
| Soggetto topico |
Heavy metal (Music)
Masculinity in music Music, Genres & Styles, Heavy Metal |
| ISBN |
1-83867-445-4
1-83867-443-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter one. Introduction, context and methods -- Chapter two. The old nationalism and masculinity: historical review -- Chapter three. Populism, nationalism and masculinity today: a review chapter -- Chapter four. Theories of leisure and music; and music, identity and place -- Chapter five. Iron Maiden: true stories of men at war -- Chapter six. Manowar: true metal warriors -- Chapter seven. Bathory and Viking metal -- Chapter eight. The Norwegians as 'authentic' Vikings: enslaved, Windir and Wardruna -- Chapter nine. Pagan metal in Eastern Europe -- Chapter ten. Finnish folk metal: raising drinking horns in mainstream metal -- Chapter eleven. English heritage black metal and the equivalents in Scotland, Wales and Yorkshire -- Chapter twelve. Challenging hegemony? Darkestrah, and Zeal & Ardor -- Chapter thirteen. Conclusions -- References -- Discography. |
| Record Nr. | UNINA-9910810273703321 |
|
Spracklen Karl
|
||
| Bingley, England : , : Emerald Group Publishing Limited, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Misogyny, toxic masculinity, and heteronormativity in post-2000 popular music / / Glenn Fosbraey, Nicola Puckey, editors
| Misogyny, toxic masculinity, and heteronormativity in post-2000 popular music / / Glenn Fosbraey, Nicola Puckey, editors |
| Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2021] |
| Descrizione fisica | 1 online resource |
| Disciplina | 782.42164092 |
| Collana | Palgrave Studies in (Re)Presenting Gender |
| Soggetto topico |
Popular music - 2001-2010 - History and criticism
Popular music - 2011-2020 - History and criticism Popular music - Social aspects Misogyny in music Masculinity in music |
| ISBN | 3-030-65189-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Contents -- Notes on Contributors -- List of Figures -- List of Tables -- Introduction -- Unpacking the Title -- Misogyny -- Toxic Masculinity -- Heteronormativity -- Concluding Thoughts -- References -- Chapter 1: Should Real Love Hurt? The Eroticisation of Dominance, Submission and Coercive Control in Contemporary Pop Music -- Introduction -- Autobiographical Note -- Literature Review -- Domestic Abuse and Coercive Control -- Existing Research on Pop Music Lyrics, Gender and Sex -- Methods -- Findings -- Pleasure and Pain -- Ignoring the Advice of Others -- Attempting to Re-assert Power -- Cycle of Violence -- Control Complete -- Discussion -- Voluntary Masochism -- Female Empowerment -- Looking Forward: Thinking in New Ways -- References -- Chapter 2: Featuring...Nicki Minaj -- Biography, Message, and Voice -- Shared Responsibility? -- Control? -- Body Ideals -- Objectification? -- Conclusion -- References -- Songs -- Chapter 3: Misogyny and Erotic Pleasure in Bollywood's "Item Numbers" -- Introduction -- Analyzing Women's Representation in Films -- Globalization and Changes in Women's Representation in Bollywood Cinema -- Item Numbers: A Hybrid Global-Local Site for Gender Performance -- Method -- Findings and Discussion -- Themes Within the Lyrics of Item Numbers -- Sexual Objectification of Women in Item Numbers -- Women in Cameo Roles -- Single Woman, Ogling Men -- Uncovering Women, Covering Men -- Fragmented Bodies: Gyrating Hips, Undulating Navels, and Heaving Bosoms -- White Bodies as Objects of Desire -- Sexual Objectification Through the Use of Earthly Elements -- References -- Chapter 4: From Pimpology to Pimpologia: A Comparative Analysis of Pimp Rap in the United States and Italy -- Introduction -- The Rise of the Pimp Myth in American Rap -- A Comparative Analysis of Pimp Rap in Italy and the United States -- Conclusion.
References -- Discography -- Filmography -- Chapter 5: How Female is the Future? Undoing Sexism in Contemporary Metal Music -- A Note on Methodology, Definitions and Limitations -- Act Like a Man: Adaptations of Masculine Metal Personas -- Adding a New Voice: Tribute Bands and the Digital Sphere -- Adapting Drag: Transforming Clichéd Notions of Femininity -- A Female Future? Gender Evolution in Metal Music -- References -- Chapter 6: See the Signs-Justin Timberlake and the Pretence of Romance -- References -- Chapter 7: Immortal Technique and the Radical Reimagining of Masculinity on the Street -- Background Context: Toxic Formations of Masculinity in Urban Contexts and Representations in Mainstream Hip-Hop -- A Notable Exception: Immortal Technique and Alternative Masculinities -- Resisting the Pull of the Mainstream -- Conclusion -- References -- Chapter 8: The Initiation: Re-negotiating Masculinity in Queer Music Video -- References -- Chapter 9: Let It Enfold You: Screaming, Masculinity, and the Loss of Emotional Control in Post-millennium Emo -- Introduction -- A Little Emo-tology: Marking the Subordinate -- Screaming as a Loss of Emotional Control -- Screaming and the Symbolic Gendered Power Dynamics of Emo -- References -- Chapter 10: The Power of Boy Pussy: The Dichotomy Between Liberation and Objectification in Queer Hip-Hop/Rap in the 2000s -- Liberation Identity and Hip-Hop -- The Tools of MAN -- MISSY -- Bounce Music, Male ownership, and Shakin' -- Shakin' -- Dichotomy of Visibility and Objectification -- The dark side of liberation -- Deep Dickollective from 2001 to 2007 -- Conclusion -- References -- Chapter 11: "All Of My Life, Just Like I Was One Of Them": Trans itioning Punk -- Introduction -- The Obnoxious Punk -- A Stifling Orthodoxy -- New Wave -- True Trans Soul Rebel -- Trans Romance -- Conclusion -- References. Chapter 12: Lady Lazarus: The Death (and Rebirth) of a Gender Revolutionary -- Questions of Identity -- The Great Pretender -- Famous Last Words -- Lines of Succession -- Straight Outta Brixton -- Lines of Resistance -- Looking Backward -- References -- Chapter 13: Like a Lollipop: Toxic Masculinity and Female Sexual Pleasure in Hip-Hop -- Sexual Scripts -- Sex Positivity -- Narratives Around Cunnilingus -- Misogyny and Toxic Masculinity -- Cunnilingus in Hip-Hop -- Women Rappers -- Shifting the Narrative -- Media as a Script Changer? -- Conclusion -- References -- Afterword -- Index. |
| Record Nr. | UNINA-9910484582903321 |
| Cham, Switzerland : , : Palgrave Macmillan, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music, masculinity and the claims of history [[electronic resource] ] : the Austro-German tradition from Hegel to Freud / / Ian Biddle
| Music, masculinity and the claims of history [[electronic resource] ] : the Austro-German tradition from Hegel to Freud / / Ian Biddle |
| Autore | Biddle Ian D |
| Pubbl/distr/stampa | Burlington, Vt., : Ashgate, c2011 |
| Descrizione fisica | 1 online resource (245 p.) |
| Disciplina | 780.943 |
| Soggetto topico |
Music - Europe, German-speaking - 19th century - History and criticism
Music - Europe, German-speaking - 20th century - History and criticism Masculinity in music |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-317-09168-X
1-283-23523-4 9786613235237 1-4094-2096-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Contents; List of Figures; Introduction; 1 Discourse Channels: Listening as a Cultural-Historical Category in the Austro-German Frühromantik; 3 Rage Against the Rabble: Gender Nostalgia and the Metropolitan Imagination in Heinrich Schenker's Kontrapunkt (1910 and 1922); 4 Song of the Body: Mahler, Kafka and the Male Jewish Body at the Habsburg fin de siècle; 5 Postlude; Bibliography; Index |
| Record Nr. | UNINA-9910457052203321 |
|
Biddle Ian D
|
||
| Burlington, Vt., : Ashgate, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music, masculinity and the claims of history [[electronic resource] ] : the Austro-German tradition from Hegel to Freud / / Ian Biddle
| Music, masculinity and the claims of history [[electronic resource] ] : the Austro-German tradition from Hegel to Freud / / Ian Biddle |
| Autore | Biddle Ian D |
| Pubbl/distr/stampa | Burlington, Vt., : Ashgate, c2011 |
| Descrizione fisica | 1 online resource (245 p.) |
| Disciplina | 780.943 |
| Soggetto topico |
Music - Europe, German-speaking - 19th century - History and criticism
Music - Europe, German-speaking - 20th century - History and criticism Masculinity in music |
| ISBN |
1-317-09169-8
1-315-59688-1 1-138-26113-0 1-317-09168-X 1-283-23523-4 9786613235237 1-4094-2096-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Contents; List of Figures; Introduction; 1 Discourse Channels: Listening as a Cultural-Historical Category in the Austro-German Frühromantik; 3 Rage Against the Rabble: Gender Nostalgia and the Metropolitan Imagination in Heinrich Schenker's Kontrapunkt (1910 and 1922); 4 Song of the Body: Mahler, Kafka and the Male Jewish Body at the Habsburg fin de siècle; 5 Postlude; Bibliography; Index |
| Record Nr. | UNINA-9910781764603321 |
|
Biddle Ian D
|
||
| Burlington, Vt., : Ashgate, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music, masculinity and the claims of history [[electronic resource] ] : the Austro-German tradition from Hegel to Freud / / Ian Biddle
| Music, masculinity and the claims of history [[electronic resource] ] : the Austro-German tradition from Hegel to Freud / / Ian Biddle |
| Autore | Biddle Ian D |
| Pubbl/distr/stampa | Burlington, Vt., : Ashgate, c2011 |
| Descrizione fisica | 1 online resource (245 p.) |
| Disciplina | 780.943 |
| Soggetto topico |
Music - Europe, German-speaking - 19th century - History and criticism
Music - Europe, German-speaking - 20th century - History and criticism Masculinity in music |
| ISBN |
1-317-09169-8
1-315-59688-1 1-138-26113-0 1-317-09168-X 1-283-23523-4 9786613235237 1-4094-2096-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Contents; List of Figures; Introduction; 1 Discourse Channels: Listening as a Cultural-Historical Category in the Austro-German Frühromantik; 3 Rage Against the Rabble: Gender Nostalgia and the Metropolitan Imagination in Heinrich Schenker's Kontrapunkt (1910 and 1922); 4 Song of the Body: Mahler, Kafka and the Male Jewish Body at the Habsburg fin de siècle; 5 Postlude; Bibliography; Index |
| Record Nr. | UNINA-9910824973203321 |
|
Biddle Ian D
|
||
| Burlington, Vt., : Ashgate, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock
| White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock |
| Autore | Bannister Matthew |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London : , : Taylor and Francis, , 2017 |
| Descrizione fisica | 1 online resource (229 p.) |
| Disciplina | 781.66 |
| Collana | Ashgate popular and folk music series |
| Soggetto topico |
Alternative rock music - History and criticism
Masculinity in music |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-351-21801-8
1-351-21802-6 1-351-21800-X 1-281-89414-1 9786611894146 0-7546-8803-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : white boys-- -- Reviewing theories and representations of masculinities -- Powerless power : masculine intellectualism and aesthetics -- What does it mean to be alternative? : indie guitar rock as a genre -- The singer or the song? : homosociality, genre and gender -- Someone controls electric guitar : indie and technologies -- What will I do if she dies? : music, misery and masculinities -- Conclusion : --white noise. |
| Record Nr. | UNINA-9910457990403321 |
|
Bannister Matthew
|
||
| London : , : Taylor and Francis, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock
| White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock |
| Autore | Bannister Matthew |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London : , : Taylor and Francis, , 2017 |
| Descrizione fisica | 1 online resource (229 p.) |
| Disciplina | 781.66 |
| Collana | Ashgate popular and folk music series |
| Soggetto topico |
Alternative rock music - History and criticism
Masculinity in music |
| ISBN |
1-351-21801-8
1-351-21802-6 1-351-21800-X 1-281-89414-1 9786611894146 0-7546-8803-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : white boys-- -- Reviewing theories and representations of masculinities -- Powerless power : masculine intellectualism and aesthetics -- What does it mean to be alternative? : indie guitar rock as a genre -- The singer or the song? : homosociality, genre and gender -- Someone controls electric guitar : indie and technologies -- What will I do if she dies? : music, misery and masculinities -- Conclusion : --white noise. |
| Record Nr. | UNINA-9910784799603321 |
|
Bannister Matthew
|
||
| London : , : Taylor and Francis, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock
| White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock |
| Autore | Bannister Matthew |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London : , : Taylor and Francis, , 2017 |
| Descrizione fisica | 1 online resource (229 p.) |
| Disciplina | 781.66 |
| Collana | Ashgate popular and folk music series |
| Soggetto topico |
Alternative rock music - History and criticism
Masculinity in music |
| ISBN |
1-351-21801-8
1-351-21802-6 1-351-21800-X 1-281-89414-1 9786611894146 0-7546-8803-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : white boys-- -- Reviewing theories and representations of masculinities -- Powerless power : masculine intellectualism and aesthetics -- What does it mean to be alternative? : indie guitar rock as a genre -- The singer or the song? : homosociality, genre and gender -- Someone controls electric guitar : indie and technologies -- What will I do if she dies? : music, misery and masculinities -- Conclusion : --white noise. |
| Record Nr. | UNINA-9910824447803321 |
|
Bannister Matthew
|
||
| London : , : Taylor and Francis, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
