Close-up and macro photography / / Adrian Davies |
Autore | Davies Adrian <1953-, > |
Edizione | [1st edition] |
Pubbl/distr/stampa | Burlington, MA : , : Focal Press, , 2010 |
Descrizione fisica | 1 online resource (189 p.) |
Disciplina | 778.3/24 |
Collana | Focus On |
Soggetto topico |
Photography, Close-up
Macrophotography |
Soggetto genere / forma | Electronic books. |
ISBN |
1-136-09790-2
1-282-28900-4 9786612289002 0-08-095904-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Title Page; Copyright Page; Gallery; Table of Contents; Acknowledgments; Web Site; Chapter 1: Introduction; Definitions; Reproduction Ratios; Chapter 2: Image Capture; Digital Cameras; Compact Cameras; Prosumer, or ""Bridge,"" SLRs; Interchangeable-Lens DSLRs; Camera Features and Settings; Quality; Image File Formats; Back Viewing Screen; Viewfinders; Depth-of-Field Preview; Releasing the Shutter; Exposure Modes; Scene Modes; ISO; Exposure Metering; Vibration Reduction (Image Stabilization); Through-the-Lens Flash; White Balance; Memory Cards; Digital Backs; Image Sensors
Resolution and Sensor SizeEffect of Sensor Size on Focal Length; Scanners as Close-up and Macro Cameras; Reflected Light; Transparent/Translucent Specimens; Double Scanning; Film Scanners; Scanner Operation; Image Enhancement; Chapter 3: Lenses; Focal Length and Sensor Size; Focusing; Autofocus; Close-Up Supplementary Lenses; Strength; Magnification through Extension; Extension Tubes; Extension Bellows; Exposure Compensation with Tubes and Bellows; Reversing Lenses; Macro Lenses; Canon MP-E65 Macro Lens; Wide-Angle Lens; Standard Lens; Telephoto Lens; Zoom Lens; Teleconverters Other Lens TypesPerspective Control (Tilt and Shift) Lenses; Stacking Lenses; Depth of Field; Definition; Circle of Confusion; Diffraction; Bokeh; Blurring a Background; Summary; Stacking Images to Increase Depth of Field; Stacking Software; Chapter 4: Camera Supports; Tripods; Monopods; Tripod Heads; Focusing Rail; Bean Bag; Remote Release; Chapter 5: Lighting; Daylight; Continuous Light Sources; Subject Brightness Range; Reflectors; Diffusers; Flash; Flash with Daylight; Ring Flash; Specialist Macro Flash Units; Custom-Made Flash Brackets; Fiber-Optic Light Source; Light Box Special Lighting TechniquesTent Lighting; Dark-Field Lighting; Short-Duration Events; Chapter 6: The Macro Studio; Subject Supports; Copy Stands; Backgrounds; Lighting; Health and Safety; Chapter 7: Workflow and Image Processing; Workflow; Camera Settings; Histogram; RAW or JPEG?; Storage and Keywording; Color Management; Output; Ink-Jet Prints; Photomechanical Reproduction; Web, PowerPoint, Screen Display; Stock Library; Sharpening; Chapter 8: Subject Gallery; Record Photography; Polarized Light; Time-Based Events and Sequences; Aquatic Subjects; Abstracts; Resources; Glossary; Gallery Index |
Record Nr. | UNINA-9910455024203321 |
Davies Adrian <1953-, > | ||
Burlington, MA : , : Focal Press, , 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Close-up and macro photography / / Adrian Davies |
Autore | Davies Adrian <1953-> |
Edizione | [1st edition] |
Pubbl/distr/stampa | Burlington, MA : , : Focal Press, , 2010 |
Descrizione fisica | 1 online resource (189 p.) |
Collana | Focus On |
Soggetto topico |
Photography, Close-up
Macrophotography |
ISBN |
1-136-09790-2
1-282-28900-4 9786612289002 0-08-095904-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Title Page; Copyright Page; Gallery; Table of Contents; Acknowledgments; Web Site; Chapter 1: Introduction; Definitions; Reproduction Ratios; Chapter 2: Image Capture; Digital Cameras; Compact Cameras; Prosumer, or ""Bridge,"" SLRs; Interchangeable-Lens DSLRs; Camera Features and Settings; Quality; Image File Formats; Back Viewing Screen; Viewfinders; Depth-of-Field Preview; Releasing the Shutter; Exposure Modes; Scene Modes; ISO; Exposure Metering; Vibration Reduction (Image Stabilization); Through-the-Lens Flash; White Balance; Memory Cards; Digital Backs; Image Sensors
Resolution and Sensor SizeEffect of Sensor Size on Focal Length; Scanners as Close-up and Macro Cameras; Reflected Light; Transparent/Translucent Specimens; Double Scanning; Film Scanners; Scanner Operation; Image Enhancement; Chapter 3: Lenses; Focal Length and Sensor Size; Focusing; Autofocus; Close-Up Supplementary Lenses; Strength; Magnification through Extension; Extension Tubes; Extension Bellows; Exposure Compensation with Tubes and Bellows; Reversing Lenses; Macro Lenses; Canon MP-E65 Macro Lens; Wide-Angle Lens; Standard Lens; Telephoto Lens; Zoom Lens; Teleconverters Other Lens TypesPerspective Control (Tilt and Shift) Lenses; Stacking Lenses; Depth of Field; Definition; Circle of Confusion; Diffraction; Bokeh; Blurring a Background; Summary; Stacking Images to Increase Depth of Field; Stacking Software; Chapter 4: Camera Supports; Tripods; Monopods; Tripod Heads; Focusing Rail; Bean Bag; Remote Release; Chapter 5: Lighting; Daylight; Continuous Light Sources; Subject Brightness Range; Reflectors; Diffusers; Flash; Flash with Daylight; Ring Flash; Specialist Macro Flash Units; Custom-Made Flash Brackets; Fiber-Optic Light Source; Light Box Special Lighting TechniquesTent Lighting; Dark-Field Lighting; Short-Duration Events; Chapter 6: The Macro Studio; Subject Supports; Copy Stands; Backgrounds; Lighting; Health and Safety; Chapter 7: Workflow and Image Processing; Workflow; Camera Settings; Histogram; RAW or JPEG?; Storage and Keywording; Color Management; Output; Ink-Jet Prints; Photomechanical Reproduction; Web, PowerPoint, Screen Display; Stock Library; Sharpening; Chapter 8: Subject Gallery; Record Photography; Polarized Light; Time-Based Events and Sequences; Aquatic Subjects; Abstracts; Resources; Glossary; Gallery Index |
Record Nr. | UNINA-9910778303703321 |
Davies Adrian <1953-> | ||
Burlington, MA : , : Focal Press, , 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Close-up and macro photography / / Adrian Davies |
Autore | Davies Adrian <1953-> |
Edizione | [1st edition] |
Pubbl/distr/stampa | Amasterdam ; ; Boston, : Focal Press, 2009 |
Descrizione fisica | 1 online resource (189 p.) |
Disciplina | 778.3/24 |
Collana | Focus On |
Soggetto topico |
Photography, Close-up
Macrophotography |
ISBN |
1-136-09790-2
1-282-28900-4 9786612289002 0-08-095904-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Title Page; Copyright Page; Gallery; Table of Contents; Acknowledgments; Web Site; Chapter 1: Introduction; Definitions; Reproduction Ratios; Chapter 2: Image Capture; Digital Cameras; Compact Cameras; Prosumer, or ""Bridge,"" SLRs; Interchangeable-Lens DSLRs; Camera Features and Settings; Quality; Image File Formats; Back Viewing Screen; Viewfinders; Depth-of-Field Preview; Releasing the Shutter; Exposure Modes; Scene Modes; ISO; Exposure Metering; Vibration Reduction (Image Stabilization); Through-the-Lens Flash; White Balance; Memory Cards; Digital Backs; Image Sensors
Resolution and Sensor SizeEffect of Sensor Size on Focal Length; Scanners as Close-up and Macro Cameras; Reflected Light; Transparent/Translucent Specimens; Double Scanning; Film Scanners; Scanner Operation; Image Enhancement; Chapter 3: Lenses; Focal Length and Sensor Size; Focusing; Autofocus; Close-Up Supplementary Lenses; Strength; Magnification through Extension; Extension Tubes; Extension Bellows; Exposure Compensation with Tubes and Bellows; Reversing Lenses; Macro Lenses; Canon MP-E65 Macro Lens; Wide-Angle Lens; Standard Lens; Telephoto Lens; Zoom Lens; Teleconverters Other Lens TypesPerspective Control (Tilt and Shift) Lenses; Stacking Lenses; Depth of Field; Definition; Circle of Confusion; Diffraction; Bokeh; Blurring a Background; Summary; Stacking Images to Increase Depth of Field; Stacking Software; Chapter 4: Camera Supports; Tripods; Monopods; Tripod Heads; Focusing Rail; Bean Bag; Remote Release; Chapter 5: Lighting; Daylight; Continuous Light Sources; Subject Brightness Range; Reflectors; Diffusers; Flash; Flash with Daylight; Ring Flash; Specialist Macro Flash Units; Custom-Made Flash Brackets; Fiber-Optic Light Source; Light Box Special Lighting TechniquesTent Lighting; Dark-Field Lighting; Short-Duration Events; Chapter 6: The Macro Studio; Subject Supports; Copy Stands; Backgrounds; Lighting; Health and Safety; Chapter 7: Workflow and Image Processing; Workflow; Camera Settings; Histogram; RAW or JPEG?; Storage and Keywording; Color Management; Output; Ink-Jet Prints; Photomechanical Reproduction; Web, PowerPoint, Screen Display; Stock Library; Sharpening; Chapter 8: Subject Gallery; Record Photography; Polarized Light; Time-Based Events and Sequences; Aquatic Subjects; Abstracts; Resources; Glossary; Gallery Index |
Record Nr. | UNINA-9910818750103321 |
Davies Adrian <1953-> | ||
Amasterdam ; ; Boston, : Focal Press, 2009 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Imaging marine life : macrophotography and microscopy approaches for marine biology / / edited by Emmanuel G. Reynaud |
Pubbl/distr/stampa | Weinheim an der Bergstrasse, Germany : , : Wiley-Blackwell, , 2014 |
Descrizione fisica | 1 online resource (277 p.) |
Disciplina | 578.77 |
Altri autori (Persone) | ReynaudEmmanuel G |
Soggetto topico |
Marine biology - Research
Macrophotography Marine biology |
ISBN |
3-527-67542-6
3-527-67541-8 3-527-66420-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Imaging Marine Life; Contents; Preface; List of Contributors; Chapter 1 Under the Eye of Neptune: An Historical Perspective of Marine Creature Imagery; 1.1 Introduction; 1.2 Ancient Uses of the Oceans; 1.2.1 Seafarers; 1.2.2 The Mediterranean Sea: the cradle of marine biology; 1.2.2.1 Aristotle and Pliny the Elder, the Founding Fathers; 1.2.2.2 Understanding the Oceans; 1.3 From Neptune to Animalcules; 1.3.1 Age of European Discovery and Exploration; 1.3.2 Voyages of Exploration and finally Science; 1.3.3 A Glimpse at the Invisible; 1.4 The Birth of Oceanography (The Nineteenth Century)
1.4.1 Drawing the Jellyfish 1.4.2 The H.M.S. Challenger Expedition; 1.4.3 Stations and Institutions; 1.5 The Twentieth Century: Institutions and moving images; 1.5.1 New tools - new images:; 1.5.2 Jean Painleve; 1.5.3 The Writers and the Explorers; 1.5.4 The Future; 1.6 Time Line of Ocean Imagery; Further Reading; Basic Texts; Source Books; Ships and Expeditions; Institutions; Chapter 2 New Solutions in Underwater Imaging and Vision Systems; 2.1 Introduction; 2.2 Underwater Optical Image Formation; 2.3 Illumination Techniques; 2.3.1 Illumination Sources 2.3.2 Selection of the Light Source Position 2.3.3 Illuminating Systems; 2.4 Laser-Based Techniques; 2.4.1 Laser Range-Gating (LRG) Methods; 2.4.2 Laser Line Scan (LLS) Methods; 2.4.3 Scattered Light Rejection Using Modulation/Demodulation Techniques; 2.5 Underwater Imaging Infrastructures; 2.6 Image Improvement via Polarization; 2.6.1 Extended Range Using Polarization; 2.6.2 Housing; 2.6.3 Experimental Evaluation; 2.7 A Vision System for Underwater Applications; 2.7.1 The Fugu Vision System; 2.8 Conclusion; Acknowledgements; References; Chapter 3 Holographic Microscopy of Marine Organisms 3.1 Introduction 3.2 Advantages of Holographic Microscopy; 3.3 Past Attempts to Image Microplankton; 3.4 Point Source Digital In-Line Holographic Microscopy; 3.4.1 Instruments; 3.4.2 Image Reconstruction; 3.4.3 Image Examples; 3.4.4 Resolution; 3.4.5 Volume Imaging Challenges; 3.5 Future Outlook; References; Chapter 4 Confocal Laser Scanning Microscopy - Detailed Three-Dimensional Morphological Imaging of Marine Organisms; 4.1 Introduction; 4.2 Technical and Methodological Aspects of Confocal Laser Scanning Microscopy 4.3 Prerequisites for Generating High-Quality Confocal Laser Scanning Micrographs 4.4 Using Autofluorescences for Detailed Three-Dimensional Morphological Imaging; 4.5 Application of Fluorescence Dyes; 4.6 Surface Topography Analyses; 4.7 Future Perspectives; Acknowledgements; References; Chapter 5 Optical Projection Tomography; 5.1 Introduction; 5.2 What Is Optical Projection Tomography?; 5.2.1 Assembly of an OPT System; 5.2.1.1 Detection Unit; 5.2.1.2 Illumination Units; 5.2.1.3 Sample Manipulation Unit; 5.2.2 Illumination Sources; 5.2.3 System Capabilities and Limitations 5.3 Comparison with Other 3D Microscopy Techniques |
Record Nr. | UNINA-9910138992503321 |
Weinheim an der Bergstrasse, Germany : , : Wiley-Blackwell, , 2014 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Imaging marine life : macrophotography and microscopy approaches for marine biology / / edited by Emmanuel G. Reynaud |
Pubbl/distr/stampa | Weinheim an der Bergstrasse, Germany : , : Wiley-Blackwell, , 2014 |
Descrizione fisica | 1 online resource (277 p.) |
Disciplina | 578.77 |
Altri autori (Persone) | ReynaudEmmanuel G |
Soggetto topico |
Marine biology - Research
Macrophotography Marine biology |
ISBN |
3-527-67542-6
3-527-67541-8 3-527-66420-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Imaging Marine Life; Contents; Preface; List of Contributors; Chapter 1 Under the Eye of Neptune: An Historical Perspective of Marine Creature Imagery; 1.1 Introduction; 1.2 Ancient Uses of the Oceans; 1.2.1 Seafarers; 1.2.2 The Mediterranean Sea: the cradle of marine biology; 1.2.2.1 Aristotle and Pliny the Elder, the Founding Fathers; 1.2.2.2 Understanding the Oceans; 1.3 From Neptune to Animalcules; 1.3.1 Age of European Discovery and Exploration; 1.3.2 Voyages of Exploration and finally Science; 1.3.3 A Glimpse at the Invisible; 1.4 The Birth of Oceanography (The Nineteenth Century)
1.4.1 Drawing the Jellyfish 1.4.2 The H.M.S. Challenger Expedition; 1.4.3 Stations and Institutions; 1.5 The Twentieth Century: Institutions and moving images; 1.5.1 New tools - new images:; 1.5.2 Jean Painleve; 1.5.3 The Writers and the Explorers; 1.5.4 The Future; 1.6 Time Line of Ocean Imagery; Further Reading; Basic Texts; Source Books; Ships and Expeditions; Institutions; Chapter 2 New Solutions in Underwater Imaging and Vision Systems; 2.1 Introduction; 2.2 Underwater Optical Image Formation; 2.3 Illumination Techniques; 2.3.1 Illumination Sources 2.3.2 Selection of the Light Source Position 2.3.3 Illuminating Systems; 2.4 Laser-Based Techniques; 2.4.1 Laser Range-Gating (LRG) Methods; 2.4.2 Laser Line Scan (LLS) Methods; 2.4.3 Scattered Light Rejection Using Modulation/Demodulation Techniques; 2.5 Underwater Imaging Infrastructures; 2.6 Image Improvement via Polarization; 2.6.1 Extended Range Using Polarization; 2.6.2 Housing; 2.6.3 Experimental Evaluation; 2.7 A Vision System for Underwater Applications; 2.7.1 The Fugu Vision System; 2.8 Conclusion; Acknowledgements; References; Chapter 3 Holographic Microscopy of Marine Organisms 3.1 Introduction 3.2 Advantages of Holographic Microscopy; 3.3 Past Attempts to Image Microplankton; 3.4 Point Source Digital In-Line Holographic Microscopy; 3.4.1 Instruments; 3.4.2 Image Reconstruction; 3.4.3 Image Examples; 3.4.4 Resolution; 3.4.5 Volume Imaging Challenges; 3.5 Future Outlook; References; Chapter 4 Confocal Laser Scanning Microscopy - Detailed Three-Dimensional Morphological Imaging of Marine Organisms; 4.1 Introduction; 4.2 Technical and Methodological Aspects of Confocal Laser Scanning Microscopy 4.3 Prerequisites for Generating High-Quality Confocal Laser Scanning Micrographs 4.4 Using Autofluorescences for Detailed Three-Dimensional Morphological Imaging; 4.5 Application of Fluorescence Dyes; 4.6 Surface Topography Analyses; 4.7 Future Perspectives; Acknowledgements; References; Chapter 5 Optical Projection Tomography; 5.1 Introduction; 5.2 What Is Optical Projection Tomography?; 5.2.1 Assembly of an OPT System; 5.2.1.1 Detection Unit; 5.2.1.2 Illumination Units; 5.2.1.3 Sample Manipulation Unit; 5.2.2 Illumination Sources; 5.2.3 System Capabilities and Limitations 5.3 Comparison with Other 3D Microscopy Techniques |
Record Nr. | UNINA-9910809079103321 |
Weinheim an der Bergstrasse, Germany : , : Wiley-Blackwell, , 2014 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Photographing flowers : exploring macro worlds / / with Harold Davis |
Autore | Davis Harold <1953-, > |
Edizione | [1st edition] |
Pubbl/distr/stampa | Waltham, Mass. : , : Focal Press, , 2012 |
Descrizione fisica | 1 online resource (209 p.) |
Disciplina |
700
778.9343 |
Soggetto topico |
Photography of plants
Macrophotography Flowers |
Soggetto genere / forma | Electronic books. |
ISBN |
1-138-37220-X
1-136-10982-X 1-283-32023-1 9786613320230 0-240-82090-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Machine generated contents note: Introduction: Why Photograph Flowers; Equipment and Lighting; One World Many Flowers; The Bee's Eye View; Flowers and Sensuality; Flowers in the Digital Darkroom; More About Flowers; Glossary; Index. |
Record Nr. | UNINA-9910457526603321 |
Davis Harold <1953-, > | ||
Waltham, Mass. : , : Focal Press, , 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Photographing flowers [[electronic resource] ] : exploring macro worlds / / with Harold Davis |
Autore | Davis Harold <1953-> |
Edizione | [1st edition] |
Pubbl/distr/stampa | Routledge, , 2012 |
Descrizione fisica | 1 online resource (209 p.) |
Disciplina |
700
778.9343 |
Soggetto topico |
Photography of plants
Macrophotography Flowers |
ISBN |
1-138-37220-X
1-136-10982-X 1-283-32023-1 9786613320230 0-240-82090-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Machine generated contents note: Introduction: Why Photograph Flowers; Equipment and Lighting; One World Many Flowers; The Bee's Eye View; Flowers and Sensuality; Flowers in the Digital Darkroom; More About Flowers; Glossary; Index. |
Record Nr. | UNINA-9910781860603321 |
Davis Harold <1953-> | ||
Routledge, , 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Photographing flowers : exploring macro worlds with Harold Davis |
Autore | Davis Harold <1953-> |
Edizione | [1st edition] |
Pubbl/distr/stampa | Waltham, Mass., : Focal Press, c2012 |
Descrizione fisica | 1 online resource (209 p.) |
Disciplina | 778.9/34 |
Soggetto topico |
Photography of plants
Macrophotography Flowers |
ISBN |
1-138-37220-X
1-136-10982-X 1-283-32023-1 9786613320230 0-240-82090-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Machine generated contents note: Introduction: Why Photograph Flowers; Equipment and Lighting; One World Many Flowers; The Bee's Eye View; Flowers and Sensuality; Flowers in the Digital Darkroom; More About Flowers; Glossary; Index. |
Record Nr. | UNINA-9910816522803321 |
Davis Harold <1953-> | ||
Waltham, Mass., : Focal Press, c2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Photographing waterdrops : exploring macro worlds with Harold Davis / / Harold Davis |
Autore | Davis Harold <1953-, > |
Edizione | [1st edition] |
Pubbl/distr/stampa | Waltham, Mass. : , : Focal Press, , 2013 |
Descrizione fisica | 1 online resource (209 p.) |
Disciplina | 778.3/24 |
Soggetto topico |
Macrophotography
Photography of water Drops |
Soggetto genere / forma | Electronic books. |
ISBN |
0-240-82089-4
1-283-99425-9 1-136-10950-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Photographing Waterdrops; Copyright; Contents; Introduction; Waterdrop Worlds; Wet World; Water Defines Life; Powers of Ten; Life Cycle of a Waterdrop; How Small is Small?; Physics of Waterdrops; Different Kinds of Waterdrops; Reflections and Refractions; Spiderweb Studio; Sunbursts; Waterdrop as Lens; Making Waterdrop Photos; Planning; Waterdrop Exposures; Using an Exposure Histogram; Choosing a Lens; Macro Lenses; Comparing Macro Lenses; Extension Tubes; Close-up Filters; Tripods and Gadgets; Dealing with Extreme Macros; Aperture and Depth-of-Field; Waterdrop Compositions
Working with Natural LightUsing a Macro Flash; Waterdrops in the Digital Darkroom; Poetry in Post-Production; Waterdrop Image Workflow; Multi-RAW Processing; Enhancing Colors; Making Waterdrops Sharp; Waterdrops in Black & White; Waterdrops and HDR; Notes & Resources; Glossary; Index |
Record Nr. | UNINA-9910462569303321 |
Davis Harold <1953-, > | ||
Waltham, Mass. : , : Focal Press, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Photographing waterdrops [[electronic resource] ] : exploring macro worlds with Harold Davis / / Harold Davis |
Autore | Davis Harold <1953-> |
Edizione | [1st edition] |
Pubbl/distr/stampa | Routledge, , 2013 |
Descrizione fisica | 1 online resource (209 p.) |
Disciplina | 778.3/24 |
Soggetto topico |
Macrophotography
Photography of water Drops |
Soggetto genere / forma | Pictorial works. |
ISBN |
0-240-82089-4
1-283-99425-9 1-136-10950-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Photographing Waterdrops; Copyright; Contents; Introduction; Waterdrop Worlds; Wet World; Water Defines Life; Powers of Ten; Life Cycle of a Waterdrop; How Small is Small?; Physics of Waterdrops; Different Kinds of Waterdrops; Reflections and Refractions; Spiderweb Studio; Sunbursts; Waterdrop as Lens; Making Waterdrop Photos; Planning; Waterdrop Exposures; Using an Exposure Histogram; Choosing a Lens; Macro Lenses; Comparing Macro Lenses; Extension Tubes; Close-up Filters; Tripods and Gadgets; Dealing with Extreme Macros; Aperture and Depth-of-Field; Waterdrop Compositions
Working with Natural LightUsing a Macro Flash; Waterdrops in the Digital Darkroom; Poetry in Post-Production; Waterdrop Image Workflow; Multi-RAW Processing; Enhancing Colors; Making Waterdrops Sharp; Waterdrops in Black & White; Waterdrops and HDR; Notes & Resources; Glossary; Index |
Record Nr. | UNINA-9910786052903321 |
Davis Harold <1953-> | ||
Routledge, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|