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The Joker : a serious study of The Clown Prince of Crime / / edited by Robert Moses Peaslee and Robert G. Weiner
| The Joker : a serious study of The Clown Prince of Crime / / edited by Robert Moses Peaslee and Robert G. Weiner |
| Pubbl/distr/stampa | Jackson : , : University Press of Mississippi, , [2015] |
| Descrizione fisica | 1 online resource (292 p.) |
| Disciplina | 741.5/973 |
| Soggetto topico |
Joker (Fictitious character)
Comic books, strips, etc - United States - History and criticism Literature and society - United States |
| Soggetto genere / forma | Electronic books. |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Cover ""; ""THE JOKER ""; ""Title ""; ""Copyright ""; ""CONTENTS ""; ""ACKNOWLEDGMENTS ""; ""FOREWORD ""; ""INTRODUCTION ""; ""I. THE CHANGEABLE TRICKSTER ""; ""SHIFTING MAKEUPS: The Joker as Performance Style from Romero to Ledger ""; ""DOES THE JOKER HAVE SIX-INCH TEETH? ""; ""LADY HAHA: Performativity, Super-sanity, and the Mutability of Identity ""; ""EPISODES OF MADNESS: Representations of the Joker in Television and Animation ""; ""II. THE JOKER AND THE POLITICAL ""; ""THE OBAMA-JOKER: Assembling a Populist Monster ""
""KISS WITH A FIST: The Gendered Power Struggle of the Joker and Harley Quinn """"MORE THAN THE HOOD WAS RED: The Joker as Marxist ""; ""III. THE DIGITAL JOKER ""; ""NEVER GIVE �EM WHAT THEY EXPECT: The Joker Ethos as the Zeitgeist of Contemporary Digital Subcultural Transgression ""; ""PLAYING (WITH) THE VILLAIN: Critical Play and the Joker-as-Guide in Batman: Arkham Asylum ""; ""“WHY SO SERIOUS?�: Warner Bros.� Use of the Joker in Marketing The Dark Knight ""; ""IV. JOKER THEORY ""; ""RICTUS GRINS AND GLASGOW SMILES: The Joker as Satirical Discourse "" ""THE JOKER, CLOWN PRINCE OF NOBILITY: The “Master� Criminal, Nietzsche, and the Rise of the Superman """"THE JOKER PLAYS THE KING: Archetypes of the Underworld in Grant Morrison and Dave McKean�s Arkham Asylum: A Serious House on Serious Earth ""; ""MAKING SENSE SQUARED: Iteration and Synthesis in Grant Morrison�s Joker ""; ""“YOU COMPLETE ME�: The Joker as Symptom ""; ""AFTERWORD ""; ""CONTRIBUTORS ""; ""INDEX "" |
| Record Nr. | UNINA-9910463830703321 |
| Jackson : , : University Press of Mississippi, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Joker : a serious study of The Clown Prince of Crime / / edited by Robert Moses Peaslee and Robert G. Weiner
| The Joker : a serious study of The Clown Prince of Crime / / edited by Robert Moses Peaslee and Robert G. Weiner |
| Pubbl/distr/stampa | Jackson : , : University Press of Mississippi, , [2015] |
| Descrizione fisica | 1 online resource (292 p.) |
| Disciplina | 741.5/973 |
| Soggetto topico |
Joker (Fictitious character)
Comic books, strips, etc - United States - History and criticism Literature and society - United States |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Cover ""; ""THE JOKER ""; ""Title ""; ""Copyright ""; ""CONTENTS ""; ""ACKNOWLEDGMENTS ""; ""FOREWORD ""; ""INTRODUCTION ""; ""I. THE CHANGEABLE TRICKSTER ""; ""SHIFTING MAKEUPS: The Joker as Performance Style from Romero to Ledger ""; ""DOES THE JOKER HAVE SIX-INCH TEETH? ""; ""LADY HAHA: Performativity, Super-sanity, and the Mutability of Identity ""; ""EPISODES OF MADNESS: Representations of the Joker in Television and Animation ""; ""II. THE JOKER AND THE POLITICAL ""; ""THE OBAMA-JOKER: Assembling a Populist Monster ""
""KISS WITH A FIST: The Gendered Power Struggle of the Joker and Harley Quinn """"MORE THAN THE HOOD WAS RED: The Joker as Marxist ""; ""III. THE DIGITAL JOKER ""; ""NEVER GIVE �EM WHAT THEY EXPECT: The Joker Ethos as the Zeitgeist of Contemporary Digital Subcultural Transgression ""; ""PLAYING (WITH) THE VILLAIN: Critical Play and the Joker-as-Guide in Batman: Arkham Asylum ""; ""“WHY SO SERIOUS?�: Warner Bros.� Use of the Joker in Marketing The Dark Knight ""; ""IV. JOKER THEORY ""; ""RICTUS GRINS AND GLASGOW SMILES: The Joker as Satirical Discourse "" ""THE JOKER, CLOWN PRINCE OF NOBILITY: The “Master� Criminal, Nietzsche, and the Rise of the Superman """"THE JOKER PLAYS THE KING: Archetypes of the Underworld in Grant Morrison and Dave McKean�s Arkham Asylum: A Serious House on Serious Earth ""; ""MAKING SENSE SQUARED: Iteration and Synthesis in Grant Morrison�s Joker ""; ""“YOU COMPLETE ME�: The Joker as Symptom ""; ""AFTERWORD ""; ""CONTRIBUTORS ""; ""INDEX "" |
| Record Nr. | UNINA-9910788288303321 |
| Jackson : , : University Press of Mississippi, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Joker : a serious study of The Clown Prince of Crime / / edited by Robert Moses Peaslee and Robert G. Weiner
| The Joker : a serious study of The Clown Prince of Crime / / edited by Robert Moses Peaslee and Robert G. Weiner |
| Pubbl/distr/stampa | Jackson : , : University Press of Mississippi, , [2015] |
| Descrizione fisica | 1 online resource (292 p.) |
| Disciplina | 741.5/973 |
| Soggetto topico |
Joker (Fictitious character)
Comic books, strips, etc - United States - History and criticism Literature and society - United States |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Cover ""; ""THE JOKER ""; ""Title ""; ""Copyright ""; ""CONTENTS ""; ""ACKNOWLEDGMENTS ""; ""FOREWORD ""; ""INTRODUCTION ""; ""I. THE CHANGEABLE TRICKSTER ""; ""SHIFTING MAKEUPS: The Joker as Performance Style from Romero to Ledger ""; ""DOES THE JOKER HAVE SIX-INCH TEETH? ""; ""LADY HAHA: Performativity, Super-sanity, and the Mutability of Identity ""; ""EPISODES OF MADNESS: Representations of the Joker in Television and Animation ""; ""II. THE JOKER AND THE POLITICAL ""; ""THE OBAMA-JOKER: Assembling a Populist Monster ""
""KISS WITH A FIST: The Gendered Power Struggle of the Joker and Harley Quinn """"MORE THAN THE HOOD WAS RED: The Joker as Marxist ""; ""III. THE DIGITAL JOKER ""; ""NEVER GIVE �EM WHAT THEY EXPECT: The Joker Ethos as the Zeitgeist of Contemporary Digital Subcultural Transgression ""; ""PLAYING (WITH) THE VILLAIN: Critical Play and the Joker-as-Guide in Batman: Arkham Asylum ""; ""“WHY SO SERIOUS?�: Warner Bros.� Use of the Joker in Marketing The Dark Knight ""; ""IV. JOKER THEORY ""; ""RICTUS GRINS AND GLASGOW SMILES: The Joker as Satirical Discourse "" ""THE JOKER, CLOWN PRINCE OF NOBILITY: The “Master� Criminal, Nietzsche, and the Rise of the Superman """"THE JOKER PLAYS THE KING: Archetypes of the Underworld in Grant Morrison and Dave McKean�s Arkham Asylum: A Serious House on Serious Earth ""; ""MAKING SENSE SQUARED: Iteration and Synthesis in Grant Morrison�s Joker ""; ""“YOU COMPLETE ME�: The Joker as Symptom ""; ""AFTERWORD ""; ""CONTRIBUTORS ""; ""INDEX "" |
| Record Nr. | UNINA-9910818360903321 |
| Jackson : , : University Press of Mississippi, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
