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Jazz and cocktails : rethinking race and the sound of film noir / / Jans B. Wager
| Jazz and cocktails : rethinking race and the sound of film noir / / Jans B. Wager |
| Autore | Wager Jans B. <1958-> |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | Austin, Texas : , : University of Texas Press, , [2017] |
| Descrizione fisica | 1 online resource (176 pages) |
| Disciplina | 791.43/6578 |
| Soggetto topico |
Jazz in motion pictures
Film noir - History and criticism Race in motion pictures Sound in motion pictures Motion pictures and music |
| ISBN | 1-4773-1228-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: nostalgia for the Lush Life -- Pie eye's juke joint : jazz and its interpretations -- The porters and waiters club : jazz, movies, and Ogden -- Studio jazz from Harlem to Acapulco -- The Blue Gardenia, Club Pigalle, and Daniel's : charting the alienation effect in film noir -- From Elysium to Robards, from real to reel -- A Paris bar where miles innovates -- "All the very gay places" : Ellington and Strayhorn swing in northern Michigan -- Cannoy's club : "All men are evil" -- "Jeep's blues" and jazz today. |
| Record Nr. | UNINA-9910158580303321 |
Wager Jans B. <1958->
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| Austin, Texas : , : University of Texas Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Jazz as visual language : film, television and the dissonant image / / Nicolas Pillai
| Jazz as visual language : film, television and the dissonant image / / Nicolas Pillai |
| Autore | Pillai Nicolas |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London, England : , : I.B. Tauris & Co. Ltd, , 2016 |
| Descrizione fisica | 1 online resource (xi, 176 pages) : illustrations |
| Disciplina | 791.436578 |
| Collana | International library of the moving image |
| Soggetto topico |
Jazz in motion pictures
Jazz on television |
| ISBN |
1-350-98692-5
1-78673-100-2 1-78672-100-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Len Lye : the sensual world -- Gjon Mili : the material ghost -- Jazz 625 : inform-educate-entertain. |
| Record Nr. | UNINA-9910162793003321 |
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Pillai Nicolas
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| London, England : , : I.B. Tauris & Co. Ltd, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music, movies, meanings, and markets : cinemajazzamatazz / / Morris B. Holbrook
| Music, movies, meanings, and markets : cinemajazzamatazz / / Morris B. Holbrook |
| Autore | Holbrook Morris B. |
| Pubbl/distr/stampa | New York : , : Routledge, , 2011 |
| Descrizione fisica | 1 online resource (395 p.) |
| Disciplina | 781.5/420973 |
| Collana | Routledge interpretive marketing research series |
| Soggetto topico |
Motion picture music - United States - History and criticism
Jazz in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-15090-5
9786613150905 1-136-71576-2 0-203-81553-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : ambi-diegetic music in motion pictures. The role of ambi-diegetic film music in the product design of Hollywood movies : macromarketing in La-La-land -- Ambi-diegetic jazz and the development of character. Ambi-diegetic film music as a product-design and -placement strategy : the Crosby duets in High society (1956) -- The cinemusical role of "My funny Valentine" in The fabulous Baker Boys (1989) and The talented Mr. Ripley (1999) -- The plot thickens : cinemusical meanings in the crime-plus-jazz genre. Pete Kelly's blues (1955) -- The Cotton Club (1984) -- Kansas City (1996) -- Jazz, films, and macromarketing themes : art versus commerce in the young man-with-a-horn genre. Young man with a horn (1949) -- Paris blues (1961) -- Mo' better blues (1990) -- Ambi-diegetic, nondiegetic, and diegetic cinemusical meanings in motion pictures : commerce, art, and Brando loyalty-- or-- De Niro, my God, to thee. Commerce and New York, New York (1977) : he's delightful, he's delicious, he's De Niro -- Art and Heart beat (1980) : stars fell on Algolagnia -- Brando loyalty and The score (2001) : how do you keep the music paying? -- God is in the details. His eye is on the sparrow : small-but-significant cinemusical moments in jazz film scores by Miles Davis and John Lewis -- Small-but-significant implications of the man who isn't there in Sweet smell of success (1957) -- Jazz biopics as tragedy and comedy : pivotal ambi-diegetic. Cinemusical moments in tragedepictions and comedepictions of jazz heroes -- When bad things happen to great musicians : the troubled role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen -- A cinemusicaliterary analysis of the American dream as represented by biographical jazz comedepictions in the golden age of Hollywood biopics : Blow, Horatio, blow; O, Jakie, O; Go, Tommy, go; No, Artie, no. |
| Record Nr. | UNINA-9910461319003321 |
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Holbrook Morris B.
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| New York : , : Routledge, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music, movies, meanings, and markets : cinemajazzamatazz / / Morris B. Holbrook
| Music, movies, meanings, and markets : cinemajazzamatazz / / Morris B. Holbrook |
| Autore | Holbrook Morris B. |
| Pubbl/distr/stampa | New York : , : Routledge, , 2011 |
| Descrizione fisica | 1 online resource (395 p.) |
| Disciplina | 781.5/420973 |
| Collana | Routledge interpretive marketing research series |
| Soggetto topico |
Motion picture music - United States - History and criticism
Jazz in motion pictures |
| ISBN |
1-136-71575-4
1-283-15090-5 9786613150905 1-136-71576-2 0-203-81553-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : ambi-diegetic music in motion pictures. The role of ambi-diegetic film music in the product design of Hollywood movies : macromarketing in La-La-land -- Ambi-diegetic jazz and the development of character. Ambi-diegetic film music as a product-design and -placement strategy : the Crosby duets in High society (1956) -- The cinemusical role of "My funny Valentine" in The fabulous Baker Boys (1989) and The talented Mr. Ripley (1999) -- The plot thickens : cinemusical meanings in the crime-plus-jazz genre. Pete Kelly's blues (1955) -- The Cotton Club (1984) -- Kansas City (1996) -- Jazz, films, and macromarketing themes : art versus commerce in the young man-with-a-horn genre. Young man with a horn (1949) -- Paris blues (1961) -- Mo' better blues (1990) -- Ambi-diegetic, nondiegetic, and diegetic cinemusical meanings in motion pictures : commerce, art, and Brando loyalty-- or-- De Niro, my God, to thee. Commerce and New York, New York (1977) : he's delightful, he's delicious, he's De Niro -- Art and Heart beat (1980) : stars fell on Algolagnia -- Brando loyalty and The score (2001) : how do you keep the music paying? -- God is in the details. His eye is on the sparrow : small-but-significant cinemusical moments in jazz film scores by Miles Davis and John Lewis -- Small-but-significant implications of the man who isn't there in Sweet smell of success (1957) -- Jazz biopics as tragedy and comedy : pivotal ambi-diegetic. Cinemusical moments in tragedepictions and comedepictions of jazz heroes -- When bad things happen to great musicians : the troubled role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen -- A cinemusicaliterary analysis of the American dream as represented by biographical jazz comedepictions in the golden age of Hollywood biopics : Blow, Horatio, blow; O, Jakie, O; Go, Tommy, go; No, Artie, no. |
| Record Nr. | UNINA-9910789545203321 |
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Holbrook Morris B.
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| New York : , : Routledge, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music, movies, meanings, and markets : cinemajazzamatazz / / Morris B. Holbrook
| Music, movies, meanings, and markets : cinemajazzamatazz / / Morris B. Holbrook |
| Autore | Holbrook Morris B. |
| Pubbl/distr/stampa | New York : , : Routledge, , 2011 |
| Descrizione fisica | 1 online resource (395 p.) |
| Disciplina | 781.5/420973 |
| Collana | Routledge interpretive marketing research series |
| Soggetto topico |
Motion picture music - United States - History and criticism
Jazz in motion pictures |
| ISBN |
1-136-71575-4
1-283-15090-5 9786613150905 1-136-71576-2 0-203-81553-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : ambi-diegetic music in motion pictures. The role of ambi-diegetic film music in the product design of Hollywood movies : macromarketing in La-La-land -- Ambi-diegetic jazz and the development of character. Ambi-diegetic film music as a product-design and -placement strategy : the Crosby duets in High society (1956) -- The cinemusical role of "My funny Valentine" in The fabulous Baker Boys (1989) and The talented Mr. Ripley (1999) -- The plot thickens : cinemusical meanings in the crime-plus-jazz genre. Pete Kelly's blues (1955) -- The Cotton Club (1984) -- Kansas City (1996) -- Jazz, films, and macromarketing themes : art versus commerce in the young man-with-a-horn genre. Young man with a horn (1949) -- Paris blues (1961) -- Mo' better blues (1990) -- Ambi-diegetic, nondiegetic, and diegetic cinemusical meanings in motion pictures : commerce, art, and Brando loyalty-- or-- De Niro, my God, to thee. Commerce and New York, New York (1977) : he's delightful, he's delicious, he's De Niro -- Art and Heart beat (1980) : stars fell on Algolagnia -- Brando loyalty and The score (2001) : how do you keep the music paying? -- God is in the details. His eye is on the sparrow : small-but-significant cinemusical moments in jazz film scores by Miles Davis and John Lewis -- Small-but-significant implications of the man who isn't there in Sweet smell of success (1957) -- Jazz biopics as tragedy and comedy : pivotal ambi-diegetic. Cinemusical moments in tragedepictions and comedepictions of jazz heroes -- When bad things happen to great musicians : the troubled role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen -- A cinemusicaliterary analysis of the American dream as represented by biographical jazz comedepictions in the golden age of Hollywood biopics : Blow, Horatio, blow; O, Jakie, O; Go, Tommy, go; No, Artie, no. |
| Record Nr. | UNINA-9910810466903321 |
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Holbrook Morris B.
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| New York : , : Routledge, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Some liked it hot [[electronic resource] ] : jazz women in film and television, 1928-1959 / / Kristin A. McGee
| Some liked it hot [[electronic resource] ] : jazz women in film and television, 1928-1959 / / Kristin A. McGee |
| Autore | McGee Kristin A |
| Pubbl/distr/stampa | Middletown, Conn., : Wesleyan University Press, c2009 |
| Descrizione fisica | 1 online resource (338 p.) |
| Disciplina | 791.43/6578 |
| Collana | Music/culture |
| Soggetto topico |
Women jazz musicians in motion pictures
Big bands in motion pictures Jazz in motion pictures Motion pictures - United States - History - 20th century Television broadcasting of music Variety shows (Television programs) - United States |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-10937-9
9786613109378 0-8195-6967-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Jazz culture and all-girls films. The feminization of mass culture and the novelty of all-girl bands -- The Ingenues and the Harlem Playgirls -- All-girl bands and sound films in the swing era. Phil Spitalny's Musical Queens -- The "blonde bombshell of swing": Ina Ray Hutton and her Melodears -- Soundies and features during the 1940s. Swinging the classics: Hazel Scott and Hollywood's musical-racial matrix -- Pinups, patriotism, and feminized genres -- Swing-centered films and the hour of charm -- The International Sweethearts of Rhythm and independent black sound film -- Variety television and the 1950s. Television, vaudeo, and female musical hosts -- Variety television revives all-girl bands -- Television's musical guests: Hazel Scott, Peggy Lee, and Lena Horne -- Conclusion : the jazz canon (representations and gendered absences). |
| Record Nr. | UNINA-9910457091703321 |
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McGee Kristin A
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| Middletown, Conn., : Wesleyan University Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Some liked it hot [[electronic resource] ] : jazz women in film and television, 1928-1959 / / Kristin A. McGee
| Some liked it hot [[electronic resource] ] : jazz women in film and television, 1928-1959 / / Kristin A. McGee |
| Autore | McGee Kristin A |
| Pubbl/distr/stampa | Middletown, Conn., : Wesleyan University Press, c2009 |
| Descrizione fisica | 1 online resource (338 p.) |
| Disciplina | 791.43/6578 |
| Collana | Music/culture |
| Soggetto topico |
Women jazz musicians in motion pictures
Big bands in motion pictures Jazz in motion pictures Motion pictures - United States - History - 20th century Television broadcasting of music Variety shows (Television programs) - United States |
| ISBN |
1-283-10937-9
9786613109378 0-8195-6967-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Jazz culture and all-girls films. The feminization of mass culture and the novelty of all-girl bands -- The Ingenues and the Harlem Playgirls -- All-girl bands and sound films in the swing era. Phil Spitalny's Musical Queens -- The "blonde bombshell of swing": Ina Ray Hutton and her Melodears -- Soundies and features during the 1940s. Swinging the classics: Hazel Scott and Hollywood's musical-racial matrix -- Pinups, patriotism, and feminized genres -- Swing-centered films and the hour of charm -- The International Sweethearts of Rhythm and independent black sound film -- Variety television and the 1950s. Television, vaudeo, and female musical hosts -- Variety television revives all-girl bands -- Television's musical guests: Hazel Scott, Peggy Lee, and Lena Horne -- Conclusion : the jazz canon (representations and gendered absences). |
| Record Nr. | UNINA-9910781356903321 |
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McGee Kristin A
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| Middletown, Conn., : Wesleyan University Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Some liked it hot [[electronic resource] ] : jazz women in film and television, 1928-1959 / / Kristin A. McGee
| Some liked it hot [[electronic resource] ] : jazz women in film and television, 1928-1959 / / Kristin A. McGee |
| Autore | McGee Kristin A |
| Pubbl/distr/stampa | Middletown, Conn., : Wesleyan University Press, c2009 |
| Descrizione fisica | 1 online resource (338 p.) |
| Disciplina | 791.43/6578 |
| Collana | Music/culture |
| Soggetto topico |
Women jazz musicians in motion pictures
Big bands in motion pictures Jazz in motion pictures Motion pictures - United States - History - 20th century Television broadcasting of music Variety shows (Television programs) - United States |
| ISBN |
1-283-10937-9
9786613109378 0-8195-6967-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Jazz culture and all-girls films. The feminization of mass culture and the novelty of all-girl bands -- The Ingenues and the Harlem Playgirls -- All-girl bands and sound films in the swing era. Phil Spitalny's Musical Queens -- The "blonde bombshell of swing": Ina Ray Hutton and her Melodears -- Soundies and features during the 1940s. Swinging the classics: Hazel Scott and Hollywood's musical-racial matrix -- Pinups, patriotism, and feminized genres -- Swing-centered films and the hour of charm -- The International Sweethearts of Rhythm and independent black sound film -- Variety television and the 1950s. Television, vaudeo, and female musical hosts -- Variety television revives all-girl bands -- Television's musical guests: Hazel Scott, Peggy Lee, and Lena Horne -- Conclusion : the jazz canon (representations and gendered absences). |
| Record Nr. | UNINA-9910813313903321 |
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McGee Kristin A
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| Middletown, Conn., : Wesleyan University Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Sounding American : Hollywood, opera, and jazz
| Sounding American : Hollywood, opera, and jazz |
| Autore | Fleeger Jennifer |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , 2014 |
| Descrizione fisica | 1 online resource |
| Disciplina | 791.43/6578 |
| Collana | The Oxford Music/Media Series Sounding American |
| Soggetto topico |
Motion pictures and opera - History and criticism
Opera in motion pictures Jazz in motion pictures Musical films Music, Dance, Drama & Film Film |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | Sounding American |
| Record Nr. | UNINA-9910154339003321 |
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Fleeger Jennifer
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| New York : , : Oxford University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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