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Cross-rhythms [[electronic resource] ] : jazz aesthetics in African-American literature / / Keren Omry
| Cross-rhythms [[electronic resource] ] : jazz aesthetics in African-American literature / / Keren Omry |
| Autore | Omry Keren |
| Pubbl/distr/stampa | London ; ; New York, : Continuum, c2008 |
| Descrizione fisica | 1 online resource (196 p.) |
| Disciplina | 810.98960730904 |
| Collana | Continuum literary studies series |
| Soggetto topico |
American literature - African American authors - History and criticism
Jazz - Philosophy and aesthetics Jazz in literature American literature - 20th century - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-87617-1
9786612876172 1-4411-7961-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgements; Introduction; 1. Blues notes: a discourse of race in the poetry of Langston Hughes, in Their Eyes Were Watching God by Zora Neale Hurston and in Corregidora by Gayl Jones; 2. Bebop spoken here: performativity in Ralph Ellison, James Baldwin and Toni Morrison; 3. Modes of experience: modal jazz and the authority of experience in Ishmael Reed's Mumbo Jumbo, Toni Morrison's The Bluest Eye and Song of Solomon; 4. Free jazz: postracialism and collectivity in Toni Morrison's 'Recitatif' and Paradise; Conclusion; Notes; Bibliography; Discography; Index |
| Record Nr. | UNINA-9910458804603321 |
Omry Keren
|
||
| London ; ; New York, : Continuum, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cross-rhythms [[electronic resource] ] : jazz aesthetics in African-American literature / / Keren Omry
| Cross-rhythms [[electronic resource] ] : jazz aesthetics in African-American literature / / Keren Omry |
| Autore | Omry Keren |
| Pubbl/distr/stampa | London ; ; New York, : Continuum, c2008 |
| Descrizione fisica | 1 online resource (196 p.) |
| Disciplina | 810.98960730904 |
| Collana | Continuum literary studies series |
| Soggetto topico |
American literature - African American authors - History and criticism
Jazz - Philosophy and aesthetics Jazz in literature American literature - 20th century - History and criticism |
| ISBN |
1-282-87617-1
9786612876172 1-4411-7961-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgements; Introduction; 1. Blues notes: a discourse of race in the poetry of Langston Hughes, in Their Eyes Were Watching God by Zora Neale Hurston and in Corregidora by Gayl Jones; 2. Bebop spoken here: performativity in Ralph Ellison, James Baldwin and Toni Morrison; 3. Modes of experience: modal jazz and the authority of experience in Ishmael Reed's Mumbo Jumbo, Toni Morrison's The Bluest Eye and Song of Solomon; 4. Free jazz: postracialism and collectivity in Toni Morrison's 'Recitatif' and Paradise; Conclusion; Notes; Bibliography; Discography; Index |
| Record Nr. | UNINA-9910785372403321 |
|
Omry Keren
|
||
| London ; ; New York, : Continuum, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cross-rhythms : jazz aesthetics in African-American literature / / Keren Omry
| Cross-rhythms : jazz aesthetics in African-American literature / / Keren Omry |
| Autore | Omry Keren |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; New York, : Continuum, c2008 |
| Descrizione fisica | 1 online resource (196 p.) |
| Disciplina | 810.98960730904 |
| Collana | Continuum literary studies series |
| Soggetto topico |
American literature - African American authors - History and criticism
Jazz - Philosophy and aesthetics Jazz in literature American literature - 20th century - History and criticism |
| ISBN |
1-282-87617-1
9786612876172 1-4411-7961-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgements; Introduction; 1. Blues notes: a discourse of race in the poetry of Langston Hughes, in Their Eyes Were Watching God by Zora Neale Hurston and in Corregidora by Gayl Jones; 2. Bebop spoken here: performativity in Ralph Ellison, James Baldwin and Toni Morrison; 3. Modes of experience: modal jazz and the authority of experience in Ishmael Reed's Mumbo Jumbo, Toni Morrison's The Bluest Eye and Song of Solomon; 4. Free jazz: postracialism and collectivity in Toni Morrison's 'Recitatif' and Paradise; Conclusion; Notes; Bibliography; Discography; Index |
| Record Nr. | UNINA-9910828658503321 |
|
Omry Keren
|
||
| London ; ; New York, : Continuum, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Jazz as critique : Adorno and black expression revisited / / Fumi Okiji
| Jazz as critique : Adorno and black expression revisited / / Fumi Okiji |
| Autore | Okiji Fumi <1976-> |
| Pubbl/distr/stampa | Stanford, California : , : Stanford University Press, , 2018 |
| Descrizione fisica | 1 online resource (42 pages) |
| Disciplina | 781.65117 |
| Soggetto topico |
Jazz - History and criticism
Jazz - Philosophy and aesthetics African American musicians African American aesthetics Aesthetics, Black |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-5036-0586-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Jazz, Individualism, and the Black Modern -- 2. Double Consciousness and the Critical Potential of Black Expression -- 3. Black Dwelling, a Refuge for the Homeless -- 4. Storytelling, Sound, and Silence -- Postscript: Some Thoughts on the Inadequacy and Indispensability of Jazz Records -- Notes -- Bibliography -- Discography -- Index |
| Record Nr. | UNINA-9910466841003321 |
|
Okiji Fumi <1976->
|
||
| Stanford, California : , : Stanford University Press, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Jazz as critique : Adorno and black expression revisited / / Fumi Okiji
| Jazz as critique : Adorno and black expression revisited / / Fumi Okiji |
| Autore | Okiji Fumi <1976-> |
| Pubbl/distr/stampa | Stanford, California : , : Stanford University Press, , 2018 |
| Descrizione fisica | 1 online resource (42 pages) |
| Disciplina | 781.65117 |
| Soggetto topico |
Jazz - History and criticism
Jazz - Philosophy and aesthetics African American musicians African American aesthetics Aesthetics, Black |
| ISBN | 9781503605862 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Jazz, Individualism, and the Black Modern -- 2. Double Consciousness and the Critical Potential of Black Expression -- 3. Black Dwelling, a Refuge for the Homeless -- 4. Storytelling, Sound, and Silence -- Postscript: Some Thoughts on the Inadequacy and Indispensability of Jazz Records -- Notes -- Bibliography -- Discography -- Index |
| Record Nr. | UNINA-9910796845703321 |
|
Okiji Fumi <1976->
|
||
| Stanford, California : , : Stanford University Press, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Jazz as critique : Adorno and black expression revisited / / Fumi Okiji
| Jazz as critique : Adorno and black expression revisited / / Fumi Okiji |
| Autore | Okiji Fumi <1976-> |
| Pubbl/distr/stampa | Stanford, California : , : Stanford University Press, , 2018 |
| Descrizione fisica | 1 online resource (42 pages) |
| Disciplina | 781.65117 |
| Soggetto topico |
Jazz - History and criticism
Jazz - Philosophy and aesthetics African American musicians African American aesthetics Aesthetics, Black |
| ISBN | 9781503605862 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Jazz, Individualism, and the Black Modern -- 2. Double Consciousness and the Critical Potential of Black Expression -- 3. Black Dwelling, a Refuge for the Homeless -- 4. Storytelling, Sound, and Silence -- Postscript: Some Thoughts on the Inadequacy and Indispensability of Jazz Records -- Notes -- Bibliography -- Discography -- Index |
| Record Nr. | UNINA-9910828884403321 |
|
Okiji Fumi <1976->
|
||
| Stanford, California : , : Stanford University Press, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Theatrical jazz : performance, Àṣẹ, and the power of the present moment / / Omi Osun Joni L. Jones
| Theatrical jazz : performance, Àṣẹ, and the power of the present moment / / Omi Osun Joni L. Jones |
| Autore | Jones Omi Osun Joni L. <1955-> |
| Pubbl/distr/stampa | Columbus : , : The Ohio State University Press, , 2015 |
| Descrizione fisica | 1 online resource |
| Disciplina | 781.65/112 |
| Collana | Black performance and cultural criticism |
| Soggetto topico |
Jazz - Philosophy and aesthetics
African American theater Performance art |
| ISBN | 0-8142-7384-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The Ensemble/gb/Community ; The marrow: Laurie Carlos ; The blue note: Daniel Alexander Jones ; The roots: Sharon Bridgforth -- The Break/Awo/Process -- The Bridge/A/Transformation. |
| Record Nr. | UNINA-9910552764703321 |
|
Jones Omi Osun Joni L. <1955->
|
||
| Columbus : , : The Ohio State University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
