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Cinema and language loss : displacement, visuality and the filmic image / / by Tijana Mamula
| Cinema and language loss : displacement, visuality and the filmic image / / by Tijana Mamula |
| Autore | Mamula Tijana <1981-, > |
| Pubbl/distr/stampa | New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (301 p.) |
| Disciplina | 791.4301/9 |
| Collana | Routledge advances in film studies |
| Soggetto topico |
Intercultural communication in motion pictures
Language and languages in motion pictures Motion pictures and language Motion pictures - Psychological aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-203-09852-8
1-299-27959-7 1-136-22738-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- When images begin to sound: a theoretical framework -- Language and reification in the "emigré" film noir -- The "question of language" in postwar Italian cinema -- Linguistic displacement and sound-image disjunction -- Linguistic displacement and uncanny discourse -- Concluding remarks. |
| Record Nr. | UNINA-9910465169103321 |
Mamula Tijana <1981-, >
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| New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cinema and language loss : displacement, visuality and the filmic image / / by Tijana Mamula
| Cinema and language loss : displacement, visuality and the filmic image / / by Tijana Mamula |
| Autore | Mamula Tijana <1981-, > |
| Pubbl/distr/stampa | New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (301 p.) |
| Disciplina | 791.4301/9 |
| Collana | Routledge advances in film studies |
| Soggetto topico |
Intercultural communication in motion pictures
Language and languages in motion pictures Motion pictures and language Motion pictures - Psychological aspects |
| ISBN |
1-136-22737-7
0-203-09852-8 1-299-27959-7 1-136-22738-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- When images begin to sound: a theoretical framework -- Language and reification in the "emigré" film noir -- The "question of language" in postwar Italian cinema -- Linguistic displacement and sound-image disjunction -- Linguistic displacement and uncanny discourse -- Concluding remarks. |
| Record Nr. | UNINA-9910792196103321 |
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Mamula Tijana <1981-, >
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||
| New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinema and language loss : displacement, visuality and the filmic image / / by Tijana Mamula
| Cinema and language loss : displacement, visuality and the filmic image / / by Tijana Mamula |
| Autore | Mamula Tijana <1981-, > |
| Pubbl/distr/stampa | New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (301 p.) |
| Disciplina | 791.4301/9 |
| Collana | Routledge advances in film studies |
| Soggetto topico |
Intercultural communication in motion pictures
Language and languages in motion pictures Motion pictures and language Motion pictures - Psychological aspects |
| ISBN |
1-136-22737-7
0-203-09852-8 1-299-27959-7 1-136-22738-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- When images begin to sound: a theoretical framework -- Language and reification in the "emigré" film noir -- The "question of language" in postwar Italian cinema -- Linguistic displacement and sound-image disjunction -- Linguistic displacement and uncanny discourse -- Concluding remarks. |
| Record Nr. | UNINA-9910809000303321 |
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Mamula Tijana <1981-, >
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| New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Postcolonial artists and global aesthetics [[electronic resource] /] / Akin Adesokan
| Postcolonial artists and global aesthetics [[electronic resource] /] / Akin Adesokan |
| Autore | Adesokan Akinwumi |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, c2011 |
| Descrizione fisica | 1 online resource (254 p.) |
| Disciplina | 302.23/43096 |
| Collana | African expressive cultures |
| Soggetto topico |
Motion pictures - Social aspects - Africa
Motion pictures and globalization Intercultural communication in motion pictures Literature and globalization African diaspora in literature Literature and society |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-23592-7
9786613235923 0-253-00550-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: generic transformations at the crossroads of capital -- C.L.R. James sees the world steadily -- Fitful decolonization: Xala and the poetics of double fetishism -- Tunde Kelani's Nollywood: aesthetics of exhortation -- Jean-Pierre Bekolo and the challenges of aesthetic populism -- Imaginary citizenship: Caryl Phillips's Atlantic world -- Spirits of Bandung: a sarcastic subject writes to empire -- Conclusion: being African in the world. |
| Record Nr. | UNINA-9910461472003321 |
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Adesokan Akinwumi
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| Bloomington, : Indiana University Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Postcolonial artists and global aesthetics [[electronic resource] /] / Akin Adesokan
| Postcolonial artists and global aesthetics [[electronic resource] /] / Akin Adesokan |
| Autore | Adesokan Akinwumi |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, c2011 |
| Descrizione fisica | 1 online resource (254 p.) |
| Disciplina | 302.23/43096 |
| Collana | African expressive cultures |
| Soggetto topico |
Motion pictures - Social aspects - Africa
Motion pictures and globalization Intercultural communication in motion pictures Literature and globalization African diaspora in literature Literature and society |
| ISBN |
1-283-23592-7
9786613235923 0-253-00550-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: generic transformations at the crossroads of capital -- C.L.R. James sees the world steadily -- Fitful decolonization: Xala and the poetics of double fetishism -- Tunde Kelani's Nollywood: aesthetics of exhortation -- Jean-Pierre Bekolo and the challenges of aesthetic populism -- Imaginary citizenship: Caryl Phillips's Atlantic world -- Spirits of Bandung: a sarcastic subject writes to empire -- Conclusion: being African in the world. |
| Record Nr. | UNINA-9910789738803321 |
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Adesokan Akinwumi
|
||
| Bloomington, : Indiana University Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Postcolonial artists and global aesthetics / / Akin Adesokan
| Postcolonial artists and global aesthetics / / Akin Adesokan |
| Autore | Adesokan Akinwumi |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, c2011 |
| Descrizione fisica | 1 online resource (254 p.) |
| Disciplina | 302.23/43096 |
| Collana | African expressive cultures |
| Soggetto topico |
Motion pictures - Social aspects - Africa
Motion pictures and globalization Intercultural communication in motion pictures Literature and globalization African diaspora in literature Literature and society |
| ISBN |
1-283-23592-7
9786613235923 0-253-00550-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: generic transformations at the crossroads of capital -- C.L.R. James sees the world steadily -- Fitful decolonization: Xala and the poetics of double fetishism -- Tunde Kelani's Nollywood: aesthetics of exhortation -- Jean-Pierre Bekolo and the challenges of aesthetic populism -- Imaginary citizenship: Caryl Phillips's Atlantic world -- Spirits of Bandung: a sarcastic subject writes to empire -- Conclusion: being African in the world. |
| Record Nr. | UNINA-9910820782303321 |
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Adesokan Akinwumi
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||
| Bloomington, : Indiana University Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Postcolonial cinema studies / / edited by Sandra Ponzanesi and Marguerite Waller
| Postcolonial cinema studies / / edited by Sandra Ponzanesi and Marguerite Waller |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (273 p.) |
| Disciplina | 791.43/6581 |
| Altri autori (Persone) |
PonzanesiSandra <1967->
WallerMarguerite R. <1948-> |
| Soggetto topico |
Motion pictures - Political aspects
Imperialism in motion pictures Nationalism in motion pictures Intercultural communication in motion pictures Culture in motion pictures Multiculturalism in motion pictures Motion pictures and globalization |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-203-18147-6
1-136-59205-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Postcolonial Cinema Studies; Copyright; Contents; Figures; Contributors; Acknowledgments; Introduction; Part I : Cinemas of empire; Introduction to Part I; Chapter 1: Italian Fascism's empire cinema: Kif Tebbi, the conquest of Libya, and the assault on the nomadic; Chapter 2: Blackface, faciality, and colony nostalgia in 1930s empire films; Chapter 3: The socialist historical film; Part II : Postcolonial cinemas: Unframing histories; Introduction to Part II; Chapter 4: From otherness "over there" to virtual presence: Camp de Thiaroye - The Battle of Algiers - Hidden
Chapter 5: Fraught frames: Fatima, L'Algérienne de Dakar and postcolonial quandariesChapter 6: Postcolonial relationalities in Philippe Faucon's Dans la vie; Chapter 7: The postcolonial condition of "Indochinese" cinema from Vieṭ̂ Nam, Cambodia, and Laos; Part III : Postcolonial cinemas: postcolonial aesthetics; Introduction to Part III; Chapter 8: Spectral postcoloniality: Lusophone postcolonial film and the imaginary of the nation; Chapter 9: The aesthetics of postcolonial cinema in Raul Ruiz's Three Crowns of the Sailor Chapter 10: The postcolonial circus: Maurizio Nichetti's Luna e l'altraChapter 11: Postcolonial adaptations: gained and lost in translation; Part IV : Postcolonial cinemas and globalization; Introduction to Part IV; Chapter 12: Unpeople: postcolonial reflections on terror, torture and detention in Children of Men; Chapter 13: Mira Nair's Monsoon Wedding and the transcoded audiologic of postcolonial convergence; Chapter 14: Nollywood in transit: The globalization of Nigerian video culture; Chapter 15: Postface: An interview with Priya Jaikumar; Index |
| Record Nr. | UNINA-9910462170203321 |
| Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Postcolonial cinema studies / / edited by Sandra Ponzanesi and Marguerite Waller
| Postcolonial cinema studies / / edited by Sandra Ponzanesi and Marguerite Waller |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (273 p.) |
| Disciplina | 791.43/6581 |
| Altri autori (Persone) |
PonzanesiSandra <1967->
WallerMarguerite R. <1948-> |
| Soggetto topico |
Motion pictures - Political aspects
Imperialism in motion pictures Nationalism in motion pictures Intercultural communication in motion pictures Culture in motion pictures Multiculturalism in motion pictures Motion pictures and globalization |
| ISBN |
1-136-59204-0
0-203-18147-6 1-136-59205-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents -- Figures -- Contributors -- Acknowledgments -- Introduction -- Part I : Cinemas of empire -- Introduction to Part I -- Chapter 1: Italian Fascism's empire cinema: Kif Tebbi, the conquest of Libya, and the assault on the nomadic -- Chapter 2: Blackface, faciality, and colony nostalgia in 1930s empire films -- Chapter 3: The socialist historical film -- Part II : Postcolonial cinemas: Unframing histories -- Introduction to Part II -- Chapter 4: From otherness "over there" to virtual presence: Camp de Thiaroye - The Battle of Algiers - Hidden -- Chapter 5: Fraught frames: Fatima, L'Algérienne de Dakar and postcolonial quandariesChapter 6: Postcolonial relationalities in Philippe Faucon's Dans la vie -- Chapter 7: The postcolonial condition of "Indochinese" cinema from Viet Nam, Cambodia, and Laos -- Part III : Postcolonial cinemas: postcolonial aesthetics -- Introduction to Part III -- Chapter 8: Spectral postcoloniality: Lusophone postcolonial film and the imaginary of the nation -- Chapter 9: The aesthetics of postcolonial cinema in Raul Ruiz's Three Crowns of the Sailor -- Chapter 10: The postcolonial circus: Maurizio Nichetti's Luna e l'altraChapter 11: Postcolonial adaptations: gained and lost in translation -- Part IV : Postcolonial cinemas and globalization -- Introduction to Part IV -- Chapter 12: Unpeople: postcolonial reflections on terror, torture and detention in Children of Men -- Chapter 13: Mira Nair's Monsoon Wedding and the transcoded audiologic of postcolonial convergence -- Chapter 14: Nollywood in transit: The globalization of Nigerian video culture -- Chapter 15: Postface: An interview with Priya Jaikumar -- Index. |
| Record Nr. | UNINA-9910790186203321 |
| Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Postcolonial cinema studies / / edited by Sandra Ponzanesi and Marguerite Waller
| Postcolonial cinema studies / / edited by Sandra Ponzanesi and Marguerite Waller |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York, : Routledge, 2012 |
| Descrizione fisica | 1 online resource (273 p.) |
| Disciplina | 791.43/6581 |
| Altri autori (Persone) |
PonzanesiSandra <1967->
WallerMarguerite R. <1948-> |
| Soggetto topico |
Motion pictures - Political aspects
Imperialism in motion pictures Nationalism in motion pictures Intercultural communication in motion pictures Culture in motion pictures Multiculturalism in motion pictures Motion pictures and globalization |
| ISBN |
1-136-59204-0
0-203-18147-6 1-136-59205-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents -- Figures -- Contributors -- Acknowledgments -- Introduction -- Part I : Cinemas of empire -- Introduction to Part I -- Chapter 1: Italian Fascism's empire cinema: Kif Tebbi, the conquest of Libya, and the assault on the nomadic -- Chapter 2: Blackface, faciality, and colony nostalgia in 1930s empire films -- Chapter 3: The socialist historical film -- Part II : Postcolonial cinemas: Unframing histories -- Introduction to Part II -- Chapter 4: From otherness "over there" to virtual presence: Camp de Thiaroye - The Battle of Algiers - Hidden -- Chapter 5: Fraught frames: Fatima, L'Algérienne de Dakar and postcolonial quandariesChapter 6: Postcolonial relationalities in Philippe Faucon's Dans la vie -- Chapter 7: The postcolonial condition of "Indochinese" cinema from Viet Nam, Cambodia, and Laos -- Part III : Postcolonial cinemas: postcolonial aesthetics -- Introduction to Part III -- Chapter 8: Spectral postcoloniality: Lusophone postcolonial film and the imaginary of the nation -- Chapter 9: The aesthetics of postcolonial cinema in Raul Ruiz's Three Crowns of the Sailor -- Chapter 10: The postcolonial circus: Maurizio Nichetti's Luna e l'altraChapter 11: Postcolonial adaptations: gained and lost in translation -- Part IV : Postcolonial cinemas and globalization -- Introduction to Part IV -- Chapter 12: Unpeople: postcolonial reflections on terror, torture and detention in Children of Men -- Chapter 13: Mira Nair's Monsoon Wedding and the transcoded audiologic of postcolonial convergence -- Chapter 14: Nollywood in transit: The globalization of Nigerian video culture -- Chapter 15: Postface: An interview with Priya Jaikumar -- Index. |
| Record Nr. | UNINA-9910813203603321 |
| Abingdon, Oxon ; ; New York, : Routledge, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Rethinking third cinema / / edited by Anthony R. Guneratne and Wimal Dissanayake
| Rethinking third cinema / / edited by Anthony R. Guneratne and Wimal Dissanayake |
| Pubbl/distr/stampa | New York ; ; London : , : Routledge, , 2003 |
| Descrizione fisica | 1 online resource (253 p.) |
| Disciplina | 791.43091724 |
| Altri autori (Persone) |
GuneratneAnthony R
DissanayakeWimal |
| Soggetto topico |
Motion pictures - Developing countries
Intercultural communication in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-203-63866-2
1-134-61324-5 1-280-07963-0 0-203-63425-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; Contributors; Acknowledgments; Introduction: rethinking Third Cinema; Third Cinema theory and beyond; Beyond Third Cinema: the aesthetics of hybridity; Challenging Third World legacies: issues of gender, culture, and representation; Post-Third-Worldist culture: gender, nation, and thecinema; The erotics of history: gender and transgression in the Asian cinemas; Alternative cinemas in the age of globalization; Authorship, globalization, and the new identity of Latin American cinema: from the Mexican ~ranchera~ to Argentinian ~exile~
Video booms and the manifestations of ~first~ cinema in anglophone AfricaThe relocation of culture: social specificity and the ~Third~ question; What's ~oppositional~ in Indonesian cinema?; The seductions of homecoming: place, authenticity, and Chen Kaige's Temptress Moon; Receiving/retrieving Third (World) Cinema: alternative approaches to spectator studies and critical history; Theorizing ~Third World~ film spectatorship: the case ofIran an |
| Record Nr. | UNINA-9910450660603321 |
| New York ; ; London : , : Routledge, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
