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Holographic visions [[electronic resource] ] : a history of new science / / Sean F. Johnston
| Holographic visions [[electronic resource] ] : a history of new science / / Sean F. Johnston |
| Autore | Johnston Sean <1956-> |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2006 |
| Descrizione fisica | 1 online resource (541 p.) |
| Disciplina | 621.36/75 |
| Collana | H.Spencer Lecture |
| Soggetto topico | Holography - History |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-151388-1
1-4294-7046-1 |
| Classificazione | 33.38 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; List of Figures; Acronyms; 1. Introduction: Seeking Coherence; PART I: CREATING A SUBJECT; 2. Wavefront Reconstruction in England and Beyond; 2.1 Introduction; 2.2 Holoscopy; 2.3 'A new microscopic principle'; 2.4 Microscopy by reconstructed wavefronts; 2.5 The Diffraction Microscope at Imperial College; 2.6 Gordon Rogers and 'D.M.'; 2.7 The Californian connection; 2.8 Adolf Lohmann in Germany; 2.9 The decline of diffraction microscopy; 3. Wave Photography in the Soviet Union; 3.1 The Vavilov State Optical Institute and the backdrop of Soviet science
3.2 Yuri Denisyuk and his Kandidat research 3.3 Wave photographs; 3.4 Pause and reception; 4. Lensless Photography in America; 4.1 The Willow Run Laboratories and optical processing; 4.2 From optical processing to wavefront reconstruction; 4.3 Lensless photography; 4.4 Three-dimensional wavefront reconstruction; 5. Constructing Holography; 5.1 Introduction; 5.2 George Stroke and the packaging of holography; 5.3 The Nobel Prize and historiographical validation; 5.4 Patents, priority, and profits; 5.5 Finding coherence; PART II: CREATING A MEDIUM; 6. Early Exploitation 7.11 The medium and its message PART III: CREATING AN IDENTITY; 8. Defining the Scientific Holographer; 8.1 Reshaping optical engineering for holographers; 8.2 Carving a niche with journals; 8.3 Meetings as social nuclei; 8.4 Defining the holographer; 9. Culture and Counterculture: The Artisan Holographer; 9.1 Introduction; 9.2 Challenging the orthodox optical laboratory: material culture and community identity; 9.3 Training artisans: the birth of schools; 9.4 Transmitting the counterculture: practical publications; 9.5 Shaping and reshaping an identity 10. Aesthetic Holographers and Their Art 10.1 Introduction; 10.2 Artist-scientist collaborations; 10.3 Artists and artisans; 10.4 Formalizing the art: accredited schools; 10.5 Distinguishing subcultures; 10.6 Enchanting audiences through exhibitions; 10.7 Critiques from mainstream art; 11. Building Holographic Communities; 11.1 Uncertain identities; 11.2 Strengthening networks; 11.3 Special congregations: symposia; 11.4 Special places: museums; PART IV: CREATING A MARKET; 12. Commercialization and Ubiquity; 12.1 Making holography pay; 12.2 Entrepreneurs and cottage industry 12.3 Optimistic investment: the Ilford story |
| Record Nr. | UNINA-9910465141003321 |
Johnston Sean <1956->
|
||
| Oxford ; ; New York, : Oxford University Press, 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Holographic visions [[electronic resource] ] : a history of new science / / Sean F. Johnston
| Holographic visions [[electronic resource] ] : a history of new science / / Sean F. Johnston |
| Autore | Johnston Sean <1956-> |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2006 |
| Descrizione fisica | 1 online resource (541 p.) |
| Disciplina | 621.36/75 |
| Collana | H.Spencer Lecture |
| Soggetto topico | Holography - History |
| ISBN |
0-19-151388-1
1-4294-7046-1 |
| Classificazione | 33.38 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; List of Figures; Acronyms; 1. Introduction: Seeking Coherence; PART I: CREATING A SUBJECT; 2. Wavefront Reconstruction in England and Beyond; 2.1 Introduction; 2.2 Holoscopy; 2.3 'A new microscopic principle'; 2.4 Microscopy by reconstructed wavefronts; 2.5 The Diffraction Microscope at Imperial College; 2.6 Gordon Rogers and 'D.M.'; 2.7 The Californian connection; 2.8 Adolf Lohmann in Germany; 2.9 The decline of diffraction microscopy; 3. Wave Photography in the Soviet Union; 3.1 The Vavilov State Optical Institute and the backdrop of Soviet science
3.2 Yuri Denisyuk and his Kandidat research 3.3 Wave photographs; 3.4 Pause and reception; 4. Lensless Photography in America; 4.1 The Willow Run Laboratories and optical processing; 4.2 From optical processing to wavefront reconstruction; 4.3 Lensless photography; 4.4 Three-dimensional wavefront reconstruction; 5. Constructing Holography; 5.1 Introduction; 5.2 George Stroke and the packaging of holography; 5.3 The Nobel Prize and historiographical validation; 5.4 Patents, priority, and profits; 5.5 Finding coherence; PART II: CREATING A MEDIUM; 6. Early Exploitation 7.11 The medium and its message PART III: CREATING AN IDENTITY; 8. Defining the Scientific Holographer; 8.1 Reshaping optical engineering for holographers; 8.2 Carving a niche with journals; 8.3 Meetings as social nuclei; 8.4 Defining the holographer; 9. Culture and Counterculture: The Artisan Holographer; 9.1 Introduction; 9.2 Challenging the orthodox optical laboratory: material culture and community identity; 9.3 Training artisans: the birth of schools; 9.4 Transmitting the counterculture: practical publications; 9.5 Shaping and reshaping an identity 10. Aesthetic Holographers and Their Art 10.1 Introduction; 10.2 Artist-scientist collaborations; 10.3 Artists and artisans; 10.4 Formalizing the art: accredited schools; 10.5 Distinguishing subcultures; 10.6 Enchanting audiences through exhibitions; 10.7 Critiques from mainstream art; 11. Building Holographic Communities; 11.1 Uncertain identities; 11.2 Strengthening networks; 11.3 Special congregations: symposia; 11.4 Special places: museums; PART IV: CREATING A MARKET; 12. Commercialization and Ubiquity; 12.1 Making holography pay; 12.2 Entrepreneurs and cottage industry 12.3 Optimistic investment: the Ilford story |
| Record Nr. | UNINA-9910792246803321 |
|
Johnston Sean <1956->
|
||
| Oxford ; ; New York, : Oxford University Press, 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Holographic visions : a history of new science / / Sean F. Johnston
| Holographic visions : a history of new science / / Sean F. Johnston |
| Autore | Johnston Sean <1956-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2006 |
| Descrizione fisica | 1 online resource (541 p.) |
| Disciplina | 621.36/75 |
| Collana | H.Spencer Lecture |
| Soggetto topico | Holography - History |
| ISBN |
0-19-151388-1
1-4294-7046-1 |
| Classificazione | 33.38 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; List of Figures; Acronyms; 1. Introduction: Seeking Coherence; PART I: CREATING A SUBJECT; 2. Wavefront Reconstruction in England and Beyond; 2.1 Introduction; 2.2 Holoscopy; 2.3 'A new microscopic principle'; 2.4 Microscopy by reconstructed wavefronts; 2.5 The Diffraction Microscope at Imperial College; 2.6 Gordon Rogers and 'D.M.'; 2.7 The Californian connection; 2.8 Adolf Lohmann in Germany; 2.9 The decline of diffraction microscopy; 3. Wave Photography in the Soviet Union; 3.1 The Vavilov State Optical Institute and the backdrop of Soviet science
3.2 Yuri Denisyuk and his Kandidat research 3.3 Wave photographs; 3.4 Pause and reception; 4. Lensless Photography in America; 4.1 The Willow Run Laboratories and optical processing; 4.2 From optical processing to wavefront reconstruction; 4.3 Lensless photography; 4.4 Three-dimensional wavefront reconstruction; 5. Constructing Holography; 5.1 Introduction; 5.2 George Stroke and the packaging of holography; 5.3 The Nobel Prize and historiographical validation; 5.4 Patents, priority, and profits; 5.5 Finding coherence; PART II: CREATING A MEDIUM; 6. Early Exploitation 7.11 The medium and its message PART III: CREATING AN IDENTITY; 8. Defining the Scientific Holographer; 8.1 Reshaping optical engineering for holographers; 8.2 Carving a niche with journals; 8.3 Meetings as social nuclei; 8.4 Defining the holographer; 9. Culture and Counterculture: The Artisan Holographer; 9.1 Introduction; 9.2 Challenging the orthodox optical laboratory: material culture and community identity; 9.3 Training artisans: the birth of schools; 9.4 Transmitting the counterculture: practical publications; 9.5 Shaping and reshaping an identity 10. Aesthetic Holographers and Their Art 10.1 Introduction; 10.2 Artist-scientist collaborations; 10.3 Artists and artisans; 10.4 Formalizing the art: accredited schools; 10.5 Distinguishing subcultures; 10.6 Enchanting audiences through exhibitions; 10.7 Critiques from mainstream art; 11. Building Holographic Communities; 11.1 Uncertain identities; 11.2 Strengthening networks; 11.3 Special congregations: symposia; 11.4 Special places: museums; PART IV: CREATING A MARKET; 12. Commercialization and Ubiquity; 12.1 Making holography pay; 12.2 Entrepreneurs and cottage industry 12.3 Optimistic investment: the Ilford story |
| Record Nr. | UNINA-9910828564503321 |
|
Johnston Sean <1956->
|
||
| Oxford ; ; New York, : Oxford University Press, 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
