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Homecoming Queers : Desire and Difference in Chicana Latina Cultural Production / / Marivel T. Danielson
| Homecoming Queers : Desire and Difference in Chicana Latina Cultural Production / / Marivel T. Danielson |
| Autore | Danielson Marivel T. |
| Pubbl/distr/stampa | New Brunswick, NJ : , : Rutgers University Press, , [2009] |
| Descrizione fisica | 1 online resource (234 p.) |
| Disciplina | 700.86/643 |
| Collana | Latinidad: Transnational Cultures in the |
| Soggetto topico |
American literature -- Hispanic American authors -- History and criticism
American literature -- Women authors -- History and criticism Hispanic Americans in the performing arts Home in literature Lesbians' writings, American -- History and criticism American literature - Hispanic American authors - History and criticism American literature - Women authors - History and criticism Lesbians' writings, American - History and criticism Home in literature - Intellectual life Hispanic American lesbians Space in literature American Literature English Languages & Literatures |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8135-4837-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- 1. Queering Home: Desire Meets Theory Meets Art -- 2. Speaking Selves: Language and Identity in Transition -- 3. Moving Violations: Performing the Limits of Representation in Marga Gomez’s jaywalker -- 4. The Birdy and the Bees: Queer Chicana Girlhood in Carla Trujillo’s What Night Brings -- 5. Complicating Community: Terri de la Peña, Cristina Serna, Frances Negrón-Muntaner, Ela Troyano, and Carmelita Tropicana -- 6. Performing the Erotics of Home: Monica Palacios, Marga Gomez, and Carmelita Tropicana -- 7. Dancing with Devils: Gendered Violence in Novels by Emma Pérez and Achy Obejas -- 8. Our Art Is Our Weapon: Women of Color Transforming Academia -- NOTES -- BIBLIOGRAPHY -- INDEX |
| Record Nr. | UNINA-9910456844303321 |
Danielson Marivel T.
|
||
| New Brunswick, NJ : , : Rutgers University Press, , [2009] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Homecoming queers [[electronic resource] ] : desire and difference in Chicana Latina cultural production / / Marivel T. Danielson
| Homecoming queers [[electronic resource] ] : desire and difference in Chicana Latina cultural production / / Marivel T. Danielson |
| Autore | Danielson Marivel T |
| Pubbl/distr/stampa | New Brunswick, N.J, : Rutgers University Press, c2009 |
| Descrizione fisica | ix, 219 p. ; ; 23 cm |
| Collana | Latinadad: transnational cultures in the United States |
| Soggetto topico |
American literature - Hispanic American authors - History and criticism
American literature - Women authors - History and criticism Lesbians' writings, American - History and criticism Home in literature Hispanic Americans in the performing arts Hispanic American lesbians - Intellectual life Space in literature |
| ISBN | 0-8135-4572-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Queering home: desire meets theory meets art -- Speaking selves: language and identity in transition -- Moving violations: performing the limits of representation in Marga Gomez's Jaywalker -- The birdy and the bees: queer Chicana girlhood in Carla Trujillo's What night brings -- Complicating community: Terri De La Peña, Cristina Serna, Frances Negrón Muntaner, Ela Troyano, and Carmelita Tropicana -- The erotics of home: Monica Palacios, Marga Gomez, and Carmelita Tropicana -- Dancing with devils: gendered violence in novels by Emma Pérez and Achy Obejas -- Our art is our weapon: women of color transforming academia. |
| Record Nr. | UNISA-996248244703316 |
|
Danielson Marivel T
|
||
| New Brunswick, N.J, : Rutgers University Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Homecoming Queers : Desire and Difference in Chicana Latina Cultural Production / / Marivel T. Danielson
| Homecoming Queers : Desire and Difference in Chicana Latina Cultural Production / / Marivel T. Danielson |
| Autore | Danielson Marivel T. |
| Pubbl/distr/stampa | New Brunswick, NJ : , : Rutgers University Press, , [2009] |
| Descrizione fisica | 1 online resource (234 p.) |
| Disciplina | 700.86/643 |
| Collana | Latinidad: Transnational Cultures in the |
| Soggetto topico |
American literature -- Hispanic American authors -- History and criticism
American literature -- Women authors -- History and criticism Hispanic Americans in the performing arts Home in literature Lesbians' writings, American -- History and criticism American literature - Hispanic American authors - History and criticism American literature - Women authors - History and criticism Lesbians' writings, American - History and criticism Home in literature - Intellectual life Hispanic American lesbians Space in literature American Literature English Languages & Literatures |
| ISBN | 0-8135-4837-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- 1. Queering Home: Desire Meets Theory Meets Art -- 2. Speaking Selves: Language and Identity in Transition -- 3. Moving Violations: Performing the Limits of Representation in Marga Gomez’s jaywalker -- 4. The Birdy and the Bees: Queer Chicana Girlhood in Carla Trujillo’s What Night Brings -- 5. Complicating Community: Terri de la Peña, Cristina Serna, Frances Negrón-Muntaner, Ela Troyano, and Carmelita Tropicana -- 6. Performing the Erotics of Home: Monica Palacios, Marga Gomez, and Carmelita Tropicana -- 7. Dancing with Devils: Gendered Violence in Novels by Emma Pérez and Achy Obejas -- 8. Our Art Is Our Weapon: Women of Color Transforming Academia -- NOTES -- BIBLIOGRAPHY -- INDEX |
| Record Nr. | UNINA-9910780833703321 |
|
Danielson Marivel T.
|
||
| New Brunswick, NJ : , : Rutgers University Press, , [2009] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Homecoming Queers : Desire and Difference in Chicana Latina Cultural Production / / Marivel T. Danielson
| Homecoming Queers : Desire and Difference in Chicana Latina Cultural Production / / Marivel T. Danielson |
| Autore | Danielson Marivel T. |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New Brunswick, NJ : , : Rutgers University Press, , [2009] |
| Descrizione fisica | 1 online resource (234 p.) |
| Disciplina | 700.86/643 |
| Collana | Latinidad: Transnational Cultures in the |
| Soggetto topico |
American literature -- Hispanic American authors -- History and criticism
American literature -- Women authors -- History and criticism Hispanic Americans in the performing arts Home in literature Lesbians' writings, American -- History and criticism American literature - Hispanic American authors - History and criticism American literature - Women authors - History and criticism Lesbians' writings, American - History and criticism Home in literature - Intellectual life Hispanic American lesbians Space in literature American Literature English Languages & Literatures |
| ISBN | 0-8135-4837-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- 1. Queering Home: Desire Meets Theory Meets Art -- 2. Speaking Selves: Language and Identity in Transition -- 3. Moving Violations: Performing the Limits of Representation in Marga Gomez’s jaywalker -- 4. The Birdy and the Bees: Queer Chicana Girlhood in Carla Trujillo’s What Night Brings -- 5. Complicating Community: Terri de la Peña, Cristina Serna, Frances Negrón-Muntaner, Ela Troyano, and Carmelita Tropicana -- 6. Performing the Erotics of Home: Monica Palacios, Marga Gomez, and Carmelita Tropicana -- 7. Dancing with Devils: Gendered Violence in Novels by Emma Pérez and Achy Obejas -- 8. Our Art Is Our Weapon: Women of Color Transforming Academia -- NOTES -- BIBLIOGRAPHY -- INDEX |
| Record Nr. | UNINA-9910822962003321 |
|
Danielson Marivel T.
|
||
| New Brunswick, NJ : , : Rutgers University Press, , [2009] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Loca motion [[electronic resource] ] : the travels of Chicana and Latina popular culture / / Michelle Habell-Pallán
| Loca motion [[electronic resource] ] : the travels of Chicana and Latina popular culture / / Michelle Habell-Pallán |
| Autore | Habell-Pallán Michelle |
| Pubbl/distr/stampa | New York, : New York University, c2005 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 791/.082/0973 |
| Soggetto topico |
American drama - Hispanic American authors - History and criticism
American drama - Mexican American authors - History and criticism American drama - Women authors - History and criticism Hispanic American women - Intellectual life Mexican American women - Intellectual life Hispanic Americans in the performing arts Women in popular culture - United States Performing arts - United States Performance art - United States Popular culture - United States Hispanic American theater |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-8147-4460-5
0-8147-7340-0 1-4294-1415-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910449745803321 |
|
Habell-Pallán Michelle
|
||
| New York, : New York University, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Loca motion [[electronic resource] ] : the travels of Chicana and Latina popular culture / / Michelle Habell-Pallán
| Loca motion [[electronic resource] ] : the travels of Chicana and Latina popular culture / / Michelle Habell-Pallán |
| Autore | Habell-Pallán Michelle |
| Pubbl/distr/stampa | New York, : New York University, c2005 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 791/.082/0973 |
| Soggetto topico |
American drama - Hispanic American authors - History and criticism
American drama - Mexican American authors - History and criticism American drama - Women authors - History and criticism Hispanic American women - Intellectual life Mexican American women - Intellectual life Hispanic Americans in the performing arts Women in popular culture - United States Performing arts - United States Performance art - United States Popular culture - United States Hispanic American theater |
| ISBN |
0-8147-4460-5
0-8147-7340-0 1-4294-1415-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1 From the Shadows of the Spanish Fantasy Heritage to a Transnational Imaginary -- 2 “No Cultural Icon” Marisela Norte and Spoken Word— East L.A. Noir and the U.S./Mexico Border -- 3 The Politics of Representation: Queerness and the Transnational Family in Luis Alfaro’s Performance -- 4 Translated/Translating Woman: Comedienne/Solo Performer Marga Gomez, “Sending All Those Puerto Ricans Back to Mexico,” and the Politics of a Sexualized Location -- 5 “¿Soy Punkera, Y Que?” Sexuality, Translocality, and Punk in Los Angeles and Beyond -- 6 Bridge over Troubled Borders: The Transnational Appeal of Chicano Popular Music -- Epilogue “Call Us Americans, ’Cause We Are All from the Américas”: Latinos at Home in Canada -- Notes -- Bibliography -- Index -- About the Author |
| Record Nr. | UNINA-9910783765403321 |
|
Habell-Pallán Michelle
|
||
| New York, : New York University, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Loca motion [[electronic resource] ] : the travels of Chicana and Latina popular culture / / Michelle Habell-Pallán
| Loca motion [[electronic resource] ] : the travels of Chicana and Latina popular culture / / Michelle Habell-Pallán |
| Autore | Habell-Pallán Michelle |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, : New York University, c2005 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 791/.082/0973 |
| Soggetto topico |
American drama - Hispanic American authors - History and criticism
American drama - Mexican American authors - History and criticism American drama - Women authors - History and criticism Hispanic American women - Intellectual life Mexican American women - Intellectual life Hispanic Americans in the performing arts Women in popular culture - United States Performing arts - United States Performance art - United States Popular culture - United States Hispanic American theater |
| ISBN |
0-8147-4460-5
0-8147-7340-0 1-4294-1415-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1 From the Shadows of the Spanish Fantasy Heritage to a Transnational Imaginary -- 2 “No Cultural Icon” Marisela Norte and Spoken Word— East L.A. Noir and the U.S./Mexico Border -- 3 The Politics of Representation: Queerness and the Transnational Family in Luis Alfaro’s Performance -- 4 Translated/Translating Woman: Comedienne/Solo Performer Marga Gomez, “Sending All Those Puerto Ricans Back to Mexico,” and the Politics of a Sexualized Location -- 5 “¿Soy Punkera, Y Que?” Sexuality, Translocality, and Punk in Los Angeles and Beyond -- 6 Bridge over Troubled Borders: The Transnational Appeal of Chicano Popular Music -- Epilogue “Call Us Americans, ’Cause We Are All from the Américas”: Latinos at Home in Canada -- Notes -- Bibliography -- Index -- About the Author |
| Record Nr. | UNINA-9910828573803321 |
|
Habell-Pallán Michelle
|
||
| New York, : New York University, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Performing the US Latina and Latino borderlands [[electronic resource] /] / edited by Arturo J. Aldama, Chela Sandoval, and Peter J. García
| Performing the US Latina and Latino borderlands [[electronic resource] /] / edited by Arturo J. Aldama, Chela Sandoval, and Peter J. García |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, 2012 |
| Descrizione fisica | 1 online resource (523 p.) |
| Disciplina | 790.20868 |
| Altri autori (Persone) |
AldamaArturo J. <1964->
SandovalChela <1956-> GarcíaPeter J |
| Soggetto topico |
Hispanic Americans in the performing arts
Hispanic Americans - Ethnic identity |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-60873-1
9786613921185 0-253-00877-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: toward a de-colonial performatics of the US Latina and Latino borderlands / Chela Sandoval, Arturo J. Aldama, and Peter J. García -- Performing emancipation: inner work, public acts. Body as codex-ized word / Cuerpo Como Palabra (en-)Códice-ado: Chicana/Indígena and Mexican transnational performative indigeneities / Micaela Díaz-Sánchez -- Milongueando macha homoerotics: dancing the tango, torta style (a performative testimonio) / Maria Lugones -- The other train that derails us: performing Latina anxiety disorder in "The night before Christmas" / Angie Chabram-Dernersesian -- The art of place: the work of Diane Gamboa / Karen Mary Davalos -- Human rights, conditioned choices, and performance in Ana Castillo's Mixquihuala letters / Carl Gutierrez-Jones -- Decolonizing gender performativity: a thesis for emancipation in early Chicana feminist thought (1969-1979) / Daphne V. Taylor-García -- Ethnographies of performance: the Río Grande and beyond. Performing indigeneity in a South Texas community: los matachines de La Santa Cruz / Norma E. Cantú -- Re-membering Chelo Silva: the bolero in chicana perspective (women's bodies and voices in postrevolutionary urbanization: the bohemian, urban, and transnational) / Yolanda Broyles-González -- Roland Barthes, mojado, in brownface: chisme-laced snapshots documenting the preposterous and fact-laced claim that the postmodern was born along the borders of the Río Grande River / William Anthony Nericcio -- Decolonial border queers: case studies of chicana/o lesbians, gay men, and transgender folks in El Paso/Juárez / Emma Perez -- "Te amo, te amo, te amo": Lorenzo Antonio and Sparx performing Nuevo Mexico music / Peter J. García -- Sonic geographies and anti-border musics: "we didn't cross the border, the borders crossed us" / Roberto D. Hernández -- Lila Downs's borderless performance: transculturation and musical communication / Brenda M. Romero -- Nepantla aesthetics in the trans/nacional el macho: how the women of Teatro Luna became men / Paloma Martínez-Cruz and Liza Ann Acosta -- Suturing las ramblas to East LA: transnational performances of Josefina López's Real women have curves / Tiffany Ana López -- Loving revolution: same-sex marriage and queer resistance in Monica palacios's Amor y revolución / Marivel T. Danielson -- Is Ugly Betty a real woman? representations of Chicana femininity inscribed as a site of (transformative) difference / Jennifer Esposito -- Indian icon, gay macho: Felipe Rose of Village people / Gabriel S. Estrada -- (De)criminalizing bodies: ironies of performance. No somos criminales: crossing borders in contemporary Latina and Latino music / Arturo J. Aldama -- "Pelones y matones": chicano cholos perform for a punitive audience / Victor M. Rios and Patrick Lopez-Aguado -- Mexican hip hop: male expressive culture / Pancho McFarland -- The Latino comedy project and border humor in performance / Jennifer Alvarez Dickinson -- (Re)examining the Latin lover: screening chicano/latino sexualities / Daniel Enrique Perez -- Rumba's democratic circle in the age of legal simulacra / Berta Jottar-Palenzuela. |
| Record Nr. | UNINA-9910462386703321 |
| Bloomington, : Indiana University Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Performing the US Latina and Latino borderlands [[electronic resource] /] / edited by Arturo J. Aldama, Chela Sandoval, and Peter J. García
| Performing the US Latina and Latino borderlands [[electronic resource] /] / edited by Arturo J. Aldama, Chela Sandoval, and Peter J. García |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, 2012 |
| Descrizione fisica | 1 online resource (523 p.) |
| Disciplina | 790.20868 |
| Altri autori (Persone) |
AldamaArturo J. <1964->
SandovalChela <1956-> GarcíaPeter J |
| Soggetto topico |
Hispanic Americans in the performing arts
Hispanic Americans - Ethnic identity |
| ISBN |
1-283-60873-1
9786613921185 0-253-00877-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: toward a de-colonial performatics of the US Latina and Latino borderlands / Chela Sandoval, Arturo J. Aldama, and Peter J. García -- Performing emancipation: inner work, public acts. Body as codex-ized word / Cuerpo Como Palabra (en-)Códice-ado: Chicana/Indígena and Mexican transnational performative indigeneities / Micaela Díaz-Sánchez -- Milongueando macha homoerotics: dancing the tango, torta style (a performative testimonio) / Maria Lugones -- The other train that derails us: performing Latina anxiety disorder in "The night before Christmas" / Angie Chabram-Dernersesian -- The art of place: the work of Diane Gamboa / Karen Mary Davalos -- Human rights, conditioned choices, and performance in Ana Castillo's Mixquihuala letters / Carl Gutierrez-Jones -- Decolonizing gender performativity: a thesis for emancipation in early Chicana feminist thought (1969-1979) / Daphne V. Taylor-García -- Ethnographies of performance: the Río Grande and beyond. Performing indigeneity in a South Texas community: los matachines de La Santa Cruz / Norma E. Cantú -- Re-membering Chelo Silva: the bolero in chicana perspective (women's bodies and voices in postrevolutionary urbanization: the bohemian, urban, and transnational) / Yolanda Broyles-González -- Roland Barthes, mojado, in brownface: chisme-laced snapshots documenting the preposterous and fact-laced claim that the postmodern was born along the borders of the Río Grande River / William Anthony Nericcio -- Decolonial border queers: case studies of chicana/o lesbians, gay men, and transgender folks in El Paso/Juárez / Emma Perez -- "Te amo, te amo, te amo": Lorenzo Antonio and Sparx performing Nuevo Mexico music / Peter J. García -- Sonic geographies and anti-border musics: "we didn't cross the border, the borders crossed us" / Roberto D. Hernández -- Lila Downs's borderless performance: transculturation and musical communication / Brenda M. Romero -- Nepantla aesthetics in the trans/nacional el macho: how the women of Teatro Luna became men / Paloma Martínez-Cruz and Liza Ann Acosta -- Suturing las ramblas to East LA: transnational performances of Josefina López's Real women have curves / Tiffany Ana López -- Loving revolution: same-sex marriage and queer resistance in Monica palacios's Amor y revolución / Marivel T. Danielson -- Is Ugly Betty a real woman? representations of Chicana femininity inscribed as a site of (transformative) difference / Jennifer Esposito -- Indian icon, gay macho: Felipe Rose of Village people / Gabriel S. Estrada -- (De)criminalizing bodies: ironies of performance. No somos criminales: crossing borders in contemporary Latina and Latino music / Arturo J. Aldama -- "Pelones y matones": chicano cholos perform for a punitive audience / Victor M. Rios and Patrick Lopez-Aguado -- Mexican hip hop: male expressive culture / Pancho McFarland -- The Latino comedy project and border humor in performance / Jennifer Alvarez Dickinson -- (Re)examining the Latin lover: screening chicano/latino sexualities / Daniel Enrique Perez -- Rumba's democratic circle in the age of legal simulacra / Berta Jottar-Palenzuela. |
| Record Nr. | UNINA-9910785503203321 |
| Bloomington, : Indiana University Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Performing the US Latina and Latino borderlands [[electronic resource] /] / edited by Arturo J. Aldama, Chela Sandoval, and Peter J. García
| Performing the US Latina and Latino borderlands [[electronic resource] /] / edited by Arturo J. Aldama, Chela Sandoval, and Peter J. García |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, 2012 |
| Descrizione fisica | 1 online resource (523 p.) |
| Disciplina | 790.20868 |
| Altri autori (Persone) |
AldamaArturo J. <1964->
SandovalChela <1956-> GarcíaPeter J |
| Soggetto topico |
Hispanic Americans in the performing arts
Hispanic Americans - Ethnic identity |
| ISBN |
1-283-60873-1
9786613921185 0-253-00877-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: toward a de-colonial performatics of the US Latina and Latino borderlands / Chela Sandoval, Arturo J. Aldama, and Peter J. García -- Performing emancipation: inner work, public acts. Body as codex-ized word / Cuerpo Como Palabra (en-)Códice-ado: Chicana/Indígena and Mexican transnational performative indigeneities / Micaela Díaz-Sánchez -- Milongueando macha homoerotics: dancing the tango, torta style (a performative testimonio) / Maria Lugones -- The other train that derails us: performing Latina anxiety disorder in "The night before Christmas" / Angie Chabram-Dernersesian -- The art of place: the work of Diane Gamboa / Karen Mary Davalos -- Human rights, conditioned choices, and performance in Ana Castillo's Mixquihuala letters / Carl Gutierrez-Jones -- Decolonizing gender performativity: a thesis for emancipation in early Chicana feminist thought (1969-1979) / Daphne V. Taylor-García -- Ethnographies of performance: the Río Grande and beyond. Performing indigeneity in a South Texas community: los matachines de La Santa Cruz / Norma E. Cantú -- Re-membering Chelo Silva: the bolero in chicana perspective (women's bodies and voices in postrevolutionary urbanization: the bohemian, urban, and transnational) / Yolanda Broyles-González -- Roland Barthes, mojado, in brownface: chisme-laced snapshots documenting the preposterous and fact-laced claim that the postmodern was born along the borders of the Río Grande River / William Anthony Nericcio -- Decolonial border queers: case studies of chicana/o lesbians, gay men, and transgender folks in El Paso/Juárez / Emma Perez -- "Te amo, te amo, te amo": Lorenzo Antonio and Sparx performing Nuevo Mexico music / Peter J. García -- Sonic geographies and anti-border musics: "we didn't cross the border, the borders crossed us" / Roberto D. Hernández -- Lila Downs's borderless performance: transculturation and musical communication / Brenda M. Romero -- Nepantla aesthetics in the trans/nacional el macho: how the women of Teatro Luna became men / Paloma Martínez-Cruz and Liza Ann Acosta -- Suturing las ramblas to East LA: transnational performances of Josefina López's Real women have curves / Tiffany Ana López -- Loving revolution: same-sex marriage and queer resistance in Monica palacios's Amor y revolución / Marivel T. Danielson -- Is Ugly Betty a real woman? representations of Chicana femininity inscribed as a site of (transformative) difference / Jennifer Esposito -- Indian icon, gay macho: Felipe Rose of Village people / Gabriel S. Estrada -- (De)criminalizing bodies: ironies of performance. No somos criminales: crossing borders in contemporary Latina and Latino music / Arturo J. Aldama -- "Pelones y matones": chicano cholos perform for a punitive audience / Victor M. Rios and Patrick Lopez-Aguado -- Mexican hip hop: male expressive culture / Pancho McFarland -- The Latino comedy project and border humor in performance / Jennifer Alvarez Dickinson -- (Re)examining the Latin lover: screening chicano/latino sexualities / Daniel Enrique Perez -- Rumba's democratic circle in the age of legal simulacra / Berta Jottar-Palenzuela. |
| Record Nr. | UNINA-9910812392003321 |
| Bloomington, : Indiana University Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
