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Perfect harmony and melting strains : transformations of music in early modern culture between sensibility and abstraction / / edited by Cornelia Wilde, Wolfram Keller
| Perfect harmony and melting strains : transformations of music in early modern culture between sensibility and abstraction / / edited by Cornelia Wilde, Wolfram Keller |
| Pubbl/distr/stampa | Berlin, Germany ; ; Boston, Massachusetts : , : Walter de Gruyter GmbH, , [2021] |
| Descrizione fisica | 1 online resource (156 p.) |
| Disciplina | 781.25 |
| Collana | Transformationen der Antike |
| Soggetto topico | Harmony - History |
| Soggetto genere / forma | History |
| Soggetto non controllato |
Pythagoreanism
Reception of anitquity music theory |
| ISBN | 3-11-042206-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction: Perfect Harmony and Melting Strains: Transformations of Music in Early Modern Culture Between Sensibility and Abstraction -- Disharmonic Spheres: Metapoetic Noise in Geoffrey Chaucer's Parliament of Fowls -- In Search of the Word: Speech-like Chants and Confessional Identity in Counter-Reformation Mission to England -- Patrizi's and Mersenne's Critiques of Ficino's Interpretation of the Harmony of the Spheres -- Divine Harmony, Demonic Afflictions, and Bodily Humours: Two Tales of Musical Healing in Early Modern England -- The Powers and Effects of Music: English Theories from the Renaissance to the Enlightenment -- »Cecilia's Name does all our Numbers grace«: Musico-poetics in Joseph Addison's St Cecilia's Day Odes -- Index of Names |
| Record Nr. | UNISA-996331942703316 |
| Berlin, Germany ; ; Boston, Massachusetts : , : Walter de Gruyter GmbH, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Thinking about harmony : historical perspectives on analysis / / David Damschroder [[electronic resource]]
| Thinking about harmony : historical perspectives on analysis / / David Damschroder [[electronic resource]] |
| Autore | Damschroder David |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2008 |
| Descrizione fisica | 1 online resource (ix, 331 pages) : digital, PDF file(s) |
| Disciplina | 781.09034 |
| Soggetto topico |
Musical analysis - History - 19th century
Harmony - History Music - History and criticism |
| ISBN |
1-107-18733-8
1-281-38343-0 9786611383435 0-511-39838-7 0-511-39763-1 0-511-48206-X 0-511-39686-4 0-511-39922-7 0-511-39613-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chord identification. Arabic and Roman numerals ; Daube's three chords and the emergence of a function theory ; Chordal roots ; Mendelssohn's Wedding March and British harmonic theory -- Chordal embellishment. Rameau on suspensions ; Kirnberger's incidental dissonances ; Embellishment in a phrase by Chopin ; Koch's Stamakkord and the dissonant 6/4 ; A Beethoven/Schubert connection ; Berlioz and Fetis on embellishment -- Parallel and sequential progressions. Parallel motion in thirds or sixths ; Chains of descending fifths ; Langle's Tours de l'harmonie ; Schubert's transformation of the ascending 5-6 sequence -- Harmonic progression. The artistic progression of harmonic triads ; Rankings of chord successions ; Portmann's rules of succession ; The privileged fifth ; Succession by third ; Succession by second ; Koch's model : Schubert's composition -- Chordal hierarchy. Passing note, passing chord ; Reductive analysis in the nineteenth century ; Hierarchy in fifth-related chords ; Dehn on Beethoven -- Modulation to closely related keys. An analytical pioneer : Lampe ; Chromatic pitches as modulatory triggers ; Non-modulatory analysis ; Multiple meaning ; Prout's modulatory practice -- Chromatic chords : diminished/augmented. Chords via "licence" ; Enharmonicism ; Diminished seventh chords in Weber's Euryanthe ; Marx on diminished thirds (augmented sixths) ; Weitzmann on diminished sevenths -- Chromatic chords : major and minor. ♭II : the strategy of denial ; ♭II : strategies of inclusion ; Non-diatonic goals of modulation ; Rossini and the major mediant ; Seyfried's and Schubert's modulations ; A Wagnerian antipodal conundrum ; A parallel progression in Verdi's Luisa Miller -- Epilogue -- Biographies of music theorists. |
| Record Nr. | UNINA-9910450922503321 |
Damschroder David
|
||
| Cambridge : , : Cambridge University Press, , 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Thinking about harmony : historical perspectives on analysis / / David Damschroder [[electronic resource]]
| Thinking about harmony : historical perspectives on analysis / / David Damschroder [[electronic resource]] |
| Autore | Damschroder David |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2008 |
| Descrizione fisica | 1 online resource (ix, 331 pages) : digital, PDF file(s) |
| Disciplina | 781.09034 |
| Soggetto topico |
Musical analysis - History - 19th century
Harmony - History Music - History and criticism |
| ISBN |
1-107-18733-8
1-281-38343-0 9786611383435 0-511-39838-7 0-511-39763-1 0-511-48206-X 0-511-39686-4 0-511-39922-7 0-511-39613-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chord identification. Arabic and Roman numerals ; Daube's three chords and the emergence of a function theory ; Chordal roots ; Mendelssohn's Wedding March and British harmonic theory -- Chordal embellishment. Rameau on suspensions ; Kirnberger's incidental dissonances ; Embellishment in a phrase by Chopin ; Koch's Stamakkord and the dissonant 6/4 ; A Beethoven/Schubert connection ; Berlioz and Fetis on embellishment -- Parallel and sequential progressions. Parallel motion in thirds or sixths ; Chains of descending fifths ; Langle's Tours de l'harmonie ; Schubert's transformation of the ascending 5-6 sequence -- Harmonic progression. The artistic progression of harmonic triads ; Rankings of chord successions ; Portmann's rules of succession ; The privileged fifth ; Succession by third ; Succession by second ; Koch's model : Schubert's composition -- Chordal hierarchy. Passing note, passing chord ; Reductive analysis in the nineteenth century ; Hierarchy in fifth-related chords ; Dehn on Beethoven -- Modulation to closely related keys. An analytical pioneer : Lampe ; Chromatic pitches as modulatory triggers ; Non-modulatory analysis ; Multiple meaning ; Prout's modulatory practice -- Chromatic chords : diminished/augmented. Chords via "licence" ; Enharmonicism ; Diminished seventh chords in Weber's Euryanthe ; Marx on diminished thirds (augmented sixths) ; Weitzmann on diminished sevenths -- Chromatic chords : major and minor. ♭II : the strategy of denial ; ♭II : strategies of inclusion ; Non-diatonic goals of modulation ; Rossini and the major mediant ; Seyfried's and Schubert's modulations ; A Wagnerian antipodal conundrum ; A parallel progression in Verdi's Luisa Miller -- Epilogue -- Biographies of music theorists. |
| Record Nr. | UNINA-9910777047903321 |
|
Damschroder David
|
||
| Cambridge : , : Cambridge University Press, , 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Thinking about harmony : historical perspectives on analysis / / David Damschroder
| Thinking about harmony : historical perspectives on analysis / / David Damschroder |
| Autore | Damschroder David |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2008 |
| Descrizione fisica | 1 online resource (ix, 331 pages) : digital, PDF file(s) |
| Disciplina | 781.09034 |
| Soggetto topico |
Musical analysis - History - 19th century
Harmony - History Music - History and criticism |
| ISBN |
1-107-18733-8
1-281-38343-0 9786611383435 0-511-39838-7 0-511-39763-1 0-511-48206-X 0-511-39686-4 0-511-39922-7 0-511-39613-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chord identification. Arabic and Roman numerals ; Daube's three chords and the emergence of a function theory ; Chordal roots ; Mendelssohn's Wedding March and British harmonic theory -- Chordal embellishment. Rameau on suspensions ; Kirnberger's incidental dissonances ; Embellishment in a phrase by Chopin ; Koch's Stamakkord and the dissonant 6/4 ; A Beethoven/Schubert connection ; Berlioz and Fetis on embellishment -- Parallel and sequential progressions. Parallel motion in thirds or sixths ; Chains of descending fifths ; Langle's Tours de l'harmonie ; Schubert's transformation of the ascending 5-6 sequence -- Harmonic progression. The artistic progression of harmonic triads ; Rankings of chord successions ; Portmann's rules of succession ; The privileged fifth ; Succession by third ; Succession by second ; Koch's model : Schubert's composition -- Chordal hierarchy. Passing note, passing chord ; Reductive analysis in the nineteenth century ; Hierarchy in fifth-related chords ; Dehn on Beethoven -- Modulation to closely related keys. An analytical pioneer : Lampe ; Chromatic pitches as modulatory triggers ; Non-modulatory analysis ; Multiple meaning ; Prout's modulatory practice -- Chromatic chords : diminished/augmented. Chords via "licence" ; Enharmonicism ; Diminished seventh chords in Weber's Euryanthe ; Marx on diminished thirds (augmented sixths) ; Weitzmann on diminished sevenths -- Chromatic chords : major and minor. ♭II : the strategy of denial ; ♭II : strategies of inclusion ; Non-diatonic goals of modulation ; Rossini and the major mediant ; Seyfried's and Schubert's modulations ; A Wagnerian antipodal conundrum ; A parallel progression in Verdi's Luisa Miller -- Epilogue -- Biographies of music theorists. |
| Record Nr. | UNINA-9910960622203321 |
|
Damschroder David
|
||
| Cambridge : , : Cambridge University Press, , 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
