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Akkord-Lexikon : 1400 Harmoniesymbole auf einen Blick / / Harald Banter
| Akkord-Lexikon : 1400 Harmoniesymbole auf einen Blick / / Harald Banter |
| Autore | Banter Harald |
| Pubbl/distr/stampa | Mainz, [Germany] : , : Schott, , 2015 |
| Descrizione fisica | 1 online resource (86 p.) |
| Disciplina | 781.25 |
| Soggetto topico | Harmony |
| ISBN | 3-7957-8661-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Umschlag ; Inhalt ; Vorwort ; Entstehung der Akkord-Bezifferungen ; Die Verwendung der Harmonie-Symbole ; Ausführung und Notierung ; Grundregeln der Notierung ; Die Akkorde ; Skalen ; Akkord-Tabelle |
| Record Nr. | UNINA-9910151930003321 |
Banter Harald
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| Mainz, [Germany] : , : Schott, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Analysis of 18th- and 19th-century musical works in the classical tradition / / David Beach, University of Toronto, Ryan McClelland, University of Toronto
| Analysis of 18th- and 19th-century musical works in the classical tradition / / David Beach, University of Toronto, Ryan McClelland, University of Toronto |
| Autore | Beach David <1938-, > |
| Pubbl/distr/stampa | New York, NY ; ; Abingdon, Oxon : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (385 p.) |
| Disciplina | 780.9/033 |
| Soggetto topico |
Musical analysis
Harmony Musical form |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-66502-5
9786613641953 0-203-12183-X 1-136-32976-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Analysis of 18th- and 19th-Century Musical Worksin the Classical Tradition; Copyright; Contents; Preface; PART I: Principles of Harmony and Phrase Design; 1. A Review of Diatonic Harmony; Designation of Pitch and Chords; Tonal Functions; Common Sequential Patterns; Passing and Neighboring Chords; Functions of Individual Chords; Summary of Concepts and Terminology; Suggested Assignments; 2. Expanding the Diatonic Palette; Secondary Dominants and Diminished Seventh Chords; Chromaticized Sequences; Diatonic Modulation; Modulation from an Initial Major Key
A Summary Example: Bach, French Suite No. 5, GavotteModulation from an Initial Minor Key; A Summary Example: Bach, French Suite No. 2, Menuet; Suggested Assignments; 3. Phrase Design; Phrase Design; What is a phrase?; Phrase Construction and Combination-Part 1: The Period; Phrase Construction and Combination-Part 2: The Sentence; Phrase Construction and Combination-Part 3: Larger Period Design; Phrase Elision and Hypermeter; Phrase Elision; Hypermeter; Phrase Expansion; External Phrase Expansions; Internal Phrase Expansions; A Summary Analysis (Haydn); Suggested Assignments 4. Further Expansion of the Harmonic PaletteModal Mixture; Two Important Chromatic Chords: The Neapolitan Sixth and the Augmented Sixth; Analysis (Beethoven); Modulation; Suggested Assignments; PART II: Analysis; 5. Binary and Rounded Binary Forms; Binary Form; Rounded Binary Form; Haydn, Symphony No. 101 in D Major (""Clock""), III; Beethoven, Piano Sonata in A, Major, op. 26, II; Brahms, Piano Sonata in F Minor, op. 5, III; Suggested Assignments; 6. Classical Sonata Form; Mozart, Piano Sonata in F Major, K. 332, I; Beethoven, Piano Trio in C Minor, op. 1, no. 3, I; Suggested Assignments 7. Sonata Form in the Nineteenth CenturyBeethoven, Piano Sonata in F Minor, op. 57, I; Brahms, Clarinet (or Viola) Sonata in F Minor, op. 120, no. 1, I; Suggested Assignments; 8. Ternary Form; Beethoven, Piano Sonata in D Major, op. 10, no. 3, II; Schubert, Impromptu in G Major, op. 90, no. 3; Brahms, Intermezzo in B Minor, op. 117, no. 2; Suggested Assignments; 9. Rondo Form; Rondo Form; Mozart, Piano Sonata in B Brahms, Violin Sonata in D Major, K. 333, III; Minor, op. 108, IV; Suggested Assignments; Appendix: Notes on Musical Reductions; Notes; Index of Musical Works Index of Names and Terms |
| Record Nr. | UNINA-9910465725803321 |
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Beach David <1938-, >
|
||
| New York, NY ; ; Abingdon, Oxon : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Analysis of 18th- and 19th-century musical works in the classical tradition / / David Beach, University of Toronto, Ryan McClelland, University of Toronto
| Analysis of 18th- and 19th-century musical works in the classical tradition / / David Beach, University of Toronto, Ryan McClelland, University of Toronto |
| Autore | Beach David <1938-, > |
| Pubbl/distr/stampa | New York, NY ; ; Abingdon, Oxon : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (385 p.) |
| Disciplina | 780.9/033 |
| Soggetto topico |
Musical analysis
Harmony Musical form |
| ISBN |
1-136-32975-7
1-280-66502-5 9786613641953 0-203-12183-X 1-136-32976-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Analysis of 18th- and 19th-Century Musical Worksin the Classical Tradition; Copyright; Contents; Preface; PART I: Principles of Harmony and Phrase Design; 1. A Review of Diatonic Harmony; Designation of Pitch and Chords; Tonal Functions; Common Sequential Patterns; Passing and Neighboring Chords; Functions of Individual Chords; Summary of Concepts and Terminology; Suggested Assignments; 2. Expanding the Diatonic Palette; Secondary Dominants and Diminished Seventh Chords; Chromaticized Sequences; Diatonic Modulation; Modulation from an Initial Major Key
A Summary Example: Bach, French Suite No. 5, GavotteModulation from an Initial Minor Key; A Summary Example: Bach, French Suite No. 2, Menuet; Suggested Assignments; 3. Phrase Design; Phrase Design; What is a phrase?; Phrase Construction and Combination-Part 1: The Period; Phrase Construction and Combination-Part 2: The Sentence; Phrase Construction and Combination-Part 3: Larger Period Design; Phrase Elision and Hypermeter; Phrase Elision; Hypermeter; Phrase Expansion; External Phrase Expansions; Internal Phrase Expansions; A Summary Analysis (Haydn); Suggested Assignments 4. Further Expansion of the Harmonic PaletteModal Mixture; Two Important Chromatic Chords: The Neapolitan Sixth and the Augmented Sixth; Analysis (Beethoven); Modulation; Suggested Assignments; PART II: Analysis; 5. Binary and Rounded Binary Forms; Binary Form; Rounded Binary Form; Haydn, Symphony No. 101 in D Major (""Clock""), III; Beethoven, Piano Sonata in A, Major, op. 26, II; Brahms, Piano Sonata in F Minor, op. 5, III; Suggested Assignments; 6. Classical Sonata Form; Mozart, Piano Sonata in F Major, K. 332, I; Beethoven, Piano Trio in C Minor, op. 1, no. 3, I; Suggested Assignments 7. Sonata Form in the Nineteenth CenturyBeethoven, Piano Sonata in F Minor, op. 57, I; Brahms, Clarinet (or Viola) Sonata in F Minor, op. 120, no. 1, I; Suggested Assignments; 8. Ternary Form; Beethoven, Piano Sonata in D Major, op. 10, no. 3, II; Schubert, Impromptu in G Major, op. 90, no. 3; Brahms, Intermezzo in B Minor, op. 117, no. 2; Suggested Assignments; 9. Rondo Form; Rondo Form; Mozart, Piano Sonata in B Brahms, Violin Sonata in D Major, K. 333, III; Minor, op. 108, IV; Suggested Assignments; Appendix: Notes on Musical Reductions; Notes; Index of Musical Works Index of Names and Terms |
| Record Nr. | UNINA-9910791940303321 |
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Beach David <1938-, >
|
||
| New York, NY ; ; Abingdon, Oxon : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Analysis of 18th- and 19th-century musical works in the classical tradition / / David Beach, University of Toronto, Ryan McClelland, University of Toronto
| Analysis of 18th- and 19th-century musical works in the classical tradition / / David Beach, University of Toronto, Ryan McClelland, University of Toronto |
| Autore | Beach David <1938-, > |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, NY ; ; Abingdon, Oxon : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (385 p.) |
| Disciplina | 780.9/033 |
| Soggetto topico |
Musical analysis
Harmony Musical form |
| ISBN |
1-136-32975-7
1-280-66502-5 9786613641953 0-203-12183-X 1-136-32976-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Analysis of 18th- and 19th-Century Musical Worksin the Classical Tradition; Copyright; Contents; Preface; PART I: Principles of Harmony and Phrase Design; 1. A Review of Diatonic Harmony; Designation of Pitch and Chords; Tonal Functions; Common Sequential Patterns; Passing and Neighboring Chords; Functions of Individual Chords; Summary of Concepts and Terminology; Suggested Assignments; 2. Expanding the Diatonic Palette; Secondary Dominants and Diminished Seventh Chords; Chromaticized Sequences; Diatonic Modulation; Modulation from an Initial Major Key
A Summary Example: Bach, French Suite No. 5, GavotteModulation from an Initial Minor Key; A Summary Example: Bach, French Suite No. 2, Menuet; Suggested Assignments; 3. Phrase Design; Phrase Design; What is a phrase?; Phrase Construction and Combination-Part 1: The Period; Phrase Construction and Combination-Part 2: The Sentence; Phrase Construction and Combination-Part 3: Larger Period Design; Phrase Elision and Hypermeter; Phrase Elision; Hypermeter; Phrase Expansion; External Phrase Expansions; Internal Phrase Expansions; A Summary Analysis (Haydn); Suggested Assignments 4. Further Expansion of the Harmonic PaletteModal Mixture; Two Important Chromatic Chords: The Neapolitan Sixth and the Augmented Sixth; Analysis (Beethoven); Modulation; Suggested Assignments; PART II: Analysis; 5. Binary and Rounded Binary Forms; Binary Form; Rounded Binary Form; Haydn, Symphony No. 101 in D Major (""Clock""), III; Beethoven, Piano Sonata in A, Major, op. 26, II; Brahms, Piano Sonata in F Minor, op. 5, III; Suggested Assignments; 6. Classical Sonata Form; Mozart, Piano Sonata in F Major, K. 332, I; Beethoven, Piano Trio in C Minor, op. 1, no. 3, I; Suggested Assignments 7. Sonata Form in the Nineteenth CenturyBeethoven, Piano Sonata in F Minor, op. 57, I; Brahms, Clarinet (or Viola) Sonata in F Minor, op. 120, no. 1, I; Suggested Assignments; 8. Ternary Form; Beethoven, Piano Sonata in D Major, op. 10, no. 3, II; Schubert, Impromptu in G Major, op. 90, no. 3; Brahms, Intermezzo in B Minor, op. 117, no. 2; Suggested Assignments; 9. Rondo Form; Rondo Form; Mozart, Piano Sonata in B Brahms, Violin Sonata in D Major, K. 333, III; Minor, op. 108, IV; Suggested Assignments; Appendix: Notes on Musical Reductions; Notes; Index of Musical Works Index of Names and Terms |
| Record Nr. | UNINA-9910821718303321 |
|
Beach David <1938-, >
|
||
| New York, NY ; ; Abingdon, Oxon : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Audacious euphony [[electronic resource] ] : chromaticism and the consonant triad's second nature / / Richard Cohn
| Audacious euphony [[electronic resource] ] : chromaticism and the consonant triad's second nature / / Richard Cohn |
| Autore | Cohn Richard Lawrence <1955-> |
| Pubbl/distr/stampa | New York ; ; Oxford, : Oxford University Press, 2012 |
| Descrizione fisica | 1 online resource (256 p.) |
| Disciplina | 781.2/5 |
| Collana | Oxford studies in music theory |
| Soggetto topico |
Harmony
Triads (Music) |
| ISBN |
1-283-42289-1
9786613422897 0-19-977321-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Introduction; About the Companion Web Site; 1 Mapping the Triadic Universe; Three Ways to Calculate Triadic Distance; Triads in Chromatic Space; Remarks on Syntax and Maps; 2 Hexatonic Cycles; A Minimal-Work Model of the Triadic Universe; The Hexatonic Trance; Contrary Motion and Balance; Hexatonic Progressions, Tonnetz Representations, and Triadic Transformations; Near Evenness, Minimal Voice Leading, and the Central Role of Augmented Triads ; Remarks on Dualism; Triadic Structure Generates Pan-Triadic Syntax; Triads Are Homophonous Diamorphs; 3 Reciprocity
The Historical Emergence of Augmented TriadsConsonance/Dissonance Reciprocity; Two Early-Century Examples: Beethoven and Schubert; Three Late-Century Examples: Liszt, Rimsky-Korsakov, Fauré; Reciprocity in Weitzmann's Der Ubermässige Dreiklang; 4 Weitzmann Regions; The Structure of a Weitzmann Region; Weitzmann Transformations and N/R Cycles; Remarks on the Tonnetz; Historical Origins of Weitzmann Regions; The Double-Agent Complex; Expanded N/R Chains; Weitzmann Regions without Sequences: Wagner and Strauss; 5 A Unified Model of Triadic Voice-Leading Space 8 Syntactic Interaction and the Convertible TonnetzSome Previous Proposals; The Diatonic Tonnetz; Horizontal Extensions; Vertical Extensions; The Convertible Tonnetz; Two Analytical Vignettes: Wagner and Brahms; 9 Double Syntax and the Soft Revolution; A Summary Example from Schubert; Double Syntax and Its Skeptics; Code Switching and Double Determination; Cognitive Opacity; The Soft Revolution; On Musical Overdetermination; Glossary; A; B; C; D; G; H; I; L; N; O; P; R; S; T; U; V; W; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Z |
| Record Nr. | UNINA-9910792234003321 |
|
Cohn Richard Lawrence <1955->
|
||
| New York ; ; Oxford, : Oxford University Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Audacious euphony [[electronic resource] ] : chromaticism and the consonant triad's second nature / / Richard Cohn
| Audacious euphony [[electronic resource] ] : chromaticism and the consonant triad's second nature / / Richard Cohn |
| Autore | Cohn Richard Lawrence <1955-> |
| Pubbl/distr/stampa | New York ; ; Oxford, : Oxford University Press, 2012 |
| Descrizione fisica | 1 online resource (256 p.) |
| Disciplina | 781.2/5 |
| Collana | Oxford studies in music theory |
| Soggetto topico |
Harmony
Triads (Music) |
| ISBN |
1-283-42289-1
9786613422897 0-19-977321-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Introduction; About the Companion Web Site; 1 Mapping the Triadic Universe; Three Ways to Calculate Triadic Distance; Triads in Chromatic Space; Remarks on Syntax and Maps; 2 Hexatonic Cycles; A Minimal-Work Model of the Triadic Universe; The Hexatonic Trance; Contrary Motion and Balance; Hexatonic Progressions, Tonnetz Representations, and Triadic Transformations; Near Evenness, Minimal Voice Leading, and the Central Role of Augmented Triads ; Remarks on Dualism; Triadic Structure Generates Pan-Triadic Syntax; Triads Are Homophonous Diamorphs; 3 Reciprocity
The Historical Emergence of Augmented TriadsConsonance/Dissonance Reciprocity; Two Early-Century Examples: Beethoven and Schubert; Three Late-Century Examples: Liszt, Rimsky-Korsakov, Fauré; Reciprocity in Weitzmann's Der Ubermässige Dreiklang; 4 Weitzmann Regions; The Structure of a Weitzmann Region; Weitzmann Transformations and N/R Cycles; Remarks on the Tonnetz; Historical Origins of Weitzmann Regions; The Double-Agent Complex; Expanded N/R Chains; Weitzmann Regions without Sequences: Wagner and Strauss; 5 A Unified Model of Triadic Voice-Leading Space 8 Syntactic Interaction and the Convertible TonnetzSome Previous Proposals; The Diatonic Tonnetz; Horizontal Extensions; Vertical Extensions; The Convertible Tonnetz; Two Analytical Vignettes: Wagner and Brahms; 9 Double Syntax and the Soft Revolution; A Summary Example from Schubert; Double Syntax and Its Skeptics; Code Switching and Double Determination; Cognitive Opacity; The Soft Revolution; On Musical Overdetermination; Glossary; A; B; C; D; G; H; I; L; N; O; P; R; S; T; U; V; W; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Z |
| Record Nr. | UNINA-9910813890703321 |
|
Cohn Richard Lawrence <1955->
|
||
| New York ; ; Oxford, : Oxford University Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Chromatic transformations in nineteenth-century music / / David Kopp [[electronic resource]]
| Chromatic transformations in nineteenth-century music / / David Kopp [[electronic resource]] |
| Autore | Kopp David |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2002 |
| Descrizione fisica | 1 online resource (xiii, 275 pages) : digital, PDF file(s) |
| Disciplina | 781.2/52 |
| Collana | Cambridge studies in music theory and analysis |
| Soggetto topico |
Harmony
Chromaticism (Music) Music - 19th century - History and criticism |
| ISBN |
1-107-13108-1
1-280-41909-1 1-139-14731-5 0-511-17035-1 0-511-06372-5 0-511-05739-3 0-511-32394-8 0-511-48193-4 0-511-07218-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Common-tone tonality -- Three examples of functional chromatic mediant relations in Schubert -- Key harmonic systems and notions of third relations form Rameau -- Hugo Riemann -- Twentieth-century theory and chromatic third relations -- Riemann's legacy and transformation theories -- A chromatic transformation system -- Chromatic mediant relations in musical contexts -- Five analyses. |
| Record Nr. | UNISA-996248283103316 |
|
Kopp David
|
||
| Cambridge : , : Cambridge University Press, , 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Chromatic transformations in nineteenth-century music / / David Kopp [[electronic resource]]
| Chromatic transformations in nineteenth-century music / / David Kopp [[electronic resource]] |
| Autore | Kopp David |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2002 |
| Descrizione fisica | 1 online resource (xiii, 275 pages) : digital, PDF file(s) |
| Disciplina | 781.2/52 |
| Collana | Cambridge studies in music theory and analysis |
| Soggetto topico |
Harmony
Chromaticism (Music) Music - 19th century - History and criticism |
| ISBN |
1-107-13108-1
1-280-41909-1 1-139-14731-5 0-511-17035-1 0-511-06372-5 0-511-05739-3 0-511-32394-8 0-511-48193-4 0-511-07218-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Common-tone tonality -- Three examples of functional chromatic mediant relations in Schubert -- Key harmonic systems and notions of third relations form Rameau -- Hugo Riemann -- Twentieth-century theory and chromatic third relations -- Riemann's legacy and transformation theories -- A chromatic transformation system -- Chromatic mediant relations in musical contexts -- Five analyses. |
| Record Nr. | UNISA-996444849803316 |
|
Kopp David
|
||
| Cambridge : , : Cambridge University Press, , 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Chromatic transformations in nineteenth-century music / / David Kopp [[electronic resource]]
| Chromatic transformations in nineteenth-century music / / David Kopp [[electronic resource]] |
| Autore | Kopp David |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2002 |
| Descrizione fisica | 1 online resource (xiii, 275 pages) : digital, PDF file(s) |
| Disciplina | 781.2/52 |
| Collana | Cambridge studies in music theory and analysis |
| Soggetto topico |
Harmony
Chromaticism (Music) Music - 19th century - History and criticism |
| ISBN |
1-107-13108-1
1-280-41909-1 1-139-14731-5 0-511-17035-1 0-511-06372-5 0-511-05739-3 0-511-32394-8 0-511-48193-4 0-511-07218-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Common-tone tonality -- Three examples of functional chromatic mediant relations in Schubert -- Key harmonic systems and notions of third relations form Rameau -- Hugo Riemann -- Twentieth-century theory and chromatic third relations -- Riemann's legacy and transformation theories -- A chromatic transformation system -- Chromatic mediant relations in musical contexts -- Five analyses. |
| Record Nr. | UNINA-9910450528603321 |
|
Kopp David
|
||
| Cambridge : , : Cambridge University Press, , 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Chromatic transformations in nineteenth-century music / / David Kopp [[electronic resource]]
| Chromatic transformations in nineteenth-century music / / David Kopp [[electronic resource]] |
| Autore | Kopp David |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2002 |
| Descrizione fisica | 1 online resource (xiii, 275 pages) : digital, PDF file(s) |
| Disciplina | 781.2/52 |
| Collana | Cambridge studies in music theory and analysis |
| Soggetto topico |
Harmony
Chromaticism (Music) Music - 19th century - History and criticism |
| ISBN |
0-511-10234-8
1-107-13108-1 1-280-41909-1 1-139-14731-5 0-511-17035-1 0-511-06372-5 0-511-05739-3 0-511-32394-8 0-511-48193-4 0-511-07218-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Common-tone tonality -- Three examples of functional chromatic mediant relations in Schubert -- Key harmonic systems and notions of third relations form Rameau -- Hugo Riemann -- Twentieth-century theory and chromatic third relations -- Riemann's legacy and transformation theories -- A chromatic transformation system -- Chromatic mediant relations in musical contexts -- Five analyses. |
| Altri titoli varianti | Chromatic transformations in 19th-century music |
| Record Nr. | UNINA-9910783116603321 |
|
Kopp David
|
||
| Cambridge : , : Cambridge University Press, , 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
