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An Anthropology of Making in Santa Clara Del Cobre : Presence of Absence / / Michele Avis Feder-Nadoff
| An Anthropology of Making in Santa Clara Del Cobre : Presence of Absence / / Michele Avis Feder-Nadoff |
| Autore | Feder-Nadoff Michele Avis |
| Edizione | [First edition] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing AG, , [2024] |
| Descrizione fisica | 1 online resource (509 pages) : illustrations (some color), color maps |
| Disciplina | 701.03 |
| Soggetto topico |
Art and anthropology - Mexico - Santa Clara del Cobre
Handicraft - Mexico - Santa Clara del Cobre Handicraft - Philosophy |
| ISBN |
9783031366826
9783031366819 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Foreword -- Bodies of Knowledge: A Prologue -- Acknowledging -- Contents -- List of Figures -- List of Tables -- Chapter 1: Un-finishing Memory -- Bequests -- Excavating -- Death -- The Liminal Scrim -- Preparation -- Antecedents -- An Anthropology of Hope -- Contrariness -- Un-knowing and Un-making -- Wheel, Helm, Spokes, and Spaces -- Afterwards: The Gift -- References -- Chapter 2: Field of Corn -- Thresholds -- Telling -- References -- Chapter 3: Forge: Hearth and Home -- Old Gods, New Gods -- More Thresholds -- Copper Mediums -- Entering -- Tonal Sonority: Optic and Aural -- Rhythms of Work, Family, and Community Life -- The Central House -- Caring Vision -- Patriarchal Structure -- The Female Presence -- The Bellows -- Industrialization and Simulacra -- Plancha Aesthetics and Values -- Gajos and Gadroons -- The Mole Theory -- The Dance of Agency -- References -- Chapter 4: The Copper Fair -- Preliminaries -- Beginnings -- Competition and Cultural Performance -- Organization: Structures, Script, and Actors -- Becoming Artistic: Vestigial Materials -- The 75th Concurso del Cobre Martillado -- Prizes and Honors -- Arbitrating Authenticity -- Accouterments of Performance -- Performing Museums -- Reproductive and Representative Performance -- Echoes of the cofradías -- The Artisans Procession: A Passage -- The Cavalcade -- Floating Worlds -- Forging Performance -- Social Agency -- Homaging Tata Vasco -- References -- Chapter 5: Person and Place: The Life-World of Maestro Jesús Pérez Ornelas -- Life that Is Given and Life that Is Sown -- Place and Person: History and Memory -- Parents and Grandparents -- Defending the Church -- A World Protected by Trees -- Hot Chocolate, Pan, and Pátzcuaro -- A Glass of Milk -- Calzones de manta -- Barrio de San Miguel -- Don Bernardo's Forge and Apprenticeship -- The Machete -- The Compass.
The Río Bravo -- Concurso del Cobre -- Independence -- Courtship, Marriage, and Family -- Literacy -- Creating One's Mark -- Widening Constellations -- Visitors Who Came and Stayed -- The Olympic Cauldron -- Lima, Peru, Silver and Pitch -- Santa Clara Artisans Tour Mexico City -- Becoming a Grand Maestro -- The National Prize in Science and the Arts -- Illness, Tragedy, and Hubris -- Yearnings and Resolution -- A buen vivir -- Forteleben -- References -- Chapter 6: The Good Piece: An Aesthetics of Making -- A Discourse of Familiarity and Actions -- Buena, but not bonita -- Bien hecha -- Mastery of Non-mastery -- Aesthetic Technologies -- Que es única, que uno no se hace con rutina -- Que la gente le gusta -- Que no hace cada cosa día tras día -- Uniqueness, Repetition, Regeneration, and Reproduction -- La prueba es que tengo tanta herramienta -- Les queden bien derechito -- Integrity -- Solidity -- La misma pieza dice como debe salir -- Faith and Grace -- De mi mente. Hay que sacar ideas nuevas. No hacer la misma cosa cada día -- References -- Chapter 7: Aesthetics of Memory and Use -- Vessel Families -- Edges, Rims, and Borders -- Stencils -- Llamas -- Spirals -- Metaphors -- Shards -- Seeing In Between -- Duration -- To Touch and Behold -- References -- Chapter 8: Aesthetics in Time and Space -- Necessary Aesthetics -- Aesthetics Are Affordances -- Beholding -- Arts of Space and Arts of Time -- Suppression and Accumulation -- Invisible Motifs -- References -- Chapter 9: Aesthetics of Abduction and Fragmentation -- Artisan Agency as Synecdoche -- Group I. Artisans and Institutions -- Abduction of Style -- Communities of Style -- Abduction of Artisan Images -- Abduction of the Woman Artisan -- Abducting Authorship -- Authenticity and Fetishization -- Group II. Artisans and Designers -- Abduction and Skill -- Group III. Artisans and Artists. Abducting Ready-Mades -- Group IV. Artisans and Merchants -- Abductions of Arts and Crafts -- Group V. Artisan Communities and Artists -- Abducting Santa Clara as a Ready-Made -- Exchange Relations -- References -- Chapter 10: Restoring Aura: Straight from the Heart -- Passion and Pride -- Providence -- The Baptism of Jesús Emanuel -- Reciprocity -- Surrendering -- Bodies and Persons: Faces and Masks -- El Cuiripu -- The Chueca -- Heart -- Nacheleben -- Forteleben -- References -- Curriculum Vitae: Maestro Felipe (Jesús)1 Pérez Ornelas -- Santa Clara del Cobre Coppersmithing Glossary -- Spanish Glossary1 -- References -- Video -- Newspaper Articles -- Index. |
| Altri titoli varianti | Presence of Absence |
| Record Nr. | UNINA-9910864182503321 |
Feder-Nadoff Michele Avis
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| Cham : , : Springer International Publishing AG, , [2024] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Sloppy craft : postdisciplinarity and the crafts / / edited by Elaine Cheasley Paterson and Susan Surette
| Sloppy craft : postdisciplinarity and the crafts / / edited by Elaine Cheasley Paterson and Susan Surette |
| Pubbl/distr/stampa | London, England ; ; New York, New York : , : Bloomsbury Academic, , 2015 |
| Descrizione fisica | 1 online resource (252 p.) |
| Disciplina | 700.1 |
| Soggetto topico |
Handicraft - Philosophy
Avant-garde (Aesthetics) Amateurism Ugliness in art |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4742-4897-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
FC; Half Title; Title Page; Copyright; Dedication; Contents; List of Illustrations; Notes on Contributors; Acknowledgments; Foreword: Sloppy craft-origins of a term: Anne Wilson; Introduction: Elaine C. Paterson and Susan Surette; Part One: Explorations of postdisciplinarity through sloppy craft; 1. "Male trouble": Sewing, amateurism, and gender: Joseph McBrinn; 2. Sloppy craft as temporal drag in the work of Josh Faught: Elissa Auther and Elyse Speaks; 3. An impression of déjà vu: Craft, the visual arts, and the need to get sloppy: Denis Longchamps; Part Two: The implications of sloppy craft
4. Doomed to failure: Sandra Alfoldy5. The value of "sloppy craft": Creativity and community: Juliette MacDonald; 6. Why is sloppy and postdisciplinary craft significant and what are its historical precedents?: Gloria Hickey; 7. From Maria Martinez to Kent Monkman : Performing sloppy craft in Native America: Elizabeth Kalbfleisch; Part Three: Sloppy craft in practice and pedagogy: A conversation; 8. Sloppy craft and interdisciplinarity: The conversation: Conor Wilson (CW); Jean-Pierre Larocque (JPL); Kelly Thompson (KT); Peter Wilson (PW) 9. Teaching ceramics in an interdisciplinary environment: Eliza Au10. Weaving practice and pedagogy: Kelly Thompson; 11. Sloppy craft: As related to ceramics: Peter Wilson; Postscript: Reprint of Glenn Adamson, "When Craft Gets Sloppy "Crafts 211 (March-April 2008); Index; Plates Section |
| Record Nr. | UNINA-9910511346703321 |
| London, England ; ; New York, New York : , : Bloomsbury Academic, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Sloppy craft : postdisciplinarity and the crafts / / edited by Elaine Cheasley Paterson and Susan Surette
| Sloppy craft : postdisciplinarity and the crafts / / edited by Elaine Cheasley Paterson and Susan Surette |
| Pubbl/distr/stampa | London, England ; ; New York, New York : , : Bloomsbury Academic, , 2015 |
| Descrizione fisica | 1 online resource (252 p.) |
| Disciplina | 700.1 |
| Soggetto topico |
Handicraft - Philosophy
Avant-garde (Aesthetics) Amateurism Ugliness in art |
| ISBN |
1-4725-3307-0
1-4742-4897-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
FC; Half Title; Title Page; Copyright; Dedication; Contents; List of Illustrations; Notes on Contributors; Acknowledgments; Foreword: Sloppy craft-origins of a term: Anne Wilson; Introduction: Elaine C. Paterson and Susan Surette; Part One: Explorations of postdisciplinarity through sloppy craft; 1. "Male trouble": Sewing, amateurism, and gender: Joseph McBrinn; 2. Sloppy craft as temporal drag in the work of Josh Faught: Elissa Auther and Elyse Speaks; 3. An impression of déjà vu: Craft, the visual arts, and the need to get sloppy: Denis Longchamps; Part Two: The implications of sloppy craft
4. Doomed to failure: Sandra Alfoldy5. The value of "sloppy craft": Creativity and community: Juliette MacDonald; 6. Why is sloppy and postdisciplinary craft significant and what are its historical precedents?: Gloria Hickey; 7. From Maria Martinez to Kent Monkman : Performing sloppy craft in Native America: Elizabeth Kalbfleisch; Part Three: Sloppy craft in practice and pedagogy: A conversation; 8. Sloppy craft and interdisciplinarity: The conversation: Conor Wilson (CW); Jean-Pierre Larocque (JPL); Kelly Thompson (KT); Peter Wilson (PW) 9. Teaching ceramics in an interdisciplinary environment: Eliza Au10. Weaving practice and pedagogy: Kelly Thompson; 11. Sloppy craft: As related to ceramics: Peter Wilson; Postscript: Reprint of Glenn Adamson, "When Craft Gets Sloppy "Crafts 211 (March-April 2008); Index; Plates Section |
| Record Nr. | UNINA-9910797143603321 |
| London, England ; ; New York, New York : , : Bloomsbury Academic, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Sloppy craft : postdisciplinarity and the crafts / / edited by Elaine Cheasley Paterson and Susan Surette
| Sloppy craft : postdisciplinarity and the crafts / / edited by Elaine Cheasley Paterson and Susan Surette |
| Pubbl/distr/stampa | London, England ; ; New York, New York : , : Bloomsbury Academic, , 2015 |
| Descrizione fisica | 1 online resource (252 p.) |
| Disciplina | 700.1 |
| Soggetto topico |
Handicraft - Philosophy
Avant-garde (Aesthetics) Amateurism Ugliness in art |
| ISBN |
1-4725-3307-0
1-4742-4897-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
FC; Half Title; Title Page; Copyright; Dedication; Contents; List of Illustrations; Notes on Contributors; Acknowledgments; Foreword: Sloppy craft-origins of a term: Anne Wilson; Introduction: Elaine C. Paterson and Susan Surette; Part One: Explorations of postdisciplinarity through sloppy craft; 1. "Male trouble": Sewing, amateurism, and gender: Joseph McBrinn; 2. Sloppy craft as temporal drag in the work of Josh Faught: Elissa Auther and Elyse Speaks; 3. An impression of déjà vu: Craft, the visual arts, and the need to get sloppy: Denis Longchamps; Part Two: The implications of sloppy craft
4. Doomed to failure: Sandra Alfoldy5. The value of "sloppy craft": Creativity and community: Juliette MacDonald; 6. Why is sloppy and postdisciplinary craft significant and what are its historical precedents?: Gloria Hickey; 7. From Maria Martinez to Kent Monkman : Performing sloppy craft in Native America: Elizabeth Kalbfleisch; Part Three: Sloppy craft in practice and pedagogy: A conversation; 8. Sloppy craft and interdisciplinarity: The conversation: Conor Wilson (CW); Jean-Pierre Larocque (JPL); Kelly Thompson (KT); Peter Wilson (PW) 9. Teaching ceramics in an interdisciplinary environment: Eliza Au10. Weaving practice and pedagogy: Kelly Thompson; 11. Sloppy craft: As related to ceramics: Peter Wilson; Postscript: Reprint of Glenn Adamson, "When Craft Gets Sloppy "Crafts 211 (March-April 2008); Index; Plates Section |
| Record Nr. | UNINA-9910827507703321 |
| London, England ; ; New York, New York : , : Bloomsbury Academic, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
