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'Bad' Women of Bombay Films : Studies in Desire and Anxiety / / edited by Saswati Sengupta, Shampa Roy, Sharmila Purkayastha
| 'Bad' Women of Bombay Films : Studies in Desire and Anxiety / / edited by Saswati Sengupta, Shampa Roy, Sharmila Purkayastha |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (384 pages) |
| Disciplina |
791.43652042
791.43 |
| Soggetto topico |
Motion pictures—Asia
Culture Gender Motion pictures Ethnology—Asia Asian Cinema and TV Culture and Gender Global Cinema and TV Asian Culture Global/International Culture |
| ISBN | 3-030-26788-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Breaking Bad -- The Disorderly Presence at Home -- 2. Desire, Deviancy and Defiance in Bombay Cinema (1937-1960) -- 3. “haan, haan mein alaida hoon!” (Yes, yes I am different!): the Disorderly Bibi in Sahib, Bibi aur Ghulam (1962) -- 4. The Goddess of Mean Things: the Mother-in-law in Hindi Films -- 5. “ek admi tha, usne shadi karli!” (“There was a man who got married!”): Female Agency and Domestication in Omkara (2006) -- The Business of the Body -- 6. The Politics of Sanitisation / Sanskritisation: the Court Dancers and Classical Pasts (Rajnartaki, 1941; Chitralekha, 1964; Amrapali, 1966) -- 7. Goddess, Saint and Journeying Soul: Courtesans and Religion in Bombay Cinema (1939-2015) -- 8. The Prison-House of Performance: the Figure of the Dancing Girl in Bombay Films of the1960s -- 9. Guns, Gangsters and “Gandagi”: the Moll in Hindi Cinema -- 10. Sex Workers in Hindi Cinema: Imagos and Realities -- The Question of Violence -- 11. The Caged Woman: Female Guilt, Desire and Transgression in Bandini (1963) -- 12. “itni bhhi mahaan main nahi hoon, raja!” (“I’m not that great, O king”): the Angry Young Woman of the 1970s -- 13. Outcast[e] / Outlawed: The Bandit Queen (1996) -- 14. The Female Atankvadi: Gender, Militancy and the Politics of Representation in the late 90s -- 15. Honoured Mother and ‘Honour’ Killing: Ammaji in NH10 (2015) -- The Advent of the New Woman -- 16. Of Pallus and Pants: Fabricating the New Woman of the New Nation -- Andaz (1949), Mr. and Mrs. 55 (1955), Shri 420 (1955) -- 17. Consumer Pleasures and Hindi Cinema’s En-gendered Distribution of Moral Capital in Hum Aapke Hain Koun (1994) and Zindagi Na Milegi Dobara (2011) -- 18. Twenty-first century Heroines: Modernity in Cocktail (2012), Queen (2014) and Highway (2014) -- 19. Curiosity, Consent and Desire in Masaan (2015), Pink (2016), Lipstick Under My Burkha (2016) and Veere Di Wedding (2018) -- The Screening of the Actress -- 20. “naye naam nit naye roop dhar” (Don new names and new forms daily): the Figure of the Actress in Hindi Cinema -- 21. Playing Anaarkali: Gender, Morality and Erotica. . |
| Record Nr. | UNINA-9910483825503321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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American–Australian Cinema : Transnational Connections / / edited by Adrian Danks, Stephen Gaunson, Peter C. Kunze
| American–Australian Cinema : Transnational Connections / / edited by Adrian Danks, Stephen Gaunson, Peter C. Kunze |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XVII, 333 p. 15 illus., 10 illus. in color.) |
| Disciplina | 791.4366 |
| Soggetto topico |
Motion pictures
Australasia Motion pictures—United States Culture Australasian Cinema and TV American Cinema and TV Global Cinema and TV Global/International Culture Australasian Culture |
| ISBN | 3-319-66676-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Where I’m Calling From: An American-Australian Cinema? -- 2. Rudimentary Modernism: Ken G. Hall, Rear-Projection and 1930s Hollywood -- 3. Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life -- 4. Representations and Hybridisations in First Nation Cinema: Change and Newness by Fusion -- 5. Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette’s Anti-Star Persona -- 6. Accented Relations: Mad Max on US Screens -- 7. Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood -- 8. Australian Horror Movies and the American Market -- 9. The Female Gothic Meets the Terrible Terrace House : Transnational Exchanges and the Suburban Australian Horror of The Babadook -- 10. American Cartel: Block Bookings and the Paramount Plan -- 11. The Multiplex Era -- 12. “Zest to the Jaded Movie Palate”: Wallace Worsley, Scott Dunlap and The Romance of Runnibede (1928) -- 13. Defining Neverland: P. J. Hogan, J. M. Barrie, and Peter Pan in Post-Mabo Australia -- 14. The Great Gatsby: Telling National Iconic Stories Through a Transnational Lens. |
| Record Nr. | UNINA-9910300021203321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Arab Film and Video Manifestos : Forty-Five Years of the Moving Image Amid Revolution / / by Kay Dickinson
| Arab Film and Video Manifestos : Forty-Five Years of the Moving Image Amid Revolution / / by Kay Dickinson |
| Autore | Dickinson Kay |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2018 |
| Descrizione fisica | 1 online resource (159 pages) |
| Disciplina | 384.84 |
| Collana | Palgrave Studies in Arab Cinema |
| Soggetto topico |
Motion pictures
Ethnology—Middle East Middle East—Politics and government Cultural policy Global Cinema and TV Middle Eastern Culture Middle Eastern Politics Cultural Policy and Politics |
| ISBN |
9783319998015
3-319-99801-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Why the Manifesto? -- 2. The Naksa’s New Cinema: New Cinema Group, “Manifesto of New Cinema in Egypt” (1968) -- 3. Cinematic Third Worldism: “Resolutions of the Third World Filmmakers Meeting” (Algeria, 1973) -- 4. Cinema within Armed Struggle: “Manifesto of the Palestinian Cinema Group” (1972) and Popular Front for the Liberation of Palestine, “The Cinema and the Revolution” -- 5. The Images Are the Revolution’s”: Mosireen, “Revolution Triptych” (2013). |
| Record Nr. | UNINA-9910299997103321 |
Dickinson Kay
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Child in Contemporary Latin American Cinema [[electronic resource] /] / by Deborah Martin
| The Child in Contemporary Latin American Cinema [[electronic resource] /] / by Deborah Martin |
| Autore | Martin Deborah |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (XII, 245 p. 22 illus., 17 illus. in color.) |
| Disciplina | 791.436523 |
| Collana | Global Cinema |
| Soggetto topico |
Motion pictures, American
Ethnology—Latin America Motion pictures Youth—Social life and customs Communication Latin American Cinema and TV Latin American Culture Global Cinema and TV Youth Culture Media and Communication |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-137-52822-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Child Death in Buenos Aires viceversa, La vendedora de rosas and La mujer sin cabeza -- 3. Children's Journeys: Central do Brasil, Viva Cubaand Cochochi -- 4. The Childhood of a National Hero: José Martí: el ojo del canario -- 5. The Child in Post-dictatorship Southern Cone Film -- 6. Unruly Bodies: La rabia and El último verano de la boyita -- 7. Transnational Mobility, Authenticity and the Child: Alamar. |
| Record Nr. | UNINA-9910483075003321 |
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Martin Deborah
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| New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Cinema of Muhammad Malas : Visions of a Syrian Auteur / / by Samirah Alkassim, Nezar Andary
| The Cinema of Muhammad Malas : Visions of a Syrian Auteur / / by Samirah Alkassim, Nezar Andary |
| Autore | Alkassim Samirah |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2018 |
| Descrizione fisica | 1 online resource (189 pages) |
| Disciplina | 791.43095691 |
| Collana | Palgrave Studies in Arab Cinema |
| Soggetto topico |
Motion pictures—Production and direction
Ethnology—Middle East Motion pictures Motion pictures - Production and direction Middle East—Politics and government Directing Middle Eastern Culture Global Cinema and TV Film and TV Production Middle Eastern Politics |
| ISBN | 3-319-76813-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. The Cinema of Memory -- 2. From Quneitra to Moscow and Back -- 3. Early Years and Memories -- 4. Collaborations and Documentary -- 5. Poignancy and Memoir in Documentary -- 6. Excerpts from The Dream: A Diary of a Film -- 7. Behind the Scenes and Films in the Making -- 8. Reflections on Memory, Intertextuality, and Banned Films -- 9. Bab al-Maqam: From Beginnings to Caricatures of Banality -- 10. On Patriarchy and Resistance in Ladder to Damascus -- 11. Filmmaking in the New Millenium -- 12. On Cinema al-Dunya by Muhammad Malas. |
| Record Nr. | UNINA-9910300006903321 |
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Alkassim Samirah
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cinema of the Arab World : Contemporary Directions in Theory and Practice / / edited by Terri Ginsberg, Chris Lippard
| Cinema of the Arab World : Contemporary Directions in Theory and Practice / / edited by Terri Ginsberg, Chris Lippard |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (455 pages) |
| Disciplina |
791.4309174927
791.4301 |
| Collana | Global Cinema |
| Soggetto topico |
Motion pictures
Ethnology—Middle East Communication Motion pictures - Production and direction Global Cinema and TV Middle Eastern Culture Media and Communication Film and TV Production Film Theory |
| ISBN | 3-030-30081-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction - Chris Lippard and Terri Ginsberg -- BLOC 1: HISTORY, POSITIONALITY, CRITIQUE -- 2. Documentary Diplomacy & Audiovisual Modernization: A Cold War Genealogy of Arab Cinema during the 1950s through American Declassified Archive - Hadi Gharabaghi -- 3. Making the Final Cut: Filmmaking and Complicating National Identity in Qatar and the GCC States - Suzi Mirgani -- 4. Lebanese Cinema and the French Co-production System: The Postcard Strategy - Wissam Mouawad -- BLOC 2: FESTIVAL AND NATION RECONSIDERED -- 5. Amateur Filmmaking in Tunisia: A Political Film Culture Eliding Contradictions in National Cinema - Patricia Caillé -- 6. “Not-Yet” an Industry: The Temporalities of Contemporary Palestinian Cinema - Viviane Saglier -- 7. Mobilities of Cinematic Identity in the Western Sahara - Chris Lippard -- BLOC 3: FROM RESISTANCE TO ENTRENCHMENT AND BACK AGAIN -- 8. Amiralay and Sabbagh in the Post-cinematic Age - Samirah Alkassim -- 9. Family Resemblance: An Anthropologist Looks at Moroccan Documentary - Kevin Dwyer -- 10. Affective Alternatives to Sectarianism in Maroun Baghdadi’s Documentaries - Jeremy Randall -- BLOC 4: POLITICAL AESTHETICS OF STATE AND REVOLUTION IN EGYPT -- 11. Terrorism and Kebab: The Administrative Grotesque and the “Egyptian Chaplin”‒‒Notes on Humor, Resistance, and Biopolitics - Isabelle Freda -- 12. Exceptions to the Rule: The Mechanics of War and the Institution in Egyptian Cinema - Iman Hamam -- 13. Teaching Egypt Cinematically -Terri Ginsberg. |
| Record Nr. | UNINA-9910484347503321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cinematic Urban Geographies [[electronic resource] /] / edited by François Penz, Richard Koeck
| Cinematic Urban Geographies [[electronic resource] /] / edited by François Penz, Richard Koeck |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (XXI, 350 p. 74 illus.) |
| Disciplina | 791.4301 |
| Collana | Screening Spaces |
| Soggetto topico |
Motion pictures
Motion pictures—History Sociology, Urban Film Theory Film History Urban Studies/Sociology Close Reading Global Cinema and TV |
| ISBN | 1-137-46084-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. The cinema in the map - the case of Braun and Hogenberg’s Civitates Orbis Terrarum -- 3. Cinematic cartographies of urban space and the descriptive spectacle of aerial views (1898-1948) -- 4. Charting the Criminal: Maps as devices for orientation and control in Fritz Lang´s “M” (1931) and Francesco Rosi´s “Hands Over the City” (1963) -- 5. ‘Merely local’: film and the depiction of place, especially in local documentary -- 6. The Cine-Tourist’s Map of New Wave Paris -- 7. Set-jetting, Film Pilgrimage and The Third Man -- 8. The Cinematic Shtetl as a Site of Postmemory -- 9. “Where Is The Dust That Has Not Been Alive?”: Screening The Vanished Polis In Stirbitch: An Imaginary -- 10. Melancholy Urbanism: Distant Horizons and the Presentation of Place -- 11. Cinematic urban archaeology – the Battersea case -- 12. The cinematic and the televisual city: south London revisited -- 13. Los Angeles and Hollywood in Film and French Theory: Agnès Varda’s Lions Love (1969) and Edgar Morin’s California Journal (1970) -- 14. Urban Cinematic Palimpsests: Moving Image Databases for the City -- 15. Geographies of the Moving Image: Translating cinematic representation into geographic information -- 16. Ghost Cinema App: Temporal Ubiquity and the Condition of Being in Everytime. |
| Record Nr. | UNINA-9910255070203321 |
| New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Consuming Cultural Hegemony : Bollywood in Bangladesh / / by Harisur Rahman
| Consuming Cultural Hegemony : Bollywood in Bangladesh / / by Harisur Rahman |
| Autore | Rahman Harisur |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (253 pages) |
| Disciplina |
384.80954792
302.2343095492 |
| Soggetto topico |
Motion pictures
Culture Motion pictures—Asia Ethnology—Asia Mass media Communication Global Cinema and TV Global/International Culture Asian Cinema and TV Asian Culture Media Sociology |
| ISBN | 3-030-31707-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. From Partition to Hegemony: Bangladesh and Bangladeshi Films in the South Asian Context -- 3. Ethnographic Fieldwork: The Self as an Informant and an Observer -- 4. The Political Economy, Materiality and the Visceral Experience of Cable Television -- 5. The Cultural Economy of the CD/DVD Store and the Creation of Space -- 6. Culture of Copying and Copying of Culture: Media "Piracy" in Bangladesh -- 7. Belonging to Class: Hindi Film and the Formation of Middle Class Audience in Bangladesh -- 8. Negotiating Mediated Modernity and Culture: When “Soft Power” Becomes Hard -- 9. Bollywoodization or Ghettoization?: The Bangladeshi Dream Factory is in Disarray -- 10. Summary and Conclusion. |
| Record Nr. | UNINA-9910484705803321 |
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Rahman Harisur
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Contemporary Latin American Cinema : Resisting Neoliberalism? / / edited by Claudia Sandberg, Carolina Rocha
| Contemporary Latin American Cinema : Resisting Neoliberalism? / / edited by Claudia Sandberg, Carolina Rocha |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XIX, 278 p. 8 illus., 7 illus. in color.) |
| Disciplina | 791.43098 |
| Soggetto topico |
Motion pictures, American
Ethnology—Latin America Latin America—Politics and government Motion pictures Culture Latin American Cinema and TV Latin American Culture Latin American Politics Global Cinema and TV Global/International Culture |
| ISBN | 3-319-77010-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Contemporary Latin American Cinema and Resistance to Neoliberalism: Mapping the Field (Claudia Sandberg) -- 2. Southern Hegemonies and Metaphors of the Global South in También la Lluvia (Alfredo Martínez-Expósito) -- 3. Neoliberal Masculinities in Contemporary Peruvian Cinema: Octubre and El limpiador (Rosana Díaz-Zambrana) -- 4. New Geographies of Class in Mexican and Brazilian Cinemas: Post Tenebras Lux and Que horas ela volta? (María Mercedes Vázquez Vázquez) -- 5. Paraíso ¿Cuánto pesa el amor?: Challenging the Neoliberal in Mexican Cinema (Niamh Thornton) -- 6. Güeros: Social Fragmentation, Political Agency, and the Mexican Film Industry under Neoliberalism (Jacobo Asse Dayán) -- 7. Negotiating Neoliberal Demands on Contemporary Cinema: The Role and Influence of the Socially Committed Film Producer in Peru (Sarah Barrow) -- 8. Larraín’s No: A Tale of Neoliberalism (María Paz Peirano) -- 9. Crowdfunding Images of Colombia and Ecuador: International Collaborations and Transnational Circulation in a Neoliberal Context (Carolina Rocha) -- 10. Argentine Cinema in the Age of Digitization: Between Foreign Dominance and Discussion of Benefits (Andrea Morán and Miguel Fernández Labayen) -- 11. Social Cinema in Neoliberal Times: The Macabre Baroque in the Films of Pablo Larraín (Walescka Pino-Ojeda) -- 12. Between Armed Conflict, Social Awareness, and the Neoliberal Market: The Case of Alias María (Carlos de Oro) -- 13. Maximiliano Schonfeld’s Films of the Volga Germans in Entre Ríos: About the Neoliberal Devil in Argentine Cinema (Claudia Sandberg) -- 14. Community Film in Southern Greater Buenos Aires: Emerging Voices and the Economy of Film as Resistance to Neoliberalism (Andrea Molfetta). |
| Record Nr. | UNINA-9910300038703321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Criminals as heroes in popular culture / / edited by Roxie J. James, Kathryn E. Lane
| Criminals as heroes in popular culture / / edited by Roxie J. James, Kathryn E. Lane |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2020 |
| Descrizione fisica | 1 online resource (183 pages) |
| Disciplina |
364.30973
791.43652 |
| Collana | Palgrave pivot |
| Soggetto topico |
Motion pictures
Culture Mass media and crime Global Cinema and TV Global/International Culture Crime and the Media |
| ISBN | 3-030-39585-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. “I Need a Hero:” Representation & Reinvention of the Criminal Hero in Mass Media - Roxie J. James and Kathryn E. Lane -- 2. Women, Crime, and Piracy in the Early Modern English Popular Imagination - Lisa M. Lillie -- 3. Criminality in Perspective and Politics of Legitimization: A Study in Paradox - Sanchari Bhattacharyya -- 4. “Said Some Things I Definitely (Don’t) Regret:” Rhetorical Silence of American Vandal’s Criminal Heroine - Renee Ann Drouin -- 5. Exiles of Empire: Criminals as Heroes at the End of History in Jiang Wen’s Let the Bullets Fly - Aleksander Sedzielarz -- 6. Stand and Deliver: The Cinematic Representation of the Gentleman Highwayman in Plunkett & Macleane (1999) - Kwasu D. Tembo -- 7. “Something Feels Weird”: Managing the Identity of “Ex-Con” in American Gods - Rebecca Frost -- 8. Victims, Heroes, and Villains: Imaginary Beings In Contemporary Television Serials - E. Deidre Pribram -- 9. “Blurred Lines:” Reflections of The Criminal Hero Figure. - Roxie J. James and Kathryn E. Lane. . |
| Record Nr. | UNINA-9910484377403321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Soggetto topico
-
Global Cinema and TV
(31)
- Motion pictures (31)
- Culture (14)
- Global/International Culture (11)
- Film Theory (9)