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Inszenierte Inbesitznahme: Blackface und Minstrelsy in Berlin um 1900 / / von Frederike Gerstner
| Inszenierte Inbesitznahme: Blackface und Minstrelsy in Berlin um 1900 / / von Frederike Gerstner |
| Autore | Gerstner Frederike |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | Stuttgart : , : J.B. Metzler : , : Imprint : J.B. Metzler, , 2017 |
| Descrizione fisica | 1 online resource (IX, 303 S. 39 Abb., 14 Abb. in Farbe.) |
| Disciplina | 781.7415 |
| Collana | Szene & Horizont. Theaterwissenschaftliche Studien |
| Soggetto topico |
Theater
Global/International Theatre and Performance |
| ISBN | 3-476-04518-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Einleitung -- Minstrelsy und Blackface -- Blackface im Schwarzen Atlantik: "Onkel Tom's Hütte" -- Blackface und Metropole: "Berlin bleibt Berlin" und "Der dunkle Punkt" -- Ausblick. |
| Record Nr. | UNINA-9910484089103321 |
Gerstner Frederike
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| Stuttgart : , : J.B. Metzler : , : Imprint : J.B. Metzler, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Intermedial Performance and Politics in the Public Sphere / / edited by Katia Arfara, Aneta Mancewicz, Ralf Remshardt
| Intermedial Performance and Politics in the Public Sphere / / edited by Katia Arfara, Aneta Mancewicz, Ralf Remshardt |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XVIII, 267 p. 22 illus.) |
| Disciplina | 792.5 |
| Collana | Avant-Gardes in Performance |
| Soggetto topico |
Theater
Performing arts Contemporary Theatre Performing Arts Global/International Theatre and Performance |
| ISBN | 3-319-75343-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: In and Out: Intermedial Practice in the New Public Sphere; Katia Arfara, Aneta Mancewicz, Ralf Remshardt -- 2. Intermedial Theatre in a Mediatized Culture and Society; Chiel Kattenbelt -- 3. Intermedial Performance as a Public Sphere; Aneta Mancewicz -- 4. ‘Mirrors of Public Space.’ An Interview with Dries Verhoeven; Liesbeth Groot Nibbelink -- 5. Democracy with a Toothbrush: Protest, Performance, and the Public Sphere; Christopher Balme -- 6. Refugee Theatre in the (Inter)medial Matrix: Die Schutzbefohlenen and the Limits of Theatre as Public Sphere; Ralf Remshardt -- 7. ‘Heterotopian Transformations.’ An Interview with Akira Takayama; Natsuko Odate -- 8. Troubled Feedback Loop: The Rise and Fall of Estonia by Theatre NO99; Riina Oruaas -- 9. Between Art, Society, Representation, and Subjectivity: Wojtek Ziemilski’s Prolog. Anna R. Burzyńska -- 10. ‘The Intimacy of Public Space.’ An Interview with Kris Verdonck; Kristof van Baarle -- 11. Empire Strikes Back: The 2014 Maidan Revolution in Ukraine, Postmodern Spectatorship, and the Battle of Perception in the Public Sphere; Olga Danylyuk -- 12. The Politics of the Digital Public Sphere: On Rabih Mroué’s The Pixelated Revolution; Katia Arfara -- 13. ‘Almost Like a Teaching Play.’ An Interview with Daniel Wetzel/Rimini Protokoll; Florian Malzacher -- 14. Re-materialising the Theatrical Public Sphere through Intermediality in Grass Stage’s World Factory; Zheyu Wei -- 15. Intermediating Immanence: On Ho Tzu Nyen’s Ten Thousand Tigers; Mi You -- 16. ‘Reality is the Best Scenario.’ An Interview with BERLIN; Kurt Vanhoutte and Charlotte de Somviele. |
| Record Nr. | UNINA-9910300014103321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Mapping Global Theatre Histories / / by Mark Pizzato
| Mapping Global Theatre Histories / / by Mark Pizzato |
| Autore | Pizzato Mark |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (XV, 322 p. 36 illus., 34 illus. in color.) |
| Disciplina | 792.09 |
| Soggetto topico |
Theater—History
Performing arts Theater Theatre History Performing Arts Global/International Theatre and Performance |
| ISBN | 3-030-12727-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Theatricality in Deep History and the Human Brain -- 2. From Prehistoric to Ancient Theatricality -- 3. Greco-Roman Beginnings of "Theatre" (as Theatron/Theatrum) -- 4. Traditional Forms of Asian Theatre -- 5. Medieval Europe and Premodern Africa, Australia, and the Americas -- 6. Early Modern Developments in Italy and France (1400s-1600s) -- 7. Early Modern Mixtures in England, Spain, and the New World (1500s-1600s) -- 8. Restoration and Baroque Revolutions (1600s-1700s) -- 9. Romanticism, Melodrama, and Minstrelsy (1800s) -- 10. Modern Realisms and Anti-Realisms (Late 1800s to Early 1900s) -- 11. Mid-Twentieth Century Euro-American Innovations -- 12. Postmodern Theatre in the US (1950s to 2010s) -- 13. Postmodern Theatre in Europe (1950s-2010s) -- 14. Global, Postcolonial Theatre. |
| Record Nr. | UNINA-9910483087903321 |
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Pizzato Mark
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Media Archaeology and Intermedial Performance : Deep Time of the Theatre / / edited by Nele Wynants
| Media Archaeology and Intermedial Performance : Deep Time of the Theatre / / edited by Nele Wynants |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (290 pages) |
| Disciplina | 792.01 |
| Collana | Avant-Gardes in Performance |
| Soggetto topico |
Theater
Performing arts Stage management Actors Contemporary Theatre Performing Arts Technology and Stagecraft Performers and Practitioners Global/International Theatre and Performance |
| ISBN | 3-319-99576-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Media-archaeological Approaches to Theatre and Performance: An Introduction; Nele Wynants -- 2. Mechanisms in the Mist: A Media Archaeological Excavation of the Mechanical Theater; Erkki Huhtamo -- 3. “Rendre réel aux yeux du public” – Stage Craft, Tricks, and the Féerie; Frank Kessler & Sabine Lenk -- 4. Vanishing Technology: Transparency of Media in Stage Magic; Katharina Rein -- 5. Deep Space or the Re-invention of Scenography: Jozef Wouters on Infini 1-15; Karel Vanhaesebrouck & Jozef Wouters -- 6. Perfumed Performances: The Reception of Olfactory Theatrical Devices from the Fin-de-siècle to the Present Day; Érika Wicky -- 7. Performing Astronomy: The Orrery as Model, Theatre and Experience; Kurt Vanhoutte -- 8. Capturing Bodies as Objects: Stereography and the Diorama in Kris Verdonck’s ISOS; Kristof van Baarle -- 9. Robots and Anthropomorphism in Science-Fiction Theatre: From Rebellion to Domesticity; Kara Reilly -- 10. Cinema’s Savoyards: Performativity and the Legacy of the Magic Lantern; Edwin Carels -- 11. The Art of Anamorphosis: Subverting Representational Conventions and Challenging the Observer; Rudi Knoops -- 12. Mediated Visions of Life: An Archaeology of Microscopic Theatre; Nele Wynants -- 13. The (Not So) Deep Time of Social Media Theater: An Afterword; Sarah Bay-Cheng. |
| Record Nr. | UNINA-9910484737003321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Migration and Stereotypes in Performance and Culture / / edited by Yana Meerzon, David Dean, Daniel McNeil
| Migration and Stereotypes in Performance and Culture / / edited by Yana Meerzon, David Dean, Daniel McNeil |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (301 pages) : illustrations |
| Disciplina |
792.0905
792 |
| Collana | Contemporary Performance InterActions |
| Soggetto topico |
Theater
Performing arts Emigration and immigration Contemporary Theatre Global/International Theatre and Performance Performing Arts Migration |
| ISBN | 3-030-39915-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction; Daniel McNeil, Yana Meerzon, and David Dean -- 2. Precarious Bodies in Performance Activism and Theatres of Migration; Yana Meerzon -- 3. Spectacular Bodies, Unsettling Objects: Material Performance as Intervention in Stereotypes of Refugees; Laura Purcell Gates -- 4. Theatrical Border Crossings: Stereotypes against Realism in the Plays of Young Jean Lee; Kee-Yoon Nahm -- 5. The Suitcase as a Neurotic Container in the Israeli Theatre: The Return of the Wandering Jew; Sarit Cofman-Simhon -- 6. Keeping the Candle Aflame: Andrey Tarkovsky’s Search for Spirituality in a Foreign Land; J. Douglas Clayton -- 7. Read Her Lips: The Ban against Wearing the Niqab and Burqa at the Canadian Citizenship Ceremony 2011-2015; Zaheeda Alibhai -- 8. Tasting the nation: Food, Identity, and Belonging in Canada; Helin Burkay and David Dean -- 9. Mobility and Cultural Citizenship: The Making of a Senegalese Diaspora in Multiethnic Brazil; Gana Ndiaye -- 10. Performance Patterns and Athletic Migration during the Rio 2016 Summer Olympic Games; Peter Kuling -- 11. Forced Migration, Memory, and Testimony; Nimo Bokore -- 12. Claiming Their Voice: Foreign Memories on the Post-Brexit British; Kasia Lech -- 13. Challenging Stereotypes: Moving Dreams and the Italian Community of Peterborough, U.K.; Ida Cassilli -- 14. Breaking Stereotypes: Afrika! and In the Waiting room of the Dreams: Two Theatrical Projects with Refugees in German Border Cities Close to France; Georgiou Michalis -- 15. Mapping Memory Routes - a Multisensory Digital Approach to Art, Migration and Critical Heritage Studies. . |
| Record Nr. | UNINA-9910483509503321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Palgrave Handbook of the History of Women on Stage / / edited by Jan Sewell, Clare Smout
| The Palgrave Handbook of the History of Women on Stage / / edited by Jan Sewell, Clare Smout |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (850 pages) |
| Disciplina |
792.0280922
792.09 |
| Soggetto topico |
Theater—History
Theater Actors Performing arts Theatre History Performers and Practitioners Global/International Theatre and Performance Contemporary Theatre Performing Arts |
| ISBN | 3-030-23828-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. General Introduction; Jan Sewell and Clare Smout -- 2. Female Performers in the Greco-Roman World: An Introduction; Anne Duncan -- 3. The Roman Mimae: Female Performers in Ancient Rome; Anne Duncan -- 4. Ludism, Gender-Play and Roman Theatricality; Clare Foster -- 5. Women and Medieval Drama: Selected Sisters and Worshipful Wives; Sue Niebrzydowski -- 6. The First Italian Actresses, Isabella Andreini and the Commedia dell’Arte; Margaret Rose -- 7. Elizabeth I and the Dancing Stuart Queens: Female Agency and Subjectivity in Early Modern English Court Drama; Catherine Clifford -- 8. Margaret Cavendish’s Female Fairground Performers; M. A. Katritzky -- 9. Women Performers on English Stages 1660-1740; Jane Milling -- 10. Eighteenth-Century English Actresses: From Rustic Simplicity to Urban Sophistication; Laura J. Rosenthal -- 11. Late Eighteenth-Century English Actresses and Material Culture; Laura Engel -- 12. Performing the Nation State: Female Representation in Nineteenth-Century American Theatre and the American Cultural Imagination; Pam Cobrin -- 13. Death and the Working Woman: Actresses, Illness, and Labour from Rachel to Bernhardt; Roberta Barker -- 14. Ada Rehan: The Case of the Missing International Star; Lezlie C. Cross -- 15. Japanese Women on Stage: From Tradition to Modernity; Yamanashi Makiko -- 16. Leading Ladies on the Modern Greek Stage: Personal and Political Rivalries from Paraskevopoulou and Veroni to Kotopouli, Kyveli and Papadaki; Xenia Georgopoulou -- 17. British Actresses, 1900-1950: Professional Transformations; Maggie B. Gale -- 18. Serafima Birman, Sofia Giatsintova, Alla Tarasova and Olga Pyzhova: ‘Second Wave’ Russian and Soviet Actresses, Stanislavsky's System and the Moscow Art Theatre; Maria Ignatieva and Rose Whyman -- 19. Actress-Entrepreneurs of the Harlem Renaissance / New Negro Era: Anita Bush, Abbie Mitchell, Rose McClendon, Mercedes Gilbert, Venzella Jones; Cheryl Black -- 20. ‘Bad Girls’ of 1960s-1990s American Performance: Adrian Piper, Karen Finley and Carolee Schneemann; Dorothy Chansky -- 21. Birth, Copulation and Death: Feminist Theatre and Performance Practice across Four Decades; Anna Furse -- 22. Feminist Theatre: Putting Women Centre Stage; Sue Parrish -- 23. Theatre of Black Women: A Personal Account; Bernardine Evaristo -- 24. Women and Theatre, Birmingham: The Early Years (1984-1994); Polly Wright, with Jo Broadwood and Janice Connolly -- 25. Jenny Sealey of Graeae in Conversation with Clare Smout, February 2018: Gender and Disability; Jenny Sealey, with Clare Smout -- 26. Women on the Classical Kerala Stage: The Kutiyattam and Kathakali Traditions; Diane Daugherty -- 27. Negotiating Representations of Coloured Women in Post-Apartheid South African Performance; Amy Jephta -- 28. Great British Dames: Mature Actresses and their Negotiation of Celebrity in the Twenty-First Century; Mary Luckhurst -- 29. Feminist Dramaturgy in Practice: Lazarus Theatre Company’s Staging of Elizabeth Cary’s The Tragedy of Mariam; Sara Reimers and Elizabeth Schafer -- 30. Theatre Inside/Outside Prison: San Vittore Globe Theatre Company, Milan; Susan Marshall -- 31. Australasian Shakespeare: Race and the Female Star; Anna Kamaralli -- 32. Women Playing Shakespeare’s Men: Achieving Equality on the Twenty-First Century British Stage; Jami Rogers -- 33. Theatre, Education and Embodied Cognition: Young Women in a Changing World; Tracy Irish -- 34. Trans Women on Stage: Erasure, Resurgence and #notadebate; Emma Frankland. |
| Record Nr. | UNINA-9910484596203321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Performance, Subjectivity, Cosmopolitanism / / by Yana Meerzon
| Performance, Subjectivity, Cosmopolitanism / / by Yana Meerzon |
| Autore | Meerzon Yana |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (292 pages) |
| Disciplina |
306
301 |
| Soggetto topico |
Theater
Performing arts Contemporary Theatre Global/International Theatre and Performance Performing Arts |
| ISBN | 3-030-41410-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Setting the Stage - Performing the Divided Self of a New Cosmopolitanism -- 2. Chapter One: Dramaturgies of the Self: Staging the Décalage of Vernacular Cosmopolitanism -- 3. Chapter Two: ‘Speaking in Tongues’: Staging Hospitality of (Non)Translation -- 4. Chapter Three: Dramaturgies of the Body: Staging Stranger-Fetishism in a Cosmopolitan Solo Performance -- 5. Chapter Four: Staging Cosmoprolis - Constructing the Chorus Play -- 6. Chapter Five: Dramaturgies of the Gaze: On the Intimate Realities of Cosmopolitanism -- 7. Chapter Six: Staging Affective Citizenship – Constructing Communities of Hope -- 8. Chapter Seven: How to Be a Cosmopolitan: Concluding Remarks. . |
| Record Nr. | UNINA-9910484641403321 |
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Meerzon Yana
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Performances of Suffering in Latin American Migration : Heroes, Martyrs and Saints / / by Ana Elena Puga, Víctor M. Espinosa
| Performances of Suffering in Latin American Migration : Heroes, Martyrs and Saints / / by Ana Elena Puga, Víctor M. Espinosa |
| Autore | Puga Ana Elena |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (xv, 372 pages) : illustrations, maps |
| Disciplina |
869.09352069
862.0093552 |
| Soggetto topico |
Theater
Performing arts Global/International Theatre and Performance National/Regional Theatre and Performance Contemporary Theatre Performing Arts |
| ISBN | 3-030-37409-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introduction -- Part 1: Rescue -- Chapter 2:Heroic and Empathic Rescuers in Foundational Migrant Melodrama -- Chapter 3: Rescuers as Saints and Martyrs in Contemporary Migrant Melodrama -- Part 2: Mothers and Fathers -- Chapter 4: Madre Dolorosa: Casting Competitions in Mother Activism -- Chapter 5: Wounded Warriors: Corrective Castings in Male Activism -- Part 3: Children and Youth -- Chapter 6: Unaccompanied Migrant Children: Orphan-Martyrs in Motion -- Chapter 7: DREAMer Youth Artist-Activists: Queering Migrant Melodrama -- Chapter 8:Epilogue. |
| Record Nr. | UNINA-9910484553503321 |
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Puga Ana Elena
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Performing Citizenship [[electronic resource] ] : Bodies, Agencies, Limitations / / edited by Paula Hildebrandt, Kerstin Evert, Sibylle Peters, Mirjam Schaub, Kathrin Wildner, Gesa Ziemer
| Performing Citizenship [[electronic resource] ] : Bodies, Agencies, Limitations / / edited by Paula Hildebrandt, Kerstin Evert, Sibylle Peters, Mirjam Schaub, Kathrin Wildner, Gesa Ziemer |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (XII, 318 p. 17 illus.) |
| Disciplina | 792 |
| Collana | Performance Philosophy |
| Soggetto topico |
Theater
Performing arts Global/International Theatre and Performance Performing Arts Contemporary Theatre |
| Soggetto genere / forma | Electronic books. |
| ISBN | 3-319-97502-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction; Paula Hildebrandt and Sibylle Peters -- 2. Yet Another Effort, Citizens, if you Want to Learn How to React!; Kai van Eikels -- 3. [An] Elephant in the room. Notes on the ‘Welcome City’ Hamburg; Paula Hildebrandt -- 4. Doing Rights with Things: the Art of Becoming Citizens; Engin Isin -- 5. Performing Citizenship - Gathering (in the) Movement; Liz Rech -- 6. On Bodies and the Need to Appropriate Them; Antje Velsinger -- 7. Silence, Motifs and Echoes – Acts of Listening in Postcolonial Hamburg; Katharina Kellermann -- 8. Claims for the Future: Indigenous Rights, Housing Rights, Land Rights, Women’s Rights; Elke Krasny -- 9. Spaces of Citizenship; Sergio Tamayo -- 10. Urban Citizenship – Spaces for Enacting Rights; Kathrin Wildner -- 11. A Space of Performing Citizenship – the Gängeviertel in Hamburg; Michael Ziehl -- 12. Performance as Delegation: Citizenship in ‘Lloyd's Assemblage’; Moritz Frischkorn -- 13. (Re)Labelling: Mimicry, Between Identification and Subjectivation; Thari Jungen -- 14. PARALOGISTICS. On People, Things and Oceans; geheimagentur and Sibylle Peters -- 15. Phyto-Performance and the Lost Gardens of Riga; Alan Read -- 16. Of Mice and Masks: How performing citizenship worked for a thousand years in the Venetian Republic and why the Age of Enlightenment brought it to an abrupt end; Mirjam Schaub -- 17. Perform, Citizen!: On the Resource of Visibility in Performative Practice, between Invitation and Imperative; Maike Gunsilius -- 18. Practices of Politicizing Listening (to Migration): 'The point of language will no longer only be about communication, but also about pleasure and politics'; Nanna Heidenreich -- 19. Childish Citizenship; Darren O’Donnell -- 20. I do. From Instruction to Agency: Designing of Vocational Orientation through Artistic Practice; Constanze Schmidt. |
| Record Nr. | UNINA-9910372740703321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Performing Everyday Life in Argentine Popular Theater, 1890–1934 / / by Victoria Lynn Garrett
| Performing Everyday Life in Argentine Popular Theater, 1890–1934 / / by Victoria Lynn Garrett |
| Autore | Garrett Victoria Lynn |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (232 pages) |
| Disciplina | 792.0982 |
| Collana | New Directions in Latino American Cultures |
| Soggetto topico |
Ethnology—Latin America
Theater—History Latin America—History Theater Culture Latin American Culture Theatre History Latin American History Global/International Theatre and Performance Global/International Culture |
| ISBN | 3-319-92697-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Performing Everyday Life -- 2. Performing Inclusion and Disillusion -- 3. Embodying Modernity -- 4. Modern Families and Degeneration -- 5. Sex, Desire, and Violence -- 6. Criollos, Caudillos, and the Violent State -- 7. Performing Protest. |
| Record Nr. | UNINA-9910300027303321 |
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Garrett Victoria Lynn
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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