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Carnival and Power [[electronic resource] ] : Play and Politics in a Crown Colony / / by Vicki Ann Cremona
| Carnival and Power [[electronic resource] ] : Play and Politics in a Crown Colony / / by Vicki Ann Cremona |
| Autore | Cremona Vicki Ann |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XIX, 304 p. 16 illus., 3 illus. in color.) |
| Disciplina | 792.09 |
| Collana | Transnational Theatre Histories |
| Soggetto topico |
Theater—History
Performing arts Theater Theatre History Performing Arts Global/International Theatre and Performance |
| ISBN | 3-319-70656-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Perceptions of Colony and Carnival -- 2. Power and its Historical Framework -- 3. Social Difference and Street Dynamics -- 4. Fancy Dress, Rank and Dignity: Power and Play in Carnival Balls -- 5. ‘The sweet satires that prick where it is needed….’: The Caricature of Power -- 6. Raising the Levels of Street Carnivals – Competitions and Prizes -- 7. Carnival or Carnivals? Political Wrangles Between State, Church and Party -- 8. Politics vs Religion and State – Beyond Carnival and the Carnivalesque -- 9. Carnival as a Transnational Cultural Phenomenon. |
| Record Nr. | UNINA-9910300022103321 |
Cremona Vicki Ann
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Chinese Adaptations of Brecht [[electronic resource] ] : Appropriation and Intertextuality / / by Wei Zhang
| Chinese Adaptations of Brecht [[electronic resource] ] : Appropriation and Intertextuality / / by Wei Zhang |
| Autore | Zhang Wei |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (xv, 200 pages) : illustrations |
| Disciplina | 832.912 |
| Collana | Chinese Literature and Culture in the World |
| Soggetto topico |
Comparative literature
Oriental literature German philology Literature—Translations Theater Ethnology—Asia Comparative Literature Asian Literature German Literature Translation Studies Global/International Theatre and Performance Asian Culture |
| ISBN | 3-030-37778-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introduction -- Chapter 2: One Director, Three Takes: Chen Yong’s Reinterpretations of Life of Galileo, The Caucasian Chalk Circle, and The Threepenny Opera -- Chapter 3 Good Persons of Sichuan, Jiangnan, and Beijing: Brecht’s The Good Person of Szechwan and Chinese Xiqu Adaptations -- Chapter 4: Concentric Circles: Two Chuanju Reinterpretations of The Caucasian Chalk Circle as The Chalk Circle -- Chapter 5: Modernity, Chinese Culture, and Intertextuality: Bertolt Brecht’s Turandot and Wei Minglun’s Chuanju Play Chinese Princess Dulanduo -- Chapter 6: Brecht and Mao Zedong: Two Sides of “The Other Side” and “Twice Removed” Vision of “Snow” -- Chapter 7: Conclusion. |
| Record Nr. | UNINA-9910483081803321 |
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Zhang Wei
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Inszenierte Inbesitznahme: Blackface und Minstrelsy in Berlin um 1900 [[electronic resource] /] / von Frederike Gerstner
| Inszenierte Inbesitznahme: Blackface und Minstrelsy in Berlin um 1900 [[electronic resource] /] / von Frederike Gerstner |
| Autore | Gerstner Frederike |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | Stuttgart : , : J.B. Metzler : , : Imprint : J.B. Metzler, , 2017 |
| Descrizione fisica | 1 online resource (IX, 303 S. 39 Abb., 14 Abb. in Farbe.) |
| Disciplina | 781.7415 |
| Collana | Szene & Horizont. Theaterwissenschaftliche Studien |
| Soggetto topico |
Theater
Global/International Theatre and Performance |
| ISBN | 3-476-04518-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Einleitung -- Minstrelsy und Blackface -- Blackface im Schwarzen Atlantik: "Onkel Tom's Hütte" -- Blackface und Metropole: "Berlin bleibt Berlin" und "Der dunkle Punkt" -- Ausblick. |
| Record Nr. | UNINA-9910484089103321 |
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Gerstner Frederike
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| Stuttgart : , : J.B. Metzler : , : Imprint : J.B. Metzler, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Intercultural Aesthetics in Traditional Chinese Theatre [[electronic resource] ] : From 1978 to the Present / / by Wei Feng
| Intercultural Aesthetics in Traditional Chinese Theatre [[electronic resource] ] : From 1978 to the Present / / by Wei Feng |
| Autore | Feng Wei |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (284 pages) |
| Disciplina | 895.12009 |
| Soggetto topico |
Theater
Performing arts Contemporary Theatre National/Regional Theatre and Performance Global/International Theatre and Performance Performing Arts |
| ISBN | 3-030-40635-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Chapter 1: ‘Egotistic’ Adaptations of King Lear: Intercultural Playwrights Haunted by Tradition -- 3. Chapter 2: Border-Crossing Chou Actors in Beckettian Jingju -- 4. Chapter 3: Expressionistic Chuanju: Ghosts and Scenography in Lady Macbeth -- 5. Audiences Freed from Illusion?: Brechtian Estrangement and Metatheatricality Displaced in Xiqu -- 6. Conclusion. |
| Record Nr. | UNINA-9910484488103321 |
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Feng Wei
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Intermedial Performance and Politics in the Public Sphere [[electronic resource] /] / edited by Katia Arfara, Aneta Mancewicz, Ralf Remshardt
| Intermedial Performance and Politics in the Public Sphere [[electronic resource] /] / edited by Katia Arfara, Aneta Mancewicz, Ralf Remshardt |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XVIII, 267 p. 22 illus.) |
| Disciplina | 792.5 |
| Collana | Avant-Gardes in Performance |
| Soggetto topico |
Theater
Performing arts Contemporary Theatre Performing Arts Global/International Theatre and Performance |
| ISBN | 3-319-75343-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: In and Out: Intermedial Practice in the New Public Sphere; Katia Arfara, Aneta Mancewicz, Ralf Remshardt -- 2. Intermedial Theatre in a Mediatized Culture and Society; Chiel Kattenbelt -- 3. Intermedial Performance as a Public Sphere; Aneta Mancewicz -- 4. ‘Mirrors of Public Space.’ An Interview with Dries Verhoeven; Liesbeth Groot Nibbelink -- 5. Democracy with a Toothbrush: Protest, Performance, and the Public Sphere; Christopher Balme -- 6. Refugee Theatre in the (Inter)medial Matrix: Die Schutzbefohlenen and the Limits of Theatre as Public Sphere; Ralf Remshardt -- 7. ‘Heterotopian Transformations.’ An Interview with Akira Takayama; Natsuko Odate -- 8. Troubled Feedback Loop: The Rise and Fall of Estonia by Theatre NO99; Riina Oruaas -- 9. Between Art, Society, Representation, and Subjectivity: Wojtek Ziemilski’s Prolog. Anna R. Burzyńska -- 10. ‘The Intimacy of Public Space.’ An Interview with Kris Verdonck; Kristof van Baarle -- 11. Empire Strikes Back: The 2014 Maidan Revolution in Ukraine, Postmodern Spectatorship, and the Battle of Perception in the Public Sphere; Olga Danylyuk -- 12. The Politics of the Digital Public Sphere: On Rabih Mroué’s The Pixelated Revolution; Katia Arfara -- 13. ‘Almost Like a Teaching Play.’ An Interview with Daniel Wetzel/Rimini Protokoll; Florian Malzacher -- 14. Re-materialising the Theatrical Public Sphere through Intermediality in Grass Stage’s World Factory; Zheyu Wei -- 15. Intermediating Immanence: On Ho Tzu Nyen’s Ten Thousand Tigers; Mi You -- 16. ‘Reality is the Best Scenario.’ An Interview with BERLIN; Kurt Vanhoutte and Charlotte de Somviele. |
| Record Nr. | UNINA-9910300014103321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Intermedial Theater [[electronic resource] ] : Performance Philosophy, Transversal Poetics, and the Future of Affect / / by Bryan Reynolds
| Intermedial Theater [[electronic resource] ] : Performance Philosophy, Transversal Poetics, and the Future of Affect / / by Bryan Reynolds |
| Autore | Reynolds Bryan |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (XVIII, 314 p. 30 illus., 26 illus. in color.) |
| Disciplina | 700 |
| Collana | Palgrave Studies in Performance and Technology |
| Soggetto topico |
Theater
Aesthetics Poetry Contemporary Theatre Global/International Theatre and Performance Poetry and Poetics |
| ISBN | 1-137-50838-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction; Bryan Reynolds -- 2. Noodling the Nodals, Nodal Hamlet: Difference and Repetition, Extreme Performances, Remembering to Forget; Bryan Reynolds -- 3. Aspects of Intermediality: Objective Agency, Wonderment, and Transversal Refractions from the Age of Shakespeare; Bryan Reynolds (with sections by zooz [aka Bryan Reynolds and Sam Kolodezh] and Kristin Keating Fracchia & Bryan Reynolds) -- 4. The Fugitive Theater of Romeo Castellucci and Jan Lauwers after Nietzsche and with Guattari and Deleuze: Intermedial Operations, Animal Interventions, and Fractalactic Occurrences; Adam Bryx & Bryan Reynolds -- 5. Transversal Affectivity and the Lobster: Intimate Advances of Deleuze and Guattari, Rodrigo García and La Carnicería Teatro, Jan Lauwers and Needcompany, and Alice in Wonderland; Bryan Reynolds & Guy Zimmerman -- 6. Fractalicious! (Implosive Affects and Transversal Refractions); Bryan Reynolds -- 7. For the Love of Hamlet’s Headspace: Noodling with Deleuze, Thomas Ostermeier’s Nodals, and Allo-Realism; Sam Kolodezh & Bryan Reynolds -- Appendix 1: Glossary of Transversal Terms -- Appendix 2: Continuous (R)Evolutions: Thermodynamic Processes, Analog Hybridization, Transversal Becomings, and the Posthuman; zooz (James Intriligator & Bryan Reynolds) -- Index.-. |
| Record Nr. | UNINA-9910255064103321 |
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Reynolds Bryan
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Mapping Global Theatre Histories [[electronic resource] /] / by Mark Pizzato
| Mapping Global Theatre Histories [[electronic resource] /] / by Mark Pizzato |
| Autore | Pizzato Mark |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (XV, 322 p. 36 illus., 34 illus. in color.) |
| Disciplina | 792.09 |
| Soggetto topico |
Theater—History
Performing arts Theater Theatre History Performing Arts Global/International Theatre and Performance |
| ISBN | 3-030-12727-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Theatricality in Deep History and the Human Brain -- 2. From Prehistoric to Ancient Theatricality -- 3. Greco-Roman Beginnings of "Theatre" (as Theatron/Theatrum) -- 4. Traditional Forms of Asian Theatre -- 5. Medieval Europe and Premodern Africa, Australia, and the Americas -- 6. Early Modern Developments in Italy and France (1400s-1600s) -- 7. Early Modern Mixtures in England, Spain, and the New World (1500s-1600s) -- 8. Restoration and Baroque Revolutions (1600s-1700s) -- 9. Romanticism, Melodrama, and Minstrelsy (1800s) -- 10. Modern Realisms and Anti-Realisms (Late 1800s to Early 1900s) -- 11. Mid-Twentieth Century Euro-American Innovations -- 12. Postmodern Theatre in the US (1950s to 2010s) -- 13. Postmodern Theatre in Europe (1950s-2010s) -- 14. Global, Postcolonial Theatre. |
| Record Nr. | UNINA-9910483087903321 |
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Pizzato Mark
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Media Archaeology and Intermedial Performance [[electronic resource] ] : Deep Time of the Theatre / / edited by Nele Wynants
| Media Archaeology and Intermedial Performance [[electronic resource] ] : Deep Time of the Theatre / / edited by Nele Wynants |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (290 pages) |
| Disciplina | 792.01 |
| Collana | Avant-Gardes in Performance |
| Soggetto topico |
Theater
Performing arts Stage management Actors Contemporary Theatre Performing Arts Technology and Stagecraft Performers and Practitioners Global/International Theatre and Performance |
| ISBN | 3-319-99576-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Media-archaeological Approaches to Theatre and Performance: An Introduction; Nele Wynants -- 2. Mechanisms in the Mist: A Media Archaeological Excavation of the Mechanical Theater; Erkki Huhtamo -- 3. “Rendre réel aux yeux du public” – Stage Craft, Tricks, and the Féerie; Frank Kessler & Sabine Lenk -- 4. Vanishing Technology: Transparency of Media in Stage Magic; Katharina Rein -- 5. Deep Space or the Re-invention of Scenography: Jozef Wouters on Infini 1-15; Karel Vanhaesebrouck & Jozef Wouters -- 6. Perfumed Performances: The Reception of Olfactory Theatrical Devices from the Fin-de-siècle to the Present Day; Érika Wicky -- 7. Performing Astronomy: The Orrery as Model, Theatre and Experience; Kurt Vanhoutte -- 8. Capturing Bodies as Objects: Stereography and the Diorama in Kris Verdonck’s ISOS; Kristof van Baarle -- 9. Robots and Anthropomorphism in Science-Fiction Theatre: From Rebellion to Domesticity; Kara Reilly -- 10. Cinema’s Savoyards: Performativity and the Legacy of the Magic Lantern; Edwin Carels -- 11. The Art of Anamorphosis: Subverting Representational Conventions and Challenging the Observer; Rudi Knoops -- 12. Mediated Visions of Life: An Archaeology of Microscopic Theatre; Nele Wynants -- 13. The (Not So) Deep Time of Social Media Theater: An Afterword; Sarah Bay-Cheng. |
| Record Nr. | UNINA-9910484737003321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Migration and Stereotypes in Performance and Culture [[electronic resource] /] / edited by Yana Meerzon, David Dean, Daniel McNeil
| Migration and Stereotypes in Performance and Culture [[electronic resource] /] / edited by Yana Meerzon, David Dean, Daniel McNeil |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (301 pages) : illustrations |
| Disciplina | 792.0905 |
| Collana | Contemporary Performance InterActions |
| Soggetto topico |
Theater
Performing arts Emigration and immigration Contemporary Theatre Global/International Theatre and Performance Performing Arts Migration |
| ISBN | 3-030-39915-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction; Daniel McNeil, Yana Meerzon, and David Dean -- 2. Precarious Bodies in Performance Activism and Theatres of Migration; Yana Meerzon -- 3. Spectacular Bodies, Unsettling Objects: Material Performance as Intervention in Stereotypes of Refugees; Laura Purcell Gates -- 4. Theatrical Border Crossings: Stereotypes against Realism in the Plays of Young Jean Lee; Kee-Yoon Nahm -- 5. The Suitcase as a Neurotic Container in the Israeli Theatre: The Return of the Wandering Jew; Sarit Cofman-Simhon -- 6. Keeping the Candle Aflame: Andrey Tarkovsky’s Search for Spirituality in a Foreign Land; J. Douglas Clayton -- 7. Read Her Lips: The Ban against Wearing the Niqab and Burqa at the Canadian Citizenship Ceremony 2011-2015; Zaheeda Alibhai -- 8. Tasting the nation: Food, Identity, and Belonging in Canada; Helin Burkay and David Dean -- 9. Mobility and Cultural Citizenship: The Making of a Senegalese Diaspora in Multiethnic Brazil; Gana Ndiaye -- 10. Performance Patterns and Athletic Migration during the Rio 2016 Summer Olympic Games; Peter Kuling -- 11. Forced Migration, Memory, and Testimony; Nimo Bokore -- 12. Claiming Their Voice: Foreign Memories on the Post-Brexit British; Kasia Lech -- 13. Challenging Stereotypes: Moving Dreams and the Italian Community of Peterborough, U.K.; Ida Cassilli -- 14. Breaking Stereotypes: Afrika! and In the Waiting room of the Dreams: Two Theatrical Projects with Refugees in German Border Cities Close to France; Georgiou Michalis -- 15. Mapping Memory Routes - a Multisensory Digital Approach to Art, Migration and Critical Heritage Studies. . |
| Record Nr. | UNINA-9910483509503321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Palgrave Handbook of the History of Women on Stage [[electronic resource] /] / edited by Jan Sewell, Clare Smout
| The Palgrave Handbook of the History of Women on Stage [[electronic resource] /] / edited by Jan Sewell, Clare Smout |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (850 pages) |
| Disciplina | 792.0280922 |
| Soggetto topico |
Theater—History
Theater Actors Performing arts Theatre History Performers and Practitioners Global/International Theatre and Performance Contemporary Theatre Performing Arts |
| ISBN | 3-030-23828-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. General Introduction; Jan Sewell and Clare Smout -- 2. Female Performers in the Greco-Roman World: An Introduction; Anne Duncan -- 3. The Roman Mimae: Female Performers in Ancient Rome; Anne Duncan -- 4. Ludism, Gender-Play and Roman Theatricality; Clare Foster -- 5. Women and Medieval Drama: Selected Sisters and Worshipful Wives; Sue Niebrzydowski -- 6. The First Italian Actresses, Isabella Andreini and the Commedia dell’Arte; Margaret Rose -- 7. Elizabeth I and the Dancing Stuart Queens: Female Agency and Subjectivity in Early Modern English Court Drama; Catherine Clifford -- 8. Margaret Cavendish’s Female Fairground Performers; M. A. Katritzky -- 9. Women Performers on English Stages 1660-1740; Jane Milling -- 10. Eighteenth-Century English Actresses: From Rustic Simplicity to Urban Sophistication; Laura J. Rosenthal -- 11. Late Eighteenth-Century English Actresses and Material Culture; Laura Engel -- 12. Performing the Nation State: Female Representation in Nineteenth-Century American Theatre and the American Cultural Imagination; Pam Cobrin -- 13. Death and the Working Woman: Actresses, Illness, and Labour from Rachel to Bernhardt; Roberta Barker -- 14. Ada Rehan: The Case of the Missing International Star; Lezlie C. Cross -- 15. Japanese Women on Stage: From Tradition to Modernity; Yamanashi Makiko -- 16. Leading Ladies on the Modern Greek Stage: Personal and Political Rivalries from Paraskevopoulou and Veroni to Kotopouli, Kyveli and Papadaki; Xenia Georgopoulou -- 17. British Actresses, 1900-1950: Professional Transformations; Maggie B. Gale -- 18. Serafima Birman, Sofia Giatsintova, Alla Tarasova and Olga Pyzhova: ‘Second Wave’ Russian and Soviet Actresses, Stanislavsky's System and the Moscow Art Theatre; Maria Ignatieva and Rose Whyman -- 19. Actress-Entrepreneurs of the Harlem Renaissance / New Negro Era: Anita Bush, Abbie Mitchell, Rose McClendon, Mercedes Gilbert, Venzella Jones; Cheryl Black -- 20. ‘Bad Girls’ of 1960s-1990s American Performance: Adrian Piper, Karen Finley and Carolee Schneemann; Dorothy Chansky -- 21. Birth, Copulation and Death: Feminist Theatre and Performance Practice across Four Decades; Anna Furse -- 22. Feminist Theatre: Putting Women Centre Stage; Sue Parrish -- 23. Theatre of Black Women: A Personal Account; Bernardine Evaristo -- 24. Women and Theatre, Birmingham: The Early Years (1984-1994); Polly Wright, with Jo Broadwood and Janice Connolly -- 25. Jenny Sealey of Graeae in Conversation with Clare Smout, February 2018: Gender and Disability; Jenny Sealey, with Clare Smout -- 26. Women on the Classical Kerala Stage: The Kutiyattam and Kathakali Traditions; Diane Daugherty -- 27. Negotiating Representations of Coloured Women in Post-Apartheid South African Performance; Amy Jephta -- 28. Great British Dames: Mature Actresses and their Negotiation of Celebrity in the Twenty-First Century; Mary Luckhurst -- 29. Feminist Dramaturgy in Practice: Lazarus Theatre Company’s Staging of Elizabeth Cary’s The Tragedy of Mariam; Sara Reimers and Elizabeth Schafer -- 30. Theatre Inside/Outside Prison: San Vittore Globe Theatre Company, Milan; Susan Marshall -- 31. Australasian Shakespeare: Race and the Female Star; Anna Kamaralli -- 32. Women Playing Shakespeare’s Men: Achieving Equality on the Twenty-First Century British Stage; Jami Rogers -- 33. Theatre, Education and Embodied Cognition: Young Women in a Changing World; Tracy Irish -- 34. Trans Women on Stage: Erasure, Resurgence and #notadebate; Emma Frankland. |
| Record Nr. | UNINA-9910484596203321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Soggetto topico
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Global/International Theatre and Performance
(21)
- Theater (21)
- Performing Arts (14)
- Performing arts (14)
- Contemporary Theatre (11)