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Cinematic Vitalism / Inga Pollmann
| Cinematic Vitalism / Inga Pollmann |
| Autore | Pollmann Inga |
| Pubbl/distr/stampa | Amsterdam, : Amsterdam University Press, 2017 |
| Descrizione fisica | 1 online resource (295 pages) : illustrations |
| Disciplina | 791 |
| Collana | Film theory in media history |
| Soggetto topico |
Vitalismus
Filmtheorie Film Motion pictures - Philosophy Vitalism in motion pictures PERFORMING ARTS / General PERFORMING ARTS / Reference Vitalism - In motion pictures |
| Soggetto genere / forma | Electronic books. |
| Soggetto non controllato |
Film Theory
Film and Modernity Film and Philosophy Film and Science German Cinema Vitalism |
| ISBN | 90-485-3400-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- Acknowledgments -- Introduction: 'The sanguine, pulsating, enterprising modern life': Cinema and Vitalism -- 1. Vitalism and Abstraction: Rhythm and Non-Organic Life from Hans Richter to Sergei Eisenstein -- 2. New Worlds: Uexküll's Umwelt Theory at the Movies -- 3. The Interweaving of World and Self: Transformations of Mood in Expressionist and Kammerspiel Film -- 4. Open Bodies, Open Stories: Evolution, Narration, and Spectatorship in Post-war Film Theory -- Conclusion: Vital Media -- Bibliography -- Index of Films -- Index of Names -- Index of Subjects |
| Record Nr. | UNISA-996379042903316 |
Pollmann Inga
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| Amsterdam, : Amsterdam University Press, 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Cinematic Vitalism / Inga Pollmann
| Cinematic Vitalism / Inga Pollmann |
| Autore | Pollmann Inga |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam, : Amsterdam University Press, 2017 |
| Descrizione fisica | 1 online resource (295 pages) : illustrations |
| Disciplina | 791 |
| Collana | Film theory in media history |
| Soggetto topico |
Vitalismus
Filmtheorie Film Motion pictures - Philosophy Vitalism in motion pictures PERFORMING ARTS / General PERFORMING ARTS / Reference Vitalism - In motion pictures |
| ISBN |
1-003-69259-1
1-04-078397-X 90-485-3400-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- Acknowledgments -- Introduction: 'The sanguine, pulsating, enterprising modern life': Cinema and Vitalism -- 1. Vitalism and Abstraction: Rhythm and Non-Organic Life from Hans Richter to Sergei Eisenstein -- 2. New Worlds: Uexküll's Umwelt Theory at the Movies -- 3. The Interweaving of World and Self: Transformations of Mood in Expressionist and Kammerspiel Film -- 4. Open Bodies, Open Stories: Evolution, Narration, and Spectatorship in Post-war Film Theory -- Conclusion: Vital Media -- Bibliography -- Index of Films -- Index of Names -- Index of Subjects |
| Record Nr. | UNINA-9910320755403321 |
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Pollmann Inga
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| Amsterdam, : Amsterdam University Press, 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Conversations with Christian Metz / edited by Warren Buckland and Daniel Fairfax
| Conversations with Christian Metz / edited by Warren Buckland and Daniel Fairfax |
| Autore | Metz Christian |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2017] |
| Descrizione fisica | 1 online resource (310 pages) |
| Disciplina | 791.4301 |
| Collana | Film theory in media history |
| Soggetto topico |
Filmtheorie
Motion pictures - Philosophy Film critics |
| Soggetto genere / forma |
Interviews.
Electronic books. |
| Soggetto non controllato | Film Theory, Semiotics, Psychoanalysis, Christian Metz |
| ISBN | 90-485-2673-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Film Theory in Media History -- Contents -- Acknowledgements -- Publication details -- Introductions -- A Furious Exactitude: An Overview of Christian Metz's Film Theory / Buckland, Warren -- Christian Metz and the Constellation of French Film Journals in the 1960s and 1970s / Fairfax, Daniel -- Interviews -- Works of Christian Metz frequently cited in the interviews -- 1. Semiology, Linguistics, Cinema: Interview with Christian Metz / Fouque, René / Le Grivés, Eliane / Luciani, Simon -- 2. On 'Specificity': Interview with Christian Metz / Fieschi, Jean-André -- 3. Interview on Film Semiology / Bellour, Raymond / Metz, Christian -- 4. Interview with Christian Metz / Percheron, Daniel / Vernet, Marc -- 5. Round Table on Film Theory / Metz, Christian / Fano, Michel / Simon, Jean Paul / Simsolo, Noël -- 6. Conversation on The Imaginary Signifier and Essais Sémiotiques / Metz, Christian / Simon, Jean Paul / Vernet, Marc -- 7. The Cinematic Apparatus as Social Institution - An Interview with Christian Metz / Flitterman, Sandy / Guynn, Bill / Mueller, Roswitha / Suter, Jacquelyn -- 8. A Seminar with Christian Metz: Cinema, Semiology, Psychoanalysis, History / Thompson, Rick -- 9. Responses to Hors Cadre on The Imaginary Signifier / Metz, Christian -- 10. Interview with Christian Metz / Marie, Michel / Vernet, Marc -- 11. Christian Metz: Interview / Gaudreault, André -- 12. Twenty-Five Years Later: An Assessment. An Ethics of Semiology / Metz, Christian / Gardies, André -- Index |
| Record Nr. | UNISA-996379044003316 |
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Metz Christian
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| Amsterdam : , : Amsterdam University Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Conversations with Christian Metz / edited by Warren Buckland and Daniel Fairfax
| Conversations with Christian Metz / edited by Warren Buckland and Daniel Fairfax |
| Autore | Metz Christian |
| Pubbl/distr/stampa | Amsterdam University Press, 2017 |
| Descrizione fisica | 1 online resource (310 pages) |
| Disciplina | 791.4301 |
| Collana | Film theory in media history |
| Soggetto topico |
Filmtheorie
Motion pictures - Philosophy Film critics |
| Soggetto genere / forma | Interviews. |
| ISBN |
1-003-69328-8
1-04-078598-0 90-485-2673-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Film Theory in Media History -- Contents -- Acknowledgements -- Publication details -- Introductions -- A Furious Exactitude: An Overview of Christian Metz's Film Theory / Buckland, Warren -- Christian Metz and the Constellation of French Film Journals in the 1960s and 1970s / Fairfax, Daniel -- Interviews -- Works of Christian Metz frequently cited in the interviews -- 1. Semiology, Linguistics, Cinema: Interview with Christian Metz / Fouque, René / Le Grivés, Eliane / Luciani, Simon -- 2. On 'Specificity': Interview with Christian Metz / Fieschi, Jean-André -- 3. Interview on Film Semiology / Bellour, Raymond / Metz, Christian -- 4. Interview with Christian Metz / Percheron, Daniel / Vernet, Marc -- 5. Round Table on Film Theory / Metz, Christian / Fano, Michel / Simon, Jean Paul / Simsolo, Noël -- 6. Conversation on The Imaginary Signifier and Essais Sémiotiques / Metz, Christian / Simon, Jean Paul / Vernet, Marc -- 7. The Cinematic Apparatus as Social Institution - An Interview with Christian Metz / Flitterman, Sandy / Guynn, Bill / Mueller, Roswitha / Suter, Jacquelyn -- 8. A Seminar with Christian Metz: Cinema, Semiology, Psychoanalysis, History / Thompson, Rick -- 9. Responses to Hors Cadre on The Imaginary Signifier / Metz, Christian -- 10. Interview with Christian Metz / Marie, Michel / Vernet, Marc -- 11. Christian Metz: Interview / Gaudreault, André -- 12. Twenty-Five Years Later: An Assessment. An Ethics of Semiology / Metz, Christian / Gardies, André -- Index |
| Record Nr. | UNINA-9910291731803321 |
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Metz Christian
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| Amsterdam University Press, 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Die Inszenierung des Realen. Entwicklung und Perzeption des neueren französischen Dokumentarfilms / / Anja-Magali Bitter, Irmbert Schenk, Hans Jürgen Wulff
| Die Inszenierung des Realen. Entwicklung und Perzeption des neueren französischen Dokumentarfilms / / Anja-Magali Bitter, Irmbert Schenk, Hans Jürgen Wulff |
| Autore | Bitter Anja-Magali |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Hannover, : ibidem, 2010 |
| Descrizione fisica | 1 online resource (137 pages) |
| Disciplina | 070.18 |
| Collana | Film- und Medienwissenschaft |
| Soggetto topico |
Dokumentarfilm
Filmtheorie Inszenierung |
| ISBN | 3-8382-6066-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Record Nr. | UNINA-9910964291503321 |
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Bitter Anja-Magali
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| Hannover, : ibidem, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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It’s All Been There Before : What We Can Learn about the Coronavirus from Pandemic Movies / / Denis Newiak
| It’s All Been There Before : What We Can Learn about the Coronavirus from Pandemic Movies / / Denis Newiak |
| Autore | Newiak Denis |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Hannover, : ibidem, 2021 |
| Descrizione fisica | 1 online resource (161 pages) |
| Disciplina | 362.1962414 |
| Soggetto topico |
Pandemiefilm
pandemic movies Popkultur Pop Culture Corona Virus Filmtheorie film theory |
| ISBN | 3-8382-7617-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- TOLD YOU SO : A PERSONAL FOREWORD -- THE WARNINGS AND ADVICES OF THE PANDEMIC CINEMA -- SCIENCE FICTION AS A METHOD: PREPARING FOR LATE MODERN CHALLENGES -- COMPLEXITY, RISK, LONELINESS: NAVIGATING LATE MODERNITY USING FILMS -- UNHEARD PROPHETS, UNHEARD PROFITEERS: SELF-REFLECTIVE PREMONITIONS -- DANGEROUS IGNORANCE, UNTEACHABLE IGNORAMUSES AND CRISIS-EXPERTS -- ENDANGERMENT, DEMORALISATION AND LONELINESS OF HELPERS AND OFFICIALS -- VIOLENCE, POGROMS,TERRORISM: SOCIETY ON THE BRINK OF ANARCHY -- BIOTERRORISM AND FAILED EXPERIMENTS: FIGHTING INVISIBLE ENEMIES -- HOPELESSNESS AND FEAR: LIVING A LIFE WITHOUT A FUTURE -- SUDDENLY ALONE: HOW TO SURVIVE SELF-ISOLATION -- URBAN ICONOGRAPHY OF THE PANDE MIC: FAILING CITIES -- POST-MODERN LONELINESS AND THE HOPE FOR NEW COMMUNITIES -- LITERATURE -- DISCUSSED FILMS. |
| Record Nr. | UNINA-9910967413603321 |
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Newiak Denis
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| Hannover, : ibidem, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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No subject will ever be taboo : Eine Untersuchung komischer Gewaltdarstellungen in Quentin Tarantinos Kill Bill Vol. I und II / Philippe-André Lorenz, Lisa Schwermer-Funke
| No subject will ever be taboo : Eine Untersuchung komischer Gewaltdarstellungen in Quentin Tarantinos Kill Bill Vol. I und II / Philippe-André Lorenz, Lisa Schwermer-Funke |
| Autore | Lorenz Philippe-André |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : Aisthesis Verlag, 2020 |
| Descrizione fisica | 1 online resource (145 pages) |
| Disciplina | 790 |
| Soggetto topico |
Komische Gewalt
Quentin Tarantino Filmtheorie Komiktheorie Mediale Gewalt |
| ISBN | 3-8498-1554-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | 1. Einleitung 2. Gewalt und ihre mediale Ausgestaltung 2.1. Gewalt – Eine definitorische Annäherung 2.2. Mediale Gewalt – Gefahr oder Vergnügen? 3. Komik – ein schwer zu bestimmendes Phänomen 3.1. Eine begriffliche Annäherung 3.2. Komiktheorien 3.2.1. Überlegenheitstheorie 3.2.2. Entlastungstheorie 3.2.3. Inkongruenztheorie 3.3. Die Formen der Komik im Spielfilm 3.3.1. Die Makrokomik des Films 3.3.2. Die Mikrokomik des Films 3.3.3. Die Referenzkomik des Films 4. Tarantinoesk – Eine kultprägende Gestaltungskonzeption 5. My Baby shot me down – Quentin Tarantinos Kill Bill-Saga 5.1. Komische Gewalt in Kill Bill Vol. I 5.1.1. An old friend of Mommy’s – Beatrix Kiddo vs. Vernita Green 5.1.2. That’s my girl. – Die Kontrolle der Elle Driver 5.1.3. Silly Caucasian girl likes to play with samurai swords. – Blutbad im House of the Blue Leaves 5.2. Komische Gewalt in Kill Bill Vol. II 5.2.1. Wakey wakey. Eggs and bakey. – Das Begräbnis der Beatrix Kiddo 5.2.2. An excellent view of my foot. – Die Lehre des Pai Mei 5.2.3. Black Mamba, this is Budd. – Das Töten und Sterben der hinterlistigen Elle Driver 6. Fazit und Ausblick 7. Bibliografie 8. Filmografie 9. Diskografie 10. Internetnachweise 11. Anhang |
| Record Nr. | UNINA-9910962736503321 |
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Lorenz Philippe-André
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| Bielefeld, : Aisthesis Verlag, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Technology and Film Scholarship : Experience, Study, Theory / / edited by Santiago Hidalgo ; foreword by Andre Gaudreault
| Technology and Film Scholarship : Experience, Study, Theory / / edited by Santiago Hidalgo ; foreword by Andre Gaudreault |
| Autore | Hidalgo Santiago |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam, : Amsterdam University Press, 2017 |
| Descrizione fisica | 1 online resource (264 pages) |
| Disciplina | 791 |
| Collana | Film theory in media history |
| Soggetto topico |
Performing arts
Filmtheorie Technology in motion pictures Technology in motion pictures - History |
| Soggetto genere / forma |
History
Electronic books. |
| ISBN |
1-003-70496-4
1-04-077237-4 90-485-2527-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: ; Section I Experience -- ; 1. When Did Cinema Become Cinema? Technology, History, and the Moving Pictures / Charles Musser -- ; 2. Exhibition Practices in Transition: Spectators, Audiences, and Projectors / Jan Olsson -- ; 3. Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia / Andre Habib -- ; 4. Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? / Dana Cooley -- ; Section II Study -- ; 5. Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film / David Colangelo -- ; 6. Film Analysis and Statistics: A Field Report / Charles O'Brien -- ; 7. A `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History / Paul Moore -- ; Section III Theory -- ; 8. Cine-Graphism: A New Approach to the Evolution of Film Language through Technology / Tom Gunning -- ; 9. Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology / Vinzenz Hediger -- ; 10. On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema / Benoit Turquety. |
| Record Nr. | UNINA-9910320755603321 |
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Hidalgo Santiago
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| Amsterdam, : Amsterdam University Press, 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Technology and Film Scholarship : Experience, Study, Theory / / edited by Santiago Hidalgo ; foreword by Andre Gaudreault
| Technology and Film Scholarship : Experience, Study, Theory / / edited by Santiago Hidalgo ; foreword by Andre Gaudreault |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2017] |
| Descrizione fisica | 1 online resource (264 pages) |
| Disciplina | 791 |
| Collana | Film theory in media history |
| Soggetto topico |
Performing Arts
Filmtheorie Technology in motion pictures Technology in motion pictures - History |
| Soggetto genere / forma |
History
Electronic books. |
| Soggetto non controllato | Technology, Film Experience, Film Study, Film Historiography, Film Scholarship |
| ISBN | 90-485-2527-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: ; Section I Experience -- ; 1. When Did Cinema Become Cinema? Technology, History, and the Moving Pictures / Charles Musser -- ; 2. Exhibition Practices in Transition: Spectators, Audiences, and Projectors / Jan Olsson -- ; 3. Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia / Andre Habib -- ; 4. Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? / Dana Cooley -- ; Section II Study -- ; 5. Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film / David Colangelo -- ; 6. Film Analysis and Statistics: A Field Report / Charles O'Brien -- ; 7. A `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History / Paul Moore -- ; Section III Theory -- ; 8. Cine-Graphism: A New Approach to the Evolution of Film Language through Technology / Tom Gunning -- ; 9. Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology / Vinzenz Hediger -- ; 10. On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema / Benoit Turquety. |
| Record Nr. | UNISA-996379043903316 |
| Amsterdam : , : Amsterdam University Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Vertrauen in die Welt : Eine Philosophie des Films / Josef Früchtl, Christiane Voss, Oliver Fahle, Lorenz Engell, Vinzenz Hediger
| Vertrauen in die Welt : Eine Philosophie des Films / Josef Früchtl, Christiane Voss, Oliver Fahle, Lorenz Engell, Vinzenz Hediger |
| Autore | Früchtl Josef |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Paderborn, : Brill | Fink, 2013 |
| Descrizione fisica | 1 online resource |
| Disciplina | 791.4301 |
| Collana | Film Denken |
| Soggetto topico |
Filmtheorie
Filmkritik Filmgeschichte |
| ISBN | 3-8467-5506-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Preliminary Material -- Evidente Erfahrung Der Existenz -- Gilles Deleuze und der Glaube an die Welt -- Ein Kampf gegen sich selbst: Das Kino als Ich-Technologie -- Die Evidenz des Films und die Präsenz Der Welt: Jean-Luc Nancys Cineastische Ontologie -- Das Weltbild der Moderne -- Politik, Ästhetik Oder Mystik des Zeigens? Benjamin und Deleuze -- Gemacht und dennoch wahr: Zur Ästhetik der Präsenz des Helden -- Eine Kunst der Geste: Den Bildern Geschichte und Bewegung zurückgeben -- Es ist, als ob wir vertrauen könnten: Fiktion und Ästhetik Des Politischen -- All you need is love: Cavell und die Komödie der Wiederverheiratung von Film und Philosophie -- Danksagung -- Nachweise -- Literatur. |
| Record Nr. | UNINA-9910971231103321 |
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Früchtl Josef
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| Paderborn, : Brill | Fink, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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