Cinematic Vitalism / Inga Pollmann |
Autore | Pollmann Inga |
Pubbl/distr/stampa | Amsterdam, : Amsterdam University Press, 2017 |
Descrizione fisica | 1 online resource (295 pages) : illustrations |
Disciplina | 791 |
Collana | Film theory in media history |
Soggetto topico |
Vitalismus
Filmtheorie Film Motion pictures - Philosophy Vitalism in motion pictures PERFORMING ARTS / General PERFORMING ARTS / Reference Vitalism - In motion pictures |
Soggetto genere / forma | Electronic books. |
Soggetto non controllato |
Film Theory
Film and Modernity Film and Philosophy Film and Science German Cinema Vitalism |
ISBN | 90-485-3400-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Table of Contents -- Acknowledgments -- Introduction: 'The sanguine, pulsating, enterprising modern life': Cinema and Vitalism -- 1. Vitalism and Abstraction: Rhythm and Non-Organic Life from Hans Richter to Sergei Eisenstein -- 2. New Worlds: Uexküll's Umwelt Theory at the Movies -- 3. The Interweaving of World and Self: Transformations of Mood in Expressionist and Kammerspiel Film -- 4. Open Bodies, Open Stories: Evolution, Narration, and Spectatorship in Post-war Film Theory -- Conclusion: Vital Media -- Bibliography -- Index of Films -- Index of Names -- Index of Subjects |
Record Nr. | UNISA-996379042903316 |
Pollmann Inga | ||
Amsterdam, : Amsterdam University Press, 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|
Cinematic Vitalism / Inga Pollmann |
Autore | Pollmann Inga |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Amsterdam, : Amsterdam University Press, 2017 |
Descrizione fisica | 1 online resource (295 pages) : illustrations |
Disciplina | 791 |
Collana | Film theory in media history |
Soggetto topico |
Vitalismus
Filmtheorie Film Motion pictures - Philosophy Vitalism in motion pictures PERFORMING ARTS / General PERFORMING ARTS / Reference Vitalism - In motion pictures |
ISBN | 90-485-3400-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Table of Contents -- Acknowledgments -- Introduction: 'The sanguine, pulsating, enterprising modern life': Cinema and Vitalism -- 1. Vitalism and Abstraction: Rhythm and Non-Organic Life from Hans Richter to Sergei Eisenstein -- 2. New Worlds: Uexküll's Umwelt Theory at the Movies -- 3. The Interweaving of World and Self: Transformations of Mood in Expressionist and Kammerspiel Film -- 4. Open Bodies, Open Stories: Evolution, Narration, and Spectatorship in Post-war Film Theory -- Conclusion: Vital Media -- Bibliography -- Index of Films -- Index of Names -- Index of Subjects |
Record Nr. | UNINA-9910320755403321 |
Pollmann Inga | ||
Amsterdam, : Amsterdam University Press, 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Conversations with Christian Metz / edited by Warren Buckland and Daniel Fairfax |
Autore | Metz Christian |
Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2017] |
Descrizione fisica | 1 online resource (310 pages) |
Disciplina | 791.4301 |
Collana | Film theory in media history |
Soggetto topico |
Filmtheorie
Motion pictures - Philosophy Film critics |
Soggetto genere / forma |
Interviews.
Electronic books. |
Soggetto non controllato | Film Theory, Semiotics, Psychoanalysis, Christian Metz |
ISBN | 90-485-2673-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Film Theory in Media History -- Contents -- Acknowledgements -- Publication details -- Introductions -- A Furious Exactitude: An Overview of Christian Metz's Film Theory / Buckland, Warren -- Christian Metz and the Constellation of French Film Journals in the 1960s and 1970s / Fairfax, Daniel -- Interviews -- Works of Christian Metz frequently cited in the interviews -- 1. Semiology, Linguistics, Cinema: Interview with Christian Metz / Fouque, René / Le Grivés, Eliane / Luciani, Simon -- 2. On 'Specificity': Interview with Christian Metz / Fieschi, Jean-André -- 3. Interview on Film Semiology / Bellour, Raymond / Metz, Christian -- 4. Interview with Christian Metz / Percheron, Daniel / Vernet, Marc -- 5. Round Table on Film Theory / Metz, Christian / Fano, Michel / Simon, Jean Paul / Simsolo, Noël -- 6. Conversation on The Imaginary Signifier and Essais Sémiotiques / Metz, Christian / Simon, Jean Paul / Vernet, Marc -- 7. The Cinematic Apparatus as Social Institution - An Interview with Christian Metz / Flitterman, Sandy / Guynn, Bill / Mueller, Roswitha / Suter, Jacquelyn -- 8. A Seminar with Christian Metz: Cinema, Semiology, Psychoanalysis, History / Thompson, Rick -- 9. Responses to Hors Cadre on The Imaginary Signifier / Metz, Christian -- 10. Interview with Christian Metz / Marie, Michel / Vernet, Marc -- 11. Christian Metz: Interview / Gaudreault, André -- 12. Twenty-Five Years Later: An Assessment. An Ethics of Semiology / Metz, Christian / Gardies, André -- Index |
Record Nr. | UNISA-996379044003316 |
Metz Christian | ||
Amsterdam : , : Amsterdam University Press, , [2017] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|
Conversations with Christian Metz / edited by Warren Buckland and Daniel Fairfax |
Autore | Metz Christian |
Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2017] |
Descrizione fisica | 1 online resource (310 pages) |
Disciplina | 791.4301 |
Collana | Film theory in media history |
Soggetto topico |
Filmtheorie
Motion pictures - Philosophy Film critics |
Soggetto genere / forma |
Interviews.
Electronic books. |
ISBN | 90-485-2673-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Film Theory in Media History -- Contents -- Acknowledgements -- Publication details -- Introductions -- A Furious Exactitude: An Overview of Christian Metz's Film Theory / Buckland, Warren -- Christian Metz and the Constellation of French Film Journals in the 1960s and 1970s / Fairfax, Daniel -- Interviews -- Works of Christian Metz frequently cited in the interviews -- 1. Semiology, Linguistics, Cinema: Interview with Christian Metz / Fouque, René / Le Grivés, Eliane / Luciani, Simon -- 2. On 'Specificity': Interview with Christian Metz / Fieschi, Jean-André -- 3. Interview on Film Semiology / Bellour, Raymond / Metz, Christian -- 4. Interview with Christian Metz / Percheron, Daniel / Vernet, Marc -- 5. Round Table on Film Theory / Metz, Christian / Fano, Michel / Simon, Jean Paul / Simsolo, Noël -- 6. Conversation on The Imaginary Signifier and Essais Sémiotiques / Metz, Christian / Simon, Jean Paul / Vernet, Marc -- 7. The Cinematic Apparatus as Social Institution - An Interview with Christian Metz / Flitterman, Sandy / Guynn, Bill / Mueller, Roswitha / Suter, Jacquelyn -- 8. A Seminar with Christian Metz: Cinema, Semiology, Psychoanalysis, History / Thompson, Rick -- 9. Responses to Hors Cadre on The Imaginary Signifier / Metz, Christian -- 10. Interview with Christian Metz / Marie, Michel / Vernet, Marc -- 11. Christian Metz: Interview / Gaudreault, André -- 12. Twenty-Five Years Later: An Assessment. An Ethics of Semiology / Metz, Christian / Gardies, André -- Index |
Record Nr. | UNINA-9910291731803321 |
Metz Christian | ||
Amsterdam : , : Amsterdam University Press, , [2017] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Technology and Film Scholarship : Experience, Study, Theory / / edited by Santiago Hidalgo ; foreword by Andre Gaudreault |
Autore | Hidalgo Santiago |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Amsterdam, : Amsterdam University Press, 2017 |
Descrizione fisica | 1 online resource (264 pages) |
Disciplina | 791 |
Collana | Film theory in media history |
Soggetto topico |
Performing Arts
Filmtheorie Technology in motion pictures Technology in motion pictures - History |
Soggetto genere / forma |
History
Electronic books. |
ISBN | 90-485-2527-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Machine generated contents note: ; Section I Experience -- ; 1. When Did Cinema Become Cinema? Technology, History, and the Moving Pictures / Charles Musser -- ; 2. Exhibition Practices in Transition: Spectators, Audiences, and Projectors / Jan Olsson -- ; 3. Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia / Andre Habib -- ; 4. Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? / Dana Cooley -- ; Section II Study -- ; 5. Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film / David Colangelo -- ; 6. Film Analysis and Statistics: A Field Report / Charles O'Brien -- ; 7. A `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History / Paul Moore -- ; Section III Theory -- ; 8. Cine-Graphism: A New Approach to the Evolution of Film Language through Technology / Tom Gunning -- ; 9. Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology / Vinzenz Hediger -- ; 10. On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema / Benoit Turquety. |
Record Nr. | UNINA-9910320755603321 |
Hidalgo Santiago | ||
Amsterdam, : Amsterdam University Press, 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Technology and Film Scholarship : Experience, Study, Theory / / edited by Santiago Hidalgo ; foreword by Andre Gaudreault |
Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2017] |
Descrizione fisica | 1 online resource (264 pages) |
Disciplina | 791 |
Collana | Film theory in media history |
Soggetto topico |
Performing Arts
Filmtheorie Technology in motion pictures Technology in motion pictures - History |
Soggetto genere / forma |
History
Electronic books. |
Soggetto non controllato | Technology, Film Experience, Film Study, Film Historiography, Film Scholarship |
ISBN | 90-485-2527-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Machine generated contents note: ; Section I Experience -- ; 1. When Did Cinema Become Cinema? Technology, History, and the Moving Pictures / Charles Musser -- ; 2. Exhibition Practices in Transition: Spectators, Audiences, and Projectors / Jan Olsson -- ; 3. Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia / Andre Habib -- ; 4. Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? / Dana Cooley -- ; Section II Study -- ; 5. Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film / David Colangelo -- ; 6. Film Analysis and Statistics: A Field Report / Charles O'Brien -- ; 7. A `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History / Paul Moore -- ; Section III Theory -- ; 8. Cine-Graphism: A New Approach to the Evolution of Film Language through Technology / Tom Gunning -- ; 9. Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology / Vinzenz Hediger -- ; 10. On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema / Benoit Turquety. |
Record Nr. | UNISA-996379043903316 |
Amsterdam : , : Amsterdam University Press, , [2017] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|