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3-D Cinema and Trauma : Poetics of Remembrance and Loss / / by Dor Fadlon
| 3-D Cinema and Trauma : Poetics of Remembrance and Loss / / by Dor Fadlon |
| Autore | Fadlon Dor |
| Edizione | [1st ed. 2022.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
| Descrizione fisica | 1 online resource (287 pages) |
| Disciplina | 791.4301 |
| Soggetto topico |
Motion pictures - Production and direction
Motion picture industry Television broadcasting Film and Television Production Film and Television Industry |
| ISBN |
9783031128219
9783031128202 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. Introduction -- Part I: History and Trauma in 3-D Cinema of The Fifties -- Chapter 2. They Won’t Believe It Back Home: 3-D Cinema, Trauma, and Representation -- Chapter 3. Films that Ache, Films that Injure: 3-D Cinema and The Body -- Chapter 4. Any-space-whatever and Radioactive Fossils: 3-D cinema meets Deleuze -- Part II: Digital 3-D Cinema and September 11 -- Chapter 5. Which Story to Believe? Mediating Trauma in Digital 3-D Cinema -- Chapter 6. Becoming Bodies and Empowering Kinaesthesia -- Chapter 7. From Bodies to Worlding -- Chapter 8. Deleuze and The Traumatic Temporalities of Digital 3-D Cinema -- Part III: Ongoing Fascinations -- Chapter 9. Documentary and 3-D cinema: Preserving Absence -- Chapter 10. 3-D Sex -- Chapter 11. 3-D Horror Cinema of The Eighties -- Chapter 12. Conclusion. |
| Record Nr. | UNINA-9910637742203321 |
Fadlon Dor
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Adaptation, Awards Culture, and the Value of Prestige / / edited by Colleen Kennedy-Karpat, Eric Sandberg
| Adaptation, Awards Culture, and the Value of Prestige / / edited by Colleen Kennedy-Karpat, Eric Sandberg |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (IX, 239 p. 4 illus., 3 illus. in color.) |
| Disciplina | 791.436 |
| Collana | Palgrave Studies in Adaptation and Visual Culture |
| Soggetto topico |
Adaptation (Literary, artistic, etc.)
Motion pictures Motion pictures - Production and direction Culture Literature Adaptation Studies Film Theory Film and Television Production Sociology of Culture |
| ISBN |
9783319528540
3319528548 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Adaptation and Systems of Cultural Value - Colleen Kennedy-Karpat and Eric Sandberg. 2. Part 1: Adapting Award Winners, Awarding Adaptations - Chapter 2 The Pulitzers Go to Hollywood - Thomas Leitch -- 3. Chapter 3 Beware of Imitations: All About Eve (1950) - Laurence Raw -- 4. Chapter 4 Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige - Eric Sandberg -- 5. Chapter 5 Adapting Queerness, Queering Adaptation: Fun Home on Broadway - Joanna Mansbridge.- Part 2: Adaptation, Prestige, and the Canon -- 6. Chapter 6 Oliver's Auteurs: The Cases of Lean and Polanski - Jeffrey E. Jackson -- 7. Chapter 7 Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha - Priyanjali Sen -- 8. Chapter 8 The Fortunes of Jane Austen as Chick Lit and Chick Flick- Anne-Marie Scholz -- 9. Chapter 9 Jazz, Prestige, and Five Great Gatsby Film Adaptations - Michael Saffle -- 10. Part 3: Locating Prestige - Chapter 10 Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige - Colleen Kennedy-Karpat -- 11. Chapter 11 The Hollywood Remake Massacre: Adaptation, Reception, and Value - Laura Mee -- 12. Chapter 12 "How Do I Act So Well?" The British 'Shakespearean' Actor and Cultural Cachet - Anna Blackwell. . |
| Record Nr. | UNINA-9910255088503321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Cinema of Muhammad Malas : Visions of a Syrian Auteur / / by Samirah Alkassim, Nezar Andary
| The Cinema of Muhammad Malas : Visions of a Syrian Auteur / / by Samirah Alkassim, Nezar Andary |
| Autore | Alkassim Samirah |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2018 |
| Descrizione fisica | 1 online resource (189 pages) |
| Disciplina | 791.43095691 |
| Collana | Palgrave Studies in Arab Cinema |
| Soggetto topico |
Motion pictures - Production and direction
Ethnology - Middle East Culture Motion pictures Middle East - Politics and government Directing Middle Eastern Culture Global Film and TV Film and Television Production Middle Eastern Politics |
| ISBN |
9783319768137
3319768131 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. The Cinema of Memory -- 2. From Quneitra to Moscow and Back -- 3. Early Years and Memories -- 4. Collaborations and Documentary -- 5. Poignancy and Memoir in Documentary -- 6. Excerpts from The Dream: A Diary of a Film -- 7. Behind the Scenes and Films in the Making -- 8. Reflections on Memory, Intertextuality, and Banned Films -- 9. Bab al-Maqam: From Beginnings to Caricatures of Banality -- 10. On Patriarchy and Resistance in Ladder to Damascus -- 11. Filmmaking in the New Millenium -- 12. On Cinema al-Dunya by Muhammad Malas. |
| Record Nr. | UNINA-9910300006903321 |
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Alkassim Samirah
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cinema of the Arab World : Contemporary Directions in Theory and Practice / / edited by Terri Ginsberg, Chris Lippard
| Cinema of the Arab World : Contemporary Directions in Theory and Practice / / edited by Terri Ginsberg, Chris Lippard |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (455 pages) |
| Disciplina |
791.4309174927
791.4301 |
| Collana | Global Cinema |
| Soggetto topico |
Motion pictures
Ethnology - Middle East Culture Communication Motion pictures - Production and direction Global Film and TV Middle Eastern Culture Media and Communication Film and Television Production Film Theory |
| ISBN |
9783030300814
3030300811 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction - Chris Lippard and Terri Ginsberg -- BLOC 1: HISTORY, POSITIONALITY, CRITIQUE -- 2. Documentary Diplomacy & Audiovisual Modernization: A Cold War Genealogy of Arab Cinema during the 1950s through American Declassified Archive - Hadi Gharabaghi -- 3. Making the Final Cut: Filmmaking and Complicating National Identity in Qatar and the GCC States - Suzi Mirgani -- 4. Lebanese Cinema and the French Co-production System: The Postcard Strategy - Wissam Mouawad -- BLOC 2: FESTIVAL AND NATION RECONSIDERED -- 5. Amateur Filmmaking in Tunisia: A Political Film Culture Eliding Contradictions in National Cinema - Patricia Caillé -- 6. "Not-Yet" an Industry: The Temporalities of Contemporary Palestinian Cinema - Viviane Saglier -- 7. Mobilities of Cinematic Identity in the Western Sahara - Chris Lippard -- BLOC 3: FROM RESISTANCE TO ENTRENCHMENT AND BACK AGAIN -- 8. Amiralay and Sabbagh in the Post-cinematic Age - Samirah Alkassim -- 9. Family Resemblance: An Anthropologist Looks at Moroccan Documentary - Kevin Dwyer -- 10. Affective Alternatives to Sectarianism in Maroun Baghdadi's Documentaries - Jeremy Randall -- BLOC 4: POLITICAL AESTHETICS OF STATE AND REVOLUTION IN EGYPT -- 11. Terrorism and Kebab: The Administrative Grotesque and the "Egyptian Chaplin"‒‒Notes on Humor, Resistance, and Biopolitics - Isabelle Freda -- 12. Exceptions to the Rule: The Mechanics of War and the Institution in Egyptian Cinema - Iman Hamam -- 13. Teaching Egypt Cinematically -Terri Ginsberg. |
| Record Nr. | UNINA-9910484347503321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Co-production Landscape in Europe : From Eurimages to Netflix / / by Petar Mitric
| The Co-production Landscape in Europe : From Eurimages to Netflix / / by Petar Mitric |
| Autore | Mitric Petar |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (256 pages) |
| Disciplina | 791.4094 |
| Collana | Palgrave European Film and Media Studies |
| Soggetto topico |
Motion picture plays, European
Motion picture industry Television broadcasting Motion pictures - Production and direction European Film and TV Film and Television Industry Film and Television Production |
| ISBN |
9783031923418
9783031923401 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: European Co-Production – Because Together Is Better than One -- Chapter 2: Towards an Ideal European Co-Production and Its Audiences -- Chapter 3: From Borders to Bridges: Eurimages and the Rise of European Co-Production Field -- Chapter 4:Architects of Collaboration: The Role of Public Film Funds in European Co-Productions -- Chapter 5: Navigating the Labyrinth of European Co-Production: Voices from Behind the Camera -- Chapter 6: From Vision to Viewer: Audience Design in European Co-Production -- Chapter 7: Co-Producing in the Netflix Age: Balancing Independence and Collaboration -- Chapter 8: Conclusion. |
| Record Nr. | UNINA-9911018644703321 |
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Mitric Petar
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cognitive Theory and Documentary Film / / edited by Catalin Brylla, Mette Kramer
| Cognitive Theory and Documentary Film / / edited by Catalin Brylla, Mette Kramer |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (348 pages) : illustrations |
| Disciplina | 791.4353 |
| Soggetto topico |
Motion pictures
Documentary films Motion pictures - Production and direction Film Theory Documentary Studies Film and Television Production |
| ISBN |
9783319903323
3319903322 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1 Introduction: Intersecting Cognitive Theory and Documentary Film -- Part I The Mediation of Realities -- 2 A Documentary of the Mind: Self, Cognition and Imagination in Anders Østergaard's Films -- 3 Little Voices and Big Spaces: Animated Documentary and Conceptual Blending Theory -- 4 Documentary Spectatorship and the Navigation of "Difficulty" -- 5 Docudrama and the Cognitive Evaluation of Realism -- 6 The Duties of Documentary in a Post-Truth Society -- Part II Character Engagement -- 7 Characterization and Character Engagement in the Documentary -- 8 The Difficulty of Eliciting Empathy in Documentary -- 9.Fake Pictures, Real Emotions: A Case Study of Art and Craft -- 10 Engaging Animals in Wildlife Documentaries: From Anthropomorphism to Trans-species Empathy.-Part III Emotions and Embodied Experience.-11 Collateral Emotions: Political Web Videos and Divergent Audience Responses -- 12 Slow TV: The Experiential and Multisensory Documentary -- 13 Toward a Cognitive Definition of First-Person Documentary -- 14 The Communication of Relational Knowledge in the First-Person Documentary -- Part IV Documentary Practice -- 15 A Social Cognition Approach to Stereotyping in Documentary Practice -- 16 A Cognitive Approach to Producing the Documentary Interview -- 17 Documentary Editing and Distributed Cognition. |
| Record Nr. | UNINA-9910300026703321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Contemporary Argentine Women Filmmakers / / edited by Mirna Vohnsen, Daniel Mourenza
| Contemporary Argentine Women Filmmakers / / edited by Mirna Vohnsen, Daniel Mourenza |
| Autore | Vohnsen Mirna |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 |
| Descrizione fisica | 1 online resource (274 pages) |
| Disciplina |
791.4098
791.4302330982 |
| Altri autori (Persone) | MourenzaDaniel |
| Soggetto topico |
Motion pictures, American
Gender identity in mass media Motion pictures - Production and direction Latin American Film and TV Media and Gender Directing Film and Television Production |
| ISBN |
9783031323461
3031323467 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction. Women Filmmakers in Argentina: Reworking Cinematic Practices Mirna Vohnsen & Daniel Mourenza Auteurs -- 2. Lita Stantic: “The Personal Is Political” Is Professional Constanza Burucúa -- 3. Jeanine Meerapfel: Cosmopolitan Auteur of the Immigrant Condition Matt Losada -- 4. María Victoria Menis’s Counter-Cinema: La cámara oscura (2008) and María y el Araña (2013) Carolina Rocha -- Traumatic Experiences -- 5. Sisterhood on the Threshold in Julia Solomonoff’s Hermanas (2005) Mirna Vohnsen -- 6. Screaming into the Abyss: Trauma and Witnessing in Albertina Carri’s Los rubios (2003) and La rabia (2008) Fiona Clancy -- 7. Are You Listening? Voices and Images in Gabriela David’s Taxi, un encuentro (2001) and Lucía Puenzo’s El niño pez (2009) Ana Forcinito -- 8. Intersectionality in Gabriela David’s La mosca en la ceniza (2010) Traci Roberts-Camps -- Aesthetics -- 9. They Are All around Us: Pain, Memory and Multisensory Images in Paula Markovitch’s El premio (2011) Guillermo Severiche -- 10. The Oppositional Gaze in the Argentine Cinema of Migration: Negotiating Chinese Identity and Coloniality of Seeing in Nele Wohlatz’s El futuro perfecto (2016) Pedro Cabello del Moral & Roberto Elvira Mathez -- 11. Manipulating the Gaze in La novia del desierto (dir. Cecilia Atán and Valeria Pivato, 2017) Andrea Meador Smith -- Genre Cinema -- 12. Women, Hybridity and Genre in the Films of Verónica Chen Beatriz Urraca -- 13. A Different Terror: Crudo Films and Women’s Horror Cinema in Argentina Jonathan Risner -- 14. Girlhood and the Uncanny in the Coming-of-Age Genre: Abrir puertas y ventanas (dir. Milagros Mumenthaler, 2011) and Mamá, mamá, mamá (dir. Sol Berruezo Pichon-Rivière, 2020) Daniel Mourenza -- Epilogue. On Cinematic Disobedience Inela Selimović. |
| Record Nr. | UNINA-9910734835903321 |
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Vohnsen Mirna
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cult Media : Re-packaged, Re-released and Restored / / edited by Jonathan Wroot, Andy Willis
| Cult Media : Re-packaged, Re-released and Restored / / edited by Jonathan Wroot, Andy Willis |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (XI, 227 p. 7 illus. in color.) |
| Disciplina | 791.43653 |
| Soggetto topico |
Motion pictures
Television broadcasting Motion picture industry Communication Motion pictures - Production and direction Film and Television Studies Film and Television Industry Media and Communication Film and Television Production |
| ISBN |
9783319636795
3319636790 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction - Jonathan Wroot and Andy Willis -- 2. I - The Cult Business: Creating Consumption: Jonathan Wroot, 'Battle Royale as a One Film Franchise: Charting a Commercial Cult Phenomenon through DVD and Blu-ray releases' -- 3. Mark McKenna, 'Whose Canon is it Anyway?: Subcultural Capital, Cultural Distinction and Value in High Art and Low Culture Film Distribution' -- 4. Matt Hills, 'A "Cult-like" Following: Nordic Noir, Nordicana and Arrow Films' Bridging of Subcultural/Neocultural Capital' -- 5. Lee Broughton, 'Restoration, Restoration, Restoration: charting the changing appearance of The Good, the Bad and the Ugly on British home video' -- 6. Katie Barnett, 'It's Only Teenage Wasteland: The Home Media Revival of Freaks and Geeks' -- 7. II - Cult Practices: The Consumption and Reception of Cult Media: E.W. Nikdel, 'Cult Fandom and Experiential Cinema' -- 8. Virginia Crisp, 'Pirates and Proprietary Rights: Perceptions of 'Ownership' and Media Objects within Filesharing Communities' -- 9. E. Charlotte Stevens, 'On Vidding: The Home Media Archive and Vernacular Historiography' -- 10. Oliver Carter and Simon Barber, 'The Dragon Lives Again: Distributing "Bruceploitation" via Home Entertainment' -- 11. Rayna Denison, 'Bollywood DVD: The Relationship between Distributive Technology and Content in Transnational Cinema' -- 12. Fraser Elliot, 'The Sustained Popularity of In the Mood for Love: Cultural Consumption in Britain's Reception Context'. . |
| Record Nr. | UNINA-9910255072703321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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EMI Films and the Limits of British Cinema / / by Paul Moody
| EMI Films and the Limits of British Cinema / / by Paul Moody |
| Autore | Moody Paul |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (224 pages) |
| Disciplina | 791.430941 |
| Soggetto topico |
Motion pictures - Great Britain
Motion picture industry Television broadcasting Motion pictures - Production and direction British Film and TV Film and Television Industry Film and Television Production |
| ISBN |
9783319948034
3319948032 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. And Soon the Darkness -- 3. Elstree Falling -- 4. Mr Forbes and the Pen-Pushers -- 5. All the Way Up -- 6. The Likely Lad -- 7. Trick or Treat? -- 8. American Adventure -- 9. Honky-Tonk Filmmaking -- 10. Memoirs of a Survivor -- 11. Conclusion. |
| Record Nr. | UNINA-9910300032803321 |
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Moody Paul
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Empathetic Space on Screen : Constructing Powerful Place and Setting / / by Amedeo D'Adamo
| Empathetic Space on Screen : Constructing Powerful Place and Setting / / by Amedeo D'Adamo |
| Autore | D'Adamo Amedeo |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XIX, 270 p. 53 illus., 43 illus. in color.) |
| Disciplina | 808.23 |
| Soggetto topico |
Communication
Culture - Study and teaching Motion pictures Motion pictures, American Motion pictures - Production and direction Motion picture authorship Media and Communication Cultural Studies Film Theory American Film and TV Film and Television Production Screenwriting |
| ISBN |
9783319667720
3319667726 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | PART I : THE BUILDING CODES OF NARRATIVE SPACE -- 1. Introduction : Welcome to Dantean Space. Empathy and Space in Singin' in The Rain, Legally Blonde, The Pursuit of Happyness and Aliens -- 2. The Empty Man Of Action VS The Active Heart : DisPassionate & Dramatic Characters from James Bond and Sherlock Holmes to Little Miss Sunshine, Hamlet and The Hobbit -- 3. The Frozen Ones : Dantean Moments, Characters & Space from Aliens to Amelie, Sunset Blvd, Batman and others -- 4. Are We Empathizing with the Situation or With The Character? : A Methodology of Defining Space and Character in films like Little Miss Sunshine, 50 Shades Of Grey, Twilight & Secretary and TV shows like Lego Friends -- PART II : BOUNDARIES VISIBLE AND BROKEN -- 5. The Library of All Stories : Purgatory, Therapy and Character Arcs in Dante and in Great Expectations, One Hour Photo, The Third Man and Sunrise, in Camus' novel The Fall, and in Edgar Allen's Poe's short stories -- 6. Ghosts and Shades and Place : Empathetic Hauntology in Gravity, Lars and The Real Girl & Hiroshima Mon Amour -- 7. On Collapsing Boundaries between Protagonist and Antagonist : Dante's tricks and others in La Vie En Rose and Apocalypse Now and in the documentaries Tarnation, Elena and Waltzing With Bashir -- 8. Alienated Spaces : DeathStarchitecture, Showroom Space and the Dantean Homes of Homeland, Star Wars, Mad Men and The Graduate -- PART III : HOW NOT TO THINK LIKE DANTE ALIGHIERI : THE SOCIAL IMPLICATIONS OF DANTEAN SPACE -- 9. How Not To Think Like Dante Alighieri : Guilt, Punishment & the components of Dantean Space.-10. Escaping Dantean Space : On Creating Zones of Care in the biography of St Teresa, in physical materials and through Cinematography -- 11. How To Create Ecstatic Space : On crafting Zones of Care in Literature, Cinema and VideoGames in the films Amelie & The Secret Garden and in the videogame Wrath Of The White Witch. |
| Record Nr. | UNINA-9910300002803321 |
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D'Adamo Amedeo
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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