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Dialogue Writing for Dubbing : An Insider's Perspective / / by Giselle Spiteri Miggiani
| Dialogue Writing for Dubbing : An Insider's Perspective / / by Giselle Spiteri Miggiani |
| Autore | Spiteri Miggiani Giselle |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (282 pages) |
| Disciplina |
777.55
418.02 |
| Soggetto topico |
Translating and interpreting
Motion pictures Motion picture industry Television broadcasting Communication Popular Culture Language Translation Audio-Visual Culture Film and Television Industry Media and Communication |
| ISBN | 3-030-04966-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I: The Dialogue Writing Practice: A descriptive approach -- Chapter 1: Dialogue writing set in context -- Chapter 2: Bridging disciplines: analogies and applicable devices -- Part II: Strategies and Know-how: A practical approach -- Chapter 3: Dialogue Writing Itinerary -- Chapter 4: Dubbing Deliverables -- Chapter 5: Script components -- Chapter 6: Standards and practices -- Part III: Black Box Revealed: An analytical approach -- Chapter 7: Applied strategies. |
| Record Nr. | UNINA-9910337696603321 |
Spiteri Miggiani Giselle
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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European Cinema in the Streaming Era : Policy, Platforms, and Production / / edited by Christopher Meir, Roderik Smits
| European Cinema in the Streaming Era : Policy, Platforms, and Production / / edited by Christopher Meir, Roderik Smits |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (339 pages) |
| Disciplina | 791.450232 |
| Collana | Palgrave European Film and Media Studies |
| Soggetto topico |
Motion picture plays, European
Motion picture industry Television broadcasting European Film and TV Film and Television Industry |
| ISBN | 3-031-42182-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Section I: European Policy and Streaming Cinema -- 1.Is the European Film Co-production as We know It in Peril?: The Cases for and against Article 13 of the Revised EU’s Audiovisual Media Service Directive (AVMSD) Petar Mitric, University of Copenhagen -- 2. Integrating Global SVOD Platforms into the French Regulation System Ana Vinuela, Associate professor, Université Sorbonne Nouvelle -- 3.New AVMSD, Old Purpose: EU Film Policy and the Portuguese Case Mariana Liz, University of Lisbon -- 4.The Process of Becoming Non-European: The Online Distribution of UK Film in the EU Post-Brexit Virginia Crisp, King’s College, London Section II: SVOD platforms and the Circulation of European Films -- 5. Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid -- 6. Algorithm vs. Curation: The Logics of Recommendation and the Realities of Discoverability and Availability in the European VOD Experience Mattias Frey, University of Kent -- 7.Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid -- 8.Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid -- Section III: SVOD-Financed European Production -- 9. Producing Spanish Cinema (and Television) in the Streaming Era: Morena Films and the Global SVOD Platforms Christopher Meir, Universidad Carlos III de Madrid -- 10.Transnational SVOD Production in the European Periphery Petr Szczepanik, Charles University in Prague -- 11. Accidental Films Inside a Bigger Strategy: Investigating the Film CoProduction Agreement between Mediaset and Netflix Luca Barra (Università di Bologna) and Paolo Noto (Università di Bologna) -- 12.Particularising the Universal in Aléxandre Aja’s Oxygène Reece Goodall (University of Warwick) and Mary Harrod (University of Warwick) -- 13.Undercovering. An Analysis of the Production and Textual Strategies of Local(ized) Transmedia Storytelling: The Case of Netflix’s Series Undercover and its Film Spin-Off Ferry Eduard Cuelenaere (University of Ghent) and Stijn Joye (University of Ghent). |
| Record Nr. | UNINA-9910847596603321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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European Film and Television Co-production : Policy and Practice / / edited by Julia Hammett-Jamart, Petar Mitric, Eva Novrup Redvall
| European Film and Television Co-production : Policy and Practice / / edited by Julia Hammett-Jamart, Petar Mitric, Eva Novrup Redvall |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (377 pages) |
| Disciplina | 791.430232 |
| Collana | Palgrave European Film and Media Studies |
| Soggetto topico |
Motion picture plays, European
Motion picture industry Television broadcasting Cultural policy Communication Culture - Study and teaching European Film and TV Film and Television Industry Cultural Policy and Politics Media and Communication Cultural Studies |
| ISBN | 3-319-97157-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: European Film and Television Co-production, Julia Hammett-Jamart, Petar Mitric and Eva Novrup Redvall -- 2. Statistical Overview: Production, Co-production and Circulation, Julio Talavera -- Part I: Policy and Practice of Co-Production: Scholarly Voices -- 3. Official Co-production: Policy Instruments and Imperatives, Julia Hammett-Jamart -- 4. The European Co-production Treaties: A Short History and a Possible Typology, Petar Mitric -- 5. From Co-productions to ‘Co-distributions’? Re-evaluating Distribution Policies for European Film, Philip Drake -- 6. European Co-productions in a Digital Single Market: EUtopia or Dystopia?, Nina Vindum Rasmussen -- 7. The Emergence of Pan-European Film Studios and Its Implications for Co-production Studies and Policy, Christopher Meir -- 8. International Co-production of Nordic Television Drama: The Case of Ride Upon the Storm, Eva Novrup Redvall -- 9. Breaking through the East-European Ceiling: Minority Co-production and the New Symbolic Economy of Small-Market Cinemas, Petr Szczepanik -- 10. The Regional Film Fund as Co-production Crusader: The Case of Film i Väst, Olof Hedling -- 11. The Many Enemies of Co-productions in Italy: Moviegoers, Broadcasters, Policy-Makers and Half-Hearted Producers, Marco Cucco -- 12. European Co-productions and Greek Cinema Since the Crisis: “Extroversion” as Survivall, Lydia Papadimitriou -- 13. Exporting the French Co-production Model: Aide aux cinėmas du monde and Produire au Sud, Ana Vinuela -- Part II: Policy and Practice of Co-production: Industry Voices -- 14. ‘Official Co-production in the EU: The Role of Eurimages’—an interview with Roberto Olla, Julia Hammett-Jamart -- 15. Digital Single Market for Audiovisual Content: Utopia or Win-Win for All?, Anna Herold -- 16. The Impact of Regional Film Funds on the European Co-production Model, Charlotte Appelgren -- 17. Minority Co-production: Insights from MEDICI, Joelle Levie -- 18. ‘Co-development Initiatives in Europe’—an interview with Isabelle Fauvel, Petar Mitric -- 19. ‘A Matter of Survival: Co-production as a Means of Competing Internationally’—an interview with Anders Kjærhauge, Julia Hammett-Jamart -- 20. ‘European Television Co-productions’—an interview with Klaus Zimmermann, Benjamin Harris -- 21. ‘Co-production Case Study: Ida by Pawel Pawlikowski’— an interview with Ewa Puszczynska and Sofie Wanting Hassing, Petar Mitric -- 22. ‘Unofficially European: Case Study of BAFTA-Winning I am not a Witch’—an interview with Juliette Grandmont, Katell Leon. |
| Record Nr. | UNINA-9910309855103321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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From Telenovelas to Netflix: Transnational, Transverse Television in Latin America / / by Joseph Straubhaar, Melissa Santillana, Vanessa de Macedo Higgins Joyce, Luiz Guilherme Duarte
| From Telenovelas to Netflix: Transnational, Transverse Television in Latin America / / by Joseph Straubhaar, Melissa Santillana, Vanessa de Macedo Higgins Joyce, Luiz Guilherme Duarte |
| Autore | Straubhaar Joseph D. |
| Edizione | [1st ed. 2021.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 |
| Descrizione fisica | 1 online resource (276 pages) |
| Disciplina | 384.55098 |
| Collana | New Directions in Latino American Cultures |
| Soggetto topico |
Motion pictures, American
Ethnology—Latin America Culture Motion picture industry Television broadcasting Popular Culture Latin American Film and TV Latin American Culture Film and Television Industry |
| ISBN | 3-030-77470-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. The Growth of Latin American Television -- 3. Why Latin American Audiences Stay Loyal to National Broadcast Television -- 4. The Persistence of the Popularity of US television -- 5. Changing Class Formations and Changing Television Viewing: The New Middle Class, Television and Pay Television in Eight Latin American Countries 2004–2020 -- 6. Streaming Television, Netflix, and Transverse Transnationalism -- 7. Netflix, Distinction, and Cosmopolitanism Among Latin American Middle Class and Elite Audiences -- 8. Conclusion. |
| Record Nr. | UNINA-9910512175603321 |
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Straubhaar Joseph D.
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Gender, Cinema, Streaming Platforms : Shifting Frames in Neoliberal India / / edited by Runa Chakraborty Paunksnis, Šarūnas Paunksnis
| Gender, Cinema, Streaming Platforms : Shifting Frames in Neoliberal India / / edited by Runa Chakraborty Paunksnis, Šarūnas Paunksnis |
| Autore | Chakraborty Paunksnis Runa |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 |
| Descrizione fisica | 1 online resource (284 pages) |
| Disciplina |
791.4095
791.4365220954 |
| Altri autori (Persone) | PaunksnisSarūnas |
| Soggetto topico |
Motion pictures - Asia
Gender identity in mass media Motion picture industry Television broadcasting Digital media Asian Film and TV Media and Gender Film and Television Industry Digital and New Media |
| ISBN |
9783031167003
9783031166990 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. Introduction -- Chapter 2. Biopolitics of Hindutva: Masculinity and Violence in Leila and Aashram -- Chapter 3. Questioning the “Great” in “The Great Indian Wedding”: Streaming Feminism through Band Baaja Baaraat and Made in Heaven -- Chapter 4. Questioning the “Great” in “The Great Indian Wedding”: Streaming Feminism through Band Baaja Baaraat and Made in Heaven -- Chapter 5. Lust Stories and the Politics of Private Viewing on SVOD Platforms -- Chapter 6. New Feminist Visibilities and Sisterhood: Re-interpreting Marriage, Desire, and Self-fulfilment in Mainstream Hindi Cinema -- Chapter 7. Gaze Averted: Interrogating the Portrayal of Menstruation in Hindi Cinema -- Chapter 8. Gender and Nationalism: The Journey of Sehmat in Meghna Gulzar’s Raazi -- Chapter 9. India’s Daughter: The Banality of Rape -- Chapter 10. The Deeply Personal Is Deeply Political: New Voices in Women’s Documentary Practice in Indian Subcontinent -- Chapter 11. On Cinematic Transformation, Gender and Religion. An Interview with Ashish Avikunthak. |
| Record Nr. | UNINA-9910683355903321 |
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Chakraborty Paunksnis Runa
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Hong Kong's New Indie Cinema / / by Ruby Cheung
| Hong Kong's New Indie Cinema / / by Ruby Cheung |
| Autore | Cheung Ruby |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 |
| Descrizione fisica | 1 online resource (258 pages) : illustrations |
| Disciplina | 791.43095125 |
| Collana | East Asian Popular Culture |
| Soggetto topico |
Motion pictures—Asia
Motion picture industry Television broadcasting Motion pictures—Production and direction Asian Film and TV Film and Television Industry Film and Television Production |
| ISBN |
9783031257674
3-031-25767-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. Introduction: Hong Kong’s Indie Films of the 2010s and Film Independence -- Chapter 2. The Fabric of 2010s Hong Kong Film Industry -- Chapter 3. Creative Labour -- Chapter 4. Subject Matter -- Chapter 5. The Use of Language -- Chapter 6. Distribution and Exhibition -- Chapter 7. Conclusion: A New Start or an Endgame?. . |
| Record Nr. | UNINA-9910734895603321 |
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Cheung Ruby
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Palgrave Handbook of Comparative New Cinema Histories / / edited by Daniela Treveri Gennari, Lies Van de Vijver, Pierluigi Ercole
| The Palgrave Handbook of Comparative New Cinema Histories / / edited by Daniela Treveri Gennari, Lies Van de Vijver, Pierluigi Ercole |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (490 pages) |
| Disciplina | 791.4309 |
| Soggetto topico |
Motion pictures
Motion pictures - History Motion picture industry Television broadcasting Global Film and TV Film and TV History Film and Television Industry |
| ISBN | 3-031-38789-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Comparing New Cinema Histories: An introduction. Daniela Treveri Gennari, Lies Van de Vijver & Pierluigi Ercole -- Part I. Local Encounters -- Introduction. Daniela Treveri Gennari, Lies Van de Vijver & Pierluigi Ercole -- 2. Comparing localised film culture in English cities: the diversity of film exhibition in Bristol and Liverpool. Peter Merrington, Matthew Hanchard, Bridgette Wessels -- 3. Cinema-going in Turkey between 1960 and 1980: Cinema memories, film culture and modernity. Hasan Akbulut -- 4. “A United Stand and a Concerted Effort:” Black cinema-going in Harlem and Jacksonville during the silent era. David Morton & Agata Frymus -- 5. Exhibition of national and foreign films in six Mexican cities during the Golden Age of Mexican cinema: The year of 1952. José Carlos Lozano, Blanca Chong, Efraín Delgado, Jaime Miguel González, Jorge Nieto Malpica and Brenda Muñoz -- 6. Comparing aspects of regional and local cinema differentiation through perceptions of cinema-going in post-socialist Bulgaria. Maya Nedyalkova -- 7. A comparative analysis of the Polish film market from the first years of independence to 1930. Karina Pryt -- 8. Managing constraints and stories of freedom: Comparing cinema memories from the 1950s and 60s in Sweden. Åsa Jernudd & Jono Van Belle -- 9. Film consumption and censorship pre and post Covid-19 global pandemic: A comparison on undergraduate perspective in The Bahamas. Monique Toppin -- Part II. European encounters -- Introduction. Daniela Treveri Gennari, Lies Van de Vijver & Pierluigi Ercole -- 10. “Our job is to pull audience to Soviet films with all means necessary”. State-monopolised film distribution and patterns of film exhibition in two Eastern Bloc cities in the Stalinist period: a comparative case study of Cracow (Poland) and Magdeburg (East Germany). Kathleen Lotze & Konrad Klejsa -- 11. Cinephiles without films: Culture, censorship and alternative forms of film consumption in Spain and the GDR around 1960. Fernando Ramos Arenas -- 12. Discovering cinema typologies in urban cinema cultures: comparing programming strategies in Antwerp and Amsterdam, 1952-1972. Julia Noordegraaf, Thunnis van Oort, Kathleen Lotze, Daniel Biltereyst, Philippe Meers & Ivan Kisjes -- 13. Ticket whistles and football scores: Auditory ecology, memory and the cinema experience in 1950s Gothenburg and Bari. Kim Khavar Fahlstedt & Daniela Treveri Gennari -- 14. Measuring and interpreting film preferences in autocratic states. Joseph Garncarz -- 15. Cinema-going in German-occupied territory in the Second World War. The impact of film market regulations on supply and demand in Brno, Brussels, Krakow and The Hague. Clara Pafort-Overduin, Andrzej Dębski, Terezia Porubcanska, Karina Pryt, Pavel Skopal, Thunnis Van Oort, Roel Vande Winkel -- Part III. Global encounters -- Introduction. Daniela Treveri Gennari, Lies Van de Vijver & Pierluigi Ercole -- 16. Cinema-going in the South Asian diaspora: Indian films, entrepreneurs, and audiences in Trinidad and Durban, South Africa. James Burns -- 17. Cinema intermediaries, communities and audiences (Soviet Siberia, post-Ottoman Greek Thessaloniki, Colonial Maghreb). Morgan Corriou, Caroline Damiens, Mélisande Leventopoulos, Nefeli Liontou -- 18. German films in Latin America and the Second World War. A comparative study on Argentina and Ecuador. Marina Moguillansky & Yazmín Echeverría -- 19. Towards a global and decentralised history of film cultures. Networks of exchange among Ibero-American film clubs (1924-1958) as a case study. Ainamar Clariana & Diana Roig Sanz -- 20. Intercultural transfers in cinema dynamics. A global and digital approach to early writings on cinema through the Uruguayan periodicals archive. Pablo Suárez-Mansilla and Ventsislav Ikoff -- 21. Transnational cinema memory: Latin American womenremembering cinema-going across borders. Dalila Missero. |
| Record Nr. | UNINA-9910805572603321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Reality Television and the Art of Trivialising Work Health, Safety and Wellbeing / / by Trajce Cvetkovski
| Reality Television and the Art of Trivialising Work Health, Safety and Wellbeing / / by Trajce Cvetkovski |
| Autore | Cvetkovski Trajce |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (173 pages) |
| Disciplina | 791.45655 |
| Soggetto topico |
Motion picture industry
Television broadcasting Motion pictures Australasia Occupational health services Film and Television Industry Australasian Film and TV Occupational Health |
| ISBN |
9783031640988
9783031640971 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introduction: Reality Television and Work Health, Safety and Wellbeing -- Chapter 2: Why is Reality TV Work-Related Activity? -- Chapter 3: The Block 2020 Season 16 and its Ordinary Participants -- Chapter 4: Theoretical Underpinnings for The Data -- Chapter 5: Method and Measurement -- Chapter 6: Results And Discussion -- Chapter 7: Conclusion: Is it just me being a Killjoy and what are the Public Optics?. |
| Record Nr. | UNINA-9910878066003321 |
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Cvetkovski Trajce
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Robert De Niro at Work : From Screenplay to Screen Performance / / by Adam Ganz, Steven Price
| Robert De Niro at Work : From Screenplay to Screen Performance / / by Adam Ganz, Steven Price |
| Autore | Ganz Adam |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource L : color illustrations |
| Disciplina | 791.43028092 |
| Collana | Palgrave Studies in Screenwriting |
| Soggetto topico |
Motion picture authorship
Culture - Study and teaching Motion picture acting Motion pictures, American Motion picture industry Television broadcasting Screenwriting Cultural Studies Screen Performance American Film and TV Film and Television Industry |
| ISBN | 3-030-47960-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Chapter One: Literature Review & overview of De Niro’s Career -- Chapter Two: Research and Exegesis -- Chapter Three: Notation -- Chapter Four: Preparation -- Chapter Five: The Writer’s Voice -- Chapter Six: Case Studies -- Chapter Seven: Actor as Writer -- Conclusion. |
| Record Nr. | UNINA-9910484959703321 |
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Ganz Adam
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Small Cinemas of the Andes : New Aesthetics, Practices and Platforms / / edited by Diana Coryat, Christian León, Noah Zweig
| Small Cinemas of the Andes : New Aesthetics, Practices and Platforms / / edited by Diana Coryat, Christian León, Noah Zweig |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 |
| Descrizione fisica | 1 online resource (384 pages) |
| Disciplina | 780.71 |
| Soggetto topico |
Motion pictures, American
Motion picture industry Television broadcasting Ethnology - Latin America Culture Motion pictures Latin American Film and TV Film and Television Industry Latin American Culture Audio-Visual Culture |
| ISBN | 3-031-32018-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Theorizing and Contextualizing Small(er) Cinemas of the Andes. Diana Coryat, Christian León and Noah Zweig -- Part I. Filming Smaller Nations -- 2. Filming the Andes: Contemporary Aesthetic Configurations of the Andean World (Peru). Karolina Romero -- 3. Technological Appropriation and Audiovisual Sovereignty in an Indigenous Key (Colombia). Pablo Mora Calderón -- 4. Indigenous Audiovisual Producers of Ecuador: An Integral Practice of “Cosmovivencia” (Ecuador). Eliana Champutiz -- 5. Indigenous Audiovisual Practices, Post-National Discourses and the Poetics of the Small (Ecuador). Christian León -- 6. Audiovisual Practices and Production of the Commons (Peru). Luz Estrello and Julio César Gonzales (Colectivo Maizal) -- Part II. Images of the Small Community -- 7. Recovering One's Own Voice to Redefine What is Visible, Desirable and Possible: La Escuela Audiovisual Al Borde. Ana Lucia Ramírez Mateus (Colombia) -- 8. Ojo Semilla: Weaving Feminisms Through Community Cinema (Ecuador). Diana Coryat, Carolina Dorado Lozano and Karla Valeri Morales Aguayo -- 9. From the Festival-As-Event to the Festival-As-Process: A Journey Through Community Film Festivals in Colombia (Colombia). Natalia López Cerquera -- 10. Eco-Territorial Cinema: An Intercultural, Translocal, and Expanded Community Process (Ecuador). Yadis Vanessa Vanegas Toala -- 11. Notes Towards a History of Amateur Filmmaking in Guayaquil (Ecuador). Libertad Gills -- 12. Ay de mi que ardiendo, ...¡puedo!. An Extensive Note on María Galindo’s Bastard Cinema (Bolivia). Viola Varotto -- Part III. Guerrilla, Regional and Peripheral Cinema -- 13. Rethinking Subaltern “Modernities:” El cine chonero popular, 1994-2015. (Ecuador).Noah Zweig -- 14. Regional Peruvian Cinema (Peru). Emilio Bustamante and Jaime Luna Victoria -- 15. Minor Cinemas, Major Issues: Horror Films and the Traces of the Internal Armed Conflict in Peru (Peru) Diana Cuéllar Ledesma -- 16. Popular Digital Colombian Cinema: Expressions from and about Violence. (Colombia). Luisa F. González Valencia -- 17. Images of Difference in Bolivian Cinema (Bolivia). Sergio Zapata. |
| Record Nr. | UNINA-9910739452203321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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