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Adaptation : the journal of literature on screen studies
| Adaptation : the journal of literature on screen studies |
| Pubbl/distr/stampa | [Oxford], : Oxford University Press |
| Soggetto topico |
Film adaptations
Literature - Adaptations Prints - Adaptations Motion pictures and literature Adaptations cinématographiques Cinéma et littérature Littérature - Adaptations Estampe - Adaptations |
| Soggetto genere / forma |
Internet resource
Periodicals. |
| Soggetto non controllato | Film |
| ISSN | 1755-0645 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996221349803316 |
| [Oxford], : Oxford University Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Adaptation : the journal of literature on screen studies
| Adaptation : the journal of literature on screen studies |
| Pubbl/distr/stampa | [Oxford], : Oxford University Press |
| Soggetto topico |
Film adaptations
Literature - Adaptations Prints - Adaptations Motion pictures and literature Adaptations cinématographiques Cinéma et littérature Littérature - Adaptations Estampe - Adaptations |
| Soggetto genere / forma |
Internet resource
Periodicals. |
| Soggetto non controllato | Film |
| ISSN | 1755-0645 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910142571603321 |
| [Oxford], : Oxford University Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Adapting Spanish classics for the new millennium : the nineteenth-century novel remediated / / Linda M. Willem
| Adapting Spanish classics for the new millennium : the nineteenth-century novel remediated / / Linda M. Willem |
| Autore | Willem Linda M. |
| Edizione | [1st ed. 2022.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
| Descrizione fisica | 1 online resource (272 pages) |
| Disciplina | 860.8 |
| Collana | Palgrave Studies in Adaptation and Visual Culture |
| Soggetto topico |
Film adaptations
Mass media and literature Spanish literature - 19th century - Adaptations - History and criticism Spanish literature - Film adaptations - History and criticism |
| ISBN |
9783031048159
9783031048142 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introduction -- Chapter 2: Retelling Ala's La Regenta -- Chapter 3: Revisualizing Galdós's Marianela -- Chapter 4: Reconfiguring Blasco Ibáñez's Arroz y tartana and Flor de Mayo -- Chapter 5: Remixing Galdós's Realidad, Doña Perfecta, and Tormento -- Chapter 6: Reimagining Valera's Pepita Jiménez and Galdós's Fortunata y Jacinta -- Chapter 7: Retracing Galdós's Tristana and Pardo Bazán's Insolación -- Chapter 8: Reworking Galdós's Tristana and Pardo Bazán's Pazos de Ulloa -- Chapter 9: Conclusion. |
| Record Nr. | UNINA-9910590071103321 |
Willem Linda M.
|
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Alien identities [[electronic resource] ] : exploring difference in film and fiction / / edited by Deborah Cartmell ... [et al.]
| Alien identities [[electronic resource] ] : exploring difference in film and fiction / / edited by Deborah Cartmell ... [et al.] |
| Pubbl/distr/stampa | London ; ; Sterling, Va., : Pluto Press, 1999 |
| Descrizione fisica | 1 online resource (208 p.) |
| Disciplina | 791.43/653 |
| Altri autori (Persone) | CartmellDeborah |
| Collana | Film/fiction |
| Soggetto topico |
Alienation (Social psychology) in motion pictures
Extraterrestrial beings in motion pictures Monsters in motion pictures Film adaptations |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-84964-513-2
0-585-42662-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Contents""; ""Notes on Contributors""; ""Introduction - Alien Identities: Exploring Difference in Film and Fiction ""; ""Notes""; ""Further Reading""; ""1 Satan Bugs in the Hot Zone: Microbial Pathogens as Alien Invaders ""; ""Notes""; ""2 America's Domestic Aliens: African Americans and the Issue of Citizenship in the Jefferson/ Hemings Story""; ""Notes""; ""3 See Europe with ITC: Stock Footage and the Construction of Geographical Identity ""; ""Notes""; ""4 Leaving the West and Entering the East: Refiguring the Alien from Stoker to Coppola ""; ""Notes""
""5 Another Time, Another Space: Modernity, Subjectivity and The Time Machine """"Notes""; ""6 'The Martians Are Coming!': Civilisation v. Invasion in The War of the Worlds and Mars Attacks! ""; ""Notes""; ""7 Vagabond Desire: Aliens, Alienation and Human Regeneration in Arkady and Boris Strugatsky s Roadside Picnic and Andrey Tarkovsky s Stalker ""; ""Notes""; ""8 Adaptation, Teleportation and Mutation from Langelaan s to Cronenberg s The Fly ""; ""Notes""; ""9 The Alien Series and Generic Hybridity ""; ""Notes"" ""10 Aliens, ( M) Others, Cyborgs: The Emerging Ideology of Hybridity """"Notes""; ""Index""; ""absence of generic framework 165""; ""Acres, Birt, 95""; ""action films, 157""; ""Adams, John 41""; ""Adams, John Quincy 41""; ""adaptability""; "" of myth, 82""; "" of species [in Alien series], 158""; ""adaptation""; "" in The Fly , 146-7""; "" in The Fly , 146-7""; "" in The Fly , 149""; "" in The Fly , 149""; "" of book to film, 104-5""; "" of book to film, 146""; "" of book to film, 152-3""; ""Adventures of Robin Hood The [ATV, 1955] 50""; ""Africa, depicted as alien"" "" 18-19"""" 23""; "" 26""; "" 27""; ""African Americans""; "" alienation of, 4""; "" alienation of, 33""; "" alienation of, 39-40""; "" alienation of, 42-3""; "" and black rights, 42-3""; "" descent from slaves, 31""; ""Alien film series, hybridity in""; "" 7""; "" 156-70""; ""Alien Resurrection""; "" female agency in, 182-4""; "" female agency in, 185""; "" hybridity in, 173""; "" hybridity in, 176""; "" monstrosity of aliens, 175-6""; "" relationship, 180-2""; "" [ 7""; "" [ 156""; "" [ 158""; "" [ 167-9""; ""Alien [1979]""; "" 2""; "" 156"" "" 158"""" 165""; "" as horror film, 159-61""; "" as horror film, 166""; "" survival of Ripley, 160-1""; ""Alien3 [1992]""; "" 156""; "" 158""; "" 165-7""; ""alienation""; "" in everyday life, 122""; "" of African Americans, 4""; "" of African Americans, 33""; "" of African Americans, 39-40""; "" of African Americans, 42-3""; "" of individual, 124-7""; "" of individual, 124-7""; "" of individual, 133-4""; "" of individual, 133-4""; "" to disorientate, 59""; ""Aliens [1986]""; "" 156""; "" 158""; "" 165""; "" as war film, 161"" "" as war film, 161"" |
| Record Nr. | UNINA-9910454789003321 |
| London ; ; Sterling, Va., : Pluto Press, 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Alien identities [[electronic resource] ] : exploring difference in film and fiction / / edited by Deborah Cartmell ... [et al.]
| Alien identities [[electronic resource] ] : exploring difference in film and fiction / / edited by Deborah Cartmell ... [et al.] |
| Pubbl/distr/stampa | London ; ; Sterling, Va., : Pluto Press, 1999 |
| Descrizione fisica | 1 online resource (208 p.) |
| Disciplina | 791.43/653 |
| Altri autori (Persone) | CartmellDeborah |
| Collana | Film/fiction |
| Soggetto topico |
Alienation (Social psychology) in motion pictures
Extraterrestrial beings in motion pictures Monsters in motion pictures Film adaptations |
| ISBN |
1-84964-513-2
0-585-42662-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Contents""; ""Notes on Contributors""; ""Introduction - Alien Identities: Exploring Difference in Film and Fiction ""; ""Notes""; ""Further Reading""; ""1 Satan Bugs in the Hot Zone: Microbial Pathogens as Alien Invaders ""; ""Notes""; ""2 America's Domestic Aliens: African Americans and the Issue of Citizenship in the Jefferson/ Hemings Story""; ""Notes""; ""3 See Europe with ITC: Stock Footage and the Construction of Geographical Identity ""; ""Notes""; ""4 Leaving the West and Entering the East: Refiguring the Alien from Stoker to Coppola ""; ""Notes""
""5 Another Time, Another Space: Modernity, Subjectivity and The Time Machine """"Notes""; ""6 'The Martians Are Coming!': Civilisation v. Invasion in The War of the Worlds and Mars Attacks! ""; ""Notes""; ""7 Vagabond Desire: Aliens, Alienation and Human Regeneration in Arkady and Boris Strugatsky s Roadside Picnic and Andrey Tarkovsky s Stalker ""; ""Notes""; ""8 Adaptation, Teleportation and Mutation from Langelaan s to Cronenberg s The Fly ""; ""Notes""; ""9 The Alien Series and Generic Hybridity ""; ""Notes"" ""10 Aliens, ( M) Others, Cyborgs: The Emerging Ideology of Hybridity """"Notes""; ""Index""; ""absence of generic framework 165""; ""Acres, Birt, 95""; ""action films, 157""; ""Adams, John 41""; ""Adams, John Quincy 41""; ""adaptability""; "" of myth, 82""; "" of species [in Alien series], 158""; ""adaptation""; "" in The Fly , 146-7""; "" in The Fly , 146-7""; "" in The Fly , 149""; "" in The Fly , 149""; "" of book to film, 104-5""; "" of book to film, 146""; "" of book to film, 152-3""; ""Adventures of Robin Hood The [ATV, 1955] 50""; ""Africa, depicted as alien"" "" 18-19"""" 23""; "" 26""; "" 27""; ""African Americans""; "" alienation of, 4""; "" alienation of, 33""; "" alienation of, 39-40""; "" alienation of, 42-3""; "" and black rights, 42-3""; "" descent from slaves, 31""; ""Alien film series, hybridity in""; "" 7""; "" 156-70""; ""Alien Resurrection""; "" female agency in, 182-4""; "" female agency in, 185""; "" hybridity in, 173""; "" hybridity in, 176""; "" monstrosity of aliens, 175-6""; "" relationship, 180-2""; "" [ 7""; "" [ 156""; "" [ 158""; "" [ 167-9""; ""Alien [1979]""; "" 2""; "" 156"" "" 158"""" 165""; "" as horror film, 159-61""; "" as horror film, 166""; "" survival of Ripley, 160-1""; ""Alien3 [1992]""; "" 156""; "" 158""; "" 165-7""; ""alienation""; "" in everyday life, 122""; "" of African Americans, 4""; "" of African Americans, 33""; "" of African Americans, 39-40""; "" of African Americans, 42-3""; "" of individual, 124-7""; "" of individual, 124-7""; "" of individual, 133-4""; "" of individual, 133-4""; "" to disorientate, 59""; ""Aliens [1986]""; "" 156""; "" 158""; "" 165""; "" as war film, 161"" "" as war film, 161"" |
| Record Nr. | UNINA-9910780199303321 |
| London ; ; Sterling, Va., : Pluto Press, 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Alien identities : exploring difference in film and fiction / / edited by Deborah Cartmell ... [et al.]
| Alien identities : exploring difference in film and fiction / / edited by Deborah Cartmell ... [et al.] |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; Sterling, Va., : Pluto Press, 1999 |
| Descrizione fisica | 1 online resource (208 p.) |
| Disciplina | 791.43/653 |
| Altri autori (Persone) | CartmellDeborah |
| Collana | Film/fiction |
| Soggetto topico |
Alienation (Social psychology) in motion pictures
Aliens in motion pictures Monsters in motion pictures Film adaptations |
| ISBN |
1-84964-513-2
0-585-42662-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Contents""; ""Notes on Contributors""; ""Introduction - Alien Identities: Exploring Difference in Film and Fiction ""; ""Notes""; ""Further Reading""; ""1 Satan Bugs in the Hot Zone: Microbial Pathogens as Alien Invaders ""; ""Notes""; ""2 America's Domestic Aliens: African Americans and the Issue of Citizenship in the Jefferson/ Hemings Story""; ""Notes""; ""3 See Europe with ITC: Stock Footage and the Construction of Geographical Identity ""; ""Notes""; ""4 Leaving the West and Entering the East: Refiguring the Alien from Stoker to Coppola ""; ""Notes""
""5 Another Time, Another Space: Modernity, Subjectivity and The Time Machine """"Notes""; ""6 'The Martians Are Coming!': Civilisation v. Invasion in The War of the Worlds and Mars Attacks! ""; ""Notes""; ""7 Vagabond Desire: Aliens, Alienation and Human Regeneration in Arkady and Boris Strugatsky s Roadside Picnic and Andrey Tarkovsky s Stalker ""; ""Notes""; ""8 Adaptation, Teleportation and Mutation from Langelaan s to Cronenberg s The Fly ""; ""Notes""; ""9 The Alien Series and Generic Hybridity ""; ""Notes"" ""10 Aliens, ( M) Others, Cyborgs: The Emerging Ideology of Hybridity """"Notes""; ""Index""; ""absence of generic framework 165""; ""Acres, Birt, 95""; ""action films, 157""; ""Adams, John 41""; ""Adams, John Quincy 41""; ""adaptability""; "" of myth, 82""; "" of species [in Alien series], 158""; ""adaptation""; "" in The Fly , 146-7""; "" in The Fly , 146-7""; "" in The Fly , 149""; "" in The Fly , 149""; "" of book to film, 104-5""; "" of book to film, 146""; "" of book to film, 152-3""; ""Adventures of Robin Hood The [ATV, 1955] 50""; ""Africa, depicted as alien"" "" 18-19"""" 23""; "" 26""; "" 27""; ""African Americans""; "" alienation of, 4""; "" alienation of, 33""; "" alienation of, 39-40""; "" alienation of, 42-3""; "" and black rights, 42-3""; "" descent from slaves, 31""; ""Alien film series, hybridity in""; "" 7""; "" 156-70""; ""Alien Resurrection""; "" female agency in, 182-4""; "" female agency in, 185""; "" hybridity in, 173""; "" hybridity in, 176""; "" monstrosity of aliens, 175-6""; "" relationship, 180-2""; "" [ 7""; "" [ 156""; "" [ 158""; "" [ 167-9""; ""Alien [1979]""; "" 2""; "" 156"" "" 158"""" 165""; "" as horror film, 159-61""; "" as horror film, 166""; "" survival of Ripley, 160-1""; ""Alien3 [1992]""; "" 156""; "" 158""; "" 165-7""; ""alienation""; "" in everyday life, 122""; "" of African Americans, 4""; "" of African Americans, 33""; "" of African Americans, 39-40""; "" of African Americans, 42-3""; "" of individual, 124-7""; "" of individual, 124-7""; "" of individual, 133-4""; "" of individual, 133-4""; "" to disorientate, 59""; ""Aliens [1986]""; "" 156""; "" 158""; "" 165""; "" as war film, 161"" "" as war film, 161"" |
| Record Nr. | UNINA-9910822466403321 |
| London ; ; Sterling, Va., : Pluto Press, 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Anthony Burgess, Stanley Kubrick and a clockwork orange / / edited by Matthew Melia and Georgina Orgill
| Anthony Burgess, Stanley Kubrick and a clockwork orange / / edited by Matthew Melia and Georgina Orgill |
| Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2023] |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 891.733 |
| Collana | Palgrave Studies in Adaptation and Visual Culture |
| Soggetto topico | Film adaptations |
| ISBN | 3-031-05599-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- Introduction -- 1 This Book -- 2 A Clockwork Symposium: A Clockwork Orange-New Perspectives -- 3 Novel and Film -- 4 Novel and Film: Reception -- 5 This Book: Structure and Organisation -- 5.1 Part 1: Anthony Burgess and Stanley Kubrick -- 5.2 Part 2: Language and Adaptation -- 5.3 Part 3: Twentieth-Century Contexts: Architectural, Art Historical and Theoretical Approaches. -- 5.4 Part 4: Twentieth-Century Contexts: A Clockwork Orange and the Cold War -- 5.5 Part 5: A Clockwork Orange in Twenty-First Century -- 5.6 Part 6: Music and a Clockwork Orange -- 5.7 Afterword -- Notes -- Anthony Burgess and Stanley Kubrick -- Dangerous Arts: The Clash Between Anthony Burgess, Stanley Kubrick, A Clockwork Orange, and the World -- 1 Introduction -- 2 Here Beginneth Twenty Years of Tribulations -- 3 Challenging Burgess's View -- 4 Conclusion -- Notes -- "A Major Statement on the Contemporary Human Condition": Anthony Burgess and the Aftermath of A Clockwork Orange -- Notes -- Language and Adaptation -- Scripting A Clockwork Orange -- 1 Introduction -- 2 History, Context and Myth -- 3 Surveying the Script Material -- 4 Adaptation -- 5 Openings and Endings -- 6 Conclusion -- Notes -- 'The Colours of the Real World Only Seem Really Real When You Viddy Them on the Screen': The Adaptation of Nadsat in Stanley Kubrick's A Clockwork Orange -- 1 Introduction -- 2 Cinematic Adaptation of Literature -- 3 The Fidelity Debate -- 4 Fidelity in the Adaptation of A Clockwork Orange -- 5 Breaking Nadsat into Categories -- 6 Methods -- 7 Findings -- 8 Types of Core Nadsat Words Omitted -- 9 Conclusion -- Notes -- "Language, Language": The Social Politics of 'Goloss' in Time for a Tiger and A Clockwork Orange -- Notes.
20th Century Contexts: Architectural, Art Historical and Theoretical Approaches -- Art and Violence: The Legacy of Avant-Garde Art in Stanley Kubrick's A Clockwork Orange -- 1 Images and Violence -- 2 Avant-Garde Strategies in A Clockwork Orange -- 2.1 Dada, Surrealism and Sexual Violence -- 2.2 Destruction of All Values -- 3 Conclusion -- Notes -- Architecture and Freedom in A Clockwork Orange -- 1 Introduction -- 2 Defensible Space in A Clockwork Orange (1971) -- 3 Municipal Modernism in A Clockwork Orange (1962) -- 4 Brutalism and the Location Scouting of A Clockwork Orange (1971) -- 5 Conclusion -- Notes -- Glazzies Wide Open: Spectral Torture, Kubrick, and A Clockwork Orange (A Brainie by Fifteen Thinks) -- Notes -- 20th Century Contexts: A Clockwork Orange and the Cold War -- When Burgess Met the Stilyagi on a White Night: Subcultures, Hegemony and Resistance in the Soviet Roots of A Clockwork Orange's Droogs -- 1 Introduction -- 2 Stilyagi: The Origins -- 3 Burgess in the USSR -- 4 A Matter of Style and Music? -- 5 Conclusion: Language of the Pagans -- Notes -- Alex's Voice in A Clockwork Orange: Nadsat, Sinny and Cold War Brainwashing Scares -- Notes -- A Clockwork Orange in 21st Century -- A Thing Living, and Not Growing -- 1 Introduction -- 2 The Anthropocene -- 3 The 'Technocene' -- 4 Conclusion -- Notes -- A Clockwork Orange and its Representations of Sexual Violence as Torture: Stanley Kubrick and Francis Bacon -- 1 Introduction -- 2 Home Invasions and Sexual Assaults -- 3 Attack on the Catlady -- 4 The Rape of Ms. Alexander -- Notes -- Music and A Clockwork Orange -- Transforming Variations: Music in the Novel, Film, and Play A Clockwork Orange -- Notes -- David Bowie and A Clockwork Orange: Two Sides of the Same Golly -- 1 Introduction -- 2 Dressing and Posing like a Droog. 3 Bowie's Version of Ultraviolence: Say Droogie don't Crash Here! -- 4 A Clockwork Bowie: Who the Fuck's Gonna Mess with Me? -- Notes -- Afterword -- Index. |
| Record Nr. | UNINA-9910639894803321 |
| Cham, Switzerland : , : Palgrave Macmillan, , [2023] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Any resemblance to actual persons : the real people behind 400+ fictional movie characters / / Hal Erickson
| Any resemblance to actual persons : the real people behind 400+ fictional movie characters / / Hal Erickson |
| Autore | Erickson Hal <1950-> |
| Pubbl/distr/stampa | Jefferson, North Carolina : , : McFarland & Company, Inc., , [2017] |
| Descrizione fisica | 1 online resource (vii, 403 pages) : illustrations |
| Disciplina | 791.436 |
| Soggetto topico |
Characters and characteristics in motion pictures
Film adaptations |
| ISBN | 1-4766-2930-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910796846203321 |
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Erickson Hal <1950->
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| Jefferson, North Carolina : , : McFarland & Company, Inc., , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Any resemblance to actual persons : the real people behind 400+ fictional movie characters / / Hal Erickson
| Any resemblance to actual persons : the real people behind 400+ fictional movie characters / / Hal Erickson |
| Autore | Erickson Hal <1950-> |
| Pubbl/distr/stampa | Jefferson, North Carolina : , : McFarland & Company, Inc., , [2017] |
| Descrizione fisica | 1 online resource (vii, 403 pages) : illustrations |
| Disciplina | 791.436 |
| Soggetto topico |
Characters and characteristics in motion pictures
Film adaptations |
| ISBN | 1-4766-2930-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910826670503321 |
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Erickson Hal <1950->
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| Jefferson, North Carolina : , : McFarland & Company, Inc., , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Authorship in film adaptation [[electronic resource] /] / edited and with an introduction by Jack Boozer
| Authorship in film adaptation [[electronic resource] /] / edited and with an introduction by Jack Boozer |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, 2008 |
| Descrizione fisica | 1 online resource (354 p.) |
| Disciplina | 808.2/3 |
| Altri autori (Persone) | BoozerJack <1944-> |
| Soggetto topico |
Film adaptations
Motion picture authorship |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-292-79401-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Mildred Pierce : a troublesome property to script / Albert J. Lavalley -- Hitchcock and his writers : authorship and authority in adaption / Thomas Leitch -- From Traumnovelle (1927) to script to screen : Eyes wide shut (1999) / Jack Boozer -- Private knowledge, public space : investigation and navigation in Devil in a blue dress / Mark L. Berrettini -- "Strange and new-- " : subjectivity and the ineffable in The sweet hereafter / Ernesto R. Acevedo-Muñoz -- Adaptation as adaptation : from Susan Orlean's The orchid thief to Charlie (and "Donald") Kaufman's screenplay to Spike Jonze's film / Frank P. Tomasulo -- From obtrusive narration to crosscutting : adapting the doubleness of John Fowles's The French lieutenant's woman / R. Barton Palmer -- The three faces of Lolita, or how I learned to stop worrying and love the adaptation / Rebecca Bell-Metereau -- Traffic/Traffik : race, globalization, and family in Soderbergh's remake / Mark Gallagher -- Adapting Nick Hornby's High fidelity : process and sexual politics / Cynthia Lucia -- Adaptable Bridget : generic intertextuality and postfeminism in Bridget Jones's diary / Shelley Cobb -- "Who's your favorite Indian?" : the politics of representation in Sherman Alexie's short stories and screenplay / Elaine Roth. |
| Record Nr. | UNINA-9910453892503321 |
| Austin, : University of Texas Press, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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