2001: A Space Odyssey and Lacanian Psychoanalytic Theory / / by Daniel Bristow |
Autore | Bristow Daniel |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (X, 132 p. 25 illus., 4 illus. in color.) |
Disciplina | 150 |
Collana | The Palgrave Lacan Series |
Soggetto topico |
Psychology—Methodology
Motion pictures Philosophy of mind Self Psychology Science—Philosophy Psychological Methods Film Theory Philosophy of the Self Behavioral Sciences and Psychology Philosophy of Science |
ISBN | 3-319-69444-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Overture -- 2. Monolith -- 3. Cut -- 4. Space -- 5. Silence -- 6. Surreality. |
Record Nr. | UNINA-9910255454603321 |
Bristow Daniel
![]() |
||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Adaptation in Visual Culture : Images, Texts, and Their Multiple Worlds / / edited by Julie Grossman, R. Barton Palmer |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (XVI, 285 p. 17 illus. in color.) |
Disciplina | 791.436 |
Collana | Palgrave Studies in Adaptation and Visual Culture |
Soggetto topico |
Motion pictures
Fine arts Adaptation Studies Film Theory Fine Arts |
ISBN | 3-319-58580-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Constantine Verevis, “Film Novelization” -- 2. Laurence Raw, "What Can Adaptation Studies Learn from Fan Studies?" -- 3. Glenn Jellenik, “The Task of the Adaptation Critic” -- 4. Thomas Leitch, “Mind the Gaps” -- 5. R. Barton Palmer, “Continuation, Adaptation Studies, and the Never-Finished Text” -- 6. Kamilla Elliott “Unfilmable Books.” -- 7. Sarah Cardwell, “A Dickensian Feast: Visual Culture and Television Aesthetics” -- 8. Deborah Cartmell, “Star Adaptations: Queen Biopics of the 1930s” -- 9. Jack Boozer, “Between a Sequel and a Market Crash: Wall Street: Money Never Sleeps” -- 10. Christine Geraghty, “Dissolving Media Boundaries: The Interaction of Literature, Film and Television in Tender is the Night (1985)” -- 11. Julie Grossman, “Fargos” -- 12. Mark Osteen, "Alfred in Wonderland: Hitchcock through the Looking-Glass" -- 13. Homer B. Pettey, "Japanese Avant-garde and the moga ('modern girl')" -- 14. Nancy West, “The Worlds of Downton Abbey”. |
Record Nr. | UNINA-9910255086703321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Adaptation, Awards Culture, and the Value of Prestige / / edited by Colleen Kennedy-Karpat, Eric Sandberg |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (IX, 239 p. 4 illus., 3 illus. in color.) |
Disciplina | 791.436 |
Collana | Palgrave Studies in Adaptation and Visual Culture |
Soggetto topico |
Motion pictures
Motion pictures - Production and direction Culture Literature Adaptation Studies Film Theory Film and TV Production Sociology of Culture Literature, general |
ISBN | 3-319-52854-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Adaptation and Systems of Cultural Value - Colleen Kennedy-Karpat and Eric Sandberg. 2. Part 1: Adapting Award Winners, Awarding Adaptations - Chapter 2 The Pulitzers Go to Hollywood - Thomas Leitch -- 3. Chapter 3 Beware of Imitations: All About Eve (1950) - Laurence Raw -- 4. Chapter 4 Hilary Mantel’s Wolf Hall(s) and the Circulation of Cultural Prestige - Eric Sandberg -- 5. Chapter 5 Adapting Queerness, Queering Adaptation: Fun Home on Broadway - Joanna Mansbridge.- Part 2: Adaptation, Prestige, and the Canon -- 6. Chapter 6 Oliver’s Auteurs: The Cases of Lean and Polanski - Jeffrey E. Jackson -- 7. Chapter 7 Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha - Priyanjali Sen -- 8. Chapter 8 The Fortunes of Jane Austen as Chick Lit and Chick Flick- Anne-Marie Scholz -- 9. Chapter 9 Jazz, Prestige, and Five Great Gatsby Film Adaptations - Michael Saffle -- 10. Part 3: Locating Prestige - Chapter 10 Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige - Colleen Kennedy-Karpat -- 11. Chapter 11 The Hollywood Remake Massacre: Adaptation, Reception, and Value - Laura Mee -- 12. Chapter 12 “How Do I Act So Well?” The British ‘Shakespearean’ Actor and Cultural Cachet - Anna Blackwell. . |
Record Nr. | UNINA-9910255088503321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Affirmative Aesthetics and Wilful Women : Gender, Space and Mobility in Contemporary Cinema / / by Maud Ceuterick |
Autore | Ceuterick Maud |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Springer Nature, 2020 |
Descrizione fisica | 1 online resource (XVI, 186 p. 40 illus., 38 illus. in color.) |
Disciplina |
791.4301
791.43653 |
Soggetto topico |
Motion pictures
Culture Gender Film Theory Culture and Gender |
Soggetto non controllato |
Film Theory
Culture and Gender Gender and Culture Gender Affect and Form Space Affirmative Ethics Wilfulness Contemporary Cinema Open Access Film history, theory & criticism Cultural studies |
ISBN | 3-030-37039-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction: Affirmative ethics, wilfulness, and affects as forms -- 2. Urban wanderer and wilful performances: Head-on (Gegen die wand) -- 3. Housing wilfulness: Wadjda -- 4. Lived body, affects and cars: Friday night (Vendredi soir) -- 5. Conclusion: Affirmative aesthetics. |
Record Nr. | UNINA-9910424948403321 |
Ceuterick Maud
![]() |
||
Springer Nature, 2020 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Alfred Hitchcock's Vertigo and the Hermeneutic Spiral / / by Robert J. Belton |
Autore | Belton Robert J |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (XI, 155 p. 4 illus.) |
Disciplina | 791.4309 |
Soggetto topico |
Motion pictures—History
Motion pictures Hermeneutics Aesthetics Cognitive psychology Film History Film Theory Audio-Visual Culture Cognitive Psychology |
ISBN | 3-319-55188-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1: Introduction -- Chapter 2: The Hermeneutic Spiral -- Chapter 3: Vertigo -- Chapter 4: Forcing Insight with Sight and the Availability Heuristic -- Chapter 5: Vertigo, Duchamp’s Anémic Cinéma, and a Žižekian Brassiere -- Chapter 6: Vertigo, Man Ray’s L’Etoile de mer, and Flowers -- Chapter 7: Vertigo, Kubrick’s The Shining, Spellbound and Liberty -- Chapter 8: Vertigo, Lynch’s Twin Peaks and the Record Player -- Chapter 9: Vertigo, Etrog’s Spiral, The Shining and Traumatic Memory -- Chapter 10: Vertigo, The Shining, Spatial Mental Models, and the Uncanny. |
Record Nr. | UNINA-9910255069403321 |
Belton Robert J
![]() |
||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Anatomy of the Superhero Film / / by Larrie Dudenhoeffer |
Autore | Dudenhoeffer Larrie |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (319 pages) : illustrations (some color) |
Disciplina | 741.43652 |
Soggetto topico |
Film genres
Motion pictures Motion pictures—United States United States—Study and teaching Genre Film Theory American Cinema and TV American Culture |
ISBN | 3-319-57922-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1. X-Ray Visions: An Introduction to an Anatomy of the Superhero Film -- Chapter 2. Chart 1: An X-Ray into the Endo-Prosthetic Superbody -- Chapter 3. Chart 2: An X-Ray into the Exo-Prosthetic Superbody -- Chapter 4. Chart 3: An X-Ray into the Epi-Prosthetic Superbody -- Chapter 5. Chart 4: An X-Ray into the Ecto-Prosthetic Superbody -- Chapter 6. Imaging Results: An Addendum on Superhuman Embodiment. |
Record Nr. | UNINA-9910255095603321 |
Dudenhoeffer Larrie
![]() |
||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Art Cinema and Theology : The Word Was Made Film / / by Justin Ponder |
Autore | Ponder Justin |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (XII, 214 p. 15 illus., 3 illus. in color.) |
Disciplina | 791.4301 |
Soggetto topico |
Motion pictures
Religion Postmodernism Film Theory Religious Studies, general Postmodern Philosophy |
ISBN | 3-319-58556-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction: The Word Was Made Film -- 2. “All is Grace”: Sound and Grace in Robert Bresson’s Diary of a Country Priest -- 3. “Life. Yes. Life.”: Editing and Miracles in Carl Theodor Dreyer’s Ordet -- 4. “The Whole Earth is Full of His Glory”: Lighting and Suffering in Ingmar Bergman’s Winter Light -- 5. “No One Must Know of This”: Close-up and Heresy in Luis Buñuel’s The Milky Way -- 6. Conclusion: “…And Dwelt Among Us”. |
Record Nr. | UNINA-9910255075903321 |
Ponder Justin
![]() |
||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Australian Screen in the 2000s / / edited by Mark David Ryan, Ben Goldsmith |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (XIX, 370 p. 2 illus.) |
Disciplina | 791.436 |
Soggetto topico |
Film genres
Documentary films Motion pictures Genre Documentary Film Theory |
ISBN | 3-319-48299-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910255090003321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Chinese Culture in the 21st Century and its Global Dimensions [[electronic resource] ] : Comparative and Interdisciplinary Perspectives / / edited by Kelly Kar Yue Chan, Chi Sum Garfield Lau |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Singapore : , : Springer Singapore : , : Imprint : Springer, , 2020 |
Descrizione fisica | 1 online resource (226 pages) |
Disciplina | 951 |
Collana | Chinese Culture, Globality, Connectivity and Modernity |
Soggetto topico |
Oriental literature
Ethnology—Asia Philosophy, Asian Chinese language Motion pictures Asian Literature Asian Culture Non-Western Philosophy Chinese Film Theory |
ISBN | 981-15-2743-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Section I: Modern Chinese Literature: A Comparative Study -- 1.The Evolution of Chinese Women: From Confucian Obligations to Modern Resistance -- 2.A Comparative Study of Stream of Consciousness -- 3.A Contrasting Image of China in Opera Libretti: An Analytical Reading of Puccini/Adami, Simoni’s Turandot and Adams/Goodman’s Nixon in China -- Section II: Contemporary Perceptions of Chinese Films and Performing Arts -- 4.Remaking China: The Canonization of Fei Mu’s Cinema -- 5.The Dilemma of Brand Construction of Chinese New Year Movies: Comparing to the Marvel Movies -- 6.From Comics to Animation: A Media Study of Hong Kong’s Creative Industry -- 7.Chinese Musical Culture in the Global Context – Modernization and Internationalization of Traditional Chinese Music in 21st Century -- 8.Cantonese Cameo: Prewar Hong Kong Films and /ɿ/ of Early Cantonese -- Section III: Translation Studies of Hong Kong and Chinese Culture in the Globalized Era -- 9.Reinterpreting Cantonese Opera: Is Sur/Subtitle Translation into English Possible? -- 10.Normalising Cultural Elements from an Operative Functional Perspective -- 11.Beyond Bilinguality: Chinese-English Names of Hong Kong Racehorses -- Section IV: Language and Learning: Changing Ideology in the Digital Age -- 12.Roles of Western Learning in Fevers of National Learning in the Twentieth-Century China -- 13.The Tortuous Path of Digital History in the Chinese Humanities. |
Record Nr. | UNINA-9910483075703321 |
Singapore : , : Springer Singapore : , : Imprint : Springer, , 2020 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Cinema of the Arab World : Contemporary Directions in Theory and Practice / / edited by Terri Ginsberg, Chris Lippard |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (455 pages) |
Disciplina |
791.4309174927
791.4301 |
Collana | Global Cinema |
Soggetto topico |
Motion pictures
Ethnology—Middle East Communication Motion pictures - Production and direction Global Cinema and TV Middle Eastern Culture Media and Communication Film and TV Production Film Theory |
ISBN | 3-030-30081-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction - Chris Lippard and Terri Ginsberg -- BLOC 1: HISTORY, POSITIONALITY, CRITIQUE -- 2. Documentary Diplomacy & Audiovisual Modernization: A Cold War Genealogy of Arab Cinema during the 1950s through American Declassified Archive - Hadi Gharabaghi -- 3. Making the Final Cut: Filmmaking and Complicating National Identity in Qatar and the GCC States - Suzi Mirgani -- 4. Lebanese Cinema and the French Co-production System: The Postcard Strategy - Wissam Mouawad -- BLOC 2: FESTIVAL AND NATION RECONSIDERED -- 5. Amateur Filmmaking in Tunisia: A Political Film Culture Eliding Contradictions in National Cinema - Patricia Caillé -- 6. “Not-Yet” an Industry: The Temporalities of Contemporary Palestinian Cinema - Viviane Saglier -- 7. Mobilities of Cinematic Identity in the Western Sahara - Chris Lippard -- BLOC 3: FROM RESISTANCE TO ENTRENCHMENT AND BACK AGAIN -- 8. Amiralay and Sabbagh in the Post-cinematic Age - Samirah Alkassim -- 9. Family Resemblance: An Anthropologist Looks at Moroccan Documentary - Kevin Dwyer -- 10. Affective Alternatives to Sectarianism in Maroun Baghdadi’s Documentaries - Jeremy Randall -- BLOC 4: POLITICAL AESTHETICS OF STATE AND REVOLUTION IN EGYPT -- 11. Terrorism and Kebab: The Administrative Grotesque and the “Egyptian Chaplin”‒‒Notes on Humor, Resistance, and Biopolitics - Isabelle Freda -- 12. Exceptions to the Rule: The Mechanics of War and the Institution in Egyptian Cinema - Iman Hamam -- 13. Teaching Egypt Cinematically -Terri Ginsberg. |
Record Nr. | UNINA-9910484347503321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|