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Adaptation as Communication : Adaptors as Communicators / / by Anne Furlong
| Adaptation as Communication : Adaptors as Communicators / / by Anne Furlong |
| Autore | Furlong Anne |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (288 pages) |
| Disciplina | 401.45 |
| Collana | Social Sciences Series |
| Soggetto topico |
Pragmatics
Adaptation (Literary, artistic, etc.) Language and languages - Style Motion pictures Narration (Rhetoric) Adaptation Studies Stylistics Film Studies Narratology |
| ISBN |
9783031786273
3031786270 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part One: Theory and Principles -- Chapter 1. Introduction -- Chapter 2. Approaches to adaptation: the state of adaptation studies -- Chapter 3. Relevance theory and adaptation -- Chapter 4. The adaptor’s communicative purpose -- Part Two: Practice and Applications -- Chapter 5. Transmediated adaptations -- Chapter 6. Non-transmediated adaptations -- Chapter 7. The limits of adaptation -- Chapter 8. Future prospects. |
| Record Nr. | UNINA-9910983371203321 |
Furlong Anne
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Alice in Wonderland in Film and Popular Culture / / edited by Antonio Sanna
| Alice in Wonderland in Film and Popular Culture / / edited by Antonio Sanna |
| Edizione | [1st ed. 2022.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
| Descrizione fisica | 1 online resource (xix, 327 pages) : illustrations (some color) |
| Disciplina |
842.914
809.034 |
| Soggetto topico |
Motion pictures
Popular culture Adaptation (Literary, artistic, etc.) Literature, Modern - 19th century Film Studies Popular Culture Adaptation Studies Nineteenth-Century Literature |
| ISBN |
9783031022579
3031022572 9783031022159 3031022157 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1 ‘Introduction: Alice and the Critics,’ Antonio Sanna -- Part I: Alice on the Page -- 2 'A History of the Literary and Graphic Adaptations and Appropriations of Alice,’ Antonio Sanna -- 3 “How Does It Taste: Eating and Drinking with Alice at the International Table,” Olga Bukhina -- 4 ‘Charles Lutwidge Dodgson in Wonderland: Lewis Carroll’s Mythobiography and Contemporary Fiction,’ Maciej Skowera -- 5 “Reflecting on Wonderland: Alice’s Adventures as Metatext in the Graphic Novel,” Brigid Cherry -- 6 ‘Mad World: Disillusionment and Perceived ‘Madness’ in Batwoman Elegy,’ Eileen M. Harney -- 7 ‘We’re All Mad Here: Alice Goes to Gotham,’ Rick Hudson -- Part II: Film Adaptations -- 8 ‘Standing in Contrast: An Examination of Conflict and Contrast in Various Adaptations of Alice’s Adventures in Wonderland,’ Joy E. Morrow and Christopher Flavin -- 9 ‘Alice Gets Mathematical: Carroll, Disney, and Donald in Mathmagic Land,’ Martin F. Norden -- 10 ‘Alice, Interrupted: Reflecting on the Changing Chronology of the Girl in Disney’s Looking-Glass,’ Alexandra Heatwole -- 11 ‘Through a Darker Looking Glass: Alice’s Adventures in Horrorland,’ Lindsey Scott -- 12 ‘Alice’s Evolution: Chicago 70 and the Revolutionary Awakening of Lewis Carroll’s Victorian Heroine,’ Andrew Grossman -- 13 ‘Alice’s Adventures in Wondercity. Who am I? Revelation of the Self and Class Consciousness in Woody Allen’s Alice,’ Carla Fusco -- Part III: Alice’s Adventures in Other Media -- 14 ‘(In)Appropriate Alice: The Neo-Victorian Sexualization of Carroll’s Wonderland,’ Anne-Marie Beller and Claire O’Callaghan -- 15 ‘Alice in the City,’ Joanna Madlock -- 16 ‘Transformations: Aimer’s ‘I Beg You’ and Alice in Japanese Music Video,’ Masafumi Monden -- 17 ‘Navigating the Coded Rabbit Hole: A Sociocultural Reading of the American McGee’s Alice Games,’ Dominique Angela Juntado and Antonio Sanna -- 18 ‘The Immortal Hatter, Eternally Present with Alice,’ Amanda Rutherford and Sarah Baker -- 19 'As Above So Below? Madness and Nonsense in Alice’s Adventures in Wonderland', Emily Scherzinger and Jeffery Donaldson. |
| Record Nr. | UNINA-9910619277103321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Animality and Horror Cinema : Creaturely Fear on Film / / edited by Peter Sands, Mo O’ Neill, Samantha Hind
| Animality and Horror Cinema : Creaturely Fear on Film / / edited by Peter Sands, Mo O’ Neill, Samantha Hind |
| Autore | Sands Peter |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (325 pages) |
| Disciplina | 791.436164 |
| Altri autori (Persone) |
NeillMo O'
HindSamantha |
| Collana | Palgrave Studies in Animals and Literature |
| Soggetto topico |
Motion pictures
Animal culture Film Studies Animal Science |
| ISBN | 3-031-87294-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Creaturely Fear: An Introduction -- Part 1: Animal Traces -- Chapter 2: Surrealism and Creaturely Holocaust Killing in Juraj Herz’s The Cremator -- Chapter 3: Jordan Peele’s Animals: Zoological Horror, Afropessimist Allegory and the Alien Superstar -- Chapter 4: The Animal-Image: On the Uses of Animals in Claire Denis’ Horror Films -- Part 2: The Multi-Sensorial Animal -- Chapter 5: A Horror Multiplied by the Eyes of Every House Fly: Compound Misconceptions and Prejudices on Filmic Insects -- Chapter 6: Killer Wail: Colouring Nonhuman Trauma in Orca: The Killer Whale -- Chapter 7: Sound, Silence, Horror, and the Hare -- Part 3: True Story Monstrosities -- Chapter 8: Animal Agency and Animal Sovereignties in Roar -- Chapter 9: Living with Saltwater Crocodiles: Respectful and Reverential Eco-Fear in Dark Age -- Chapter 10: “The Touch of his Hairy Hand Offended You”: The Epistemological Indeterminacy of Ted Kotcheff’s Wake in Fright -- Part 4: Meat, Sacrifice and Sympathy -- Chapter 11: Made in the Harming: Julia Ducournau’s Raw and the Cutting Continuities of Animal Montage -- Chapter 12: Flesh & Negation: Vegan Aesthetics and Sympathetic Action in David Lynch’s Eraserhead. |
| Record Nr. | UNINA-9911021155203321 |
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Sands Peter
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Anthony Burgess, Stanley Kubrick and A Clockwork Orange / / edited by Matthew Melia, Georgina Orgill
| Anthony Burgess, Stanley Kubrick and A Clockwork Orange / / edited by Matthew Melia, Georgina Orgill |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina |
891.733
823.914 |
| Collana | Palgrave Studies in Adaptation and Visual Culture |
| Soggetto topico |
Adaptation (Literary, artistic, etc.)
Motion pictures Literature Adaptation Studies Film Studies |
| ISBN |
9783031055997
3031055993 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction. By Matt Melia and Georgina Orgill -- Part 1: Authorship and A Clockwork Orange -- Chapter 1: Dangerous arts: the clash between Anthony Burgess, Stanley Kubrick, A Clockwork Orange and the World. By Filippo Ulivieri -- Chapter 2: Fresh Juice From A Clockwork Orange: Anthony Burgess’s Novel and its Aftermath. By Andrew Biswell -- Chapter 3: Evolving A Clockwork Orange. By Matt Melia -- Part 2: Language and Adaptation -- Chapter 4: “The colours of the real world only seem really real when you viddy them on the screen”: The adaptation of Nadsat in Stanley Kubrick’s A Clockwork Orange. By Jim Clarke and Benet Vincent -- Chapter 5: ‘Language, Language’: The Social Politics of ‘Goloss’ in A Clockwork Orange. By Julian Preece -- Chapter 6: Adapting A Clockwork Orange. By I.Q Hunter -- Part 3: Architectural, Art Historical and Theoretical Approaches to A Clockwork Orange -- Chapter 7: ‘The Violence of the Image OR HowStanley Kubrick Visualised Anthony Burgess’s Novel’. By Dijana Metlic -- Chapter 8: ‘Architecture and Freedom in A Clockwork Orange’. By Joe Darlington -- Chapter 9: Glazzies Wide Open: Spectral Torture, Kubrick and A Clockwork Orange. By Murray Pomerance -- Part 4: 20th Century Contexts for A Clocwkork Orange -- Chapter 10: ‘A particularly bad film of, like, a concentration camp’: Jews and Germans in A Clockwork Orange’. By Peter Kramer and Nathan Abrams -- Chapter 11: When Burgess met the Stilyagi on a white night: Subcultures, hegemony and resistance in the soviet roots of A Clockwork Orange‘s droogs.’ By Cristian Pasotti -- Chapter 12: ‘Alex’s voice in A Clockwork Orange: Nadsat, Cinema and Cold War Brainwashing Scares’. By Joy McEntee -- Part 5: A Clockwork Orange in the 21st Century -- Chapter 13: ‘A Thing Living and Not Growing’. By Ajay Hothi -- Chapter 14: ‘A Clockwork Orange and its representations of Sexual Violence’. By Karen Ritzenhoff. |
| Record Nr. | UNINA-9910639894803321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Arbeit am Bild : Christoph Schlingensief und die Tradition / Peter Scheinpflug, Thomas Wortmann
| Arbeit am Bild : Christoph Schlingensief und die Tradition / Peter Scheinpflug, Thomas Wortmann |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Paderborn, : Brill | Fink, 2021 |
| Descrizione fisica | 1 online resource |
| Disciplina | 770 |
| Collana | Inter/Media |
| Soggetto topico |
Theater
Postdramatik Performance Aktionskunst Gegenwartskunst Deutscher Film Germanistik Theaterwissenschaft Filmwissenschaft Volksbühne Theatre Postdramatic Theatre Contemporary Art German Studies Performance Studies Film Studies German Film |
| ISBN |
9783846765340
3846765341 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Intro -- Inhalt -- Im Bildersturm. Einleitende Überlegungen zu Christoph Schlingensiefs Arbeit am Bild und den offenen Rechnungen der Forschung -- Zwischen Bildern. Christoph Schlingensief und Werner Nekes -- Der Zuschauer als Schaffender. Christoph Schlingensiefs filmische Sehschule -- Maske, Opfer, Trash. Zum Status Helge Schneiders in den Filmen von Christoph Schlingensief -- Massaker-Bilder. Die deutsche Wiedervereinigung als Horror-Szenario -- Simbabwe, Schund, Schlingensief. Perspektiven des Parakinos -- Ein Tableau vivant, das keines ist. Verlebendigung kolonialer Fotografie in The African Twin Towers -- Bildpolitik. Bilder als Akteure einer neuen Gesellschaft -- Die Freisetzung innerer Bilder. Schlingensiefs Hörspiele -- Das vergessene Medium. Miszelle zu Christoph Schlingensiefs Arbeiten für die Zeitung -- Die Kunst des Krisenexperiments. Inszenierungen von Christoph Schlingensief (1999) -- Evocative Wordplay and Utopian Image-traces in Schlingensief's Participatory Projects -- Theaterprobe. Tradition und Provokation in Christoph Schlingensiefs Hamlet (2001) -- Bild-Begehren. Terror und Kunst in Schlingensiefs ATTA ATTA - Die Kunst ist ausgebrochen -- „Begegnung zweier Welten". Transformation und Kulturkontakt in Christoph Schlingensiefs Operninszenierung Der Fliegende Holländer -- Strategien der Überblendung. Bilderzeugende Verfahren und Deutungsmatrizen in Christoph Schlingensiefs So schön wie hier kanns im Himmel gar nicht sein! Tagebuch einer Krebserkrankung -- Schlingensief, enfant terrible? Zur Arbeit am (Selbst-)Bild des Regisseurs an der Volksbühne Berlin -- „Das Leben ist nicht schlüssig". Sinnsuche und Kohärenzbildung in Christoph Schlingensiefs So schön wie hier kanns im Himmel gar nicht sein! -- Individuelle Mythologie als Paradoxie im Ich. Zu Schlingensiefs autothematischer Übermalung von Kunst und Religion -- Autor*innen. |
| Record Nr. | UNINA-9910915634503321 |
| Paderborn, : Brill | Fink, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Arbeit am Bild : Christoph Schlingensief und die Tradition / Peter Scheinpflug, Thomas Wortmann
| Arbeit am Bild : Christoph Schlingensief und die Tradition / Peter Scheinpflug, Thomas Wortmann |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Paderborn, : Brill | Fink, 2021 |
| Descrizione fisica | 1 online resource |
| Disciplina | 832.914 |
| Collana | Inter/Media |
| Soggetto topico |
Theater
Postdramatik Performance Aktionskunst Gegenwartskunst Deutscher Film Germanistik Theaterwissenschaft Filmwissenschaft Volksbühne Theatre Postdramatic Theatre Contemporary Art German Studies Performance Studies Film Studies German Film |
| ISBN |
9783846765340
3846765341 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Intro -- Inhalt -- Im Bildersturm. Einleitende Überlegungen zu Christoph Schlingensiefs Arbeit am Bild und den offenen Rechnungen der Forschung -- Zwischen Bildern. Christoph Schlingensief und Werner Nekes -- Der Zuschauer als Schaffender. Christoph Schlingensiefs filmische Sehschule -- Maske, Opfer, Trash. Zum Status Helge Schneiders in den Filmen von Christoph Schlingensief -- Massaker-Bilder. Die deutsche Wiedervereinigung als Horror-Szenario -- Simbabwe, Schund, Schlingensief. Perspektiven des Parakinos -- Ein Tableau vivant, das keines ist. Verlebendigung kolonialer Fotografie in The African Twin Towers -- Bildpolitik. Bilder als Akteure einer neuen Gesellschaft -- Die Freisetzung innerer Bilder. Schlingensiefs Hörspiele -- Das vergessene Medium. Miszelle zu Christoph Schlingensiefs Arbeiten für die Zeitung -- Die Kunst des Krisenexperiments. Inszenierungen von Christoph Schlingensief (1999) -- Evocative Wordplay and Utopian Image-traces in Schlingensief's Participatory Projects -- Theaterprobe. Tradition und Provokation in Christoph Schlingensiefs Hamlet (2001) -- Bild-Begehren. Terror und Kunst in Schlingensiefs ATTA ATTA - Die Kunst ist ausgebrochen -- „Begegnung zweier Welten". Transformation und Kulturkontakt in Christoph Schlingensiefs Operninszenierung Der Fliegende Holländer -- Strategien der Überblendung. Bilderzeugende Verfahren und Deutungsmatrizen in Christoph Schlingensiefs So schön wie hier kanns im Himmel gar nicht sein! Tagebuch einer Krebserkrankung -- Schlingensief, enfant terrible? Zur Arbeit am (Selbst-)Bild des Regisseurs an der Volksbühne Berlin -- „Das Leben ist nicht schlüssig". Sinnsuche und Kohärenzbildung in Christoph Schlingensiefs So schön wie hier kanns im Himmel gar nicht sein! -- Individuelle Mythologie als Paradoxie im Ich. Zu Schlingensiefs autothematischer Übermalung von Kunst und Religion -- Autor*innen. |
| Record Nr. | UNINA-9910971468903321 |
| Paderborn, : Brill | Fink, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Bosnian Literary Adaptations on Stage and Screen / / by Sanja Garić-Komnenić
| Bosnian Literary Adaptations on Stage and Screen / / by Sanja Garić-Komnenić |
| Autore | Garic-Komnenić Sanja |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (268 pages) |
| Disciplina | 891.8209006 |
| Collana | Adaptation in Theatre and Performance |
| Soggetto topico |
Performing arts
Theater Adaptation (Literary, artistic, etc.) Motion pictures Balto-Slavic linguistic unity European literature Theatre and Performance Arts Adaptation Studies Film Studies Slavic and Baltic Languages European Literature |
| ISBN |
9783031471346
3031471342 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Part one -- Chapter 1- the basic concepts in semiotics -- Chapter 2- sign in film and theatre -- Chapter 3 - film and theatre language -- Conclusion -- Part two - the practicum -- Introduction -- Chapter 4 - the novel the fortress as the film discourse -- Chapter 5- the novel the island as the theatre discourse -- Conclusion. |
| Record Nr. | UNINA-9910857793903321 |
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Garic-Komnenić Sanja
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cinematic Histospheres : On the Theory and Practice of Historical Films / / by Rasmus Greiner
| Cinematic Histospheres : On the Theory and Practice of Historical Films / / by Rasmus Greiner |
| Autore | Greiner Rasmus |
| Edizione | [1st ed. 2021.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 |
| Descrizione fisica | 1 online resource (235 pages) |
| Disciplina | 791.43658 |
| Soggetto topico |
Motion pictures
History Film Studies Film Theory |
| ISBN |
9783030705909
3030705900 |
| Classificazione | HIS000000PER000000PER004000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Fiction film and history -- Audiovisual history -- Film/history/experience -- Modeling and perceiving -- Immersion and empathy -- Experience and remembering -- Appropriation and refiguration. |
| Record Nr. | UNINA-9910482869503321 |
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Greiner Rasmus
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Conflict Cinemas in Northern Ireland and Brazil / / by Ketlyn Mara Rosa
| Conflict Cinemas in Northern Ireland and Brazil / / by Ketlyn Mara Rosa |
| Autore | Rosa Ketlyn Mara |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 |
| Descrizione fisica | 1 online resource (222 pages) |
| Disciplina | 791.4309416 |
| Soggetto topico |
Motion pictures
Motion picture plays, European Motion pictures, American Film Studies European Film and TV Latin American Film and TV |
| ISBN |
9783031346989
303134698X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Unspeakable acts: embodiment and perception in Bloody Sunday and ‘71 -- 3. Embodied violation in Tropa de Elite and A Divisão: the spectacle of torture and violence in Rio’s favelas -- 4. Corporeal navigation of carceral spaces in Northern Ireland: the sensorial geography of limitation in Maze and Silent Grace -- 5. Marginalized bodies and violated senses: representations of inhumane confinement in Carandiru and Quase Dois Irmãos -- 6. Final Thoughts. |
| Record Nr. | UNINA-9910735786703321 |
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Rosa Ketlyn Mara
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Conjugal Relationships in Chinese Culture : Sino-Western Discourses and Aesthetics on Marriage / / edited by Chi Sum Garfield Lau, Kelly Kar Yue Chan
| Conjugal Relationships in Chinese Culture : Sino-Western Discourses and Aesthetics on Marriage / / edited by Chi Sum Garfield Lau, Kelly Kar Yue Chan |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Singapore : , : Springer Nature Singapore : , : Imprint : Springer, , 2023 |
| Descrizione fisica | 1 online resource (XVIII, 179 p. 17 illus., 1 illus. in color.) |
| Disciplina | 306.810951 |
| Collana | Chinese Culture, Globality, Connectivity and Modernity |
| Soggetto topico |
Ethnology - Asia
Culture Oriental literature Philosophy, Chinese Motion pictures Translating and interpreting Performing arts Theater Asian Culture Asian Literature Chinese Philosophy Film Studies Language Translation Theatre and Performance Arts |
| ISBN | 981-19-9841-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I: Revolutionary Alternatives of Conjugal Relationships in Chinese Culture -- Chapter 1: Divorce and Remarriage as Revealed in Cantonese Opera: The Phoenix Hairpin and The Return of Lady Wenji -- Chapter 2: A Preliminary Note on the Ancient Sages’ “Unmarried” Mothers and the Acceleration of Virtuous Power -- Chapter 3: Creating Romance or Divorce: Marriage Reform in Early 20th Century Chinese Print Media -- Chapter 4: ‘Free Love’ and ‘Free Marriage’: An American Female Missionary’s Prescription and Chinese Writers’ Imagination in the Late 1920s -- Chapter 5: Marriage in Migration and Homecoming: Joseph Conrad’s “Amy Foster” and Ha Jin’s “The Woman from New York” -- Part II: Reassessment of Contemporary Nuptial Discourse in Various Forms -- Chapter 6: Linguacultural Representation of the Cultural Self and Other in Chinese Women’s Discourse on Transnational Remarriage -- Chapter 7: A Visual Interpretation of Eastern and Western Relationships on Wedding Invitation Cards -- Chapter 8: Norwegian Fortune-Teller Henning Hai Lee Yang’s I Ching: Emphasis on Marriage during the Surge in Norwegian Divorces and Cohabitation -- Chapter 9: Happily Ever After? Rethinking Marriage in Contemporary Hong Kong. |
| Record Nr. | UNINA-9910698647103321 |
| Singapore : , : Springer Nature Singapore : , : Imprint : Springer, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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