The Aesthetics of Horror Films : A Santayanan Perspective / / by Forrest Adam Sopuck
| The Aesthetics of Horror Films : A Santayanan Perspective / / by Forrest Adam Sopuck |
| Autore | Sopuck Forrest Adam |
| Edizione | [1st ed. 2021.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 |
| Descrizione fisica | 1 online resource (137 pages) |
| Disciplina | 791.436164 |
| Soggetto topico |
Aesthetics
Motion pictures - Aesthetics Film genres Film Philosophy Genre Studies |
| ISBN |
9783030843465
3030843467 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introduction -- Chapter 2: Aesthetic Optimism -- Chapter 3: Fear in the Cinema and the Definition of Horror -- Chapter 4: Horror and its Dark Visions -- Chapter 5: Horror and its Dark Witnesses. |
| Record Nr. | UNINA-9910502982903321 |
Sopuck Forrest Adam
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 | ||
| Lo trovi qui: Univ. Federico II | ||
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AGI is Waking Up! : From the Thought Lab of Science Fiction / / by Li Zhang
| AGI is Waking Up! : From the Thought Lab of Science Fiction / / by Li Zhang |
| Autore | Zhang Li |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Singapore : , : Springer Nature Singapore : , : Imprint : Springer, , 2024 |
| Descrizione fisica | 1 online resource (261 pages) |
| Disciplina | 006.301 |
| Soggetto topico |
Technology - Philosophy
Motion pictures - Aesthetics Artificial intelligence Technology - Moral and ethical aspects Philosophy of Technology Film Philosophy Artificial Intelligence Ethics of Technology |
| ISBN |
9789819745159
9819745152 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Can we predict the arrival of strong artificial intelligence? -- 2. Is the wake up of AI related to boundaries? -- 3. Will Strong Artificial Intelligence Appear? -- 4. Will Artificial Intelligence Have Consciousness and Soul? -- 5. When “consciousness” makes its choice, how powerful will it be? -- 6. What is the underlying logic of the evolution history of life? -- 7. Is the magic “split” achievable with AI? -- 8. Will Artificial Intelligence Request Independence? -- 9. Is the human carbon-based body a must for AI? -- 10. What could be the goal of AI after IT wakes up? -- 11. Will AI also have “emotions” and “feelings” -- 12. Will human’s morality become an algorithm for artificial intelligence?. |
| Record Nr. | UNINA-9910913782703321 |
Zhang Li
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| Singapore : , : Springer Nature Singapore : , : Imprint : Springer, , 2024 | ||
| Lo trovi qui: Univ. Federico II | ||
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The Biopolitics of Gesture in the Cinema of Yorgos Lanthimos : Operations of Life / / by Carlo Comanducci
| The Biopolitics of Gesture in the Cinema of Yorgos Lanthimos : Operations of Life / / by Carlo Comanducci |
| Autore | Comanducci Carlo |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (299 pages) |
| Disciplina | 791.4094 |
| Soggetto topico |
Motion picture plays, European
Motion pictures - Aesthetics Motion pictures European Film and TV Film Philosophy Close Readings in Film and TV |
| ISBN |
9783031741890
3031741897 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Constellations of Gestures -- Part I: Mimic Subjects -- Chapter 2: The Gesture of Suffering - Kinetta -- Chapter 3: The Irreparable Act - Dogtooth -- Chapter 4: The Office of Being - Alps -- Part II: Sacred Animals -- Chapter 5: The Rule and the Animal - The Lobster -- Chapter 6: The Economy of Justice - The Killing of a Sacred Deer -- Chapter 7: Unfinished Metamorphoses: From Infamous Gestures to Spectacular biopolitics. |
| Record Nr. | UNINA-9910913793703321 |
Comanducci Carlo
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Lo trovi qui: Univ. Federico II | ||
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The Cinematic Superhero as Social Practice / / by Joseph Zornado, Sara Reilly
| The Cinematic Superhero as Social Practice / / by Joseph Zornado, Sara Reilly |
| Autore | Zornado Joseph L. |
| Edizione | [1st ed. 2021.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 |
| Descrizione fisica | 1 online resource (219 pages) |
| Disciplina | 791.43652 |
| Soggetto topico |
Motion pictures
Television broadcasting Motion pictures - Aesthetics Psychoanalysis Film and Television Studies Film Philosophy |
| ISBN |
9783030854584
3030854582 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Chapter One:- Introduction: A Plague of Superheroe -- Chapter Two:- The Superhero with a Thousand Faces -- Chapter Three:- Fantasy and the Working-Class Superhero -- Chapter Four:- Fantasies of the Anthropocene -- Chapter Five:- The Cinematic Superhero as Other -- Chapter Six:- Superhero Fantasy in Crisis -- Chapter Seven:- Conclusion: Destroy All Monsters! |
| Record Nr. | UNINA-9910508439803321 |
Zornado Joseph L.
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 | ||
| Lo trovi qui: Univ. Federico II | ||
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Cinematically Rendering Confucius : Chinese Film Philosophy and the Efficacious Screen-Play / / by David H. Fleming
| Cinematically Rendering Confucius : Chinese Film Philosophy and the Efficacious Screen-Play / / by David H. Fleming |
| Autore | Fleming David H |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (320 pages) |
| Disciplina | 791.43684 |
| Soggetto topico |
Motion pictures - Aesthetics
Motion pictures - Asia Motion pictures Film Philosophy Asian Film and TV Film Theory |
| ISBN |
9783031790669
3031790669 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Propagandizing China’s Master ‘Philosopher’: Kǒng Fūzǐ (1940) and Kǒngzǐ (2010) -- Chapter 2: A Sage on the Global Stage: Or, the Chinese Kant Philosophise? -- Chapter 3: On Confucian Mediality and Ren-dering xiang-thought -- Chapter 4: “Our Confucius”: Fei’s Artful Aspirational Screen-Play -- Chapter 5: The “Second Coming” of Confucius: Or, Hu’s Hu in Huallywood -- Chapter 6: End Game: Confucius a Go Go -- Afterword: On Xi Jinping and the Synthetic Spectres of Marx and Confucius. |
| Record Nr. | UNINA-9910983392003321 |
Fleming David H
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Lo trovi qui: Univ. Federico II | ||
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Film as a Medium of Seduction : Introduction to the Seduction-Theory of Film / / by Marcus Stiglegger
| Film as a Medium of Seduction : Introduction to the Seduction-Theory of Film / / by Marcus Stiglegger |
| Autore | Stiglegger Marcus <1971-> |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Wiesbaden : , : Springer Fachmedien Wiesbaden : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (162 pages) |
| Disciplina | 791.4309 |
| Soggetto topico |
Motion pictures
Motion pictures - History Motion pictures - Aesthetics Film Theory Film and TV History Film Studies Film Philosophy |
| ISBN |
9783658438180
3658438185 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Film and philosophy -- Body, cinema and performance -- Seduction and ethics -- Seduction and genre -- Seduction to myth -- Seduction, performance and pop culture -- Seduction and the exploration of existence -- Perspectives on deduction theory. |
| Record Nr. | UNINA-9910845079203321 |
Stiglegger Marcus <1971->
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| Wiesbaden : , : Springer Fachmedien Wiesbaden : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Lo trovi qui: Univ. Federico II | ||
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Film, Art, and the Limits of Science : In Defence of Humanistic Explanation / / by Malcolm Turvey
| Film, Art, and the Limits of Science : In Defence of Humanistic Explanation / / by Malcolm Turvey |
| Autore | Turvey Malcolm <1969-> |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (XVII, 311 p. 7 illus., 1 illus. in color.) |
| Disciplina | 791.4301 |
| Soggetto topico |
Motion pictures - Aesthetics
Art - Philosophy Culture - Study and teaching Film Philosophy Philosophy of Art Theory of Arts Visual Culture |
| ISBN | 3-031-83235-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction Moderate Autonomism and Serious Pessimism -- Wittgenstein, Science, and Moderate Autonomism -- Moderate Autonomism, Extreme Autonomism, and Anti-Autonomism -- Norms, Normativity, and the Internal Perspective -- Serious Pessimism and Evolutionary Psychology -- Serious Pessimism and Mirror Neurons -- Conclusion The Limits of Science. |
| Record Nr. | UNINA-9910999687203321 |
Turvey Malcolm <1969->
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Lo trovi qui: Univ. Federico II | ||
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Gilles Deleuze and Film Criticism : Philosophy, Theory, and the Individual Film / / edited by Dominic Lash, Hoi Lun Law
| Gilles Deleuze and Film Criticism : Philosophy, Theory, and the Individual Film / / edited by Dominic Lash, Hoi Lun Law |
| Autore | Lash Dominic |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 |
| Descrizione fisica | 1 online resource (226 pages) |
| Disciplina | 791.4301 |
| Altri autori (Persone) | LawHoi Lun |
| Collana | Palgrave Film Studies and Philosophy |
| Soggetto topico |
Motion pictures - Aesthetics
Aesthetics Motion pictures Film Philosophy Film Theory |
| ISBN |
9783031333057
3031333055 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Part 1: Perspectives on Method -- 2. What does Deleuze do when he does film criticism? -- 3. Deleuze and the film in his Mind -- Part 2: Criticism, Philosophy, Theory -- 4. Gilles Deleuze and the Company of Critics: On Kubrick, Time, and Cinema -- 5. “Very Slight Differences”: Deleuze and the Aesthetics of Cinematic Motion -- 6. . “Something Possible, Otherwise I Will Suffocate”: A Marginal Reading of Chapter 7, Section 2 of Deleuze's The Time-Image -- Part 3: Films and Filmmakers -- 7. Banish All the World: Deleuze on Chimes at Midnight -- 8. Donen and Minnelli: An Exchange of Energies -- 9. Deleuze and Fellini: And the Ship Sails On. 10. Hypnosis-images: indiscernibility and hypnotic agency in Gilles Deleuze's Heart of Glass. |
| Record Nr. | UNINA-9910736991203321 |
Lash Dominic
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 | ||
| Lo trovi qui: Univ. Federico II | ||
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The Intertextual Knot : An Analysis of Alfred Hitchcock’s Rope / / by Dario Martinelli
| The Intertextual Knot : An Analysis of Alfred Hitchcock’s Rope / / by Dario Martinelli |
| Autore | Martinelli Dario |
| Edizione | [1st ed. 2021.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Springer, , 2021 |
| Descrizione fisica | 1 online resource (190 pages) |
| Disciplina | 791.430233092 |
| Collana | Literature, Cultural and Media Studies |
| Soggetto topico |
Motion pictures - Aesthetics
Semiotics Culture - Study and teaching Film Philosophy Cultural Studies |
| ISBN | 3-030-85273-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Preparing the knot -- Chapter 2: Other knot types -- Chapter 3: Tying the knot. |
| Record Nr. | UNINA-9910495155303321 |
Martinelli Dario
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| Cham : , : Springer International Publishing : , : Imprint : Springer, , 2021 | ||
| Lo trovi qui: Univ. Federico II | ||
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Leben, Filmen : Jonas Mekas und der Wert des lichten Augenblicks / Eva Kuhn
| Leben, Filmen : Jonas Mekas und der Wert des lichten Augenblicks / Eva Kuhn |
| Autore | Kuhn Eva |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Paderborn, : Brill | Fink, 2025 |
| Descrizione fisica | 1 online resource (192 pages) |
| Disciplina | 700 |
| Collana | Film Denken |
| Soggetto topico |
Experimentalfilm
Avantgardefilm Film und Tagebuch Filmphilosophie New American Cinema Kamera als Lebensbegleiter Filmische Autobiografie Moderne europäische Filmkunst Subversive Filmkunst Experimental Film Avant-Garde Film Film and Diary Film Philosophy Camera as a Life Companion Film Autobiography Modern European Cinema |
| ISBN | 3-8467-6935-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto |
Front Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Inhalt -- Einleitung -- 1. Die Verknüpfung von Produktions- und Lebenszeit (Lost Lost Lost) -- 1.1 Rauh und unpoliert. Ästhetik und Politik eines Neuen Amerikanischen Films -- 1.1.1 Mit dem persönlichen Film gegen die mediale Selbstvergessenheit -- 1.1.2 Filmkunst und die Berufung auf den Amateur -- 1.1.3 Mekas' Notizen zum Neuen Amerikanischen Film von 1962 -- 1.2 Lost Lost Lost. Der initiale Riss und das subversive Potenzial migrantischer Blicke -- 1.2.1.Festhalten..Fragmente.eines.Dokumentarfilms.über.die.litauische.Exilgemeinschaft (Reel 1, Reel 2) -- 1.2.2 Loslassen und Reagieren. Die Gegenwart des Drehs (Reel 3, Reel 4) -- 1.2.3.Die.Intensivierung.des.(gefilmten).Augenblicks.(Reel 5) -- 1.2.4.Filmende.Gemeinschaft,.Direct.Cinema.und.ein.filmisches.Unabhängigkeits-Manifest (Reel 6) -- 1.2.5.Das.doppelte.Ende..Die.eigene.filmische.Handschrift.als.Ausdruck.von Korrespondenz -- 1.3 Von den Alibifiguren zu den eingestandenen Protagonist:innen eines persönlichen Films -- 2. Filmtagebuch und die radikale Zeitlichkeit des Lebens (Walden) -- 2.1 Koinzidenz und Kontaktaufnahme. Die (Un-)Mittelbarkeit des filmischen Tagebucheintrags -- 2.2 Tagwerk und Nachtschichten. Das (glückliche) Leben als Laboratorium des Films -- 2.3 Das rigorose Zeitregime des Kinos -- 2.3.1 Die Gegenwartsform oder (Einzel-)Bilder am laufenden Band -- 2.3.2 Notes.on.a.Circus..Transformation.eines.vorfilmischen.Spektakels -- 2.3.3 Apparatur und Rhapsodie -- 2.3.4 Die Arbeit des Todes: Final Cut (Pasolini) versus Montage in der Kamera (Mekas) -- 2.4 Zum Terrain der Unabhängigen: Jonas Mekas und Henry David Thoreau -- 2.4.1 Erbauliche Tätigkeiten: vom Wohnen, Schreiben (und Filmen) -- 2.4.2 Benachbarn und Kontaktaufnehmen: vom anhaltenden Akt, sich einzugliedern.
2.4.3.Walden.als.Fabrikation.des.Gehens:.eine.filmische.Unterwanderung.des städtischen Raums -- 3. Das Glänzen des Unscheinbaren (As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty) -- 3.1 Einsichten und Sinnesreize - die Frage nach dem Sinn (des Lebens) -- 3.1.1 Filmen gegen den Abgrund der Innerlichkeit -- 3.1.2.Außer.sich,.in.der.sinnlichen.Fülle.des.Lebens -- 3.2 Gesteigerte Sichtbarkeit: die Produktion und Rezeption von Glimpses -- 3.2.1 Korrespondenzen zwischen Subjekt und Objekt des Blickens/Glänzens -- 3.2.2.Geglückte.Ergebnisse.des.Zufalls -- 3.2.3 Gegenlichter -- 3.2.4.Gegenwartseffekte:.Belichtungen.und.Zeitsprünge -- 3.2.5 Direkte (Augen-)Blicke -- 3.3 Der Wert des Unbeschwerten vor dem Hintergrund des Grauens -- 3.3.1 Das Abenteuer („cela qui m'advient") -- 3.3.2 Übersehenes und Common Places -- 3.3.3 Die kleine Form -- 3.3.4 Losgelöst: Suspendierte Augenblicke -- Dank -- Back Cover. |
| Record Nr. | UNINA-9911018846903321 |
Kuhn Eva
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| Paderborn, : Brill | Fink, 2025 | ||
| Lo trovi qui: Univ. Federico II | ||
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