Acting Indie [[electronic resource] ] : Industry, Aesthetics, and Performance / / by Cynthia Baron, Yannis Tzioumakis |
Autore | Baron Cynthia |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (xii, 347 pages) : illustrations |
Disciplina | 791.430280922 |
Collana | Palgrave Studies in Screen Industries and Performance |
Soggetto topico |
Motion picture acting
Motion pictures Screen Performance Film/TV Industry |
ISBN | 1-137-40863-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910483320103321 |
Baron Cynthia
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London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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American Televangelism and Participatory Cultures : Fans, Brands, and Play With Religious "Fakes" / / by Denis J. Bekkering |
Autore | Bekkering Denis J |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (233 pages) |
Disciplina |
269.260973
261.52 |
Collana | Contemporary Religion and Popular Culture |
Soggetto topico |
Religion and sociology
Motion pictures Religion and Society Sociology of Religion Film/TV Industry |
ISBN | 3-030-00575-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction -- 2. Robert Tilton, Ironic Fans, and Fake Religions -- 3. A Fan Club, a Fart Tape, and a Tabloid Scandal -- 4. From the Margins to the Mainstream: Recreational Christianity and a Viral Rebranding -- 5. Tammy Faye Bakker, Campy Fandom, and Ludicrous Tragedy -- 6. The Eyes of Tammy Faye and a Complicated Rebranding -- 7. Conclusion. |
Record Nr. | UNINA-9910300621603321 |
Bekkering Denis J
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
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Lo trovi qui: Univ. Federico II | ||
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BBC Wildlife Documentaries in the Age of Attenborough / / by Jean-Baptiste Gouyon |
Autore | Gouyon Jean-Baptiste |
Edizione | [1st ed. 2019.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
Descrizione fisica | 1 online resource (X, 261 p. 1 illus.) |
Disciplina |
301
791.45094109045 |
Collana | Palgrave Studies in Science and Popular Culture |
Soggetto topico |
Culture—Study and teaching
Documentary films Ethnology—Europe Motion pictures Animal ecology Popular Science in Cultural and Media Studies Documentary British Culture Film/TV Industry Animal Ecology |
ISBN | 3-030-19982-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction -- 2. Live from Alexandra Palace, wildlife comes to television -- 3. David Attenborough: the early years. Fashioning zoological expertise on screen -- 4. Wildlife television, empathy and the end of the British Empire -- 5. Wildlife television and progressivism in 1960s Britain. Rise of the professional broadcaster and downfall of the amateur naturalist filmmaker -- 6. Showcasing science, showcasing nature on BBC2 -- 7. From Oxford to Bristol and back. the invention of scientific wildlife television -- 8. Oxford Scientific Films. From fieldcraft to filmcraft -- 9. Life on Earth and beyond. Producing the wildlife blockbuster -- 10. Afterword. |
Record Nr. | UNINA-9910485000603321 |
Gouyon Jean-Baptiste
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
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Lo trovi qui: Univ. Federico II | ||
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The British Cinema Boom, 1909–1914 [[electronic resource] ] : A Commercial History / / by Jon Burrows |
Autore | Burrows Jon |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (XI, 242 p. 5 illus.) |
Disciplina | 791.430941 |
Soggetto topico |
Motion pictures—Great Britain
Great Britain—History Motion pictures—History Motion pictures British Cinema and TV History of Britain and Ireland Film History Film/TV Industry |
Soggetto genere / forma | History |
ISBN | 1-137-39677-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction -- 2. Capital -- 3. Constraints -- 4. Turnover -- 5. Suppliers -- 6. Conclusion. |
Record Nr. | UNINA-9910255086503321 |
Burrows Jon
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London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 | ||
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Lo trovi qui: Univ. Federico II | ||
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British Women Film Directors in the New Millennium [[electronic resource] /] / by Stella Hockenhull |
Autore | Hockenhull Stella |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (XI, 264 p. 5 illus. in color.) |
Disciplina | 306.0941 |
Soggetto topico |
Ethnology—Europe
Culture Gender Motion pictures—Production and direction Motion pictures Motion pictures—Great Britain British Culture Culture and Gender Directing Film/TV Industry British Cinema and TV |
ISBN | 1-137-48992-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Women and British cinema funding: from the UKFC to creative England -- Women directors and documentary cinema -- Women directors and poetic realism -- Popular cinema from a female perspective -- Alternatives to mainstream and classic modes of narration -- Conclusion. |
Record Nr. | UNINA-9910255062403321 |
Hockenhull Stella
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London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 | ||
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Lo trovi qui: Univ. Federico II | ||
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Critical Essays on Twin Peaks: The Return / / edited by Antonio Sanna |
Edizione | [1st ed. 2019.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
Descrizione fisica | 1 online resource (303 pages) |
Disciplina | 791.4572 |
Soggetto topico |
Popular Culture
Film genres Motion pictures Genre Close Reading Film/TV Industry |
ISBN | 3-030-04798-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Part I. In the Real World: History, Technology and Fandom -- 1. Entering the World of Twin Peaks (Antonio Sanna) -- 2. Is It Happening Again? Twin Peaks and ‘The Return’ of History (Matthew Ellis and Tyler Theus) -- 3. Extraterrestrial Intelligences in the Atomic Age: Exploring the Rhetorical Function of Aliens and the ‘Alien’ in the Twin PeaksUniverse (Elizabeth Lowry) -- 4. Lucy Finally Understands How Cellphones Work: Ambiguous Digital Technologies in Twin Peaks: The Return and its Fan Communities (Jeffrey Fallis and T. Kyle King) -- 5. ‘The owls are not what they meme’: Making Sense of Twin Peaks with Internet Memes (Brigid Cherry) -- 6. ‘Is it about the bunny? No, it’s not about the bunny!’: David Lynch’s Fandom and Trolling of Peak TV Audiences (David McAvoy) -- Part II. In the Lodges: Subjectivity and (Un)Realism -- 7. ‘Between Two Mysteries’: Intermediacy in Twin Peaks: The Return (Thomas Britt) -- 8. ‘My Log has a Message For You,’ or, Vibrant Matter and Twin Peaks: On Thing-Power and Subjectivity (Anthony Ballas) -- 9. ‘Here’s to the pie that saved your life, Dougie:’ The Weird Realism of Twin Peaks (Ryan Coogan) -- 10. Movement in the Box: The Production of Surreal Social Space and the Alienated Body (Joel Hawkes) -- 11. How Mark Frost’s Twin Peaks Books Clarify and Confound the Nature of Reality (Donald McCarthy) -- 12. Copy of a Copy of a Copy: Theorizing the Triplicity of Self and Otherness in Season Three of Twin Peaks (Kwasu David Tembo) -- Part III. Inside the Psyche: Trauma, Dreams and Music -- 13. From Lost Highway to Twin Peaks: Representations of Trauma and Transformation in Lynch’s Late Works (Timothy William Galow) -- 14. Kafka’s Crime Film: Twin Peaks: The Return and the Brotherhood of Lynch and Kafka (Adam Daniel) -- 15. Who is the Dreamer? (Michael Potter and Cam Cobb) -- 16. Is it the Wind in the Tall Trees or Just the Distant Buzz of Electricity?: Sound and Music as Portent in Twin Peaks’ Season Three (Andrew T. Burt) -- 17. ‘Listen to the Sounds’: Sound and Storytelling in Twin Peaks: The Return (Kingsley Marshall and Rupert Loydell) -- 18. ‘I’ll point you to a better time/A safer place to be’: Music, Nostalgia and Estrangement in Twin Peaks: The Return (David Sweeney). |
Record Nr. | UNINA-9910484231803321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
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Lo trovi qui: Univ. Federico II | ||
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Cult Media : Re-packaged, Re-released and Restored / / edited by Jonathan Wroot, Andy Willis |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (XI, 227 p. 7 illus. in color.) |
Disciplina | 791.43653 |
Soggetto topico |
Motion pictures
Communication Motion pictures - Production and direction Film/TV Technology Film/TV Industry Media Studies Film and TV Production |
ISBN | 3-319-63679-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction – Jonathan Wroot and Andy Willis -- 2. I – The Cult Business: Creating Consumption: Jonathan Wroot, ‘Battle Royale as a One Film Franchise: Charting a Commercial Cult Phenomenon through DVD and Blu-ray releases’ -- 3. Mark McKenna, ‘Whose Canon is it Anyway?: Subcultural Capital, Cultural Distinction and Value in High Art and Low Culture Film Distribution’ -- 4. Matt Hills, ‘A “Cult-like” Following: Nordic Noir, Nordicana and Arrow Films’ Bridging of Subcultural/Neocultural Capital’ -- 5. Lee Broughton, ‘Restoration, Restoration, Restoration: charting the changing appearance of The Good, the Bad and the Ugly on British home video’ -- 6. Katie Barnett, ‘It’s Only Teenage Wasteland: The Home Media Revival of Freaks and Geeks’ -- 7. II – Cult Practices: The Consumption and Reception of Cult Media: E.W. Nikdel, ‘Cult Fandom and Experiential Cinema’ -- 8. Virginia Crisp, ‘Pirates and Proprietary Rights: Perceptions of ‘Ownership’ and Media Objects within Filesharing Communities’ -- 9. E. Charlotte Stevens, ‘On Vidding: The Home Media Archive and Vernacular Historiography’ -- 10. Oliver Carter and Simon Barber, ‘The Dragon Lives Again: Distributing “Bruceploitation” via Home Entertainment’ -- 11. Rayna Denison, ‘Bollywood DVD: The Relationship between Distributive Technology and Content in Transnational Cinema’ -- 12. Fraser Elliot, ‘The Sustained Popularity of In the Mood for Love: Cultural Consumption in Britain's Reception Context’. . |
Record Nr. | UNINA-9910255072703321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
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Lo trovi qui: Univ. Federico II | ||
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Cultural Diversity in the French Film Industry : Defending the Cultural Exception in a Digital Age / / by Sarah Walkley |
Autore | Walkley Sarah |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (286 pages) |
Disciplina | 305.8 |
Collana | New Directions in Cultural Policy Research |
Soggetto topico |
Cultural policy
Mass media—Political aspects Motion pictures—European influences Motion pictures Cultural Policy and Politics Media Policy European Cinema and TV Film/TV Industry |
ISBN | 3-319-96923-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | List of figures -- List of tables -- Table of abbreviations -- 1. Introduction -- 2. Influence & identity: French motivation for defending cultural diversity -- 3. French film policy: Principles and practice -- 4. The trade and culture clash: The background to the current stalemate -- 5. The digital revolution: Evolving demand v. consistent policy making -- 6. Cultural diversity re-examined: The case for rethinking French film policy -- 7. The market test: Assessing cultural policy and cultural diversity in France -- 8. Conclusion -- Appendix -- Index. |
Record Nr. | UNINA-9910300026903321 |
Walkley Sarah
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
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Lo trovi qui: Univ. Federico II | ||
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Disability media work [[electronic resource] ] : opportunities and obstacles / / by Katie Ellis |
Autore | Ellis Katie |
Edizione | [1st ed. 2016.] |
Pubbl/distr/stampa | New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Pivot, , 2016 |
Descrizione fisica | 1 online resource (XIII, 131 p.) |
Disciplina | 302.23 |
Soggetto topico |
Communication
Motion pictures People with disabilities Social structure Equality Cultural policy Media and Communication Film/TV Industry Disability Studies Social Structure, Social Inequality Cultural Policy and Politics |
ISBN | 1-137-52871-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1: ‘It’s hugely important’: The un/employment of people with disability in the media -- Chapter 2: The media industry is competitive and cut-throat: Taking a subject-centred approach to media education -- Chapter 3: Newsrooms to now media: Disabled journalists -- Chapter 4: The industry’s response: From broadcast to alternative and community media -- Chapter 5: A collective phew: Disability acting -- Chapter 6: Digital disability media disclosure: The business of blogging and web series diversity -- Chapter 7: Disability participation in the media: New directions for research. |
Record Nr. | UNINA-9910155635503321 |
Ellis Katie
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New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Pivot, , 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
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Documentary Film Festivals Vol. 1 : Methods, History, Politics / / edited by Aida Vallejo, Ezra Winton |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (316 pages) : illustrations |
Disciplina |
791.43079
791.436 |
Collana | Framing Film Festivals |
Soggetto topico |
Motion pictures
Documentary films Culture Global Cinema and TV Documentary Film/TV Industry Global/International Culture |
ISBN | 3-030-17320-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction: Documentary Film Festivals; Aida Vallejo and Ezra Winton -- 2. Defining Documentary in the Festival Circuit: A Conversation with Bill Nichols; Aida Vallejo -- Part I: Research and Methods -- 3. Film Festival Research Workshops: Debates on Methodology; Skadi Loist -- 4. The Data-driven Festival: Recordkeeping and Archival Practices; Heather L. Barnes -- Part II. Histories and Origins -- 5. The Rise of Documentary Festivals: A Historical Approach; Aida Vallejo -- 6. The Film Festival as a Vehicle for Memory Officialization: The Afterlife of WWII in the Yugoslav Documentary and Short Film Festival, 1954–2004; Dunja Jelenkovic -- 7. Forging a Cultural Elite: Nyon and the Age of Programmers; Christian Jungen -- 8. Finding a Position on the Global Map of Film Festivals: The Yamagata International Documentary Film Festival; Eija Niskanen -- Part III: Politics and Policies -- 9. The Independent and Underground Film Festival: The Case of DOChina; Tit Leung Cheung -- 10. Mainstreaming Documentary and Activism at Toronto’s Hot Docs Festival; Ezra Winton -- 11. The Development of Documentary Film Festivals in India: A Small-media Phenomenon; Giulia Battaglia -- 12. Found in Translation: Film Festivals, Documentary, and the Preservation of Linguistic Diversity; Antía López-Gómez, Aida Vallejo, María Soliña Barreiro, and Amanda Paz Alencar. |
Record Nr. | UNINA-9910484714103321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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