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Beyoncé in formation : remixing black feminism / / Omise'eke Natasha Tinsley
| Beyoncé in formation : remixing black feminism / / Omise'eke Natasha Tinsley |
| Autore | Tinsley Omise'eke Natasha <1971-> |
| Pubbl/distr/stampa | Austin : , : University of Texas, , 2018 |
| Descrizione fisica | 1 online resource (215 pages) |
| Disciplina | 782.42164092 |
| Soggetto topico |
African American women singers
African American feminists Feminism and music |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4773-1771-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: for the Texas bama femme -- Family album: making lemonade out of marriage, motherhood, and southern tradition -- Queen bee blues -- Mama said shoot -- Most bomb pussy: toward a black feminist pleasure politics -- Love the grind -- Unapologetically femme -- Calling for freedom: black women's activism in the US south -- Freedom, too -- I came to slay -- Outro: I know Beyoncé loves black femmes. |
| Record Nr. | UNINA-9910466582403321 |
Tinsley Omise'eke Natasha <1971->
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| Austin : , : University of Texas, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Beyoncé in formation : remixing black feminism / / Omise'eke Natasha Tinsley
| Beyoncé in formation : remixing black feminism / / Omise'eke Natasha Tinsley |
| Autore | Tinsley Omise'eke Natasha <1971-> |
| Pubbl/distr/stampa | Austin : , : University of Texas, , 2018 |
| Descrizione fisica | 1 online resource (215 pages) |
| Disciplina | 782.42164092 |
| Soggetto topico |
African American women singers
African American feminists Feminism and music |
| ISBN |
1-4773-1772-4
1-4773-1771-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: for the Texas bama femme -- Family album: making lemonade out of marriage, motherhood, and southern tradition -- Queen bee blues -- Mama said shoot -- Most bomb pussy: toward a black feminist pleasure politics -- Love the grind -- Unapologetically femme -- Calling for freedom: black women's activism in the US south -- Freedom, too -- I came to slay -- Outro: I know Beyoncé loves black femmes. |
| Record Nr. | UNINA-9910793135803321 |
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Tinsley Omise'eke Natasha <1971->
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||
| Austin : , : University of Texas, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Beyoncé in formation : remixing black feminism / / Omise'eke Natasha Tinsley
| Beyoncé in formation : remixing black feminism / / Omise'eke Natasha Tinsley |
| Autore | Tinsley Omise'eke Natasha <1971-> |
| Pubbl/distr/stampa | Austin : , : University of Texas, , 2018 |
| Descrizione fisica | 1 online resource (215 pages) |
| Disciplina | 782.42164092 |
| Soggetto topico |
African American women singers
African American feminists Feminism and music |
| ISBN |
1-4773-1772-4
1-4773-1771-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: for the Texas bama femme -- Family album: making lemonade out of marriage, motherhood, and southern tradition -- Queen bee blues -- Mama said shoot -- Most bomb pussy: toward a black feminist pleasure politics -- Love the grind -- Unapologetically femme -- Calling for freedom: black women's activism in the US south -- Freedom, too -- I came to slay -- Outro: I know Beyoncé loves black femmes. |
| Record Nr. | UNINA-9910821391103321 |
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Tinsley Omise'eke Natasha <1971->
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||
| Austin : , : University of Texas, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Beyoncé in the World [[e-book] ] : Making Meaning with Queen Bey in Troubled Times / / edited by Christina Baade and Kristin McGee ; foreword by Janelle Hobson
| Beyoncé in the World [[e-book] ] : Making Meaning with Queen Bey in Troubled Times / / edited by Christina Baade and Kristin McGee ; foreword by Janelle Hobson |
| Edizione | [[First.].] |
| Pubbl/distr/stampa | Middletown : , : Wesleyan University Press, , 2021 |
| Descrizione fisica | 1 online resource |
| Disciplina | 782.42164092 |
| Collana | Music/culture |
| Soggetto topico |
Sex in music
Popular music Feminism and music Art appreciation African American women in popular culture Popular music - History and criticism |
| Soggetto genere / forma | Criticism, interpretation, etc. |
| ISBN | 0-8195-7991-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction. Beyonce Studies / Christina Baade, Marquita Smith, and Kristin McGee -- PART ONE. "DIVA" / BLACK FEMINIST GENEALOGIES. "I Came to Slay" : The Knowles Sisters, Black Feminism, and the Lineage of Black Female Cool / H. Zahra Caldwell ; From Colorism to Conjurings : Tracing the Dust in Beyonce's Lemonade / Cienna Davis -- PART TWO. "FORMATION" / A SOUTHERN TURN. Beyonce's South and a "Formation" Nation Riche Richardson / Merging Past and Present in Lemonade's Black Feminist Utopia / J. Brendan Shaw -- PART THREE. "XO" / FAITH AND FANDOM. At the Digital Cross(roads) with Beyonce : Gospel Covers That Remix the Risque into the Religious / Birgitta J. Johnson ; "She Made Me Understand" : How Lemonade Raised the Intersectional Consciousness of Beyonce's International Fans / Rebecca J. Sheehan -- PART FOUR. "WORLDWIDE WOMAN" / BEYONCÉ'S RECEPTION BEYOND THE UNITED STATES. The Performative Negotiations of Beyonce in Brazilian Bodies and the Construction of the Pop Diva in Ludmilla's Funk Carioca and Gaby Amarantos's Tecnobrega / Simone Pereira de Sá and Thiago Soares ; A Critical Analysis of White Ignorance Within Beyonce's Online Reception in the Spanish Context / Elena Herrera Quintana -- PART FIVE. "HOLD UP" / PERFORMING FEMME AFFINITY AND DISSENT. Six-Inch Heels and Queer Black Femmes : Beyonce and Black Trans Women / Jared Mackley-Crump and Kirsten Zemke ; From "Say My Name" to "Texas Bamma" : Transgressive Topoi, Oppositional Optics, and Sonic Subversion in Beyonce's "Formation" / Byron B Craig and Stephen E. Rahko -- PART SIX. "FREEDOM" / SOUNDING PROTEST, HEARING POLITICS. The Deformed Musical Forms of Beyonce's Celebrity Activism / Annelot Prins and Taylor Myers ; Beyonce's Black Feminist Critique : Multimodal Intertextuality and Intersectionality in "Sorry" / Rebekah Hutten and Lori Burns -- PART SEVEN. "PRAY YOU CATCH ME" / HEALING AND COMMUNITY. Beyond "Becky with the Good Hair" : Hair and Beauty in Beyonce's "Sorry" / Kristin Denise Rowe ; The Livable, Surviving, and Healing Poetics of Lemonade : A Black Feminist Futurity in Action / Mary Senyonga. |
| Record Nr. | UNINA-9910838210603321 |
| Middletown : , : Wesleyan University Press, , 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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A century of composition by women : music against the odds / / Linda Ioanna Kouvaras, Maria Grenfell, Natalie Williams, editors
| A century of composition by women : music against the odds / / Linda Ioanna Kouvaras, Maria Grenfell, Natalie Williams, editors |
| Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2022] |
| Descrizione fisica | 1 online resource (450 pages) |
| Disciplina | 780.82 |
| Soggetto topico |
Feminism and music
Music by women composers Women composers |
| ISBN | 3-030-95557-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1 Introduction: Composing Womens (Very) Long 100-year Fight: Evolutions, Illuminations, Solutions, Linda Kouvaras -- Part I Creative WorkThen and Now -- Chapter 2 Synaesthetic Associations and Gendered Nature Imagery: Female Agency in the Piano Music of Amy Beach, Sabrina Clarke -- Chapter 3 "Australian Bush Songs " Bas Multimodal Discourse: The Remarkable Collaboration of Ida Rentoul Outhwaite, Annie Rentoul, and Georgette Peterson, Johanna Selleck -- Chapter 4 The 1940s Australian Ballet that Far Outstripped ... Swan Lake in Popular Appeal : Esther Rofes Ground-Breaking Ballet, Sea Legend, Emma Townsend -- Chapter 5 Italians, Indians and Indigenous People: Innovative Themes and Materials Found in the Operas of Early-C20th Australian Women Composers, Jeanell Carrigan -- Chapter 6 "Conjuring Up the Magic" Helen Giffords Compositional Passage to the Creation of Fable for Solo Harp, Jacinta Dennett -- Chapter 7 Of Broken Trees and Elephant Ivories: The Revivification of the Colonial Piano Manifested Through a New Work by Catherine Milliken, Gabriella Smart -- Chapter 8 Beyond Exploitation: Feminist Satire in Jennifer Walshe's XXX_LIVE_NUDE_GIRLS!!!, Jaslyn Robertson -- Chapter 9 Hildegards Daughters: Women Composers "Overcoming Their Astonishment ', Natalie Williams -- Chapter 10 Is the Category of the "Woman Artist " BStill Helpful?, Susan Best -- Part II The State of the Industry in the Present Day -- Chapter 11 "Dear Women Composers in Australia (and Beyond)" : A Letter from a Music Critic), Rosalind Appleby -- Chapter 12 Programming Orchestral Repertoire by Women Composers: Challenges and Opportunity, Joanna Drimatis -- Chapter 13 Troubleshooting Gender in the Australian Screen Music Industry: An Insider Perspective, Felicity Wilcox -- Chapter 14 Programming with Gender Parity in Call-Based New Music Festivals, Alice Bennett -- Chapter 15 Mentoring Emerging Women Composers, Maria Grenfell -- Chapter 16 Content Targets Work: A Practical Example of Changing Behaviours and Processes in Programming Women Composers, Naomi Johnson and Matthew Dewey -- Chapter 17 Working Towards Gender Equality and Empowerment in Australian Music Culture, Cat Hope -- Part III Creating; Collaborating: Composer and Performer Reflections -- Chapter 18 The Book of Daughters and The Sonic aGender Guitar Project: Inclusivity as Guiding Principle, Lisa MacKinney -- Chapter 19 When We Speak: Creating "Something Personal" in a Three-Level Collaboration, Lisa Cheney -- Chapter 20 "It Gently Makes Itself Known... : A Composer and a Violist Discuss their Collaboration on Cranes, Phoebe Green -- Chapter 21 Childrens Opera in the Twenty-First Century: The Child-Centred Approach to Writing, Emma Jayakumar -- Chapter 22 Making Music in A Chorus of Women, Glenda Cloughley and Johanna McBride. |
| Record Nr. | UNINA-9910586576703321 |
| Cham, Switzerland : , : Palgrave Macmillan, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Feminine endings [[electronic resource] ] : music, gender, and sexuality / / Susan McClary ; with a new introduction
| Feminine endings [[electronic resource] ] : music, gender, and sexuality / / Susan McClary ; with a new introduction |
| Autore | McClary Susan |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, 2002 |
| Descrizione fisica | 1 online resource (242 p.) |
| Disciplina | 780/.82 |
| Soggetto topico |
Feminism and music
Sex in music |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-8166-1898-4
0-8166-9505-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Acknowledgments; Feminine Endings in Retrospect; 1. Introduction: A Material Girl in Bluebeard's Castle; 2. Constructions of Gender in Monteverdi's Dramatic Music; 3. Sexual Politics in Classical Music; 4. Excess and Frame: The Musical Representation of Madwomen; 5. Getting Down Off the Beanstalk: The Presence of a Woman's Voice in Janika Vandervelde's Genesis II; 6. This Is Not a Story My People Tell: Musical Time and Space According to Laurie Anderson; 7. Living to Tell: Madonna's Resurrection of the Fleshly; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U
VW; Y; Z |
| Record Nr. | UNISA-996248051803316 |
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McClary Susan
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| Minneapolis, : University of Minnesota Press, 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Feminine endings [[electronic resource] ] : music, gender, and sexuality / / Susan McClary ; with a new introduction
| Feminine endings [[electronic resource] ] : music, gender, and sexuality / / Susan McClary ; with a new introduction |
| Autore | McClary Susan |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, 2002 |
| Descrizione fisica | 1 online resource (242 p.) |
| Disciplina | 780/.82 |
| Soggetto topico |
Feminism and music
Sex in music |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-8166-1898-4
0-8166-9505-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Acknowledgments; Feminine Endings in Retrospect; 1. Introduction: A Material Girl in Bluebeard's Castle; 2. Constructions of Gender in Monteverdi's Dramatic Music; 3. Sexual Politics in Classical Music; 4. Excess and Frame: The Musical Representation of Madwomen; 5. Getting Down Off the Beanstalk: The Presence of a Woman's Voice in Janika Vandervelde's Genesis II; 6. This Is Not a Story My People Tell: Musical Time and Space According to Laurie Anderson; 7. Living to Tell: Madonna's Resurrection of the Fleshly; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U
VW; Y; Z |
| Record Nr. | UNINA-9910452744603321 |
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McClary Susan
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| Minneapolis, : University of Minnesota Press, 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Feminine endings [[electronic resource] ] : music, gender, and sexuality / / Susan McClary ; with a new introduction
| Feminine endings [[electronic resource] ] : music, gender, and sexuality / / Susan McClary ; with a new introduction |
| Autore | McClary Susan |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, 2002 |
| Descrizione fisica | 1 online resource (242 p.) |
| Disciplina | 780/.82 |
| Soggetto topico |
Feminism and music
Sex in music |
| ISBN |
0-8166-1898-4
0-8166-9505-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Acknowledgments; Feminine Endings in Retrospect; 1. Introduction: A Material Girl in Bluebeard's Castle; 2. Constructions of Gender in Monteverdi's Dramatic Music; 3. Sexual Politics in Classical Music; 4. Excess and Frame: The Musical Representation of Madwomen; 5. Getting Down Off the Beanstalk: The Presence of a Woman's Voice in Janika Vandervelde's Genesis II; 6. This Is Not a Story My People Tell: Musical Time and Space According to Laurie Anderson; 7. Living to Tell: Madonna's Resurrection of the Fleshly; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U
VW; Y; Z |
| Record Nr. | UNINA-9910782191303321 |
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McClary Susan
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| Minneapolis, : University of Minnesota Press, 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Feminine endings : music, gender, and sexuality / / Susan McClary ; with a new introduction
| Feminine endings : music, gender, and sexuality / / Susan McClary ; with a new introduction |
| Autore | McClary Susan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, 2002 |
| Descrizione fisica | 1 online resource (242 p.) |
| Disciplina | 780/.82 |
| Soggetto topico |
Feminism and music
Sex in music |
| ISBN |
0-8166-1898-4
0-8166-9505-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Acknowledgments; Feminine Endings in Retrospect; 1. Introduction: A Material Girl in Bluebeard's Castle; 2. Constructions of Gender in Monteverdi's Dramatic Music; 3. Sexual Politics in Classical Music; 4. Excess and Frame: The Musical Representation of Madwomen; 5. Getting Down Off the Beanstalk: The Presence of a Woman's Voice in Janika Vandervelde's Genesis II; 6. This Is Not a Story My People Tell: Musical Time and Space According to Laurie Anderson; 7. Living to Tell: Madonna's Resurrection of the Fleshly; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U
VW; Y; Z |
| Record Nr. | UNINA-9910806268203321 |
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McClary Susan
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| Minneapolis, : University of Minnesota Press, 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Girls rock! : fifty years of women making music / / Mina Carson, Tisa Lewis, Susan M. Shaw ; with a foreword by Jennifer Baumgardner and Amy Richards
| Girls rock! : fifty years of women making music / / Mina Carson, Tisa Lewis, Susan M. Shaw ; with a foreword by Jennifer Baumgardner and Amy Richards |
| Autore | Carson Mina Julia |
| Pubbl/distr/stampa | Lexington, Kentucky : , : The University Press of Kentucky, , 2004 |
| Descrizione fisica | 1 online resource (272 p.) |
| Disciplina | 781.66/082 |
| Soggetto topico |
Women rock musicians
Feminism and music Rock music - History and criticism Music - Social aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-8131-2904-4
0-8131-5010-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Girls with guitars -- Sex, race, and rock'n'roll -- The singer and the song -- The girls in the band -- Imagine my surprise! : the women's music movement -- Who's that girl? : women and image in rock 'n'roll -- The business -- Survival : ("pretty good for a girl"). |
| Record Nr. | UNINA-9910459635203321 |
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Carson Mina Julia
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| Lexington, Kentucky : , : The University Press of Kentucky, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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