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Assaig de teatre
| Assaig de teatre |
| Pubbl/distr/stampa | Barcelona, : Associació d'Investigació i Experimentació Teatral |
| Descrizione fisica | 1 online resource |
| Soggetto topico |
Theater - Spain - Catalonia
Theater Theater - Latin America Experimental theater - Spain - Catalonia Experimental theater |
| ISSN | 2339-9783 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | cat |
| Record Nr. | UNINA-9910146040303321 |
| Barcelona, : Associació d'Investigació i Experimentació Teatral | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Avant garde theatre, 1892-1992 / / Christopher Innes
| Avant garde theatre, 1892-1992 / / Christopher Innes |
| Autore | Innes C. D. |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 1993 |
| Descrizione fisica | vii, 266 p. : ill |
| Disciplina | 809.2/04 |
| Altri autori (Persone) | InnesC. D |
| Soggetto topico |
Drama - 20th century - History and criticism
Experimental theater |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-415-06517-8
1-280-02091-1 0-203-35937-2 1-134-92089-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | chapter 1 INTRODUCTION -- chapter 2 THE POLITICS OF PRIMITIVISM -- chapter 3 DREAMS, ARCHETYPES AND THE IRRATIONAL -- chapter 4 THERAPY AND SUBLIMINAL THEATRE -- chapter 5 ANTONIN ARTAUD AND THE THEATRE OF CRUELTY -- chapter 6 RITUAL AND ACTS OF COMMUNION -- chapter 7 BLACK MASSES AND CEREMONIES OF NEGATION -- chapter 8 MYTH AND THEATRE LABORATORIES -- chapter 9 SECULAR RELIGIONS AND PHYSICAL SPIRITUALITY -- chapter 10 ANTHROPOLOGY, ENVIRONMENTAL THEATRE AND SEXUAL REVOLUTION -- chapter 11 INTERCULTURALISM AND EXPROPRIATING THE CLASSICS -- chapter 12 FROM THE MARGINS TO MAINSTREAM. |
| Record Nr. | UNINA-9910450827303321 |
Innes C. D.
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| London ; ; New York : , : Routledge, , 1993 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Avant garde theatre, 1892-1992 / / Christopher Innes
| Avant garde theatre, 1892-1992 / / Christopher Innes |
| Autore | Innes C. D. |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 1993 |
| Descrizione fisica | vii, 266 p. : ill |
| Disciplina | 809.2/04 |
| Altri autori (Persone) | InnesC. D |
| Soggetto topico |
Drama - 20th century - History and criticism
Experimental theater |
| ISBN |
1-134-92088-1
0-415-06517-8 1-280-02091-1 0-203-35937-2 1-134-92089-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | chapter 1 INTRODUCTION -- chapter 2 THE POLITICS OF PRIMITIVISM -- chapter 3 DREAMS, ARCHETYPES AND THE IRRATIONAL -- chapter 4 THERAPY AND SUBLIMINAL THEATRE -- chapter 5 ANTONIN ARTAUD AND THE THEATRE OF CRUELTY -- chapter 6 RITUAL AND ACTS OF COMMUNION -- chapter 7 BLACK MASSES AND CEREMONIES OF NEGATION -- chapter 8 MYTH AND THEATRE LABORATORIES -- chapter 9 SECULAR RELIGIONS AND PHYSICAL SPIRITUALITY -- chapter 10 ANTHROPOLOGY, ENVIRONMENTAL THEATRE AND SEXUAL REVOLUTION -- chapter 11 INTERCULTURALISM AND EXPROPRIATING THE CLASSICS -- chapter 12 FROM THE MARGINS TO MAINSTREAM. |
| Record Nr. | UNINA-9910784728403321 |
|
Innes C. D.
|
||
| London ; ; New York : , : Routledge, , 1993 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Avant garde theatre, 1892-1992 / / Christopher Innes
| Avant garde theatre, 1892-1992 / / Christopher Innes |
| Autore | Innes Christopher <1941-> |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | London ; ; New York, : Routledge, 1993 |
| Descrizione fisica | vii, 266 p. : ill |
| Disciplina | 809.2/04 |
| Altri autori (Persone) | InnesChristopher <1941-> |
| Soggetto topico |
Drama - 20th century - History and criticism
Experimental theater |
| ISBN |
1-134-92088-1
0-415-06517-8 1-280-02091-1 0-203-35937-2 1-134-92089-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | chapter 1 INTRODUCTION -- chapter 2 THE POLITICS OF PRIMITIVISM -- chapter 3 DREAMS, ARCHETYPES AND THE IRRATIONAL -- chapter 4 THERAPY AND SUBLIMINAL THEATRE -- chapter 5 ANTONIN ARTAUD AND THE THEATRE OF CRUELTY -- chapter 6 RITUAL AND ACTS OF COMMUNION -- chapter 7 BLACK MASSES AND CEREMONIES OF NEGATION -- chapter 8 MYTH AND THEATRE LABORATORIES -- chapter 9 SECULAR RELIGIONS AND PHYSICAL SPIRITUALITY -- chapter 10 ANTHROPOLOGY, ENVIRONMENTAL THEATRE AND SEXUAL REVOLUTION -- chapter 11 INTERCULTURALISM AND EXPROPRIATING THE CLASSICS -- chapter 12 FROM THE MARGINS TO MAINSTREAM. |
| Record Nr. | UNINA-9910812728003321 |
|
Innes Christopher <1941->
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| London ; ; New York, : Routledge, 1993 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Bastard or playmate? : adapting theatre, mutating media and the contemporary performing arts / / edited by Robrecht Vanderbeeken [and others] [[electronic resource]]
| Bastard or playmate? : adapting theatre, mutating media and the contemporary performing arts / / edited by Robrecht Vanderbeeken [and others] [[electronic resource]] |
| Autore | Vanderbeeken Robrecht |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam University Press, 2012 |
| Descrizione fisica | 1 online resource (264 pages) : digital, PDF file(s) |
| Disciplina | 792.022 |
| Collana | Theater topics |
| Soggetto topico | Experimental theater |
| Soggetto non controllato |
theatre
Surveillance |
| ISBN | 90-485-1317-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : perhaps the medium-specificity of the contemporary performing arts is mutation? -- Theatre between performance and installation : three contemporary Belgian examples / Christophe Van Gerrewey -- The fourth wall, or the rift between citizen and government : another attempt at a conceptual synthesis of theatre and politics / Klaas Tindemans -- Using recorded images for political purposes / Nancy Delhalle -- A campsite for the avant-garde and a church in cyberspace : Christophe Schlingensief's dialogue with avant-gardism / Anna Teresa Scheer -- Echoes from the animist past / Abattoir Ferm?e's dark backward and abysm of time / Evelien Jonckheere -- Folding mutants or crumbling hybrids? : of looking baroque in contemporary theatre and performance / Jeroen Coppens -- Making Unmakeablelove : the relocation of theatre / Sarah Kenderdine and Jeffrey Shaw -- Witness protection? : surveillance technologies in theatrical performance / Elise Morrison -- The work of art in the age of its intermedial reproduction : Rimini Protokoll's Mnemopark / Katia Arfara -- Rimini Protokoll's theatricalization of reality / Frederik Le Roy -- Digital landscapes : the meta-picturesque qualities of Kurt d'Haeseleer's audiovisual sceneries / Nele Wynants -- The productivity of the prototype : on Julien Maire's 'cinema of contraptions' / Edwin Carels -- The theatre of recorded sound and film : vacating performance in Michael Curran's Look what they done to my song / Marco Pustianaz -- Doubled bodies and live loops : on Ragnar Kjartansson's mediatized performances / Eva Heisler -- Between solitaire and a basketball game : dramaturgical strategies in the work of Antonia Baehr / Tom Engels. |
| Record Nr. | UNINA-9910141843903321 |
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Vanderbeeken Robrecht
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| Amsterdam University Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Bastard or playmate? : adapting theatre, mutating media and the contemporary performing arts / / edited by Robrecht Vanderbeeken [and others] [[electronic resource]]
| Bastard or playmate? : adapting theatre, mutating media and the contemporary performing arts / / edited by Robrecht Vanderbeeken [and others] [[electronic resource]] |
| Autore | Vanderbeeken Robrecht |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam University Press, 2012 |
| Descrizione fisica | 1 online resource (264 pages) : digital, PDF file(s) |
| Disciplina | 792.022 |
| Collana | Theater topics |
| Soggetto topico | Experimental theater |
| Soggetto non controllato |
theatre
Surveillance |
| ISBN | 90-485-1317-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : perhaps the medium-specificity of the contemporary performing arts is mutation? -- Theatre between performance and installation : three contemporary Belgian examples / Christophe Van Gerrewey -- The fourth wall, or the rift between citizen and government : another attempt at a conceptual synthesis of theatre and politics / Klaas Tindemans -- Using recorded images for political purposes / Nancy Delhalle -- A campsite for the avant-garde and a church in cyberspace : Christophe Schlingensief's dialogue with avant-gardism / Anna Teresa Scheer -- Echoes from the animist past / Abattoir Ferm?e's dark backward and abysm of time / Evelien Jonckheere -- Folding mutants or crumbling hybrids? : of looking baroque in contemporary theatre and performance / Jeroen Coppens -- Making Unmakeablelove : the relocation of theatre / Sarah Kenderdine and Jeffrey Shaw -- Witness protection? : surveillance technologies in theatrical performance / Elise Morrison -- The work of art in the age of its intermedial reproduction : Rimini Protokoll's Mnemopark / Katia Arfara -- Rimini Protokoll's theatricalization of reality / Frederik Le Roy -- Digital landscapes : the meta-picturesque qualities of Kurt d'Haeseleer's audiovisual sceneries / Nele Wynants -- The productivity of the prototype : on Julien Maire's 'cinema of contraptions' / Edwin Carels -- The theatre of recorded sound and film : vacating performance in Michael Curran's Look what they done to my song / Marco Pustianaz -- Doubled bodies and live loops : on Ragnar Kjartansson's mediatized performances / Eva Heisler -- Between solitaire and a basketball game : dramaturgical strategies in the work of Antonia Baehr / Tom Engels. |
| Record Nr. | UNISA-996210412103316 |
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Vanderbeeken Robrecht
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| Amsterdam University Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Blood, sweat & theory / / John Freeman ; Helen Taylor, cover design
| Blood, sweat & theory / / John Freeman ; Helen Taylor, cover design |
| Autore | Freeman John <1959-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | [Libri Publishing] : , : [Faringdon, England], , 2009 |
| Descrizione fisica | 1 online resource (337 p.) |
| Disciplina | PN1576 |
| Collana | Music + Performing Arts |
| Soggetto topico |
Performing arts - Research
Experimental theater |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-907471-84-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Copyright; Acknowledgements; Contents; Preface; Abstracts of Case Studies; Section 1: Ineffability; Illustration and the Intentional Action Model; Case Study: Returning to Haifa: Using Pre-text Based Drama to Understand Self and Other; Section 2: Paradigms and Trojan Horses; Case Study: Towards Collaborativity in Theatre-making: Reflections on an Artistic Research Case; Section 3: Origins of the PhD and the Current Educational Climate; Case Study: The Smell of It: Case Study of Curious's Live Art Performance On the Scent
Section 4: Certainties and Institutional Bias: Research for, into and through Practice Research Criteria and Creative Intelligence; Case Study: The Relationship between University Theatre and Professional Theatre: A Question of Method; Section 5: Basic, Applied and Experimental Research; 10 Questions; Case Study: That Spot in the 'Moving Picture' is You: Perception in Time-based Art; Section 6: Feelings and Findings; Research Design, Research Prerequisites and Creative Processes; Case Study: Bleeding Narratives; Section 7: Methodologies; Thesis Statements; Fallibilism; PhD Outcomes Performance StudiesCase Study: A Mono-trilogy on a Collaborative Process in the Performing Arts; Section 8: Practice as Research as the Dominant Orthodoxy; the Nature of Evidence; Case Study: Performing with Trees: Landscape and Artistic Research; Section 9: Heuristic Research; Autoethnography; Immediacy and Self-Reflexivity; Case Study: Un-telling Myself: Performance (Preparation) as Research; Section 10: Truth and Doubt; Epistemology and Ontology; Thesis Demands; Case Study: In Tränen unendlicher Lust: An Artistic Inquiry into an Innovating Audiovisual Lied Project Section 11: At the Crossroads of Research Cultures Type A, B and C Research; Case Study: Partly Cloudy, Chance of Rain; Section 12: Mode 1 and Mode 2 Research; Dissemination; Professional Doctorates; Qualitative Issues; Case Study: Corpo, Carne e Espírito: Musical Visuality of the Body; Section 13: Theory and Theories; Thesis Proposals and Thesis Development; Explicit, Delayed Completion, Assembled and Inferred Knowledge; the Perspective from Research Students; Hockney's Secret Knowledge; 25 Questions; Bibliography; Index |
| Record Nr. | UNINA-9910464939603321 |
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Freeman John <1959->
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| [Libri Publishing] : , : [Faringdon, England], , 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cutting performances : collage events, feminist artists, and the American avant-garde / / James M. Harding
| Cutting performances : collage events, feminist artists, and the American avant-garde / / James M. Harding |
| Autore | Harding James M |
| Pubbl/distr/stampa | Ann Arbor, Michigan : , : University of Michigan Press, , [2010] |
| Descrizione fisica | 1 online resource (235 p.) |
| Disciplina | 792.022 |
| Collana | Theater : theory/text/performance |
| Soggetto topico |
Feminist theater
Experimental theater |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-88049-X
9786613721808 0-472-02900-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Toward a feminist historiography of American avant-garde performance: theories and contexts -- Nude descending Bleecker Street: Baroness Elsa Von Freytag-Loringhoven and performing gender in New York dada -- Avant-garde performance, collage aesthetics, and feminist historiographies in Gertrude Stein's the mother of us all -- Between material and matrix: Yoko Ono's cut piece and the unmaking of collage -- Between dialectics, decorum, and collage: sabotaging Schneemann at the Dialectics of Liberation Congress, London 1967 -- Forget fame: Valerie Solanas, the simplest surrealist act, and the (re)assertion of avant-garde priorities -- Conclusion: Collage and community. |
| Record Nr. | UNINA-9910452805003321 |
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Harding James M
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||
| Ann Arbor, Michigan : , : University of Michigan Press, , [2010] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cutting performances : collage events, feminist artists, and the American avant-garde / / James M. Harding
| Cutting performances : collage events, feminist artists, and the American avant-garde / / James M. Harding |
| Autore | Harding James M |
| Pubbl/distr/stampa | Ann Arbor, Michigan : , : University of Michigan Press, , [2010] |
| Descrizione fisica | 1 online resource (235 p.) |
| Disciplina | 792.022 |
| Collana | Theater : theory/text/performance |
| Soggetto topico |
Feminist theater
Experimental theater |
| ISBN |
1-280-88049-X
9786613721808 0-472-02900-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Toward a feminist historiography of American avant-garde performance: theories and contexts -- Nude descending Bleecker Street: Baroness Elsa Von Freytag-Loringhoven and performing gender in New York dada -- Avant-garde performance, collage aesthetics, and feminist historiographies in Gertrude Stein's the mother of us all -- Between material and matrix: Yoko Ono's cut piece and the unmaking of collage -- Between dialectics, decorum, and collage: sabotaging Schneemann at the Dialectics of Liberation Congress, London 1967 -- Forget fame: Valerie Solanas, the simplest surrealist act, and the (re)assertion of avant-garde priorities -- Conclusion: Collage and community. |
| Record Nr. | UNINA-9910779141803321 |
|
Harding James M
|
||
| Ann Arbor, Michigan : , : University of Michigan Press, , [2010] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cutting performances : collage events, feminist artists, and the American avant-garde / / James M. Harding
| Cutting performances : collage events, feminist artists, and the American avant-garde / / James M. Harding |
| Autore | Harding James Martin <1958-> |
| Edizione | [1st pbk. ed.] |
| Pubbl/distr/stampa | Ann Arbor, Michigan : , : University of Michigan Press, , [2010] |
| Descrizione fisica | 1 online resource (235 p.) |
| Disciplina | 792.022 |
| Collana | Theater : theory/text/performance |
| Soggetto topico |
Feminist theater
Experimental theater |
| ISBN |
9786613721808
9781280880490 128088049X 9780472029006 0472029002 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Toward a feminist historiography of American avant-garde performance: theories and contexts -- Nude descending Bleecker Street: Baroness Elsa Von Freytag-Loringhoven and performing gender in New York dada -- Avant-garde performance, collage aesthetics, and feminist historiographies in Gertrude Stein's the mother of us all -- Between material and matrix: Yoko Ono's cut piece and the unmaking of collage -- Between dialectics, decorum, and collage: sabotaging Schneemann at the Dialectics of Liberation Congress, London 1967 -- Forget fame: Valerie Solanas, the simplest surrealist act, and the (re)assertion of avant-garde priorities -- Conclusion: Collage and community. |
| Record Nr. | UNINA-9910809978003321 |
|
Harding James Martin <1958->
|
||
| Ann Arbor, Michigan : , : University of Michigan Press, , [2010] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
