Alternative projections : experimental film in Los Angeles 1945-1980 / / edited by David E. James and Adam Hyman
| Alternative projections : experimental film in Los Angeles 1945-1980 / / edited by David E. James and Adam Hyman |
| Pubbl/distr/stampa | New Barnet, Herts, [England] : , : John Libbey Publishing, , 2015 |
| Descrizione fisica | 1 online resource (600 p.) |
| Disciplina | 791.43611 |
| Soggetto topico | Experimental films - United States |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-86196-909-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword / Adam Hyman -- Introduction / David E. James -- Historical materials. Introduction / David E. James -- Distribution center for experimental films / Curtis Harrington -- Personal chronicle : the making of an experimental film / Curtis Harrington -- A letter from the West Coast / Robert Pike -- Amateur vs. professional / Maya Deren -- Personal state meant / John Fles -- A statement / Curtis Harrington -- Are movies junk / John Fles -- Los Angeles Film Festival / Jack Hirschman -- Seeing is believing / John Fles -- Underground movies rise to the surface / Kevin Thomas -- Students reflect future of cinema / Gene Youngblood -- Woman as ethnographic filmmaker / Chick Strand -- Mouse enigma : auto-history of a film person / Peter Mays -- Scholarship. Introduction / David E. James -- Scarlet woman on film : Inauguration of the pleasure dome and The Wormwood Star : Kenneth Anger, Curtis Harrington, Marjorie Cameron, and Los Angeles alternative film and culture in the early 1950's / Alice Hutchison -- Against transparency : Jonas Mekas, Vernon Zimmerman, and the West Coast contribution to the new American cinema / Josh Guilford -- Vicarious Vicario : restocking John Vicario's forgotten Shoppers market (1963) / Ken Eisenstein -- Raymond Rohauer and the Society of Cinema Arts (1948-1962) : giving the devil his due / Tim Lanza -- For love and/or money : exhibiting avant-garde film in Los Angeles 1960-1980 / Alison Kozberg -- Kent Mackenzie's The exiles : reinventing the real of cinema / Ross Lipman -- Taylor Mead, a faggot in Venice Beach in 1961 / Marc Siegel -- Ed Ruscha's moving pictures / Matt Reynolds -- Asco's Super-8 cinema and the specter of muralism / Jesse Lerner -- Inner-city symphony : Water ritual #1 : an urban rite of purification / Veena Hariharan -- Not just a day job : experimental filmmakers and the special effects industry in the 1970's and 1980's / Julie Turnock -- Storm, stress, and structure : the collaborative cinema of Roberta Friedman and Grahame Weinbren / Juan Carlos Kase -- Nun notes and deviant longings / Erika Suderburg -- Currents direct and alternating : Water and power and other works by Pat O'Neill / Grahame Weinbren -- Screenings. Alternative projections screenings series / Adam Hyman. |
| Record Nr. | UNINA-9910460986203321 |
| New Barnet, Herts, [England] : , : John Libbey Publishing, , 2015 | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Alternative projections : experimental film in Los Angeles 1945-1980 / / edited by David E. James and Adam Hyman
| Alternative projections : experimental film in Los Angeles 1945-1980 / / edited by David E. James and Adam Hyman |
| Pubbl/distr/stampa | New Barnet, Herts, [England] : , : John Libbey Publishing, , 2015 |
| Descrizione fisica | 1 online resource (600 p.) |
| Disciplina | 791.43611 |
| Soggetto topico | Experimental films - United States |
| ISBN | 0-86196-909-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword / Adam Hyman -- Introduction / David E. James -- Historical materials. Introduction / David E. James -- Distribution center for experimental films / Curtis Harrington -- Personal chronicle : the making of an experimental film / Curtis Harrington -- A letter from the West Coast / Robert Pike -- Amateur vs. professional / Maya Deren -- Personal state meant / John Fles -- A statement / Curtis Harrington -- Are movies junk / John Fles -- Los Angeles Film Festival / Jack Hirschman -- Seeing is believing / John Fles -- Underground movies rise to the surface / Kevin Thomas -- Students reflect future of cinema / Gene Youngblood -- Woman as ethnographic filmmaker / Chick Strand -- Mouse enigma : auto-history of a film person / Peter Mays -- Scholarship. Introduction / David E. James -- Scarlet woman on film : Inauguration of the pleasure dome and The Wormwood Star : Kenneth Anger, Curtis Harrington, Marjorie Cameron, and Los Angeles alternative film and culture in the early 1950's / Alice Hutchison -- Against transparency : Jonas Mekas, Vernon Zimmerman, and the West Coast contribution to the new American cinema / Josh Guilford -- Vicarious Vicario : restocking John Vicario's forgotten Shoppers market (1963) / Ken Eisenstein -- Raymond Rohauer and the Society of Cinema Arts (1948-1962) : giving the devil his due / Tim Lanza -- For love and/or money : exhibiting avant-garde film in Los Angeles 1960-1980 / Alison Kozberg -- Kent Mackenzie's The exiles : reinventing the real of cinema / Ross Lipman -- Taylor Mead, a faggot in Venice Beach in 1961 / Marc Siegel -- Ed Ruscha's moving pictures / Matt Reynolds -- Asco's Super-8 cinema and the specter of muralism / Jesse Lerner -- Inner-city symphony : Water ritual #1 : an urban rite of purification / Veena Hariharan -- Not just a day job : experimental filmmakers and the special effects industry in the 1970's and 1980's / Julie Turnock -- Storm, stress, and structure : the collaborative cinema of Roberta Friedman and Grahame Weinbren / Juan Carlos Kase -- Nun notes and deviant longings / Erika Suderburg -- Currents direct and alternating : Water and power and other works by Pat O'Neill / Grahame Weinbren -- Screenings. Alternative projections screenings series / Adam Hyman. |
| Record Nr. | UNINA-9910797004603321 |
| New Barnet, Herts, [England] : , : John Libbey Publishing, , 2015 | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Alternative projections : experimental film in Los Angeles 1945-1980 / / edited by David E. James and Adam Hyman
| Alternative projections : experimental film in Los Angeles 1945-1980 / / edited by David E. James and Adam Hyman |
| Pubbl/distr/stampa | New Barnet, Herts, [England] : , : John Libbey Publishing, , 2015 |
| Descrizione fisica | 1 online resource (600 p.) |
| Disciplina | 791.43611 |
| Soggetto topico | Experimental films - United States |
| ISBN | 0-86196-909-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword / Adam Hyman -- Introduction / David E. James -- Historical materials. Introduction / David E. James -- Distribution center for experimental films / Curtis Harrington -- Personal chronicle : the making of an experimental film / Curtis Harrington -- A letter from the West Coast / Robert Pike -- Amateur vs. professional / Maya Deren -- Personal state meant / John Fles -- A statement / Curtis Harrington -- Are movies junk / John Fles -- Los Angeles Film Festival / Jack Hirschman -- Seeing is believing / John Fles -- Underground movies rise to the surface / Kevin Thomas -- Students reflect future of cinema / Gene Youngblood -- Woman as ethnographic filmmaker / Chick Strand -- Mouse enigma : auto-history of a film person / Peter Mays -- Scholarship. Introduction / David E. James -- Scarlet woman on film : Inauguration of the pleasure dome and The Wormwood Star : Kenneth Anger, Curtis Harrington, Marjorie Cameron, and Los Angeles alternative film and culture in the early 1950's / Alice Hutchison -- Against transparency : Jonas Mekas, Vernon Zimmerman, and the West Coast contribution to the new American cinema / Josh Guilford -- Vicarious Vicario : restocking John Vicario's forgotten Shoppers market (1963) / Ken Eisenstein -- Raymond Rohauer and the Society of Cinema Arts (1948-1962) : giving the devil his due / Tim Lanza -- For love and/or money : exhibiting avant-garde film in Los Angeles 1960-1980 / Alison Kozberg -- Kent Mackenzie's The exiles : reinventing the real of cinema / Ross Lipman -- Taylor Mead, a faggot in Venice Beach in 1961 / Marc Siegel -- Ed Ruscha's moving pictures / Matt Reynolds -- Asco's Super-8 cinema and the specter of muralism / Jesse Lerner -- Inner-city symphony : Water ritual #1 : an urban rite of purification / Veena Hariharan -- Not just a day job : experimental filmmakers and the special effects industry in the 1970's and 1980's / Julie Turnock -- Storm, stress, and structure : the collaborative cinema of Roberta Friedman and Grahame Weinbren / Juan Carlos Kase -- Nun notes and deviant longings / Erika Suderburg -- Currents direct and alternating : Water and power and other works by Pat O'Neill / Grahame Weinbren -- Screenings. Alternative projections screenings series / Adam Hyman. |
| Record Nr. | UNINA-9910809547903321 |
| New Barnet, Herts, [England] : , : John Libbey Publishing, , 2015 | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Declarations of independence [[electronic resource] ] : American cinema and the partiality of independent production / / John Berra
| Declarations of independence [[electronic resource] ] : American cinema and the partiality of independent production / / John Berra |
| Autore | Berra John |
| Pubbl/distr/stampa | Bristol, UK ; ; Chicago, : Intellect, 2008 |
| Descrizione fisica | 1 online resource (226 p.) |
| Disciplina | 791.430973 |
| Soggetto topico |
Experimental films - United States
Independent filmmakers - United States Independent films - Production and direction - United States Low budget films - United States Motion pictures - Production and direction - United States |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-281-17235-9
9786611172350 1-84150-218-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Acknowledgements; Chapter One - Genesis: Modern American Independent Cinema and its Position within an Industry of Mass Production; Chapter Two - Ancestry of Independence: Easy Rider and the Declaration of a New American Cinema; Chapter Three - The Art of the Possible: Hollywood Feature Film Production since 1970; Chapter Four - Oppositional Fantasies: The Economic Structure of American Independent Cinema and its Essential Lineaments
Chapter Five - Loyalty to the Rhetoric: Four American Film-makers and their Commitment to an Autonomous Mode of Cultural ProductionChapter Six - Graduating Class: American Independent Cinema as Finishing School; Chapter Seven - A Cultural Comparison: British Independent Cinema and its Relation to its American Counterpart; Chapter Eight - Selective Exhibition: The Sundance Film Festival and its Significance to the Independent Sector; Chapter Nine - The Business of Art: Miramax Films and the Cultivation of the Niche Market Chapter Ten - The Reception of an Alternative Americana: Audiences and American Independent CinemaBibliography; Index; Back Cover |
| Record Nr. | UNINA-9910458066903321 |
Berra John
|
||
| Bristol, UK ; ; Chicago, : Intellect, 2008 | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Declarations of independence [[electronic resource] ] : American cinema and the partiality of independent production / / John Berra
| Declarations of independence [[electronic resource] ] : American cinema and the partiality of independent production / / John Berra |
| Autore | Berra John |
| Pubbl/distr/stampa | Bristol, UK ; ; Chicago, : Intellect, 2008 |
| Descrizione fisica | 1 online resource (226 p.) |
| Disciplina | 791.430973 |
| Soggetto topico |
Experimental films - United States
Independent filmmakers - United States Independent films - Production and direction - United States Low budget films - United States Motion pictures - Production and direction - United States |
| ISBN |
1-281-17235-9
9786611172350 1-84150-218-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Acknowledgements; Chapter One - Genesis: Modern American Independent Cinema and its Position within an Industry of Mass Production; Chapter Two - Ancestry of Independence: Easy Rider and the Declaration of a New American Cinema; Chapter Three - The Art of the Possible: Hollywood Feature Film Production since 1970; Chapter Four - Oppositional Fantasies: The Economic Structure of American Independent Cinema and its Essential Lineaments
Chapter Five - Loyalty to the Rhetoric: Four American Film-makers and their Commitment to an Autonomous Mode of Cultural ProductionChapter Six - Graduating Class: American Independent Cinema as Finishing School; Chapter Seven - A Cultural Comparison: British Independent Cinema and its Relation to its American Counterpart; Chapter Eight - Selective Exhibition: The Sundance Film Festival and its Significance to the Independent Sector; Chapter Nine - The Business of Art: Miramax Films and the Cultivation of the Niche Market Chapter Ten - The Reception of an Alternative Americana: Audiences and American Independent CinemaBibliography; Index; Back Cover |
| Record Nr. | UNINA-9910784793803321 |
Berra John
|
||
| Bristol, UK ; ; Chicago, : Intellect, 2008 | ||
| Lo trovi qui: Univ. Federico II | ||
| ||