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Barbara Hammer in the Seventies : Or, What a Body Can Do / / by Krystyna Mazur
| Barbara Hammer in the Seventies : Or, What a Body Can Do / / by Krystyna Mazur |
| Autore | Mazur Krystyna |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (390 pages) |
| Disciplina | 791.430233092 |
| Collana | Experimental Film and Artists’ Moving Image |
| Soggetto topico |
Experimental films
Experimental Film |
| ISBN |
9783031596957
3031596951 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1-Introduction -- PART I -- Chapter 2 -1970s: Contexts -- Chapter 3- Performing the Lesbian -- Chapter 4 - What a body can do: a Hammer Toolbox. -PART II -- Chapter 5 - Dyketactics at the Limits of Feminist Lesbian Community -- Chapter 6 - Becoming-Jane Becoming-Animal: Jane Brakhage -- Chapter 7 - Strength in Doubles: Lesbian (Auto)biography -- Chapter 8- Coda: Hammer’s Queer Feminists Pedagogy, Collaboration, Legacy. . |
| Record Nr. | UNINA-9910983078803321 |
Mazur Krystyna
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cinematic Virtual Reality : A Critical Study of 21st Century Approaches and Practices / / by Kath Dooley
| Cinematic Virtual Reality : A Critical Study of 21st Century Approaches and Practices / / by Kath Dooley |
| Autore | Dooley Kath |
| Edizione | [1st ed. 2021.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 |
| Descrizione fisica | 1 online resource (153 pages) |
| Disciplina |
791.430232
791.436 |
| Soggetto topico |
Experimental films
Technology - Sociological aspects Experimental Film Science, Technology and Society |
| ISBN |
9783030721473
3030721477 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introduction -- Chapter 2: The 360- degree Spectator- Key Concepts for the Cinematic Virtual Reality Viewing Experience -- Chapter 3: Crafting the CVR Experience so as to Guide the Viewer -- Chapter 4: The CVR Project on the Page or on the Screen: Writing and Conceptualization -- Chapter 5: Script and Project Development Practices -- Chapter 6: Spatial Relationships in 360-degree Space: Proximity, Body Orientation and the Gaze -- Chapter 7: Creating Impact: The Scripting and Development of a CVR Documentary -- Chapter 8: Conclusion. |
| Record Nr. | UNINA-9910485147103321 |
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Dooley Kath
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Darcy Lange, Videography as Social Practice / / by Mercedes Vicente
| Darcy Lange, Videography as Social Practice / / by Mercedes Vicente |
| Autore | Vicente Mercedes |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (291 pages) |
| Disciplina | 791.43 |
| Collana | Experimental Film and Artists’ Moving Image |
| Soggetto topico |
Experimental films
Arts Photography Experimental Film Fine Art |
| ISBN |
9783031369032
3031369033 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1 Social Consideration, Communication, Observation: From Sculpture to Film and Photography -- Chapter 2 Ethnographic, Structuralist and Real-Time Filmmaking -- Chapter 3 Images of People at Work -- Chapter 4 Education, Participation, and the Making of the Subject -- Chapter 5 Social Activism. |
| Record Nr. | UNINA-9910765485503321 |
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Vicente Mercedes
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Durational Cinema : A Short History of Long Films / / by Michael Walsh
| Durational Cinema : A Short History of Long Films / / by Michael Walsh |
| Autore | Walsh Michael |
| Edizione | [1st ed. 2022.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
| Descrizione fisica | 1 online resource (288 pages) |
| Disciplina |
791.4309
791.43 |
| Collana | Experimental Film and Artists’ Moving Image |
| Soggetto topico |
Experimental films
Motion pictures - History Motion pictures Experimental Film Film and TV History Film Theory |
| ISBN |
9783030760922
9783030760915 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. The New York Avant-Garde of the 1960s -- 3. European Art Cinema in the Years After 1968 -- 4. Gallery and Museum Spaces Since the 1990s -- 5. Durational Documentary. |
| Record Nr. | UNINA-9910634044303321 |
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Walsh Michael
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Essay Cinema in the Digital Era / / by James Slaymaker
| Essay Cinema in the Digital Era / / by James Slaymaker |
| Autore | Slaymaker James |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (276 pages) |
| Disciplina | 791.4361 |
| Soggetto topico |
Experimental films
Motion picture plays, European Experimental Film European Film and TV |
| ISBN |
9783031740428
3031740424 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1 -- Introduction.-Chapter 2 -- Essay Cinema and Technological Innovation.-Chapter 3 -- Interactivity and Dialogical Exchange in Chris Marker’s Immemory and Ouvroir.-Chapter 4.-Jean-Luc Godard, Intertextuality, and Digital Remix Culture.-Chapter 5.-Capturing the Domestic Space in an Era of Ubiquitous Digital Media: Chantal Akerman’s No Home Movie.-Chapter 6.-Simulation, Gameplay, and the Non-Indexical Image in Harun Farocki’s Serious Games I-IV and Parallel I-IV.-Chapter 7.-Conclusion: Essaying the Future.-Index. |
| Record Nr. | UNINA-9910913789703321 |
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Slaymaker James
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Expanded Nature : Ecologies of Experimental Cinema / / edited by Elio Della Noce, Lucas Murari
| Expanded Nature : Ecologies of Experimental Cinema / / edited by Elio Della Noce, Lucas Murari |
| Autore | Della Noce Elio |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (328 pages) |
| Disciplina | 791.4361 |
| Altri autori (Persone) | MurariLucas |
| Collana | Experimental Film and Artists’ Moving Image |
| Soggetto topico |
Experimental films
Philosophy of nature Experimental Film Philosophy of Nature |
| ISBN |
9783031707292
303170729X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. INTRODUCTION -- 2. Nature Films / Film Natures -- 3. COOPERATING WITH THE LIVING -- 4. A DECENTRED CINEMA -- 5. EXPANDING THE EXPERIMENTAL FIELD. |
| Record Nr. | UNINA-9910983391203321 |
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Della Noce Elio
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Experimental Film and Photochemical Practices / / by Kim Knowles
| Experimental Film and Photochemical Practices / / by Kim Knowles |
| Autore | Knowles Kim <1976-> |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (XV, 255 p. 46 illus., 34 illus. in color.) |
| Disciplina |
791.43611
301 |
| Collana | Experimental Film and Artists' Moving Image |
| Soggetto topico |
Experimental films
Motion pictures - History Arts Experimental Film Film and TV History |
| ISBN |
9783030443092
3030443094 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Chapter 1: From Materialist Film to New Materialism -- Chapter 2: The Politics of Process -- Chapter 3: Expanded Cinema and Material Excess -- Chapter 4: Alternative Communities -- Chapter 5: The Dialectics of Old and New -- Conclusion. |
| Record Nr. | UNINA-9910484225803321 |
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Knowles Kim <1976->
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Heidegger and Future Presencing (The Black Pages) / / by Spencer Golub
| Heidegger and Future Presencing (The Black Pages) / / by Spencer Golub |
| Autore | Golub Spencer |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (261 pages) |
| Disciplina |
193
792.01 |
| Soggetto topico |
Philosophy of mind
Self Experimental films Performing arts Theater Philosophy of the Self Experimental Film Theatre and Performance Arts |
| ISBN |
9783030318895
3030318893 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1.Page (Rectangle) -- 2.Book (Decomposition) -- 3. Clock (Time's Pre-Sequels) -- 4. Horse (Why Is There Something Else Rather Than Something?) -- 5. Human (Being). |
| Record Nr. | UNINA-9910349539903321 |
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Golub Spencer
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Italian Experimental Cinema and Moving-Image Art : New Paths, New Perspectives / / edited by Rossella Catanese, Jennifer Malvezzi
| Italian Experimental Cinema and Moving-Image Art : New Paths, New Perspectives / / edited by Rossella Catanese, Jennifer Malvezzi |
| Autore | Catanese Rossella |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (502 pages) |
| Disciplina | 791.436110945 |
| Altri autori (Persone) | MalvezziJennifer |
| Collana | Experimental Film and Artists’ Moving Image |
| Soggetto topico |
Experimental films
Motion picture plays, European Experimental Film European Film and TV |
| ISBN | 9783031778964 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part 1. Towards an Italian Experimental Cinema: Pioneers, Early Theory and the Science of the Experimental -- Chapter 1. Futurism and Cinema: A Real and Dreamlike World (Michael Syrimis) -- Chapter 2. The “Experimental” in Early Scientific Film (Maria Ida Bernabei) -- Chapter 3. Everything is Experimental. “Cinema sperimentale” as a Revolution (1934-1943) (Andrea Mariani ) -- Part 2. Expanding Cinema Among Industrial, Artistic and Amateur Practices -- Chapter 4. Paths of Experimentation in Italian Industrial Cinema: Olivetti’s Utility Films (Federico Pierotti) -- Chapter 5. Spaghetti Expanded. A brief history of Italian Expanded Cinema (1967-1981) (Jennifer Malvezzi) -- Chapter 6. Mapping Musical Practices in/for Underground Experimental Film (1960–1979) (Alessandro Cecchi) -- Part 3. The Network is the Medium: Television, Video and Pioneers of the Digital Age -- Chapter 7. Art and Television in Italy: A Troubled History (Francesco Spampinato) -- Chapter 8. Uncovering Italian Early Video Art: Pioneers, Exhibitions and Centres (Laura Leuzzi) -- Chapter 9. Italian computer art in the 1980s (Paola Lagonigro) -- Chapter 10. Fade out: Between Cinema and performing arts (Flavia Dalila D’Amico) -- Part 4. Thinking Outside the Box: The Political Places of Media -- Chapter 11. Radical ecologies and experimental videos in the early 1990s (Diego Cavallotti) -- Chapter 12. Working at the Margins: notes on the Cinematic in Italian 21st Century Artistic Practice (Vincenzo Estremo) -- Chapter 13. Amateur/Experimental. The restoration of Italian experimental and artist cinema (Paolo Simoni) -- Chapter 14. Italian Film Artisans Today. Contemporary Artist-run Labs and Analog Filmmakers (Rossella Catanese) -- Part 5. Focus on Personalities -- Chapter 15. Rhythms of vision. Three experimental films by Corrado D’Errico (Denis Lotti) -- Chapter 16. “Experimental cinema is not an end in itself”. Francesco Pasinetti’s role at the beginning of experimentalism (Carlotta Guido) -- Chapter 17. Ragghianti’s Cinématisme. The Critofilms Between Painting and Architecture (Marie Rebecchi) -- Chapter 18. A Cinema of Research: Bruno Munari and Monte Olimpino (Matilde Nardelli) -- Chapter 19. What’s Happening? Antonello Branca and the Documentary as a Happening Form (Milo Adami) -- Chapter 20. Gianfranco Brebbia, the cineamatore territory (Dominique Willoughby) -- Chapter 21. Carmelo Bene: The Agitator (Adrian Martin) -- Chapter 22. Alberto Grifi and a new grammar of vision (Clizia Centorrino) -- Chapter 23. Cine-TV Experiments: La magnifica ossessione, and Beyond (Leonardo Cabrini) -- Chapter 24. Rethinking Filippo Panseca. Technological experimentation and esthetics of communication between the Sixties and the Seventies. (Valentino Catricalà) -- Chapter 25. Politics of the experimental image. Angela Ricci Lucchi & Yervant Gianikian (Miriam De Rosa) -- Chapter 26. Affective Encounters and Experimental Approaches in the Films of Alina Marazzi (Rosanna Maule) -- Chapter 27. Sandro Del Rosario’s Sguardo (Marco Bellano) -- Chapter 28. Film and the Portal. The Experimental Animation of Leonardo Carrano. (Giacomo Ravesi) -- Chapter 29. Printing Cinema? Printed Matter, Exhibition and Film in Rosa Barba’s work (Adeena Mey) -- Chapter 30. Visual Aesthetics of Hacktivism: Paolo Cirio (Carolina Fernández Castrillo) -- Chapter 31. Timeless screens. The Video Pictorialism of Marcantonio Lunardi (Pasquale Fameli) -- Chapter 32. Between culture and technologies: Karmachina (Laura Cesaro). |
| Record Nr. | UNINA-9911011648403321 |
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Catanese Rossella
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Leben, Filmen : Jonas Mekas und der Wert des lichten Augenblicks / Eva Kuhn
| Leben, Filmen : Jonas Mekas und der Wert des lichten Augenblicks / Eva Kuhn |
| Autore | Kühn Eva |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Paderborn, : Brill | Fink, 2025 |
| Descrizione fisica | 1 online resource (192 pages) |
| Disciplina | 700 |
| Collana | Film Denken |
| Soggetto topico |
Experimentalfilm
Avantgardefilm Film und Tagebuch Filmphilosophie New American Cinema Kamera als Lebensbegleiter Filmische Autobiografie Moderne europäische Filmkunst Subversive Filmkunst Experimental Film Avant-Garde Film Film and Diary Film Philosophy Camera as a Life Companion Film Autobiography Modern European Cinema |
| ISBN | 3-8467-6935-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto |
Front Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Inhalt -- Einleitung -- 1. Die Verknüpfung von Produktions- und Lebenszeit (Lost Lost Lost) -- 1.1 Rauh und unpoliert. Ästhetik und Politik eines Neuen Amerikanischen Films -- 1.1.1 Mit dem persönlichen Film gegen die mediale Selbstvergessenheit -- 1.1.2 Filmkunst und die Berufung auf den Amateur -- 1.1.3 Mekas' Notizen zum Neuen Amerikanischen Film von 1962 -- 1.2 Lost Lost Lost. Der initiale Riss und das subversive Potenzial migrantischer Blicke -- 1.2.1.Festhalten..Fragmente.eines.Dokumentarfilms.über.die.litauische.Exilgemeinschaft (Reel 1, Reel 2) -- 1.2.2 Loslassen und Reagieren. Die Gegenwart des Drehs (Reel 3, Reel 4) -- 1.2.3.Die.Intensivierung.des.(gefilmten).Augenblicks.(Reel 5) -- 1.2.4.Filmende.Gemeinschaft,.Direct.Cinema.und.ein.filmisches.Unabhängigkeits-Manifest (Reel 6) -- 1.2.5.Das.doppelte.Ende..Die.eigene.filmische.Handschrift.als.Ausdruck.von Korrespondenz -- 1.3 Von den Alibifiguren zu den eingestandenen Protagonist:innen eines persönlichen Films -- 2. Filmtagebuch und die radikale Zeitlichkeit des Lebens (Walden) -- 2.1 Koinzidenz und Kontaktaufnahme. Die (Un-)Mittelbarkeit des filmischen Tagebucheintrags -- 2.2 Tagwerk und Nachtschichten. Das (glückliche) Leben als Laboratorium des Films -- 2.3 Das rigorose Zeitregime des Kinos -- 2.3.1 Die Gegenwartsform oder (Einzel-)Bilder am laufenden Band -- 2.3.2 Notes.on.a.Circus..Transformation.eines.vorfilmischen.Spektakels -- 2.3.3 Apparatur und Rhapsodie -- 2.3.4 Die Arbeit des Todes: Final Cut (Pasolini) versus Montage in der Kamera (Mekas) -- 2.4 Zum Terrain der Unabhängigen: Jonas Mekas und Henry David Thoreau -- 2.4.1 Erbauliche Tätigkeiten: vom Wohnen, Schreiben (und Filmen) -- 2.4.2 Benachbarn und Kontaktaufnehmen: vom anhaltenden Akt, sich einzugliedern.
2.4.3.Walden.als.Fabrikation.des.Gehens:.eine.filmische.Unterwanderung.des städtischen Raums -- 3. Das Glänzen des Unscheinbaren (As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty) -- 3.1 Einsichten und Sinnesreize - die Frage nach dem Sinn (des Lebens) -- 3.1.1 Filmen gegen den Abgrund der Innerlichkeit -- 3.1.2.Außer.sich,.in.der.sinnlichen.Fülle.des.Lebens -- 3.2 Gesteigerte Sichtbarkeit: die Produktion und Rezeption von Glimpses -- 3.2.1 Korrespondenzen zwischen Subjekt und Objekt des Blickens/Glänzens -- 3.2.2.Geglückte.Ergebnisse.des.Zufalls -- 3.2.3 Gegenlichter -- 3.2.4.Gegenwartseffekte:.Belichtungen.und.Zeitsprünge -- 3.2.5 Direkte (Augen-)Blicke -- 3.3 Der Wert des Unbeschwerten vor dem Hintergrund des Grauens -- 3.3.1 Das Abenteuer („cela qui m'advient") -- 3.3.2 Übersehenes und Common Places -- 3.3.3 Die kleine Form -- 3.3.4 Losgelöst: Suspendierte Augenblicke -- Dank -- Back Cover. |
| Record Nr. | UNINA-9911018846903321 |
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Kühn Eva
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| Paderborn, : Brill | Fink, 2025 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Soggetto topico
-
Experimental Film
(15)
- Experimental films (14)
- Arts (3)
- Film and TV History (3)
- Motion pictures - History (3)