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The Cambridge companion to modern British women playwrights / / edited by Elaine Aston and Janelle Reinelt [[electronic resource]]
| The Cambridge companion to modern British women playwrights / / edited by Elaine Aston and Janelle Reinelt [[electronic resource]] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2000 |
| Descrizione fisica | 1 online resource (xx, 276 pages) : digital, PDF file(s) |
| Disciplina | 822/.91099282 |
| Collana | Cambridge companions to literature |
| Soggetto topico |
English drama - Women authors - History and criticism
English drama - 20th century - History and criticism Women and literature - Great Britain - History - 20th century Feminism and literature - Great Britain - History - 20th century |
| ISBN |
1-139-81576-8
0-511-99897-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A century in view: from suffrage to the 1990s / Elaine Aston and Janelle Reinelt -- Women playwrights of the 1920s and 1930s / Maggie B. Gale -- New plays and women's voices in the 1950s / Susan Bennett -- Women playwrights and the challenge of feminism in the 1970s / Michelene Wandor -- The politics of location / Susan Bassnett -- Contemporary Welsh women playwrights / Anna-Marie Taylor -- Contemporary Scottish women playwrights / Adrienne Scullion -- Women playwrights in Northern Ireland / Mary Trotter -- Language and identity in Timberlake Wertenbaker's plays / Susan Carlson -- Pam Gems: body politics and biography / Elaine Aston -- Caryl Churchill and the politics of style / Janelle Reinelt -- Violence, abuse and gender relations in the plays of Sarah Daniels / Gabriele Griffin -- Small island people: Black British women playwrights / Meenakshi Ponnuswami -- Writing outside the mainstream / Claire MacDonald -- Lesbian performance in the transnational arena / Sue-Ellen Case. |
| Record Nr. | UNISA-996216691503316 |
| Cambridge : , : Cambridge University Press, , 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Feminist views on the English stage : women playwrights, 1990-2000 / / Elaine Aston [[electronic resource]]
| Feminist views on the English stage : women playwrights, 1990-2000 / / Elaine Aston [[electronic resource]] |
| Autore | Aston Elaine |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2003 |
| Descrizione fisica | 1 online resource (x, 237 pages) : digital, PDF file(s) |
| Disciplina | 822/.914099287 |
| Collana | Cambridge studies in modern theatre |
| Soggetto topico |
Feminist drama, English - History and criticism
Feminism and literature - Great Britain - History - 20th century Women and literature - Great Britain - History - 20th century English drama - Women authors - History and criticism English drama - 20th century - History and criticism |
| ISBN |
1-107-13015-8
1-280-16040-3 0-511-11921-6 0-511-06319-9 0-511-20623-2 0-511-29740-8 0-511-48600-6 0-511-07165-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A feminist view on the 1990s -- Telling feminist tales: Caryl Churchill -- Saying no to daddy: child sexual abuse, the 'Big Hysteria' -- Girl power, the new feminism? -- The 'bad girl of our stage?': Sarah Kane -- Performing identities -- Feminist connections to a multicultural 'scene' -- Feminism past, and future?: Timberlake Wertenbaker -- Tales for the twenty-first century: final reflections. |
| Record Nr. | UNISA-996248114803316 |
Aston Elaine
|
||
| Cambridge : , : Cambridge University Press, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Readings in renaissance women's drama : criticism, history, and performance, 1594-1998 / / edited by S.P. Cerasano and Marion Wynne-Davies
| Readings in renaissance women's drama : criticism, history, and performance, 1594-1998 / / edited by S.P. Cerasano and Marion Wynne-Davies |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 1998 |
| Descrizione fisica | 1 online resource (337 p.) |
| Disciplina | 822/.3099287 |
| Altri autori (Persone) |
CerasanoS. P
Wynne-DaviesMarion |
| Soggetto topico |
English drama - Women authors - History and criticism
English drama - Early modern and Elizabethan, 1500-1600 - History and criticism Women and literature - England - History - 16th century Women and literature - England - History - 17th century English drama - 17th century - History and criticism Renaissance - England |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-134-71187-5
0-203-27365-6 1-280-32988-2 0-203-04906-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; Preface; Acknowledgements; Permissions; Introduction; Early commentaries; Introduction; Mary Sidney is Praised to Elizabeth I (1594); John Davies of Hereford Commends Mary Sidney and Elizabeth Cary (1612); William Sheares to Elizabeth Cary (1633); Jonson and Wroth (1640); Elizabeth Cary's Biography (1643 9); The Cavalier's Lady and her Plays (1872); The First Scholarly Edition of Mary Sidney's Antonie (1897); The First Modern Edition of Mariam (1914); Early Critical Recognition of Elizabeth Cary and Margaret Cavendish (1920); Woolf on Margaret Cavendish (1925)
Virginia Woolf on 'Judith Shakespeare' (1929)The First Edition of The Concealed Fancies (1931); Cary and 'A Woman's Duty' (1940); Mary Sidney: Philip's Sister (1957); Contexts and issues; Introduction; Women playwrights in England: Renaissance noblewomen NANCY COTTON; The Arts at the English Court of Anna of Denmark LEEDS BARROLL; 'My seeled chamber and dark parlour room': the English country house and Renaissance women dramatists MARION WYNNE-DAVIES; Women as patrons of English Renaissance drama DAVID M.BERGERON; Women as spectators, spectacles, and paying customers JEAN E.HOWARD Women as theatrical investors: three shareholders and the second Fortune Playhouse S.P.CERASANO'Why may not a lady write a good play?': plays by Early Modern women reassessed as performance texts GWENO WILLIAMS; Early Modern women dramatists; Introduction; 'We princes, I tell you, are set on stages': Elizabeth I and dramatic self-representation CAROLE LEVIN; Joanna Lumley (1537?-1576/77) ELAINE V.BEILIN; Jane Lumley's Iphigenia at Aulis: multum in parvo, or, less is more STEPHANIE HODGSON-WRIGHT; 'Patronesse of the Muses' MARGARET P.HANNAY Mary Herbert: Englishing a purified Cleopatra TINA KRONTIRISElizabeth Cary (1585 1639) ELAINE V.BEILIN; The spectre of resistance: The Tragedy of Mariam (1613) MARGARET W.FERGUSON; Resisting tyrants: Elizabeth Cary's tragedy BARBARA KIEFER LEWALSKI; An unknown continent: Lady Mary Wroth's forgotten pastoral drama, 'Loves Victorie' MARGARET ANNE MCLAREN; 'Like one in a gay masque': the Sidney cousins in the theaters of court and country GARY WALLER 'To be your daughter in your pen': the social functions of literature in the writings of Lady Elizabeth Brackley and Lady Jane Cavendish MARGARET J.M.EZELL'She gave you the civility of the house': household performance in The Concealed Fancies ALISON FINDLAY; 'My brain the stage': Margaret Cavendish and the fantasy of female performance SOPHIE TOMLINSON; 'A woman write a play!': Jonsonian strategies and the dramatic writings of Margaret Cavendish; or, did the duchess feel the anxiety of influence? JULIE SANDERS; Notes on contributors; Bibliography of secondary sources; Index |
| Record Nr. | UNINA-9910451052203321 |
| London ; ; New York : , : Routledge, , 1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Readings in renaissance women's drama : criticism, history, and performance, 1594-1998 / / edited by S.P. Cerasano and Marion Wynne-Davies
| Readings in renaissance women's drama : criticism, history, and performance, 1594-1998 / / edited by S.P. Cerasano and Marion Wynne-Davies |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 1998 |
| Descrizione fisica | 1 online resource (337 p.) |
| Disciplina | 822/.3099287 |
| Altri autori (Persone) |
CerasanoS. P
Wynne-DaviesMarion |
| Soggetto topico |
English drama - Women authors - History and criticism
English drama - Early modern and Elizabethan, 1500-1600 - History and criticism Women and literature - England - History - 16th century Women and literature - England - History - 17th century English drama - 17th century - History and criticism Renaissance - England |
| ISBN |
1-134-71186-7
1-134-71187-5 0-203-27365-6 1-280-32988-2 0-203-04906-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; Preface; Acknowledgements; Permissions; Introduction; Early commentaries; Introduction; Mary Sidney is Praised to Elizabeth I (1594); John Davies of Hereford Commends Mary Sidney and Elizabeth Cary (1612); William Sheares to Elizabeth Cary (1633); Jonson and Wroth (1640); Elizabeth Cary's Biography (1643 9); The Cavalier's Lady and her Plays (1872); The First Scholarly Edition of Mary Sidney's Antonie (1897); The First Modern Edition of Mariam (1914); Early Critical Recognition of Elizabeth Cary and Margaret Cavendish (1920); Woolf on Margaret Cavendish (1925)
Virginia Woolf on 'Judith Shakespeare' (1929)The First Edition of The Concealed Fancies (1931); Cary and 'A Woman's Duty' (1940); Mary Sidney: Philip's Sister (1957); Contexts and issues; Introduction; Women playwrights in England: Renaissance noblewomen NANCY COTTON; The Arts at the English Court of Anna of Denmark LEEDS BARROLL; 'My seeled chamber and dark parlour room': the English country house and Renaissance women dramatists MARION WYNNE-DAVIES; Women as patrons of English Renaissance drama DAVID M.BERGERON; Women as spectators, spectacles, and paying customers JEAN E.HOWARD Women as theatrical investors: three shareholders and the second Fortune Playhouse S.P.CERASANO'Why may not a lady write a good play?': plays by Early Modern women reassessed as performance texts GWENO WILLIAMS; Early Modern women dramatists; Introduction; 'We princes, I tell you, are set on stages': Elizabeth I and dramatic self-representation CAROLE LEVIN; Joanna Lumley (1537?-1576/77) ELAINE V.BEILIN; Jane Lumley's Iphigenia at Aulis: multum in parvo, or, less is more STEPHANIE HODGSON-WRIGHT; 'Patronesse of the Muses' MARGARET P.HANNAY Mary Herbert: Englishing a purified Cleopatra TINA KRONTIRISElizabeth Cary (1585 1639) ELAINE V.BEILIN; The spectre of resistance: The Tragedy of Mariam (1613) MARGARET W.FERGUSON; Resisting tyrants: Elizabeth Cary's tragedy BARBARA KIEFER LEWALSKI; An unknown continent: Lady Mary Wroth's forgotten pastoral drama, 'Loves Victorie' MARGARET ANNE MCLAREN; 'Like one in a gay masque': the Sidney cousins in the theaters of court and country GARY WALLER 'To be your daughter in your pen': the social functions of literature in the writings of Lady Elizabeth Brackley and Lady Jane Cavendish MARGARET J.M.EZELL'She gave you the civility of the house': household performance in The Concealed Fancies ALISON FINDLAY; 'My brain the stage': Margaret Cavendish and the fantasy of female performance SOPHIE TOMLINSON; 'A woman write a play!': Jonsonian strategies and the dramatic writings of Margaret Cavendish; or, did the duchess feel the anxiety of influence? JULIE SANDERS; Notes on contributors; Bibliography of secondary sources; Index |
| Record Nr. | UNINA-9910783830403321 |
| London ; ; New York : , : Routledge, , 1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Readings in renaissance women's drama : criticism, history, and performance, 1594-1998 / / edited by S.P. Cerasano and Marion Wynne-Davies
| Readings in renaissance women's drama : criticism, history, and performance, 1594-1998 / / edited by S.P. Cerasano and Marion Wynne-Davies |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 1998 |
| Descrizione fisica | 1 online resource (337 p.) |
| Disciplina | 822/.3099287 |
| Altri autori (Persone) |
CerasanoS. P
Wynne-DaviesMarion |
| Soggetto topico |
English drama - Women authors - History and criticism
English drama - Early modern and Elizabethan, 1500-1600 - History and criticism Women and literature - England - History - 16th century Women and literature - England - History - 17th century English drama - 17th century - History and criticism Renaissance - England |
| ISBN |
1-134-71186-7
1-134-71187-5 0-203-27365-6 1-280-32988-2 0-203-04906-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; Preface; Acknowledgements; Permissions; Introduction; Early commentaries; Introduction; Mary Sidney is Praised to Elizabeth I (1594); John Davies of Hereford Commends Mary Sidney and Elizabeth Cary (1612); William Sheares to Elizabeth Cary (1633); Jonson and Wroth (1640); Elizabeth Cary's Biography (1643 9); The Cavalier's Lady and her Plays (1872); The First Scholarly Edition of Mary Sidney's Antonie (1897); The First Modern Edition of Mariam (1914); Early Critical Recognition of Elizabeth Cary and Margaret Cavendish (1920); Woolf on Margaret Cavendish (1925)
Virginia Woolf on 'Judith Shakespeare' (1929)The First Edition of The Concealed Fancies (1931); Cary and 'A Woman's Duty' (1940); Mary Sidney: Philip's Sister (1957); Contexts and issues; Introduction; Women playwrights in England: Renaissance noblewomen NANCY COTTON; The Arts at the English Court of Anna of Denmark LEEDS BARROLL; 'My seeled chamber and dark parlour room': the English country house and Renaissance women dramatists MARION WYNNE-DAVIES; Women as patrons of English Renaissance drama DAVID M.BERGERON; Women as spectators, spectacles, and paying customers JEAN E.HOWARD Women as theatrical investors: three shareholders and the second Fortune Playhouse S.P.CERASANO'Why may not a lady write a good play?': plays by Early Modern women reassessed as performance texts GWENO WILLIAMS; Early Modern women dramatists; Introduction; 'We princes, I tell you, are set on stages': Elizabeth I and dramatic self-representation CAROLE LEVIN; Joanna Lumley (1537?-1576/77) ELAINE V.BEILIN; Jane Lumley's Iphigenia at Aulis: multum in parvo, or, less is more STEPHANIE HODGSON-WRIGHT; 'Patronesse of the Muses' MARGARET P.HANNAY Mary Herbert: Englishing a purified Cleopatra TINA KRONTIRISElizabeth Cary (1585 1639) ELAINE V.BEILIN; The spectre of resistance: The Tragedy of Mariam (1613) MARGARET W.FERGUSON; Resisting tyrants: Elizabeth Cary's tragedy BARBARA KIEFER LEWALSKI; An unknown continent: Lady Mary Wroth's forgotten pastoral drama, 'Loves Victorie' MARGARET ANNE MCLAREN; 'Like one in a gay masque': the Sidney cousins in the theaters of court and country GARY WALLER 'To be your daughter in your pen': the social functions of literature in the writings of Lady Elizabeth Brackley and Lady Jane Cavendish MARGARET J.M.EZELL'She gave you the civility of the house': household performance in The Concealed Fancies ALISON FINDLAY; 'My brain the stage': Margaret Cavendish and the fantasy of female performance SOPHIE TOMLINSON; 'A woman write a play!': Jonsonian strategies and the dramatic writings of Margaret Cavendish; or, did the duchess feel the anxiety of influence? JULIE SANDERS; Notes on contributors; Bibliography of secondary sources; Index |
| Record Nr. | UNINA-9910807402703321 |
| London ; ; New York : , : Routledge, , 1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Stage mothers : women, work, and the theater, 1660-1830 / / edited by Laura Engel and Elaine M. McGirr
| Stage mothers : women, work, and the theater, 1660-1830 / / edited by Laura Engel and Elaine M. McGirr |
| Pubbl/distr/stampa | Lewisburg, [Pennsylvania] : , : Bucknell University Press, , 2014 |
| Descrizione fisica | 1 online resource (291 p.) |
| Disciplina | 792.02/80820941 |
| Collana | Transits : Literature, Thought and Culture, 1650-1850 |
| Soggetto topico |
Women in the theater - Great Britain - History - 18th century
Women in the theater - Great Britain - History - 19th century Actresses - Great Britain Working mothers - Great Britain English drama - 18th century - History and criticism English drama - 19th century - History and criticism English drama - Women authors - History and criticism Mothers in literature Motherhood in literature |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-61148-605-X
1-61148-604-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
CONTENTS; ILLUSTRATIONS; ACKNOWLEDGMENTS; INTRODUCTION; Part I. ACTRESSES, MOTHERHOOD, AND THE PROFESSION OF THE STAGE; Chapter 1. "THE DIVIDED HEART OF THE ACTRESS: "Late Eighteenth-Century Actresses and the"Cult of Maternity"; Chapter 2. THE INCONVENIENCE OF THE FEMALE CONDITION: Anne Oldfield's Pregnancies; Chapter 3. "INIMITABLE SENSIBILITY": Susannah Cibber's Performance of Maternity; Chapter 4. WORKING MOTHERS ON THE ROMANTIC STAGE: Sarah Siddons and Mary Robinson; Part II. REPRESENTATIONS OF MOTHERS ON THE STAGE AND THE PAGE
Chapter 5. REBELS FOR LOVE: Maternity, Absolutism, and the Earl of Orrery's MustaphaChapter 6. ROWE'S THE AMBITIOUS STEPMOTHER: Motherhood and the Politics of the Blended Family; Chapter 7. STAGED VIRTUE: Anastasia Robinson as Ideal Mother in Two Operas of the 1720s; Chapter 8. MATERNAL DUTIES AND FILIAL MALAPROPISMS: Frances Sheridan and the Problems of Theatrical Inheritance; Chapter 9. MY SON, MY LOVER: Gothic Contagion and Maternal Sexuality in The Mysterious Mother; Part III. ACTRESSES AND THEIR CHILDREN Chapter 10. ELIZABETH AND KEPPEL CRAVEN AND THE DOMESTIC DRAMA OF MOTHER-SON RELATIONSChapter 11. MOMMY DIVA: The Divided Loyalties of Sarah Siddons; Chapter 12. THE GERBINI LETTERS: OR, A TALE OF TWO MOTHERS; BIBLIOGRAPHY; INDEX; ABOUT THE CONTRIBUTORS |
| Record Nr. | UNINA-9910463306203321 |
| Lewisburg, [Pennsylvania] : , : Bucknell University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Stage mothers : women, work, and the theater, 1660-1830 / / edited by Laura Engel and Elaine M. McGirr
| Stage mothers : women, work, and the theater, 1660-1830 / / edited by Laura Engel and Elaine M. McGirr |
| Pubbl/distr/stampa | Lewisburg, [Pennsylvania] : , : Bucknell University Press, , 2014 |
| Descrizione fisica | 1 online resource (291 p.) |
| Disciplina | 792.02/80820941 |
| Collana | Transits : Literature, Thought and Culture, 1650-1850 |
| Soggetto topico |
Women in the theater - Great Britain - History - 18th century
Women in the theater - Great Britain - History - 19th century Actresses - Great Britain Working mothers - Great Britain English drama - 18th century - History and criticism English drama - 19th century - History and criticism English drama - Women authors - History and criticism Mothers in literature Motherhood in literature |
| ISBN |
1-61148-605-X
1-61148-604-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
CONTENTS; ILLUSTRATIONS; ACKNOWLEDGMENTS; INTRODUCTION; Part I. ACTRESSES, MOTHERHOOD, AND THE PROFESSION OF THE STAGE; Chapter 1. "THE DIVIDED HEART OF THE ACTRESS: "Late Eighteenth-Century Actresses and the"Cult of Maternity"; Chapter 2. THE INCONVENIENCE OF THE FEMALE CONDITION: Anne Oldfield's Pregnancies; Chapter 3. "INIMITABLE SENSIBILITY": Susannah Cibber's Performance of Maternity; Chapter 4. WORKING MOTHERS ON THE ROMANTIC STAGE: Sarah Siddons and Mary Robinson; Part II. REPRESENTATIONS OF MOTHERS ON THE STAGE AND THE PAGE
Chapter 5. REBELS FOR LOVE: Maternity, Absolutism, and the Earl of Orrery's MustaphaChapter 6. ROWE'S THE AMBITIOUS STEPMOTHER: Motherhood and the Politics of the Blended Family; Chapter 7. STAGED VIRTUE: Anastasia Robinson as Ideal Mother in Two Operas of the 1720s; Chapter 8. MATERNAL DUTIES AND FILIAL MALAPROPISMS: Frances Sheridan and the Problems of Theatrical Inheritance; Chapter 9. MY SON, MY LOVER: Gothic Contagion and Maternal Sexuality in The Mysterious Mother; Part III. ACTRESSES AND THEIR CHILDREN Chapter 10. ELIZABETH AND KEPPEL CRAVEN AND THE DOMESTIC DRAMA OF MOTHER-SON RELATIONSChapter 11. MOMMY DIVA: The Divided Loyalties of Sarah Siddons; Chapter 12. THE GERBINI LETTERS: OR, A TALE OF TWO MOTHERS; BIBLIOGRAPHY; INDEX; ABOUT THE CONTRIBUTORS |
| Record Nr. | UNINA-9910787924103321 |
| Lewisburg, [Pennsylvania] : , : Bucknell University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Stage mothers : women, work, and the theater, 1660-1830 / / edited by Laura Engel and Elaine M. McGirr
| Stage mothers : women, work, and the theater, 1660-1830 / / edited by Laura Engel and Elaine M. McGirr |
| Pubbl/distr/stampa | Lewisburg, [Pennsylvania] : , : Bucknell University Press, , 2014 |
| Descrizione fisica | 1 online resource (291 p.) |
| Disciplina | 792.02/80820941 |
| Collana | Transits : Literature, Thought and Culture, 1650-1850 |
| Soggetto topico |
Women in the theater - Great Britain - History - 18th century
Women in the theater - Great Britain - History - 19th century Actresses - Great Britain Working mothers - Great Britain English drama - 18th century - History and criticism English drama - 19th century - History and criticism English drama - Women authors - History and criticism Mothers in literature Motherhood in literature |
| ISBN |
1-61148-605-X
1-61148-604-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
CONTENTS; ILLUSTRATIONS; ACKNOWLEDGMENTS; INTRODUCTION; Part I. ACTRESSES, MOTHERHOOD, AND THE PROFESSION OF THE STAGE; Chapter 1. "THE DIVIDED HEART OF THE ACTRESS: "Late Eighteenth-Century Actresses and the"Cult of Maternity"; Chapter 2. THE INCONVENIENCE OF THE FEMALE CONDITION: Anne Oldfield's Pregnancies; Chapter 3. "INIMITABLE SENSIBILITY": Susannah Cibber's Performance of Maternity; Chapter 4. WORKING MOTHERS ON THE ROMANTIC STAGE: Sarah Siddons and Mary Robinson; Part II. REPRESENTATIONS OF MOTHERS ON THE STAGE AND THE PAGE
Chapter 5. REBELS FOR LOVE: Maternity, Absolutism, and the Earl of Orrery's MustaphaChapter 6. ROWE'S THE AMBITIOUS STEPMOTHER: Motherhood and the Politics of the Blended Family; Chapter 7. STAGED VIRTUE: Anastasia Robinson as Ideal Mother in Two Operas of the 1720s; Chapter 8. MATERNAL DUTIES AND FILIAL MALAPROPISMS: Frances Sheridan and the Problems of Theatrical Inheritance; Chapter 9. MY SON, MY LOVER: Gothic Contagion and Maternal Sexuality in The Mysterious Mother; Part III. ACTRESSES AND THEIR CHILDREN Chapter 10. ELIZABETH AND KEPPEL CRAVEN AND THE DOMESTIC DRAMA OF MOTHER-SON RELATIONSChapter 11. MOMMY DIVA: The Divided Loyalties of Sarah Siddons; Chapter 12. THE GERBINI LETTERS: OR, A TALE OF TWO MOTHERS; BIBLIOGRAPHY; INDEX; ABOUT THE CONTRIBUTORS |
| Record Nr. | UNINA-9910813547303321 |
| Lewisburg, [Pennsylvania] : , : Bucknell University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Treading the bawds [[electronic resource] ] : actresses and playwrights on the late-Stuart stage / / Gilli Bush-Bailey
| Treading the bawds [[electronic resource] ] : actresses and playwrights on the late-Stuart stage / / Gilli Bush-Bailey |
| Autore | Bush-Bailey Gilli |
| Pubbl/distr/stampa | Manchester [U.K.] ; ; New York, : Manchester University Press |
| Descrizione fisica | 1 online resource (234 p.) |
| Disciplina | 822.4 |
| Collana | Women, theatre and performance |
| Soggetto topico |
Women in the theater - England - History - 17th century
Women in the theater - England - History - 18th century English drama - Restoration, 1660-1700 - History and criticism English drama - 18th century - History and criticism English drama - Women authors - History and criticism Theater - England - History - 17th century Theater - England - History - 18th century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-78170-193-8
1-84779-363-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Background -- pt. 2. The players' company at Lincoln's Inn Fields. |
| Record Nr. | UNINA-9910463683103321 |
|
Bush-Bailey Gilli
|
||
| Manchester [U.K.] ; ; New York, : Manchester University Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Treading the bawds [[electronic resource] ] : actresses and playwrights on the late-Stuart stage / / Gilli Bush-Bailey
| Treading the bawds [[electronic resource] ] : actresses and playwrights on the late-Stuart stage / / Gilli Bush-Bailey |
| Autore | Bush-Bailey Gilli |
| Pubbl/distr/stampa | Manchester [U.K.] ; ; New York, : Manchester University Press |
| Descrizione fisica | 1 online resource (234 p.) |
| Disciplina | 822.4 |
| Collana |
Women, Theatre and Performance
Women, theatre and performance |
| Soggetto topico |
Women in the theater - England - History - 17th century
Women in the theater - England - History - 18th century English drama - Restoration, 1660-1700 - History and criticism English drama - 18th century - History and criticism English drama - Women authors - History and criticism Theater - England - History - 17th century Theater - England - History - 18th century |
| Soggetto non controllato |
Anne Bracegirdle
Aphra Behn Ariadne Elizabeth Barry Mary Pix William Congreve business of theatre female playwright history of women playhouse |
| ISBN |
1-84779-640-0
1-78170-193-8 1-84779-363-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Background -- pt. 2. The players' company at Lincoln's Inn Fields. |
| Record Nr. | UNINA-9910788626603321 |
|
Bush-Bailey Gilli
|
||
| Manchester [U.K.] ; ; New York, : Manchester University Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
