Info
The complete works of William Shakespeare
| The complete works of William Shakespeare |
| Pubbl/distr/stampa | New York, New York : , : Race Point Publishing, , 2014 |
| Descrizione fisica | 1 online resource (1,299 pages) : illustrations |
| Disciplina | 822.009 |
| Soggetto topico | English drama - History and criticism |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910150183903321 |
| New York, New York : , : Race Point Publishing, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A Concise Companion To Shakespeare On Screen [[electronic resource]]
| A Concise Companion To Shakespeare On Screen [[electronic resource]] |
| Autore | Henderson Diana |
| Pubbl/distr/stampa | Oxford, : John Wiley & Sons, Ltd., 2007 |
| Descrizione fisica | 1 online resource (290 p.) |
| Disciplina | 791.436 |
| Collana | Blackwell concise companions to literature and culture A concise companion to Shakespeare on screen |
| Soggetto topico |
English drama
English drama - Film and video adaptations Film adaptations Shakespeare, William Fine Arts Literature English drama - History and criticism English Languages & Literatures English Literature |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-281-21460-4
9786611214609 0-470-75765-5 1-4051-4888-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Acknowledgments; Notes on Contributors; Bibliographical Note; Chronology; INTRODUCTION Through a Camera, Darkly Diana E. Henderson; Chapter 1 AUTHORSHIP Getting Back to Shakespeare: Whose Film is it Anyway? Elsie Walker; Chapter 2 CINEMA STUDIES "Thou Dost Usurp Authority": Beerbohm Tree, Reinhardt, Olivier, Welles, and the Politics of Adapting Shakespeare Anthony R. Guneratne; Chapter 3 THEATRICALITY Stage, Screen, and Nation: Hamlet and the Space of History Robert Shaughnessy; Chapter 4 THE ARTISTIC PROCESS Learning from Campbell Scott's Hamlet Diana E. Henderson
Chapter 5 CINEMATIC PERFORMANCE Spectacular Bodies: Acting +Cinema +Shakespeare Barbara HodgdonChapter 6 GENDER STUDIES Shakespeare, Sex, and Violence: Negotiating Masculinities in Branagh's Henry V and Taymor's Titus Pascale Aebischer; Chapter 7 GLOBALIZATION Figuring the Global/ Historical in Filmic Shakespearean Tragedy Mark Thornton Burnett; Chapter 8 CROSS-CULTURAL INTERPRETATION Reading Kurosawa Reading Shakespeare Anthony Daw |
| Record Nr. | UNINA-9910143287903321 |
Henderson Diana
|
||
| Oxford, : John Wiley & Sons, Ltd., 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A Concise Companion To Shakespeare On Screen [[electronic resource]]
| A Concise Companion To Shakespeare On Screen [[electronic resource]] |
| Autore | Henderson Diana |
| Pubbl/distr/stampa | Oxford, : John Wiley & Sons, Ltd., 2007 |
| Descrizione fisica | 1 online resource (290 p.) |
| Disciplina | 791.436 |
| Collana | Blackwell concise companions to literature and culture A concise companion to Shakespeare on screen |
| Soggetto topico |
English drama
English drama - Film and video adaptations Film adaptations Shakespeare, William Fine Arts Literature English drama - History and criticism English Languages & Literatures English Literature |
| ISBN |
1-281-21460-4
9786611214609 0-470-75765-5 1-4051-4888-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Acknowledgments; Notes on Contributors; Bibliographical Note; Chronology; INTRODUCTION Through a Camera, Darkly Diana E. Henderson; Chapter 1 AUTHORSHIP Getting Back to Shakespeare: Whose Film is it Anyway? Elsie Walker; Chapter 2 CINEMA STUDIES "Thou Dost Usurp Authority": Beerbohm Tree, Reinhardt, Olivier, Welles, and the Politics of Adapting Shakespeare Anthony R. Guneratne; Chapter 3 THEATRICALITY Stage, Screen, and Nation: Hamlet and the Space of History Robert Shaughnessy; Chapter 4 THE ARTISTIC PROCESS Learning from Campbell Scott's Hamlet Diana E. Henderson
Chapter 5 CINEMATIC PERFORMANCE Spectacular Bodies: Acting +Cinema +Shakespeare Barbara HodgdonChapter 6 GENDER STUDIES Shakespeare, Sex, and Violence: Negotiating Masculinities in Branagh's Henry V and Taymor's Titus Pascale Aebischer; Chapter 7 GLOBALIZATION Figuring the Global/ Historical in Filmic Shakespearean Tragedy Mark Thornton Burnett; Chapter 8 CROSS-CULTURAL INTERPRETATION Reading Kurosawa Reading Shakespeare Anthony Daw |
| Record Nr. | UNINA-9910830000403321 |
|
Henderson Diana
|
||
| Oxford, : John Wiley & Sons, Ltd., 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dark matter : invisibility in drama, theater, and performance / / Andrew Sofer
| Dark matter : invisibility in drama, theater, and performance / / Andrew Sofer |
| Autore | Sofer Andrew <1964-> |
| Pubbl/distr/stampa | Ann Arbor : , : University of Michigan Press, , [2013] |
| Descrizione fisica | 1 online resource (242 p.) |
| Disciplina | 792.01 |
| Collana | Theater--theory/text/performance |
| Soggetto topico |
Offstage action (Drama)
Presence (Philosophy) English drama - History and criticism American drama - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-472-05204-7
0-472-02968-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | How to do things with demons: conjuring performatives in Doctor Faustus -- Quantum mechanicals: desiring bottom in A midsummer night's dream -- Unmasking women: The rover and sexual signification on the Restoration stage -- Unbecoming acts: power, performance, and the self-consuming body in Tennessee Williams's Suddenly last summer -- Bugs in the mind: The archbishop's ceiling and Arthur Miller's prismatic drama -- Invisible wounds: rehearsing trauma on the contemporary stage. |
| Record Nr. | UNINA-9910453691703321 |
|
Sofer Andrew <1964->
|
||
| Ann Arbor : , : University of Michigan Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dark matter : invisibility in drama, theater, and performance / / Andrew Sofer
| Dark matter : invisibility in drama, theater, and performance / / Andrew Sofer |
| Autore | Sofer Andrew <1964-> |
| Pubbl/distr/stampa | Ann Arbor : , : The University of Michigan Press, , [2013] |
| Descrizione fisica | 1 online resource (242 p.) |
| Disciplina | 792.01 |
| Collana | Theater: theory/text/performance |
| Soggetto topico |
Offstage action (Drama)
Presence (Philosophy) English drama - History and criticism American drama - History and criticism |
| ISBN |
0-472-05204-7
0-472-02968-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | How to do things with demons: conjuring performatives in Doctor Faustus -- Quantum mechanicals: desiring bottom in A midsummer night's dream -- Unmasking women: The rover and sexual signification on the Restoration stage -- Unbecoming acts: power, performance, and the self-consuming body in Tennessee Williams's Suddenly last summer -- Bugs in the mind: The archbishop's ceiling and Arthur Miller's prismatic drama -- Invisible wounds: rehearsing trauma on the contemporary stage. |
| Record Nr. | UNINA-9910790770003321 |
|
Sofer Andrew <1964->
|
||
| Ann Arbor : , : The University of Michigan Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dark matter : invisibility in drama, theater, and performance / / Andrew Sofer
| Dark matter : invisibility in drama, theater, and performance / / Andrew Sofer |
| Autore | Sofer Andrew <1964-> |
| Pubbl/distr/stampa | Ann Arbor : , : The University of Michigan Press, , [2013] |
| Descrizione fisica | 1 online resource (242 p.) |
| Disciplina | 792.01 |
| Collana | Theater: theory/text/performance |
| Soggetto topico |
Offstage action (Drama)
Presence (Philosophy) English drama - History and criticism American drama - History and criticism |
| ISBN |
0-472-05204-7
0-472-02968-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | How to do things with demons: conjuring performatives in Doctor Faustus -- Quantum mechanicals: desiring bottom in A midsummer night's dream -- Unmasking women: The rover and sexual signification on the Restoration stage -- Unbecoming acts: power, performance, and the self-consuming body in Tennessee Williams's Suddenly last summer -- Bugs in the mind: The archbishop's ceiling and Arthur Miller's prismatic drama -- Invisible wounds: rehearsing trauma on the contemporary stage. |
| Record Nr. | UNINA-9910809408003321 |
|
Sofer Andrew <1964->
|
||
| Ann Arbor : , : The University of Michigan Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Exploring the language of drama : from text to context / / edited by Jonathan Culpeper, Mick Short, and Peter Verdonk
| Exploring the language of drama : from text to context / / edited by Jonathan Culpeper, Mick Short, and Peter Verdonk |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 1998 |
| Descrizione fisica | x, 181 p |
| Disciplina | 822.009 |
| Altri autori (Persone) |
CulpeperJonathan <1966->
ShortMick VerdonkPeter <1935-> |
| Soggetto topico |
English drama - History and criticism
English language - Style Drama - Technique |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-134-77431-1
1-280-11021-X 9780203284550 0-203-28455-0 0-203-00315-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | chapter 1 Introduction / Jonathan Culpeper -- chapter 2 From dramatic text to dramatic performance / Mick Short -- chapter 3 Turn management in drama / Vimala Herman -- chapter 4 Odd talk -- Studying discourses of incongruity / Paul Simpson -- chapter 5 Implicature, convention and The Taming of the Shrew / Marilyn M. Cooper -- chapter 6 Accessing character through conversation -- Tom Stoppard's Professional Foul / Neil Bennison -- chapter 7 (Im)politeness in dramatic dialogue / Jonathan Culpeper -- chapter 8 Catch[ing] the nearest way: Macbeth and cognitive metaphor / Macbeth and cognitive metaphor Donald C. Freeman -- chapter 9 Three models of power in David Mamet's Oleanna / Jean Jacques Weber -- chapter 10 Unhappy confessions in The Crucible -- A pragmatic explanation / Valerie Lowe -- chapter 11 The give and take of talk, and Caryl Churchill's Cloud Nine / Michael Toolan -- chapter 12 Advice on doing your stylistics essay on a dramatic text: an example from Alan Ayckbourn's The Revengers Comedies -- An example from Alan Ayckbourn's / The Revengers Comedies Peter K.W. Tan. |
| Record Nr. | UNINA-9910449872703321 |
| London ; ; New York : , : Routledge, , 1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Exploring the language of drama : from text to context / / edited by Jonathan Culpeper, Mick Short, and Peter Verdonk
| Exploring the language of drama : from text to context / / edited by Jonathan Culpeper, Mick Short, and Peter Verdonk |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 1998 |
| Descrizione fisica | x, 181 p |
| Disciplina | 822.009 |
| Altri autori (Persone) |
CulpeperJonathan <1966->
ShortMick VerdonkPeter <1935-> |
| Soggetto topico |
English drama - History and criticism
English language - Style Drama - Technique |
| ISBN |
1-134-77430-3
1-134-77431-1 1-280-11021-X 9780203284550 0-203-28455-0 0-203-00315-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | chapter 1 Introduction / Jonathan Culpeper -- chapter 2 From dramatic text to dramatic performance / Mick Short -- chapter 3 Turn management in drama / Vimala Herman -- chapter 4 Odd talk -- Studying discourses of incongruity / Paul Simpson -- chapter 5 Implicature, convention and The Taming of the Shrew / Marilyn M. Cooper -- chapter 6 Accessing character through conversation -- Tom Stoppard's Professional Foul / Neil Bennison -- chapter 7 (Im)politeness in dramatic dialogue / Jonathan Culpeper -- chapter 8 Catch[ing] the nearest way: Macbeth and cognitive metaphor / Macbeth and cognitive metaphor Donald C. Freeman -- chapter 9 Three models of power in David Mamet's Oleanna / Jean Jacques Weber -- chapter 10 Unhappy confessions in The Crucible -- A pragmatic explanation / Valerie Lowe -- chapter 11 The give and take of talk, and Caryl Churchill's Cloud Nine / Michael Toolan -- chapter 12 Advice on doing your stylistics essay on a dramatic text: an example from Alan Ayckbourn's The Revengers Comedies -- An example from Alan Ayckbourn's / The Revengers Comedies Peter K.W. Tan. |
| Record Nr. | UNINA-9910777087603321 |
| London ; ; New York : , : Routledge, , 1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Exploring the language of drama : from text to context / / edited by Jonathan Culpeper, Mick Short, and Peter Verdonk
| Exploring the language of drama : from text to context / / edited by Jonathan Culpeper, Mick Short, and Peter Verdonk |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 1998 |
| Descrizione fisica | x, 181 p |
| Disciplina | 822.009 |
| Altri autori (Persone) |
CulpeperJonathan <1966->
ShortMick VerdonkPeter <1935-2021.> |
| Soggetto topico |
English drama - History and criticism
English language - Style Drama - Technique |
| ISBN |
1-134-77430-3
1-134-77431-1 1-280-11021-X 9780203284550 0-203-28455-0 0-203-00315-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | chapter 1 Introduction / Jonathan Culpeper -- chapter 2 From dramatic text to dramatic performance / Mick Short -- chapter 3 Turn management in drama / Vimala Herman -- chapter 4 Odd talk -- Studying discourses of incongruity / Paul Simpson -- chapter 5 Implicature, convention and The Taming of the Shrew / Marilyn M. Cooper -- chapter 6 Accessing character through conversation -- Tom Stoppard's Professional Foul / Neil Bennison -- chapter 7 (Im)politeness in dramatic dialogue / Jonathan Culpeper -- chapter 8 Catch[ing] the nearest way: Macbeth and cognitive metaphor / Macbeth and cognitive metaphor Donald C. Freeman -- chapter 9 Three models of power in David Mamet's Oleanna / Jean Jacques Weber -- chapter 10 Unhappy confessions in The Crucible -- A pragmatic explanation / Valerie Lowe -- chapter 11 The give and take of talk, and Caryl Churchill's Cloud Nine / Michael Toolan -- chapter 12 Advice on doing your stylistics essay on a dramatic text: an example from Alan Ayckbourn's The Revengers Comedies -- An example from Alan Ayckbourn's / The Revengers Comedies Peter K.W. Tan. |
| Record Nr. | UNINA-9910966420803321 |
| London ; ; New York : , : Routledge, , 1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hamlet of Morningside Heights [[electronic resource] /] / by Kenneth Craven
| Hamlet of Morningside Heights [[electronic resource] /] / by Kenneth Craven |
| Autore | Craven Kenneth |
| Pubbl/distr/stampa | Newcastle upon Tyne, : Cambridge Scholars Publishing, 2011 |
| Descrizione fisica | 1 online resource (110 p.) |
| Disciplina | 822.33 |
| Soggetto topico | English drama - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-30896-7
1-4438-3432-7 9786613308962 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | CONTENTS; FOREWORD; PREFACE; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; BIBLIOGRAPHY |
| Record Nr. | UNINA-9910463287003321 |
|
Craven Kenneth
|
||
| Newcastle upon Tyne, : Cambridge Scholars Publishing, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
