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The art and technique of electroacoustic music / / Peter Elsea
| The art and technique of electroacoustic music / / Peter Elsea |
| Autore | Elsea Peter |
| Pubbl/distr/stampa | Middleton, Wisconsin : , : A-R Editions, Inc., , 2013 |
| Descrizione fisica | 1 online resource (539 p.) |
| Disciplina | 789.9 |
| Collana | Computer Music and Digital Audio Series |
| Soggetto topico |
Electronic music - Instruction and study
Computer music - Instruction and study |
| Soggetto genere / forma | Electronic books. |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Contents""; ""Preface""; ""Acknowledgments""; ""List of Figures""; ""Find a Quiet Spot . . .""; ""Sound""; ""Recording Sounds""; ""Sound after Sound""; ""Processing Sounds""; ""Layering Sounds""; ""MIDI""; ""Sequencing Programs""; ""Samplers""; ""Fundamentals of Synthesis""; ""Voicing Synthesizers""; ""FM Synthesis""; ""New Approaches to Synthesis""; ""Composing on a QWERTY Keyboard""; ""Coding for Real-time Performance""; ""Programming with Boxes and Lines""; ""Synthesis in Hardware""; ""The Electroacoustic Performer""; ""Composing for Electronic Performance""
""Contents of the Accompanying DVD""""Index"" |
| Record Nr. | UNINA-9910464551503321 |
Elsea Peter
|
||
| Middleton, Wisconsin : , : A-R Editions, Inc., , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The art and technique of electroacoustic music / / Peter Elsea
| The art and technique of electroacoustic music / / Peter Elsea |
| Autore | Elsea Peter |
| Pubbl/distr/stampa | Middleton, Wisconsin : , : A-R Editions, Inc., , 2013 |
| Descrizione fisica | 1 online resource (539 p.) |
| Disciplina | 789.9 |
| Collana | Computer Music and Digital Audio Series |
| Soggetto topico |
Electronic music - Instruction and study
Computer music - Instruction and study |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Contents""; ""Preface""; ""Acknowledgments""; ""List of Figures""; ""Find a Quiet Spot . . .""; ""Sound""; ""Recording Sounds""; ""Sound after Sound""; ""Processing Sounds""; ""Layering Sounds""; ""MIDI""; ""Sequencing Programs""; ""Samplers""; ""Fundamentals of Synthesis""; ""Voicing Synthesizers""; ""FM Synthesis""; ""New Approaches to Synthesis""; ""Composing on a QWERTY Keyboard""; ""Coding for Real-time Performance""; ""Programming with Boxes and Lines""; ""Synthesis in Hardware""; ""The Electroacoustic Performer""; ""Composing for Electronic Performance""
""Contents of the Accompanying DVD""""Index"" |
| Record Nr. | UNINA-9910789371403321 |
|
Elsea Peter
|
||
| Middleton, Wisconsin : , : A-R Editions, Inc., , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The art and technique of electroacoustic music / / Peter Elsea
| The art and technique of electroacoustic music / / Peter Elsea |
| Autore | Elsea Peter |
| Pubbl/distr/stampa | Middleton, Wisconsin : , : A-R Editions, Inc., , 2013 |
| Descrizione fisica | 1 online resource (539 p.) |
| Disciplina | 789.9 |
| Collana | Computer Music and Digital Audio Series |
| Soggetto topico |
Electronic music - Instruction and study
Computer music - Instruction and study |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Contents""; ""Preface""; ""Acknowledgments""; ""List of Figures""; ""Find a Quiet Spot . . .""; ""Sound""; ""Recording Sounds""; ""Sound after Sound""; ""Processing Sounds""; ""Layering Sounds""; ""MIDI""; ""Sequencing Programs""; ""Samplers""; ""Fundamentals of Synthesis""; ""Voicing Synthesizers""; ""FM Synthesis""; ""New Approaches to Synthesis""; ""Composing on a QWERTY Keyboard""; ""Coding for Real-time Performance""; ""Programming with Boxes and Lines""; ""Synthesis in Hardware""; ""The Electroacoustic Performer""; ""Composing for Electronic Performance""
""Contents of the Accompanying DVD""""Index"" |
| Record Nr. | UNINA-9910821206003321 |
|
Elsea Peter
|
||
| Middleton, Wisconsin : , : A-R Editions, Inc., , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Refining sound : a practical guide to synthesis and synthesizers / / Brian K. Shepard
| Refining sound : a practical guide to synthesis and synthesizers / / Brian K. Shepard |
| Autore | Shepard Brian K |
| Pubbl/distr/stampa | Oxford ; ; New York : , : Oxford University Press, , 2013 |
| Descrizione fisica | 1 online resource (264 p.) |
| Disciplina |
786.7
786.74 |
| Soggetto topico |
Electronic music - Instruction and study
Music - Acoustics and physics Synthesizer (Musical instrument) |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-992294-2
0-19-992295-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Synthesis and synthesizers : digging beneath the surface of your synthesizer -- 2. Oscillators : mining the raw materials of your synthesizer -- 3. Oscillator combinations : creating exotic compounds from your raw materials -- 4. Amplitude envelope generators : shaping your sounds -- 5. Audio filters : refining the color of your sounds -- 6. Internal modulation sources : dynamic shaping of your sounds modulation matrix -- 7. External control sources : shaping your sounds with playing techniques -- 8. Effects processors : polishing your sounds -- 9. Putting it all together : creating and refining your own synthesized sounds. |
| Record Nr. | UNINA-9910452400803321 |
|
Shepard Brian K
|
||
| Oxford ; ; New York : , : Oxford University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Refining sound : a practical guide to synthesis and synthesizers / / Brian K. Shepard
| Refining sound : a practical guide to synthesis and synthesizers / / Brian K. Shepard |
| Autore | Shepard Brian K |
| Pubbl/distr/stampa | Oxford ; ; New York : , : Oxford University Press, , 2013 |
| Descrizione fisica | 1 online resource (264 p.) |
| Disciplina |
786.7
786.74 |
| Soggetto topico |
Electronic music - Instruction and study
Music - Acoustics and physics Synthesizer (Musical instrument) |
| ISBN |
0-19-992294-2
0-19-992295-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Synthesis and synthesizers : digging beneath the surface of your synthesizer -- 2. Oscillators : mining the raw materials of your synthesizer -- 3. Oscillator combinations : creating exotic compounds from your raw materials -- 4. Amplitude envelope generators : shaping your sounds -- 5. Audio filters : refining the color of your sounds -- 6. Internal modulation sources : dynamic shaping of your sounds modulation matrix -- 7. External control sources : shaping your sounds with playing techniques -- 8. Effects processors : polishing your sounds -- 9. Putting it all together : creating and refining your own synthesized sounds. |
| Record Nr. | UNINA-9910790554103321 |
|
Shepard Brian K
|
||
| Oxford ; ; New York : , : Oxford University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Refining sound : a practical guide to synthesis and synthesizers / / Brian K. Shepard
| Refining sound : a practical guide to synthesis and synthesizers / / Brian K. Shepard |
| Autore | Shepard Brian K |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Oxford ; ; New York : , : Oxford University Press, , 2013 |
| Descrizione fisica | 1 online resource (264 p.) |
| Disciplina |
786.7
786.74 |
| Soggetto topico |
Electronic music - Instruction and study
Music - Acoustics and physics Synthesizer (Musical instrument) |
| ISBN |
0-19-937668-9
0-19-992294-2 0-19-992295-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Synthesis and synthesizers : digging beneath the surface of your synthesizer -- 2. Oscillators : mining the raw materials of your synthesizer -- 3. Oscillator combinations : creating exotic compounds from your raw materials -- 4. Amplitude envelope generators : shaping your sounds -- 5. Audio filters : refining the color of your sounds -- 6. Internal modulation sources : dynamic shaping of your sounds modulation matrix -- 7. External control sources : shaping your sounds with playing techniques -- 8. Effects processors : polishing your sounds -- 9. Putting it all together : creating and refining your own synthesized sounds. |
| Record Nr. | UNINA-9910824698303321 |
|
Shepard Brian K
|
||
| Oxford ; ; New York : , : Oxford University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The synthesizer : a comprehensive guide to understanding, programming, playing, and recording the ultimate electronic music instrument / / Mark Vail
| The synthesizer : a comprehensive guide to understanding, programming, playing, and recording the ultimate electronic music instrument / / Mark Vail |
| Autore | Vail Mark |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2014 |
| Descrizione fisica | 1 online resource (908 p.) |
| Disciplina | 786.7/419 |
| Soggetto topico |
Synthesizer (Musical instrument) - Instruction and study
Electronic music - Instruction and study |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-933486-2
0-19-539481-X 0-19-933485-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Contents; Foreword by Michelle Moog-Koussa; Preface; About the Companion Website; 1 Trendsetting All-Stars; Control; No Touch Required; For The Birds; Waggling Keyboard; Timbral Flowage; Tape-to-Electronics Transition; Voltage and Digital (Fingertip) Control; Synth Italia; Armand Pascetta's Pratt-Reed Polyphony; Heavyweight Polyphony and Control; Multitimbral Polyphony; Physical Modeling; Finger-Controlled Speech; Sound; Quantized Note Selection; Polyphonic Progenitor; Polyphony from an Expander; Switched-On Additive Synthesis
Groundbreaking German Digital SynthesizersRealizing John Chowning's Linear FM Synthesis; Phase Distortion; Linear Arithmetic; Vector Synthesis; MultiSynthesis and -Processing Environment; Open Architecture; Virtual Analog; Neural Modeling; Performance; Keyboard-Controlled Tape Player; Optical Sonics, Part; Optical Sonics, Part; Digital-Sampling Trailblazer from Down Under; More Affordable Digital Sampling; The Volksampler; Multitimbral Sample Playback, Sampling Optional; Direct-from-Disk Sample Playback; First Programmable Polysynth; Classic Beat Boxes First Programmable Sample-Playback Drum MachineSmall-Scale Improvisation Instrument; Interface; Patchboard-Matrix British Synths; Educational Instruments that Went Well Beyond; Unique Improvisation Machine; Multitasking Pre-MIDI Wonder Workstation; Original Resynthesizer; Hybrid Modular; Early Electronic Music Applications from Max Mathews; Barry Vercoe's Long-Lived Synthesis and Processing Software; Personal Computer with a Built-In Synth Chip; Graphically Programmable Computer Music Language; "Obsolete" and Ever-Evolving Sonic Software; Premier Softsynths for Discriminating Enthusiasts DIY Softsynth Apps and Their Potent OffspringReliable Softsynth Platform for the Road; Composition; The First Synthesizer; Room-Filling Automated Composition Machine; Photo-Optic Instrument from Russia; Instantaneous Composing/Performance Machine; Hybrid Music Workstation that Arrived Too Late; Gigabuck Digital Audio System; Economical Multitimbral Sequencing Synth; Musical Playstation for the Masses; Instrument that Launched Hip-Hop; Multipurpose Environment for Composition and Performance; Beyond; 2 Acoustics and Synthesis Basics130; Real-World Acoustics; Types of Synthesis Audio Sources: Oscillators, Noise, and MoreVCAs, Envelopes, and LFOs; Envelope Followers and Pitch-to-Voltage Converters; Filters; EQs and Filter Banks; Analog Sequencers; Arpeggiators; Reverb; Analog Delay; Digital Delay; Loopers; Other Effects; 3 Choosing Your Synthesizer(s); Options; What's Your Budget?; Musical Tastes and Goals; Hardware vs. Software; Portability and Power; Programmability: Pros and Cons; Expandability; As Others Have Done; Perspective; Modular Synthesizers in the Twenty-first Century; An Overview; Modular Synth Shopping; More on Eurorack Modular; More on FracRak Modular More on Serge Modular |
| Record Nr. | UNINA-9910453244503321 |
|
Vail Mark
|
||
| New York, New York : , : Oxford University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The synthesizer : a comprehensive guide to understanding, programming, playing, and recording the ultimate electronic music instrument / / Mark Vail
| The synthesizer : a comprehensive guide to understanding, programming, playing, and recording the ultimate electronic music instrument / / Mark Vail |
| Autore | Vail Mark |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2014 |
| Descrizione fisica | 1 online resource (908 p.) |
| Disciplina | 786.7/419 |
| Soggetto topico |
Synthesizer (Musical instrument) - Instruction and study
Electronic music - Instruction and study |
| ISBN |
0-19-933486-2
0-19-539481-X 0-19-933485-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Contents; Foreword by Michelle Moog-Koussa; Preface; About the Companion Website; 1 Trendsetting All-Stars; Control; No Touch Required; For The Birds; Waggling Keyboard; Timbral Flowage; Tape-to-Electronics Transition; Voltage and Digital (Fingertip) Control; Synth Italia; Armand Pascetta's Pratt-Reed Polyphony; Heavyweight Polyphony and Control; Multitimbral Polyphony; Physical Modeling; Finger-Controlled Speech; Sound; Quantized Note Selection; Polyphonic Progenitor; Polyphony from an Expander; Switched-On Additive Synthesis
Groundbreaking German Digital SynthesizersRealizing John Chowning's Linear FM Synthesis; Phase Distortion; Linear Arithmetic; Vector Synthesis; MultiSynthesis and -Processing Environment; Open Architecture; Virtual Analog; Neural Modeling; Performance; Keyboard-Controlled Tape Player; Optical Sonics, Part; Optical Sonics, Part; Digital-Sampling Trailblazer from Down Under; More Affordable Digital Sampling; The Volksampler; Multitimbral Sample Playback, Sampling Optional; Direct-from-Disk Sample Playback; First Programmable Polysynth; Classic Beat Boxes First Programmable Sample-Playback Drum MachineSmall-Scale Improvisation Instrument; Interface; Patchboard-Matrix British Synths; Educational Instruments that Went Well Beyond; Unique Improvisation Machine; Multitasking Pre-MIDI Wonder Workstation; Original Resynthesizer; Hybrid Modular; Early Electronic Music Applications from Max Mathews; Barry Vercoe's Long-Lived Synthesis and Processing Software; Personal Computer with a Built-In Synth Chip; Graphically Programmable Computer Music Language; "Obsolete" and Ever-Evolving Sonic Software; Premier Softsynths for Discriminating Enthusiasts DIY Softsynth Apps and Their Potent OffspringReliable Softsynth Platform for the Road; Composition; The First Synthesizer; Room-Filling Automated Composition Machine; Photo-Optic Instrument from Russia; Instantaneous Composing/Performance Machine; Hybrid Music Workstation that Arrived Too Late; Gigabuck Digital Audio System; Economical Multitimbral Sequencing Synth; Musical Playstation for the Masses; Instrument that Launched Hip-Hop; Multipurpose Environment for Composition and Performance; Beyond; 2 Acoustics and Synthesis Basics130; Real-World Acoustics; Types of Synthesis Audio Sources: Oscillators, Noise, and MoreVCAs, Envelopes, and LFOs; Envelope Followers and Pitch-to-Voltage Converters; Filters; EQs and Filter Banks; Analog Sequencers; Arpeggiators; Reverb; Analog Delay; Digital Delay; Loopers; Other Effects; 3 Choosing Your Synthesizer(s); Options; What's Your Budget?; Musical Tastes and Goals; Hardware vs. Software; Portability and Power; Programmability: Pros and Cons; Expandability; As Others Have Done; Perspective; Modular Synthesizers in the Twenty-first Century; An Overview; Modular Synth Shopping; More on Eurorack Modular; More on FracRak Modular More on Serge Modular |
| Record Nr. | UNINA-9910790970703321 |
|
Vail Mark
|
||
| New York, New York : , : Oxford University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The synthesizer : a comprehensive guide to understanding, programming, playing, and recording the ultimate electronic music instrument / / Mark Vail
| The synthesizer : a comprehensive guide to understanding, programming, playing, and recording the ultimate electronic music instrument / / Mark Vail |
| Autore | Vail Mark |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2014 |
| Descrizione fisica | 1 online resource (908 p.) |
| Disciplina | 786.7/419 |
| Soggetto topico |
Synthesizer (Musical instrument) - Instruction and study
Electronic music - Instruction and study |
| ISBN |
0-19-933486-2
0-19-539481-X 0-19-933485-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Contents; Foreword by Michelle Moog-Koussa; Preface; About the Companion Website; 1 Trendsetting All-Stars; Control; No Touch Required; For The Birds; Waggling Keyboard; Timbral Flowage; Tape-to-Electronics Transition; Voltage and Digital (Fingertip) Control; Synth Italia; Armand Pascetta's Pratt-Reed Polyphony; Heavyweight Polyphony and Control; Multitimbral Polyphony; Physical Modeling; Finger-Controlled Speech; Sound; Quantized Note Selection; Polyphonic Progenitor; Polyphony from an Expander; Switched-On Additive Synthesis
Groundbreaking German Digital SynthesizersRealizing John Chowning's Linear FM Synthesis; Phase Distortion; Linear Arithmetic; Vector Synthesis; MultiSynthesis and -Processing Environment; Open Architecture; Virtual Analog; Neural Modeling; Performance; Keyboard-Controlled Tape Player; Optical Sonics, Part; Optical Sonics, Part; Digital-Sampling Trailblazer from Down Under; More Affordable Digital Sampling; The Volksampler; Multitimbral Sample Playback, Sampling Optional; Direct-from-Disk Sample Playback; First Programmable Polysynth; Classic Beat Boxes First Programmable Sample-Playback Drum MachineSmall-Scale Improvisation Instrument; Interface; Patchboard-Matrix British Synths; Educational Instruments that Went Well Beyond; Unique Improvisation Machine; Multitasking Pre-MIDI Wonder Workstation; Original Resynthesizer; Hybrid Modular; Early Electronic Music Applications from Max Mathews; Barry Vercoe's Long-Lived Synthesis and Processing Software; Personal Computer with a Built-In Synth Chip; Graphically Programmable Computer Music Language; "Obsolete" and Ever-Evolving Sonic Software; Premier Softsynths for Discriminating Enthusiasts DIY Softsynth Apps and Their Potent OffspringReliable Softsynth Platform for the Road; Composition; The First Synthesizer; Room-Filling Automated Composition Machine; Photo-Optic Instrument from Russia; Instantaneous Composing/Performance Machine; Hybrid Music Workstation that Arrived Too Late; Gigabuck Digital Audio System; Economical Multitimbral Sequencing Synth; Musical Playstation for the Masses; Instrument that Launched Hip-Hop; Multipurpose Environment for Composition and Performance; Beyond; 2 Acoustics and Synthesis Basics130; Real-World Acoustics; Types of Synthesis Audio Sources: Oscillators, Noise, and MoreVCAs, Envelopes, and LFOs; Envelope Followers and Pitch-to-Voltage Converters; Filters; EQs and Filter Banks; Analog Sequencers; Arpeggiators; Reverb; Analog Delay; Digital Delay; Loopers; Other Effects; 3 Choosing Your Synthesizer(s); Options; What's Your Budget?; Musical Tastes and Goals; Hardware vs. Software; Portability and Power; Programmability: Pros and Cons; Expandability; As Others Have Done; Perspective; Modular Synthesizers in the Twenty-first Century; An Overview; Modular Synth Shopping; More on Eurorack Modular; More on FracRak Modular More on Serge Modular |
| Record Nr. | UNINA-9910807794603321 |
|
Vail Mark
|
||
| New York, New York : , : Oxford University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
