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Between air and electricity : microphones and loudspeakers as musical instruments / / Cathy van Eck
| Between air and electricity : microphones and loudspeakers as musical instruments / / Cathy van Eck |
| Autore | Eck Cathy van |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | New York : , : Bloomsbury Academic, , 2017 |
| Descrizione fisica | 1 online resource (217 pages) : illustrations |
| Disciplina | 781.49 |
| Soggetto topico |
Sound - Recording and reproducing - History
Electronic music - History and criticism Microphone Loudspeakers |
| ISBN |
1-5013-2763-1
1-5013-2762-3 1-5013-2761-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Beyond the Curtain: The True Nature' of Microphones and Loudspeakers -- Reproducing-- Supporting-- Generating-- Interacting: Four Approaches towards Microphones and Loudspeakers -- The Sound of Microphones and Loudspeakers -- Movement, Material and Space: Interacting with Microphones and Loudspeakers -- Composing with Microphones and Loudspeakers.
Machine generated contents note: 1. Beyond the Curtain: The True Nature' of Microphones and Loudspeakers -- An empty stage: Listening according to the Konzertreform -- A concert at home: The invention of sound reproduction technologies -- Storage of air pressure waves -- Transportation of air pressure waves -- Amplification of air pressure waves -- Between air and electricity -- A standard, almost perfect amplifier and loudspeaker -- Microphones and loudspeakers: The musical instruments of our age? -- |
| Record Nr. | UNINA-9910155078603321 |
Eck Cathy van
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| New York : , : Bloomsbury Academic, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Cambridge companion to electronic music / / edited by Nick Collins and Julio d'Escriván [[electronic resource]]
| The Cambridge companion to electronic music / / edited by Nick Collins and Julio d'Escriván [[electronic resource]] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2007 |
| Descrizione fisica | 1 online resource (xxi, 287 pages) : digital, PDF file(s) |
| Disciplina | 786.74 |
| Collana | Cambridge companions to music |
| Soggetto topico | Electronic music - History and criticism |
| ISBN |
1-107-48661-0
1-107-48154-6 1-139-00176-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The origins of electronic music / Andrew Hugill -- Electronic music and the studio / Margaret Schedel -- Live electronic music / Nicolas Collins -- A history of programming and music / Ge Wang -- Interactivity and live computer music / Sergi Jordà -- Algorithmic composition / Karlheinz Essl -- Live audiovisuals / Amy Alexander and Nick Collins -- Network music / Julian Rohrhuber -- Electronic music and the moving image / Julio d'Escriván -- Musical robots and listening machines / Nick Collins -- Computer generation and manipulation of sounds / Stefania Serafin -- The psychology of electronic music / Petri Toiviainen -- Trends in electroacoustic music / Natasha Barrett. |
| Record Nr. | UNISA-996210318503316 |
| Cambridge : , : Cambridge University Press, , 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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The Digital Musician [[electronic resource]]
| The Digital Musician [[electronic resource]] |
| Autore | Hugill Andrew |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2012 |
| Descrizione fisica | 1 online resource (337 p.) |
| Disciplina | 786.7 |
| Soggetto topico |
Computer music - History and criticism
Computer music -- History and criticism Electronic music - History and criticism Electronic music -- History and criticism Music - Philosophy and aesthetics Music -- Philosophy and aesthetics Music Music, Dance, Drama & Film Music Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-87364-7
1-136-27989-X 9786613714954 0-203-11179-6 1-136-27988-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; The Digital Musician; Copyright; Contents; Figures and Tables; Preface; Notes to the Second Edition; Acknowledgements; Part I: Engaging; 1. Creative Identity; What Are You?; Project 1 (Elementary): Elevator Pitch; Where Have You Come From?; Where Are You Going?; Introduction to the Case Studies; Project 2 (Intermediate): Personal Vision Statement; 2. Aural Awareness; Listening; Listening Modes; Listening Purposes; Listening Situations; Project 3 (Elementary): Listen, Listen; The Soundscape; Project 4 (Intermediate): Soundwalk; Soundscape Composition
Project 5 (Advanced): Soundscape PieceHearing; Project 6 (Elementary): Speech Patterns; The Ear-Brain Connection; Information: The Mechanics of Hearing; Machine Listening; 3. Exploring Sound; Acoustics and Psychoacoustics; Information: Fundamentals of Acoustics; Sound Structures; Project 7 (Intermediate): Sound Structures; Duration; Project 8 (Elementary): Extended Duration; Pitch and Tuning; Information: The Harmonic Series; Harmonicity and Inharmonicity; Project 9 (Advanced): Drone Piece; From Noise to Silence; Information: Noise and Loudness; Project 10 (Advanced): Incomplete Silence TimbreProject 11 (Intermediate): Timbral Study; 4. Listening to Music; The Musician's Ear; Aural Phenomena; Active Listening; Critical Listening; Listening to Electro-acoustic Music; Project 12 (Elementary): Sud; Part II: Creating; 5. Organizing Sound; Sound-Art, Sonic Art and Sound Design; Project 13 (Intermediate): Hearing Hearing; Sound in Space; Information: Behaviour of Sound in Space; Project 14 (Intermediate): Diffraction Installation; Network Space; Project 15 (Elementary): Sonic Wiki; Spatialization; Multichannel Sound Diffusion; Information: Spatialization Layouts Project 16 (Advanced): Types of SpaceSound through Time; Spectromorphology; Project 17 (Advanced): Quintessence; 6. Digitizing Sound; Sampling; Fourier Transforms; Project 18 (Elementary): FFT Processing; File Formats; Project 19 (Elementary): File Formats; Representing; Wave-form Diagrams; Spectograms; Synthesizing; Information: Sinusoids; Project 20: Analysis-Synthesis; Processing; Time Domain Processes; Frequency Domain Processes; Project 21 (Elementary): Reverse EQ; Dynamic Processes; Spatial Processes; Spectral Processes; Project 22 (Elementary): Sonic Morph; 7. Creating Music The ComposerWhy Compose?; Project 23 (Intermediate): Inspiration Box; The Compositional Process; Aural Imagination; Project 24 (Intermediate): Sunset; Intention and Result; Freedom and Constraint; Project 25 (Advanced): Sudoku; Originality and Style; Project 26 (Advanced): Pastiche; Form and Structure; Project 27 (Advanced): Open-form Work; Mood and Modalities; Project 28 (Advanced): Night Piece; 8. Instruments and Media; Musicians and their Instruments; Organology; Project 29 (Advanced): Infra-Instrument; Extended Acoustic Instruments Project 30 (Elementary): Sound Byte for Voice or Percussion |
| Record Nr. | UNINA-9910452888503321 |
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Hugill Andrew
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| Hoboken, : Taylor and Francis, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Digital Musician [[electronic resource]]
| The Digital Musician [[electronic resource]] |
| Autore | Hugill Andrew |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2012 |
| Descrizione fisica | 1 online resource (337 p.) |
| Disciplina | 786.7 |
| Soggetto topico |
Computer music - History and criticism
Computer music -- History and criticism Electronic music - History and criticism Electronic music -- History and criticism Music - Philosophy and aesthetics Music -- Philosophy and aesthetics Music Music, Dance, Drama & Film Music Philosophy |
| ISBN |
1-280-87364-7
1-136-27989-X 9786613714954 0-203-11179-6 1-136-27988-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; The Digital Musician; Copyright; Contents; Figures and Tables; Preface; Notes to the Second Edition; Acknowledgements; Part I: Engaging; 1. Creative Identity; What Are You?; Project 1 (Elementary): Elevator Pitch; Where Have You Come From?; Where Are You Going?; Introduction to the Case Studies; Project 2 (Intermediate): Personal Vision Statement; 2. Aural Awareness; Listening; Listening Modes; Listening Purposes; Listening Situations; Project 3 (Elementary): Listen, Listen; The Soundscape; Project 4 (Intermediate): Soundwalk; Soundscape Composition
Project 5 (Advanced): Soundscape PieceHearing; Project 6 (Elementary): Speech Patterns; The Ear-Brain Connection; Information: The Mechanics of Hearing; Machine Listening; 3. Exploring Sound; Acoustics and Psychoacoustics; Information: Fundamentals of Acoustics; Sound Structures; Project 7 (Intermediate): Sound Structures; Duration; Project 8 (Elementary): Extended Duration; Pitch and Tuning; Information: The Harmonic Series; Harmonicity and Inharmonicity; Project 9 (Advanced): Drone Piece; From Noise to Silence; Information: Noise and Loudness; Project 10 (Advanced): Incomplete Silence TimbreProject 11 (Intermediate): Timbral Study; 4. Listening to Music; The Musician's Ear; Aural Phenomena; Active Listening; Critical Listening; Listening to Electro-acoustic Music; Project 12 (Elementary): Sud; Part II: Creating; 5. Organizing Sound; Sound-Art, Sonic Art and Sound Design; Project 13 (Intermediate): Hearing Hearing; Sound in Space; Information: Behaviour of Sound in Space; Project 14 (Intermediate): Diffraction Installation; Network Space; Project 15 (Elementary): Sonic Wiki; Spatialization; Multichannel Sound Diffusion; Information: Spatialization Layouts Project 16 (Advanced): Types of SpaceSound through Time; Spectromorphology; Project 17 (Advanced): Quintessence; 6. Digitizing Sound; Sampling; Fourier Transforms; Project 18 (Elementary): FFT Processing; File Formats; Project 19 (Elementary): File Formats; Representing; Wave-form Diagrams; Spectograms; Synthesizing; Information: Sinusoids; Project 20: Analysis-Synthesis; Processing; Time Domain Processes; Frequency Domain Processes; Project 21 (Elementary): Reverse EQ; Dynamic Processes; Spatial Processes; Spectral Processes; Project 22 (Elementary): Sonic Morph; 7. Creating Music The ComposerWhy Compose?; Project 23 (Intermediate): Inspiration Box; The Compositional Process; Aural Imagination; Project 24 (Intermediate): Sunset; Intention and Result; Freedom and Constraint; Project 25 (Advanced): Sudoku; Originality and Style; Project 26 (Advanced): Pastiche; Form and Structure; Project 27 (Advanced): Open-form Work; Mood and Modalities; Project 28 (Advanced): Night Piece; 8. Instruments and Media; Musicians and their Instruments; Organology; Project 29 (Advanced): Infra-Instrument; Extended Acoustic Instruments Project 30 (Elementary): Sound Byte for Voice or Percussion |
| Record Nr. | UNINA-9910779248203321 |
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Hugill Andrew
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| Hoboken, : Taylor and Francis, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Electronic and computer music / / Peter Manning
| Electronic and computer music / / Peter Manning |
| Autore | Manning Peter <1948-> |
| Edizione | [4th ed.] |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , [2013] |
| Descrizione fisica | 1 online resource (570 p.) |
| Disciplina | 786.709 |
| Soggetto topico |
Computer music - History and criticism
Electronic music - History and criticism |
| ISBN | 0-19-998643-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; 1. The Background to 1945; I. Developments from 1945 to 1960; 2. Paris and Musique Concrète; 3. Cologne and Elektronische Musik; 4. Milan and Elsewhere in Europe; 5. America; II. New Horizons in Electronic Design; 6. The Voltage-Controlled Synthesizer; III. The Electronic Repertory from 1960; 7. Works for Tape; 8. Live Electronic Music; 9. Rock and Pop Electronic Music; IV. The Digital Revolution to 1980; 10. The Foundations of Computer Music; 11. From Computer Technology to Musical Creativity; 12. The Microprocessor Revolution; V. Digital Audio
13. The Characteristics of Digital AudioVI. MIDI; 14. The Development of the MIDI Communications Protocol; 15. From Analog to Digital: The Evolution of MIDI Hardware; 16. From Microcomputer to Music Computer: The MIDI Perspective; 17. Further Advances in Hardware Design; 18. The Changing Fortunes of the MIDI Manufacturing Sector; VII. Desktop Synthesis and Signal Processing; 19. From Minicomputer to Advanced Computer Workstation; 20. The Personal Computer; 21. The Digital Audio Workstation; 22. Laptop Music and Related Activities; 23. Synthesis, Signal Processing, and Spatialization 24. Performance Controllers: Evolution and ChangeVIII. Global Networking; 25. The Internet; 26. Conclusion; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z |
| Record Nr. | UNINA-9910792234503321 |
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Manning Peter <1948->
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| New York : , : Oxford University Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Electronic and computer music [[electronic resource] /] / Peter Manning
| Electronic and computer music [[electronic resource] /] / Peter Manning |
| Autore | Manning Peter <1948-> |
| Edizione | [Rev. and expanded ed.] |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2004 |
| Descrizione fisica | 1 online resource (497 p.) |
| Disciplina | 786.7/09 |
| Soggetto topico |
Electronic music - History and criticism
Computer music - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-984980-3
0-19-151817-4 1-4237-2692-8 0-19-517085-7 1-280-53172-X 0-19-534929-6 1-4337-0070-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The background, to 1945 -- Developments from 1945 to 1960 -- Paris and musique concrète -- Cologne and electronische musik -- Milan and elsewhere in Europe -- America -- New horizons in electronic design -- The voltage-controlled synthesizer -- The electronic repertory from 1960 -- Works for tape -- Live electronic music -- Rock and pop electronic music -- The digital revolution to 1980 -- The foundations of computer music -- From computer technology to musical creativity -- The microprocessor revolution -- The characteristics of digital audio -- MIDI -- The development of the MIDI communications protocol -- From analog to digital: the evolution of MIDI hardware -- From microcomputer to music computer: the MIDI dimension -- New horizons for MIDI-based technologies -- Desktop synthesis and signal processing -- Personal computers and sound processing -- Music workstations and related computing architectures -- The expanding perspective -- Performance controllers -- New horizons in synthesis and signal processing software. |
| Record Nr. | UNINA-9910450325003321 |
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Manning Peter <1948->
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| Oxford ; ; New York, : Oxford University Press, 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Electronic and computer music [[electronic resource] /] / Peter Manning
| Electronic and computer music [[electronic resource] /] / Peter Manning |
| Autore | Manning Peter <1948-> |
| Edizione | [Rev. and expanded ed.] |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2004 |
| Descrizione fisica | 1 online resource (497 p.) |
| Disciplina | 786.7/09 |
| Soggetto topico |
Electronic music - History and criticism
Computer music - History and criticism |
| ISBN |
0-19-984980-3
0-19-151817-4 1-4237-2692-8 0-19-517085-7 1-280-53172-X 0-19-534929-6 1-4337-0070-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The background, to 1945 -- Developments from 1945 to 1960 -- Paris and musique concrète -- Cologne and electronische musik -- Milan and elsewhere in Europe -- America -- New horizons in electronic design -- The voltage-controlled synthesizer -- The electronic repertory from 1960 -- Works for tape -- Live electronic music -- Rock and pop electronic music -- The digital revolution to 1980 -- The foundations of computer music -- From computer technology to musical creativity -- The microprocessor revolution -- The characteristics of digital audio -- MIDI -- The development of the MIDI communications protocol -- From analog to digital: the evolution of MIDI hardware -- From microcomputer to music computer: the MIDI dimension -- New horizons for MIDI-based technologies -- Desktop synthesis and signal processing -- Personal computers and sound processing -- Music workstations and related computing architectures -- The expanding perspective -- Performance controllers -- New horizons in synthesis and signal processing software. |
| Record Nr. | UNINA-9910783264003321 |
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Manning Peter <1948->
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| Oxford ; ; New York, : Oxford University Press, 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Journey to a plugged in state of mind : electronic music : a century of exploration and exploitation / / by Dave Henderson
| Journey to a plugged in state of mind : electronic music : a century of exploration and exploitation / / by Dave Henderson |
| Autore | Henderson Dave <1956-> |
| Pubbl/distr/stampa | London, England : , : Cherry Red Books, , 2016 |
| Descrizione fisica | 1 online resource (416 pages) : illustrations |
| Disciplina | 786.709 |
| Soggetto topico |
Electronic music - History and criticism
Electronic music |
| ISBN | 1-909454-57-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910160288603321 |
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Henderson Dave <1956->
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| London, England : , : Cherry Red Books, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Live wires : a history of electronic music / / Dan Warner
| Live wires : a history of electronic music / / Dan Warner |
| Autore | Warner Dan |
| Pubbl/distr/stampa | London, UK : , : Reaktion Books, , [2017] |
| Descrizione fisica | 1 online resource (206 pages) |
| Disciplina | 786.7 |
| Soggetto topico |
Electronic music - History and criticism
Music and technology |
| ISBN | 1-78023-871-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Title Page -- Copyright -- Contents -- Introduction -- 1: Tape Recorder -- 2: Circuits -- 3: Turntable and Record -- 4: Microphone -- 5: Computers -- Epilogue -- Recommended Listening -- References -- Bibliography -- Acknowledgements -- Photo Acknowledgements -- Index. |
| Record Nr. | UNINA-9910794516403321 |
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Warner Dan
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| London, UK : , : Reaktion Books, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Live wires : a history of electronic music / / Dan Warner
| Live wires : a history of electronic music / / Dan Warner |
| Autore | Warner Dan |
| Pubbl/distr/stampa | London, UK : , : Reaktion Books, , [2017] |
| Descrizione fisica | 1 online resource (206 pages) |
| Disciplina | 786.7 |
| Soggetto topico |
Electronic music - History and criticism
Music and technology |
| ISBN | 1-78023-871-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Title Page -- Copyright -- Contents -- Introduction -- 1: Tape Recorder -- 2: Circuits -- 3: Turntable and Record -- 4: Microphone -- 5: Computers -- Epilogue -- Recommended Listening -- References -- Bibliography -- Acknowledgements -- Photo Acknowledgements -- Index. |
| Record Nr. | UNINA-9910816305903321 |
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Warner Dan
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| London, UK : , : Reaktion Books, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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