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Cinema wars [[electronic resource] ] : Hollywood film and politics in the Bush-Cheney era / / Douglas Kellner
| Cinema wars [[electronic resource] ] : Hollywood film and politics in the Bush-Cheney era / / Douglas Kellner |
| Autore | Kellner Douglas <1943-> |
| Pubbl/distr/stampa | Malden, MA, : Wiley-Blackwell, 2010 |
| Descrizione fisica | x, 279 p |
| Soggetto topico |
Motion pictures - Political aspects - United States
Motion pictures - United States - History - 21st century Documentary films - United States - History and criticism Documentary films - Political aspects - History and criticism Environmental films - United States - History and criticism Politics in motion pictures Terrorism in motion pictures Iraq War, 2003-2011 - Motion pictures and the war |
| ISBN |
1444314815
9781444314816 9781444314809 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910795803703321 |
Kellner Douglas <1943->
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| Malden, MA, : Wiley-Blackwell, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinema wars : Hollywood film and politics in the Bush-Cheney era / / Douglas Kellner
| Cinema wars : Hollywood film and politics in the Bush-Cheney era / / Douglas Kellner |
| Autore | Kellner Douglas <1943-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Malden, MA, : Wiley-Blackwell, 2010 |
| Descrizione fisica | x, 279 p |
| Disciplina | 791.43658 |
| Soggetto topico |
Motion pictures - Political aspects - United States
Motion pictures - United States - History - 21st century Documentary films - United States - History and criticism Documentary films - Political aspects - History and criticism Environmental films - United States - History and criticism Politics in motion pictures Terrorism in motion pictures Iraq War, 2003-2011 - Motion pictures and the war |
| ISBN |
1444314815
9781444314816 9781444314809 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- Cinema Wars -- Contents -- Acknowledgments -- List of Plates -- Introduction: Film, Politics, and Society -- Hollywood Film as a Contested Terrain -- Cinema, Politics, and Social History: From Cinematic Realism to Allegory -- Hollywood Film and the Contemporary Moment: Signs of the Times -- Reading Film Diagnostically: Imagining Obama -- In This Book -- 1 Confronting the Horrors of the Bush-Cheney Era: From Documentary to Allegory -- The Golden Age of Documentary -- Real Disaster Films: From An Inconvenient Truth and Environmental Documentaries to Animated Allegories -- Allegories of Catastrophe: Social Apocalypse in Disaster, Horror, and Fantasy Films -- 2 Hollywood's 9/11 and Spectacles of Terror -- 9/11 as Disaster Film and Spectacle of Terror -- Representations of 9/11 in Hollywood Film: United 93 and World Trade Center -- Disney Television Republican Propaganda: The Path to 9/11 -- Hollywood's Terror War -- 3 Michael Moore's Provocations -- Michael Moore, Emile de Antonio, and the Politics of Documentary Film -- Roger and Me and the Documentary of Personal Witnessing -- Bowling For Columbine and Exploratory Documentary Montage -- Fahrenheit 9/11 and Partisan Interventionist Cinema -- Sicko and the Michael Moore Genre -- 4 Hollywood Political Critiques of the Bush-Cheney Regime: From Thrillers to Fantasy and Satire -- The Hollywood Political Thriller Against the Bush-Cheney Regime -- Star Wars Prequels as Anti-Bush-Cheney Allegory -- From Satire to Dystopia -- 5 The Cinematic Iraq War -- Documenting Iraq -- Interpreting the Iraq Fiasco -- Iraq and Its Aftermath in Fiction Films -- Conclusion: Hollywood Cinema Wars in the 2000s -- Critical Representations -- History Lessons -- Final Reflections -- References -- Index. |
| Record Nr. | UNINA-9910809025803321 |
|
Kellner Douglas <1943->
|
||
| Malden, MA, : Wiley-Blackwell, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Michael Moore and the rhetoric of documentary / / edited by Thomas W. Benson and Brian J. Snee
| Michael Moore and the rhetoric of documentary / / edited by Thomas W. Benson and Brian J. Snee |
| Pubbl/distr/stampa | Carbondale, [Illinois] : , : Southern Illinois University Press, , 2015 |
| Descrizione fisica | 1 online resource (421 p.) |
| Disciplina | 791.4302/33092 |
| Soggetto topico |
Documentary films - Political aspects - History and criticism
Motion pictures - Political aspects - United States |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8093-3408-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Michael Moore and the rhetoric of documentary: art, argument, affect 1 / Thomas W. Benson and Brian J. Snee -- Laughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda -- The big one that got away / Christine Harold -- The many moods of Michael Moore: aesthetics and affect in Bowling for Columbine / Brian L. Ott and Susan A. Sci -- The conversion of Lila Lipscomb in Fahrenheit 9/11 / Thomas Rosteck and Thomas S. Frentz -- The phenomenal text of Michael Moore's Sicko / Edward Schiappa, Daniel Ladislau Horvath, and Peter B. Gregg -- The ghosts of Michael Moore's future-Past: or, the many failures of Slacker uprising / Davis W. Houck and Joseph Delbert Davenport -- "I'm sorry to see it go": nostalgic rhetoric in Michael Moore's Capitalism: a love story / Kendall R. Phillips. |
| Record Nr. | UNINA-9910460694803321 |
| Carbondale, [Illinois] : , : Southern Illinois University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Michael Moore and the rhetoric of documentary / / edited by Thomas W. Benson and Brian J. Snee
| Michael Moore and the rhetoric of documentary / / edited by Thomas W. Benson and Brian J. Snee |
| Pubbl/distr/stampa | Carbondale, [Illinois] : , : Southern Illinois University Press, , 2015 |
| Descrizione fisica | 1 online resource (421 p.) |
| Disciplina | 791.4302/33092 |
| Soggetto topico |
Documentary films - Political aspects - History and criticism
Motion pictures - Political aspects - United States |
| ISBN | 0-8093-3408-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Michael Moore and the rhetoric of documentary: art, argument, affect 1 / Thomas W. Benson and Brian J. Snee -- Laughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda -- The big one that got away / Christine Harold -- The many moods of Michael Moore: aesthetics and affect in Bowling for Columbine / Brian L. Ott and Susan A. Sci -- The conversion of Lila Lipscomb in Fahrenheit 9/11 / Thomas Rosteck and Thomas S. Frentz -- The phenomenal text of Michael Moore's Sicko / Edward Schiappa, Daniel Ladislau Horvath, and Peter B. Gregg -- The ghosts of Michael Moore's future-Past: or, the many failures of Slacker uprising / Davis W. Houck and Joseph Delbert Davenport -- "I'm sorry to see it go": nostalgic rhetoric in Michael Moore's Capitalism: a love story / Kendall R. Phillips. |
| Record Nr. | UNINA-9910797219303321 |
| Carbondale, [Illinois] : , : Southern Illinois University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Michael Moore and the rhetoric of documentary / / edited by Thomas W. Benson and Brian J. Snee
| Michael Moore and the rhetoric of documentary / / edited by Thomas W. Benson and Brian J. Snee |
| Pubbl/distr/stampa | Carbondale, [Illinois] : , : Southern Illinois University Press, , 2015 |
| Descrizione fisica | 1 online resource (421 p.) |
| Disciplina | 791.4302/33092 |
| Soggetto topico |
Documentary films - Political aspects - History and criticism
Motion pictures - Political aspects - United States |
| ISBN | 0-8093-3408-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Michael Moore and the rhetoric of documentary: art, argument, affect 1 / Thomas W. Benson and Brian J. Snee -- Laughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda -- The big one that got away / Christine Harold -- The many moods of Michael Moore: aesthetics and affect in Bowling for Columbine / Brian L. Ott and Susan A. Sci -- The conversion of Lila Lipscomb in Fahrenheit 9/11 / Thomas Rosteck and Thomas S. Frentz -- The phenomenal text of Michael Moore's Sicko / Edward Schiappa, Daniel Ladislau Horvath, and Peter B. Gregg -- The ghosts of Michael Moore's future-Past: or, the many failures of Slacker uprising / Davis W. Houck and Joseph Delbert Davenport -- "I'm sorry to see it go": nostalgic rhetoric in Michael Moore's Capitalism: a love story / Kendall R. Phillips. |
| Record Nr. | UNINA-9910820521003321 |
| Carbondale, [Illinois] : , : Southern Illinois University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Soggetto topico
-
Documentary films - Political aspects - History and criticism
(5)
- Motion pictures - Political aspects - United States (5)
- Documentary films - United States - History and criticism (2)
- Environmental films - United States - History and criticism (2)
- Iraq War, 2003-2011 - Motion pictures and the war (2)