Landing on the wrong note [[electronic resource] ] : jazz, dissonance, and critical practice / / Ajay Heble |
Autore | Heble Ajay <1961-> |
Pubbl/distr/stampa | New York, : Routledge, 2000 |
Descrizione fisica | 1 online resource (267 p.) |
Disciplina | 781.65 |
Soggetto topico |
Jazz - History and criticism
Jazz - Social aspects Dissonance (Music) |
Soggetto genere / forma | Electronic books. |
ISBN |
1-280-40707-7
0-203-90100-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Front Cover; Landing on the Wrong Note; Copyright Page; Contents; Preface; Acknowledgments; Introduction; 1. The Poetics of Jazz: From Symbolic to Semiotic; 2. The Rehistoricizing of Jazz: Chicago's "Urban Bushmen" and the Problem of Representation; 3. Performing Identity: Jazz Autobiography and the Politics of Literary Improvisation; 4. "Space Is the Place": Jazz, Voice, and Resistance; 5. Nice Work If You Can Get It: Women in Jazz: (with Gillian Siddall); 6. Capitulating to Barbarism Jazz: Jazz and/as Popular Culture; 7. Up for Grabs: The Ethicopolitical Authority of Jazz
Conclusion: Alternative Public SpheresWorks Cited; Sound and Video Recordings Consulted; Index |
Record Nr. | UNINA-9910451539403321 |
Heble Ajay <1961-> | ||
New York, : Routledge, 2000 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Landing on the wrong note [[electronic resource] ] : jazz, dissonance, and critical practice / / Ajay Heble |
Autore | Heble Ajay <1961-> |
Pubbl/distr/stampa | New York, : Routledge, 2000 |
Descrizione fisica | 1 online resource (267 p.) |
Disciplina | 781.65 |
Soggetto topico |
Jazz - History and criticism
Jazz - Social aspects Dissonance (Music) |
ISBN |
1-134-00129-0
1-280-40707-7 0-203-90100-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Front Cover; Landing on the Wrong Note; Copyright Page; Contents; Preface; Acknowledgments; Introduction; 1. The Poetics of Jazz: From Symbolic to Semiotic; 2. The Rehistoricizing of Jazz: Chicago's "Urban Bushmen" and the Problem of Representation; 3. Performing Identity: Jazz Autobiography and the Politics of Literary Improvisation; 4. "Space Is the Place": Jazz, Voice, and Resistance; 5. Nice Work If You Can Get It: Women in Jazz: (with Gillian Siddall); 6. Capitulating to Barbarism Jazz: Jazz and/as Popular Culture; 7. Up for Grabs: The Ethicopolitical Authority of Jazz
Conclusion: Alternative Public SpheresWorks Cited; Sound and Video Recordings Consulted; Index |
Record Nr. | UNINA-9910783895003321 |
Heble Ajay <1961-> | ||
New York, : Routledge, 2000 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Landing on the wrong note : jazz, dissonance, and critical practice / / Ajay Heble |
Autore | Heble Ajay <1961-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New York, : Routledge, 2000 |
Descrizione fisica | 1 online resource (267 p.) |
Disciplina | 781.65 |
Soggetto topico |
Jazz - History and criticism
Jazz - Social aspects Dissonance (Music) |
ISBN |
1-134-00129-0
1-280-40707-7 0-203-90100-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Front Cover; Landing on the Wrong Note; Copyright Page; Contents; Preface; Acknowledgments; Introduction; 1. The Poetics of Jazz: From Symbolic to Semiotic; 2. The Rehistoricizing of Jazz: Chicago's "Urban Bushmen" and the Problem of Representation; 3. Performing Identity: Jazz Autobiography and the Politics of Literary Improvisation; 4. "Space Is the Place": Jazz, Voice, and Resistance; 5. Nice Work If You Can Get It: Women in Jazz: (with Gillian Siddall); 6. Capitulating to Barbarism Jazz: Jazz and/as Popular Culture; 7. Up for Grabs: The Ethicopolitical Authority of Jazz
Conclusion: Alternative Public SpheresWorks Cited; Sound and Video Recordings Consulted; Index |
Record Nr. | UNINA-9910806814303321 |
Heble Ajay <1961-> | ||
New York, : Routledge, 2000 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|