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Computer graphics [[electronic resource] /] / editor, Martin J. Davis
| Computer graphics [[electronic resource] /] / editor, Martin J. Davis |
| Pubbl/distr/stampa | New York, : Nova Science Publishers, c2011 |
| Descrizione fisica | 1 online resource (214 p.) |
| Disciplina | 620/.00420285 |
| Altri autori (Persone) | DavisMartin J |
| Collana | Computer science, technology, and applications |
| Soggetto topico |
Computer graphics
Computer-aided design Digital images Imaging systems in medicine Information visualization |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-61122-146-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""COMPUTER GRAPHICS""; ""COMPUTER SCIENCE, TECHNOLOGYAND APPLICATIONS""; ""CONTENTS""; ""PREFACE""; ""COMPUTER-AIDED DESIGNAND COMPUTER GRAPHICS""; ""ABSTRACT""; ""1. INTRODUCTION""; ""2. IT REVOLUTION AND CAD AS AN IMPORTANTIT-APPLICATION AREA""; ""3. PLANNING AND DESIGN AS A PROBLEM SOLVING PROCESS ANDVITAL ROLE OF COMPUTERSWITH GRAPHICS CAPABILITIES""; ""4. UTILITY OF COMPUTER GRAPHICSIN CAD PERTINENT TO AEC SECTOR""; ""4.1. Interactive Computer Graphics and Geometric Modelling in AEC CAD""; ""4.2. Computer Aided Planning and Design Analysis Using Graphics""
""4.2.1. Urban Development Planning Policy Analysis - A Descriptive Numeric-Graphic Model""""4.2.2. Urban Planning And Design Analysis Using Numeric-Graphic Model �AnIllustrative Example""; ""4.3. Computer-Aided Design by Optimisation and Computer Graphics""; ""4.3.1. Optimization In Structural Engineering-A Model For Least-Cost Design OfReinforced Concrete Beam""; ""4.3.2. An 'Application Software' For Integrated Computer Aided Optimal DesignAnd Drafting In Structural Engineering (Reinforced Concrete Beam)""; ""4.4. Architectural and Engineering Drafting"" ""4.5. Participatory Urban Planning and Design Using Operations ResearchTools for More Effective Urban Planning Policies""""4.5.1. FAR & Built-Unit-Cost Interaction- Urban Management And Housing AndUrban Development Planning And Design Policy Implications""; ""4.5.2. Building-Rise-Density Interaction � Urban Management And Building AndUrban Development Planning And Design Policy Implications""; ""4.5.3. Need For Integrated Urban Management Approach And Urban ManagementEducation""; ""4.6. Integrated Computer Aided Design by Optimization"" ""5. GRAPHICS PROGRAMMING IN PLANNINGAND DESIGN IN AEC SECTOR""""5.1. Application of Graphics Programming Using Autolisp - An Example""; ""6. CONCLUSION""; ""REFERENCES""; ""APPENDIX-A""; ""Subject: Computer-Aided Planning and Design by Optimization""; ""A Suggestive Course-Content:""; ""APPENDIX-B""; ""THE USE OF ADOBE PHOTOSHOPPROGRAM AS A PLANNING TOOLIN THE FIELD OF DEFORMITYCORRECTION SURGERY""; ""ABSTRACT""; ""INTRODUCTION""; ""FRONTAL PLANE MECHANICAL AXIS PLANNING""; ""I. Identify the Source of Malalignment""; ""1. Mark The Centers Of The Hip, Knee And Ankle Joints"" ""2. Mechanical Axis And MAD (Mechanical Axis Deviation)""""3. Joint Orientation Lines""; ""4. Joint Orientation Angles""; ""II. Identify the Level of the CORA""; ""1. Tibial Mechanical Axis Planning""; ""2. Femoral Mechanical Axis Planning""; ""III. Simulating Corrective Osteotomies""; ""1. Open Wedge Osteotomy""; ""2. Maquet Dome Osteotomy""; ""3. Reversed Focal Dome Osteotomy""; ""4. Closing Wedge Osteotomy""; ""CONCLUSION""; ""CONFLICT OF INTEREST STATEMENT""; ""REFERENCES"" ""COMPUTER GRAPHICS AND MEDICAL IMAGE PROCESSINGIN A SURGICAL NAVIGATION SYSTEM FOR ORAL ANDMAXILLOFACIAL SURGERY"" |
| Record Nr. | UNINA-9910452954103321 |
| New York, : Nova Science Publishers, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Computer graphics [[electronic resource] /] / editor, Martin J. Davis
| Computer graphics [[electronic resource] /] / editor, Martin J. Davis |
| Pubbl/distr/stampa | New York, : Nova Science Publishers, c2011 |
| Descrizione fisica | 1 online resource (214 p.) |
| Disciplina | 620/.00420285 |
| Altri autori (Persone) | DavisMartin J |
| Collana | Computer science, technology, and applications |
| Soggetto topico |
Computer graphics
Computer-aided design Digital images Imaging systems in medicine Information visualization |
| ISBN | 1-61122-146-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""COMPUTER GRAPHICS""; ""COMPUTER SCIENCE, TECHNOLOGYAND APPLICATIONS""; ""CONTENTS""; ""PREFACE""; ""COMPUTER-AIDED DESIGNAND COMPUTER GRAPHICS""; ""ABSTRACT""; ""1. INTRODUCTION""; ""2. IT REVOLUTION AND CAD AS AN IMPORTANTIT-APPLICATION AREA""; ""3. PLANNING AND DESIGN AS A PROBLEM SOLVING PROCESS ANDVITAL ROLE OF COMPUTERSWITH GRAPHICS CAPABILITIES""; ""4. UTILITY OF COMPUTER GRAPHICSIN CAD PERTINENT TO AEC SECTOR""; ""4.1. Interactive Computer Graphics and Geometric Modelling in AEC CAD""; ""4.2. Computer Aided Planning and Design Analysis Using Graphics""
""4.2.1. Urban Development Planning Policy Analysis - A Descriptive Numeric-Graphic Model""""4.2.2. Urban Planning And Design Analysis Using Numeric-Graphic Model �AnIllustrative Example""; ""4.3. Computer-Aided Design by Optimisation and Computer Graphics""; ""4.3.1. Optimization In Structural Engineering-A Model For Least-Cost Design OfReinforced Concrete Beam""; ""4.3.2. An 'Application Software' For Integrated Computer Aided Optimal DesignAnd Drafting In Structural Engineering (Reinforced Concrete Beam)""; ""4.4. Architectural and Engineering Drafting"" ""4.5. Participatory Urban Planning and Design Using Operations ResearchTools for More Effective Urban Planning Policies""""4.5.1. FAR & Built-Unit-Cost Interaction- Urban Management And Housing AndUrban Development Planning And Design Policy Implications""; ""4.5.2. Building-Rise-Density Interaction � Urban Management And Building AndUrban Development Planning And Design Policy Implications""; ""4.5.3. Need For Integrated Urban Management Approach And Urban ManagementEducation""; ""4.6. Integrated Computer Aided Design by Optimization"" ""5. GRAPHICS PROGRAMMING IN PLANNINGAND DESIGN IN AEC SECTOR""""5.1. Application of Graphics Programming Using Autolisp - An Example""; ""6. CONCLUSION""; ""REFERENCES""; ""APPENDIX-A""; ""Subject: Computer-Aided Planning and Design by Optimization""; ""A Suggestive Course-Content:""; ""APPENDIX-B""; ""THE USE OF ADOBE PHOTOSHOPPROGRAM AS A PLANNING TOOLIN THE FIELD OF DEFORMITYCORRECTION SURGERY""; ""ABSTRACT""; ""INTRODUCTION""; ""FRONTAL PLANE MECHANICAL AXIS PLANNING""; ""I. Identify the Source of Malalignment""; ""1. Mark The Centers Of The Hip, Knee And Ankle Joints"" ""2. Mechanical Axis And MAD (Mechanical Axis Deviation)""""3. Joint Orientation Lines""; ""4. Joint Orientation Angles""; ""II. Identify the Level of the CORA""; ""1. Tibial Mechanical Axis Planning""; ""2. Femoral Mechanical Axis Planning""; ""III. Simulating Corrective Osteotomies""; ""1. Open Wedge Osteotomy""; ""2. Maquet Dome Osteotomy""; ""3. Reversed Focal Dome Osteotomy""; ""4. Closing Wedge Osteotomy""; ""CONCLUSION""; ""CONFLICT OF INTEREST STATEMENT""; ""REFERENCES"" ""COMPUTER GRAPHICS AND MEDICAL IMAGE PROCESSINGIN A SURGICAL NAVIGATION SYSTEM FOR ORAL ANDMAXILLOFACIAL SURGERY"" |
| Record Nr. | UNINA-9910779508103321 |
| New York, : Nova Science Publishers, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Computer graphics [[electronic resource] /] / editor, Martin J. Davis
| Computer graphics [[electronic resource] /] / editor, Martin J. Davis |
| Pubbl/distr/stampa | New York, : Nova Science Publishers, c2011 |
| Descrizione fisica | 1 online resource (214 p.) |
| Disciplina | 620/.00420285 |
| Altri autori (Persone) | DavisMartin J |
| Collana | Computer science, technology, and applications |
| Soggetto topico |
Computer graphics
Computer-aided design Digital images Imaging systems in medicine Information visualization |
| ISBN | 1-61122-146-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""COMPUTER GRAPHICS""; ""COMPUTER SCIENCE, TECHNOLOGYAND APPLICATIONS""; ""CONTENTS""; ""PREFACE""; ""COMPUTER-AIDED DESIGNAND COMPUTER GRAPHICS""; ""ABSTRACT""; ""1. INTRODUCTION""; ""2. IT REVOLUTION AND CAD AS AN IMPORTANTIT-APPLICATION AREA""; ""3. PLANNING AND DESIGN AS A PROBLEM SOLVING PROCESS ANDVITAL ROLE OF COMPUTERSWITH GRAPHICS CAPABILITIES""; ""4. UTILITY OF COMPUTER GRAPHICSIN CAD PERTINENT TO AEC SECTOR""; ""4.1. Interactive Computer Graphics and Geometric Modelling in AEC CAD""; ""4.2. Computer Aided Planning and Design Analysis Using Graphics""
""4.2.1. Urban Development Planning Policy Analysis - A Descriptive Numeric-Graphic Model""""4.2.2. Urban Planning And Design Analysis Using Numeric-Graphic Model �AnIllustrative Example""; ""4.3. Computer-Aided Design by Optimisation and Computer Graphics""; ""4.3.1. Optimization In Structural Engineering-A Model For Least-Cost Design OfReinforced Concrete Beam""; ""4.3.2. An 'Application Software' For Integrated Computer Aided Optimal DesignAnd Drafting In Structural Engineering (Reinforced Concrete Beam)""; ""4.4. Architectural and Engineering Drafting"" ""4.5. Participatory Urban Planning and Design Using Operations ResearchTools for More Effective Urban Planning Policies""""4.5.1. FAR & Built-Unit-Cost Interaction- Urban Management And Housing AndUrban Development Planning And Design Policy Implications""; ""4.5.2. Building-Rise-Density Interaction � Urban Management And Building AndUrban Development Planning And Design Policy Implications""; ""4.5.3. Need For Integrated Urban Management Approach And Urban ManagementEducation""; ""4.6. Integrated Computer Aided Design by Optimization"" ""5. GRAPHICS PROGRAMMING IN PLANNINGAND DESIGN IN AEC SECTOR""""5.1. Application of Graphics Programming Using Autolisp - An Example""; ""6. CONCLUSION""; ""REFERENCES""; ""APPENDIX-A""; ""Subject: Computer-Aided Planning and Design by Optimization""; ""A Suggestive Course-Content:""; ""APPENDIX-B""; ""THE USE OF ADOBE PHOTOSHOPPROGRAM AS A PLANNING TOOLIN THE FIELD OF DEFORMITYCORRECTION SURGERY""; ""ABSTRACT""; ""INTRODUCTION""; ""FRONTAL PLANE MECHANICAL AXIS PLANNING""; ""I. Identify the Source of Malalignment""; ""1. Mark The Centers Of The Hip, Knee And Ankle Joints"" ""2. Mechanical Axis And MAD (Mechanical Axis Deviation)""""3. Joint Orientation Lines""; ""4. Joint Orientation Angles""; ""II. Identify the Level of the CORA""; ""1. Tibial Mechanical Axis Planning""; ""2. Femoral Mechanical Axis Planning""; ""III. Simulating Corrective Osteotomies""; ""1. Open Wedge Osteotomy""; ""2. Maquet Dome Osteotomy""; ""3. Reversed Focal Dome Osteotomy""; ""4. Closing Wedge Osteotomy""; ""CONCLUSION""; ""CONFLICT OF INTEREST STATEMENT""; ""REFERENCES"" ""COMPUTER GRAPHICS AND MEDICAL IMAGE PROCESSINGIN A SURGICAL NAVIGATION SYSTEM FOR ORAL ANDMAXILLOFACIAL SURGERY"" |
| Record Nr. | UNINA-9910820922203321 |
| New York, : Nova Science Publishers, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital color : acquisition, perception, coding and rendering / / edited by Christine Fernández-Maloine, Frédérique Robert-Inacio, Ludovic Macaire
| Digital color : acquisition, perception, coding and rendering / / edited by Christine Fernández-Maloine, Frédérique Robert-Inacio, Ludovic Macaire |
| Pubbl/distr/stampa | London : , : ISTE |
| Descrizione fisica | 1 online resource (330 p.) |
| Disciplina | 006.6 |
| Collana | ISTE |
| Soggetto topico |
Image converters
Digital images Color vision Color photography - Digital techniques |
| ISBN |
1-118-56268-2
1-118-56324-7 1-118-56269-0 1-299-18892-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Table of Contents; Foreword; Chapter 1. Colorimetry and Physiology - The LMS Specification; 1.1. Physiological basis; 1.1.1. The photoreceptors; 1.1.2. Retinal organization; 1.1.3. Physiological modeling of visual attributes related to color; 1.2. The XYZ colorimetry: the benchmark model of CIE; 1.3. LMS colorimetry; 1.3.1. LMS fundamentals; 1.3.2. Application of LMS colorimetry; 1.3.3. Color discrimination; 1.4. Colors in their context; 1.4.1. CIECAM02; 1.4.2. Chromatic adaptation; 1.4.3. Partitioning of the perceptual space by the elementary hues
1.5. Conclusion1.6. Bibliography; Chapter 2. Color Constancy; 2.1. Introduction; 2.2. Theoretical preliminaries and problems; 2.2.1. Concept of illuminant; 2.2.2. Concept of objects' reflectance; 2.2.3. Problem of color constancy; 2.3. Color constancy models; 2.3.1. Model of the human visual system; 2.3.2. Von Kries diagonal model; 2.3.3. Land theory; 2.4. Color correction algorithms; 2.4.1. Gray world; 2.4.2. Retinex theory; 2.4.3. Gamut conversion; 2.4.4. Probabilistic methods; 2.4.5. Method based on neural networks; 2.4.6. ACE: automatic color equalization 2.4.7. Methods combining several approaches2.5. Comparison of color constancy algorithms; 2.5.1. Algorithms evaluation; 2.5.2. Examples of applications with specific patterns; 2.6. Conclusion; 2.7. Bibliography; Chapter 3. Color Appearance Models; 3.1. Introduction; 3.2. The two perceptual phenomena of color appearance; 3.3. The main components of a CAM; 3.3.1. Chromatic adaptation models; 3.3.2. The perceptual attributes; 3.3.3. General architecture of CAMs standardized by the CIE; 3.4. The CIECAM02; 3.4.1. Input data; 3.4.2. The chromatic adaptation transform 3.4.3. The appearance attributes3.5. Conclusion; 3.6. Bibliography; Chapter 4. Rendering and Computer Graphics; 4.1. Introduction; 4.2. Reflection and representation models of light sources; 4.2.1. Concept of luminance; 4.2.2. Representation of the light sources; 4.2.3. Reflection and refraction models; 4.3. Simulation of light propagation; 4.3.1. Light propagation model: the rendering equation; 4.3.2. Solution of the rendering equation; 4.4. Display of results; 4.4.1. LDR and HDR Images; 4.4.2. Tone mapping; 4.4.3. Management of spectral aspects; 4.4.4. Computer graphics and perception 4.5. Conclusion4.6. Bibliography; Chapter 5. Image Sensor Technology; 5.1. Photodetection principle; 5.1.1. The photodiode; 5.1.2. The photoMOS; 5.2. Imagers; 5.2.1. CMOS and CCD technologies; 5.2.2. CCD (charge coupled device) imager principle; 5.2.3. CMOS imagers principle; 5.2.4. Photodiode pixel in current mode; 5.2.5. Photodiode pixel in integration mode; 5.3. Spectral sensitivity of imagers; 5.4. Color acquisition systems; 5.5. Through monochrome camera; 5.6. Tri-sensor systems; 5.7. Color camera based on color filter arrays; 5.7.1. Types of filters; 5.8. Variants of integrated sensors 5.8.1. Backside illumination: Sony, Omnivision |
| Record Nr. | UNINA-9910138856003321 |
| London : , : ISTE | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital color : acquisition, perception, coding and rendering / / edited by Christine Fernández-Maloine, Frédérique Robert-Inacio, Ludovic Macaire
| Digital color : acquisition, perception, coding and rendering / / edited by Christine Fernández-Maloine, Frédérique Robert-Inacio, Ludovic Macaire |
| Pubbl/distr/stampa | London : , : ISTE |
| Descrizione fisica | 1 online resource (330 p.) |
| Disciplina | 006.6 |
| Collana | ISTE |
| Soggetto topico |
Image converters
Digital images Color vision Color photography - Digital techniques |
| ISBN |
1-118-56268-2
1-118-56324-7 1-118-56269-0 1-299-18892-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Table of Contents; Foreword; Chapter 1. Colorimetry and Physiology - The LMS Specification; 1.1. Physiological basis; 1.1.1. The photoreceptors; 1.1.2. Retinal organization; 1.1.3. Physiological modeling of visual attributes related to color; 1.2. The XYZ colorimetry: the benchmark model of CIE; 1.3. LMS colorimetry; 1.3.1. LMS fundamentals; 1.3.2. Application of LMS colorimetry; 1.3.3. Color discrimination; 1.4. Colors in their context; 1.4.1. CIECAM02; 1.4.2. Chromatic adaptation; 1.4.3. Partitioning of the perceptual space by the elementary hues
1.5. Conclusion1.6. Bibliography; Chapter 2. Color Constancy; 2.1. Introduction; 2.2. Theoretical preliminaries and problems; 2.2.1. Concept of illuminant; 2.2.2. Concept of objects' reflectance; 2.2.3. Problem of color constancy; 2.3. Color constancy models; 2.3.1. Model of the human visual system; 2.3.2. Von Kries diagonal model; 2.3.3. Land theory; 2.4. Color correction algorithms; 2.4.1. Gray world; 2.4.2. Retinex theory; 2.4.3. Gamut conversion; 2.4.4. Probabilistic methods; 2.4.5. Method based on neural networks; 2.4.6. ACE: automatic color equalization 2.4.7. Methods combining several approaches2.5. Comparison of color constancy algorithms; 2.5.1. Algorithms evaluation; 2.5.2. Examples of applications with specific patterns; 2.6. Conclusion; 2.7. Bibliography; Chapter 3. Color Appearance Models; 3.1. Introduction; 3.2. The two perceptual phenomena of color appearance; 3.3. The main components of a CAM; 3.3.1. Chromatic adaptation models; 3.3.2. The perceptual attributes; 3.3.3. General architecture of CAMs standardized by the CIE; 3.4. The CIECAM02; 3.4.1. Input data; 3.4.2. The chromatic adaptation transform 3.4.3. The appearance attributes3.5. Conclusion; 3.6. Bibliography; Chapter 4. Rendering and Computer Graphics; 4.1. Introduction; 4.2. Reflection and representation models of light sources; 4.2.1. Concept of luminance; 4.2.2. Representation of the light sources; 4.2.3. Reflection and refraction models; 4.3. Simulation of light propagation; 4.3.1. Light propagation model: the rendering equation; 4.3.2. Solution of the rendering equation; 4.4. Display of results; 4.4.1. LDR and HDR Images; 4.4.2. Tone mapping; 4.4.3. Management of spectral aspects; 4.4.4. Computer graphics and perception 4.5. Conclusion4.6. Bibliography; Chapter 5. Image Sensor Technology; 5.1. Photodetection principle; 5.1.1. The photodiode; 5.1.2. The photoMOS; 5.2. Imagers; 5.2.1. CMOS and CCD technologies; 5.2.2. CCD (charge coupled device) imager principle; 5.2.3. CMOS imagers principle; 5.2.4. Photodiode pixel in current mode; 5.2.5. Photodiode pixel in integration mode; 5.3. Spectral sensitivity of imagers; 5.4. Color acquisition systems; 5.5. Through monochrome camera; 5.6. Tri-sensor systems; 5.7. Color camera based on color filter arrays; 5.7.1. Types of filters; 5.8. Variants of integrated sensors 5.8.1. Backside illumination: Sony, Omnivision |
| Record Nr. | UNINA-9910822623403321 |
| London : , : ISTE | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital ethics : the issue of images / / Thomas Dreier and Tiziana Andina, editors
| Digital ethics : the issue of images / / Thomas Dreier and Tiziana Andina, editors |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | Baden-Baden, Germany : , : Nomos Verlagsgesellschaft, , [2022] |
| Descrizione fisica | 1 online resource (426 pages) |
| Disciplina | 340 |
| Collana | Bild und Recht - Studien zur Regulierung des Visuellen |
| Soggetto topico |
Intellectual property
Digital images Law |
| ISBN | 3-7489-3401-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Part 1 From Drawings to Deep Fakes - Some Introductory Remarks -- Chapter 1 Images, Technology, Ethics and Law - An Intricate Relationship -- I. Digital Ethics - The Issue of Images: An Introduction -- 1. Defining the issue -- a) What is to be understood by digital image ethics? -- b) Changes brought about by digital and networking technologies -- 2. Issues of digital image ethics -- a) Practical level -- b) Semantical level -- 3. Method and aim of the book -- a) Questions to be asked -- b) Consequential ethics -- 4. Law and ethics -- II. The Contributions of This Book -- 1. Transalpine considerations -- 2. The parts of this book -- 3. The contributions in detail -- a) The ethical framework -- b) Images, art and society -- c) Binary encoding and artificial intelligence: The dissolution of the visual object -- d) Technology, ethics and legal norms -- e) Ethics and fundamental rights -- References -- Chapter 2 From Goethe's Italian Journey to Transalpine Online Navigation - Narrative Changes and Transnational Stereotypes -- I. Preface -- II. "Travelling" as a Medium of Communication and Discovery -- III. Letters, Circulars, and Broadcast Chains -- IV. How We Participate in Foreign Life -- V. The Power of the "Image" -- VI. Conclusion -- References -- Part 2 Ethical Foundations -- Chapter 3 Digital Image Ethics - How it Could be Pursued and What It Might Have to Say -- I. Introduction -- II. Digital Ethics Today: A Snapshot -- III. Ethics: Challenged by Both a Problem of Justification and a Problem of Application -- 1. The problem of justification -- 2. The problem of application -- IV. The Possibility of Applied Ethics -- 1. The need for applied ethics -- 2. Applied ethics is different from everyday moral judging -- 3. The "seat in life" of applied ethics -- V. The Task of Digital Image Ethics.
VI. What Digital Image Ethics Might Have to Say: Three Examples -- 1. The Principle of Unconditionally Permissible Use of all Vocabulary of a Visual Language -- 2. The Principle of the Legitimacy of Taking Photographs in Museums -- 3. The Principle of Prohibiting Deception by Manipulated Photographs -- References -- Chapter 4 Form and Norm in Pictures -- References -- Part 3 Images, Art and Society -- Chapter 5 Who Cares About Privacy? - The Documedia Surplus Value -- I. Prologue: The Virus and the Web -- II. Privacy, Post-Truth, and Documedia Surplus Value -- III. From the Superstructure to the Structure -- 1. Quantity: big data -- 2. Quality: rich data -- 3. Relation: secret data -- 4. Modality: real data -- 5. The unfair exchange -- IV. Epilogue: Objections and Answers -- References -- Chapter 6 Immersive Artistic Forms - What They Are and How to Identify Them -- I. Introduction -- II. Technology -- 1. Knowledge -- a) Planning -- b) Processing -- 2. Practices -- a) Dispositions -- b) Reality -- III. Metaphysics -- 1. Structures -- a) Forms -- b) Hybridizations -- 2. Immersivity -- a) Interaction -- b) Identification Criteria -- IV. Conclusion -- References -- Chapter 7 From Works to Living Means of Communication - The Digital Image and the 'Iconic Turn' -- I. The Democratization of the Image Tools -- II. From Analogue Images to Forms of Orality -- III. Aby Warburg's "Pathosformeln" -- IV. Selfies and Emojis -- V. The Vivification of the Images: Memes -- VI. The Application of Social Media Tools to Classical Artworks -- VII. ...and The Future? - Consequences for Authorship and Copyright -- References -- Chapter 8 Fairness Aspects of Techniques of Referencing Cultures -- I. Referencing as a Cultural Phenomenon -- II. The Importance of Referencing Cultures -- 1. Historical use of referencing and appropriation -- 2. Appropriation art. 3. Referencing as a medium of communication -- III. Under German Copyright Law -- 1. Consent pursuant to 23 (1) sentence 2 UrhG -- 2. Citation according to 51 UrhG -- 3. Caricature or parody according to 51a UrhG -- 4. Pastiche according to 51a UrhG -- a) A broad understanding of pastiche in the Explanatory Memorandum to the German Act implementing the DSM-Directive -- b) A narrow understanding of pastiche -- c) Pastiche does not achieve a systemic change -- V. Concluding Remarks -- References -- Chapter 9 Towards a New Ethic: Building Transgenerationality - Digital Images to Orient the Future -- I. Digital Images -- II. The Transgenerational Bond -- III. Transgenerational Actions -- IV. Transgenerational Images -- References -- Chapter 10 Iconoclasm and Iconoclash - The Digital Restoration of the Movement-Image -- I. Iconoclasm as a Means of Innovation and Reappraisal -- II. Iconoclasm and Iconoclash -- III. Digital Preservation and Restoration -- IV. Provisional Conclusion -- References -- Part 4 Binary Encoding, Artificial Intelligence and the Dissolution of the Visual Object -- Chapter 11 Semioethics of the Visual Fake -- I. The Intimate Nature of the Visual Fake -- II. The Visual Fake, Technology, and Evolution -- III. Conventionality and Motivation in the Technology of the Visual Fake -- IV. The Third Way of Semiotics -- V. Semiotics as Discipline of the Fake -- VI. The Background of Reflection: Advances and Lacunae -- VII. The Tasks Ahead for a Semioethics of the Visual Fake -- VIII. Conclusions: On Fakes and Viruses -- References -- Chapter 12 From Copy & -- Paste to Deep Fakes - Digital Collaging and Image Manipulation -- I. Introduction -- II. From Copy & -- Paste to Deep Fakes - The Origins of Image Manipulation -- 1. A brief history of image manipulation -- a) Starting point: art forgery. b) Making history with fake photographs -- c) "Face swap" as preliminary stage -- 2. The Technology behind: deep fake algorithms -- a) Deep learning -- b) Autoencoder -- c) Generative adversarial network -- 3. The power of images: why images are more than simple information media -- III. Deceptions Through Image Manipulation in the Information Age -- 1. State of the art: what AI is already capable of -- 2. Deep learning technology and its consequences -- a) Consequences for the individual as a social being -- b) Potentially affected rights -- c) Indirect consequences: disinformation -- 3. Regulating the consequences: possible solutions for this problem -- a) Legal mechanisms -- b) Technical solutions -- c) Social measures -- d) Combination -- IV. Conclusion -- References -- Chapter 13 The Multi-Layered Information in a Digital Image -- I. Semantic Information -- II. Syntactic Information -- III. Structural Information -- IV. Context of Creation -- V. Conclusion -- References: -- Chapter 14 Portrait or Personal Data - The Rivalry of Image and Data Protection Legislation -- I. Introduction -- II. The Collision of Regulatory Regimes in German Law -- 1. The codification of the right to one's own image in the KUG: an overview -- 2. Images in the scope of European data protection law -- III. The Relationship Between the GDPR and the KUG -- 1. Opening clauses in the GDPR -- 2. The KUG and the opening clauses of the GDPR -- a) Journalistic and artistic purposes -- b) Other purposes -- c) Opening clauses and already existing laws -- 3. The (legal) discrepancy between capturing images and their publication -- IV. Concluding Remarks: The Future of Image Protection Law -- References -- Chapter 15 Human Authorship and Art Created by Artificial Intelligence - Where Do We Stand? -- I. Introductory Note -- II. A New Agenda for Copyright Laws. III. AI-Generated Art and Creativity -- IV. AI-Made Art and the Law -- V. AI-Made Art and the Art World -- VI. Concluding Remarks -- References -- Part 5 Technology, Ethics and Legal Norms -- Chapter 16 A Face in the Cloud? - Identifying Moral Issues and Constraints in Cloud-Based Image Storage -- I. Digitization in Economic Transactions -- II. 'Servitization' and Cloud-Based Image Storage -- III. Seeking Moral and Practical Continuity -- IV. Moral Constraints on Cloud-Based Image Storage -- 1. Accumulating -- 2. Accessing -- 3. Curating -- 4. Deleting -- V. Conclusions -- References -- Chapter 17 The Deontic Power of the Internet - Access Controls and the Obsolescence of Legal Norms -- I. What It's All About and what Consequences Does it Entail? -- II. Voluntary Application of Technical Measures Restricting Legal Freedoms Supported by Anti-Circumvention Legislation -- 1. From public goods to technical protection measures -- 2. Technical protection measures and copyright exceptions and limitations -- a) Legislative solutions -- b) Reactions of the courts -- c) Additional issues described in legal literature -- 3. Some thoughts for discussion -- a) Is there really a problem? -- b) Advantages of technological restrictions -- III. Mandatory Decision-Making Power by Private Parties -- 1. Case scenarios -- 2. Structural issues -- 3. Ethical considerations -- IV. Concluding Remarks -- References -- Chapter 18 Algorithmic Censorship of Online Visual Content - Ethical, Political, and Economic Rationales -- I. Introduction -- II. Censorship -- III. Reasons for Censorship -- IV. Algorithmic Judgment and the Pragmatics of Pictorial Speech Acts -- References -- Chapter 19 The Issue of the Image of Algorithms -- I. The Need for Regulating Algorithms -- 1. Fear of algorithms and technology -- 2. Improvements through regulation -- 3. Present impact of algorithms. II. Some Remarks Concerning Terminology. |
| Record Nr. | UNINA-9910734389403321 |
| Baden-Baden, Germany : , : Nomos Verlagsgesellschaft, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital ethics : the issue of images / / Thomas Dreier and Tiziana Andina, editors
| Digital ethics : the issue of images / / Thomas Dreier and Tiziana Andina, editors |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | Baden-Baden, Germany : , : Nomos Verlagsgesellschaft, , [2022] |
| Descrizione fisica | 1 online resource (426 pages) |
| Disciplina | 340 |
| Collana | Bild und Recht - Studien zur Regulierung des Visuellen |
| Soggetto topico |
Intellectual property
Digital images Law |
| ISBN | 3-7489-3401-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Part 1 From Drawings to Deep Fakes - Some Introductory Remarks -- Chapter 1 Images, Technology, Ethics and Law - An Intricate Relationship -- I. Digital Ethics - The Issue of Images: An Introduction -- 1. Defining the issue -- a) What is to be understood by digital image ethics? -- b) Changes brought about by digital and networking technologies -- 2. Issues of digital image ethics -- a) Practical level -- b) Semantical level -- 3. Method and aim of the book -- a) Questions to be asked -- b) Consequential ethics -- 4. Law and ethics -- II. The Contributions of This Book -- 1. Transalpine considerations -- 2. The parts of this book -- 3. The contributions in detail -- a) The ethical framework -- b) Images, art and society -- c) Binary encoding and artificial intelligence: The dissolution of the visual object -- d) Technology, ethics and legal norms -- e) Ethics and fundamental rights -- References -- Chapter 2 From Goethe's Italian Journey to Transalpine Online Navigation - Narrative Changes and Transnational Stereotypes -- I. Preface -- II. "Travelling" as a Medium of Communication and Discovery -- III. Letters, Circulars, and Broadcast Chains -- IV. How We Participate in Foreign Life -- V. The Power of the "Image" -- VI. Conclusion -- References -- Part 2 Ethical Foundations -- Chapter 3 Digital Image Ethics - How it Could be Pursued and What It Might Have to Say -- I. Introduction -- II. Digital Ethics Today: A Snapshot -- III. Ethics: Challenged by Both a Problem of Justification and a Problem of Application -- 1. The problem of justification -- 2. The problem of application -- IV. The Possibility of Applied Ethics -- 1. The need for applied ethics -- 2. Applied ethics is different from everyday moral judging -- 3. The "seat in life" of applied ethics -- V. The Task of Digital Image Ethics.
VI. What Digital Image Ethics Might Have to Say: Three Examples -- 1. The Principle of Unconditionally Permissible Use of all Vocabulary of a Visual Language -- 2. The Principle of the Legitimacy of Taking Photographs in Museums -- 3. The Principle of Prohibiting Deception by Manipulated Photographs -- References -- Chapter 4 Form and Norm in Pictures -- References -- Part 3 Images, Art and Society -- Chapter 5 Who Cares About Privacy? - The Documedia Surplus Value -- I. Prologue: The Virus and the Web -- II. Privacy, Post-Truth, and Documedia Surplus Value -- III. From the Superstructure to the Structure -- 1. Quantity: big data -- 2. Quality: rich data -- 3. Relation: secret data -- 4. Modality: real data -- 5. The unfair exchange -- IV. Epilogue: Objections and Answers -- References -- Chapter 6 Immersive Artistic Forms - What They Are and How to Identify Them -- I. Introduction -- II. Technology -- 1. Knowledge -- a) Planning -- b) Processing -- 2. Practices -- a) Dispositions -- b) Reality -- III. Metaphysics -- 1. Structures -- a) Forms -- b) Hybridizations -- 2. Immersivity -- a) Interaction -- b) Identification Criteria -- IV. Conclusion -- References -- Chapter 7 From Works to Living Means of Communication - The Digital Image and the 'Iconic Turn' -- I. The Democratization of the Image Tools -- II. From Analogue Images to Forms of Orality -- III. Aby Warburg's "Pathosformeln" -- IV. Selfies and Emojis -- V. The Vivification of the Images: Memes -- VI. The Application of Social Media Tools to Classical Artworks -- VII. ...and The Future? - Consequences for Authorship and Copyright -- References -- Chapter 8 Fairness Aspects of Techniques of Referencing Cultures -- I. Referencing as a Cultural Phenomenon -- II. The Importance of Referencing Cultures -- 1. Historical use of referencing and appropriation -- 2. Appropriation art. 3. Referencing as a medium of communication -- III. Under German Copyright Law -- 1. Consent pursuant to 23 (1) sentence 2 UrhG -- 2. Citation according to 51 UrhG -- 3. Caricature or parody according to 51a UrhG -- 4. Pastiche according to 51a UrhG -- a) A broad understanding of pastiche in the Explanatory Memorandum to the German Act implementing the DSM-Directive -- b) A narrow understanding of pastiche -- c) Pastiche does not achieve a systemic change -- V. Concluding Remarks -- References -- Chapter 9 Towards a New Ethic: Building Transgenerationality - Digital Images to Orient the Future -- I. Digital Images -- II. The Transgenerational Bond -- III. Transgenerational Actions -- IV. Transgenerational Images -- References -- Chapter 10 Iconoclasm and Iconoclash - The Digital Restoration of the Movement-Image -- I. Iconoclasm as a Means of Innovation and Reappraisal -- II. Iconoclasm and Iconoclash -- III. Digital Preservation and Restoration -- IV. Provisional Conclusion -- References -- Part 4 Binary Encoding, Artificial Intelligence and the Dissolution of the Visual Object -- Chapter 11 Semioethics of the Visual Fake -- I. The Intimate Nature of the Visual Fake -- II. The Visual Fake, Technology, and Evolution -- III. Conventionality and Motivation in the Technology of the Visual Fake -- IV. The Third Way of Semiotics -- V. Semiotics as Discipline of the Fake -- VI. The Background of Reflection: Advances and Lacunae -- VII. The Tasks Ahead for a Semioethics of the Visual Fake -- VIII. Conclusions: On Fakes and Viruses -- References -- Chapter 12 From Copy & -- Paste to Deep Fakes - Digital Collaging and Image Manipulation -- I. Introduction -- II. From Copy & -- Paste to Deep Fakes - The Origins of Image Manipulation -- 1. A brief history of image manipulation -- a) Starting point: art forgery. b) Making history with fake photographs -- c) "Face swap" as preliminary stage -- 2. The Technology behind: deep fake algorithms -- a) Deep learning -- b) Autoencoder -- c) Generative adversarial network -- 3. The power of images: why images are more than simple information media -- III. Deceptions Through Image Manipulation in the Information Age -- 1. State of the art: what AI is already capable of -- 2. Deep learning technology and its consequences -- a) Consequences for the individual as a social being -- b) Potentially affected rights -- c) Indirect consequences: disinformation -- 3. Regulating the consequences: possible solutions for this problem -- a) Legal mechanisms -- b) Technical solutions -- c) Social measures -- d) Combination -- IV. Conclusion -- References -- Chapter 13 The Multi-Layered Information in a Digital Image -- I. Semantic Information -- II. Syntactic Information -- III. Structural Information -- IV. Context of Creation -- V. Conclusion -- References: -- Chapter 14 Portrait or Personal Data - The Rivalry of Image and Data Protection Legislation -- I. Introduction -- II. The Collision of Regulatory Regimes in German Law -- 1. The codification of the right to one's own image in the KUG: an overview -- 2. Images in the scope of European data protection law -- III. The Relationship Between the GDPR and the KUG -- 1. Opening clauses in the GDPR -- 2. The KUG and the opening clauses of the GDPR -- a) Journalistic and artistic purposes -- b) Other purposes -- c) Opening clauses and already existing laws -- 3. The (legal) discrepancy between capturing images and their publication -- IV. Concluding Remarks: The Future of Image Protection Law -- References -- Chapter 15 Human Authorship and Art Created by Artificial Intelligence - Where Do We Stand? -- I. Introductory Note -- II. A New Agenda for Copyright Laws. III. AI-Generated Art and Creativity -- IV. AI-Made Art and the Law -- V. AI-Made Art and the Art World -- VI. Concluding Remarks -- References -- Part 5 Technology, Ethics and Legal Norms -- Chapter 16 A Face in the Cloud? - Identifying Moral Issues and Constraints in Cloud-Based Image Storage -- I. Digitization in Economic Transactions -- II. 'Servitization' and Cloud-Based Image Storage -- III. Seeking Moral and Practical Continuity -- IV. Moral Constraints on Cloud-Based Image Storage -- 1. Accumulating -- 2. Accessing -- 3. Curating -- 4. Deleting -- V. Conclusions -- References -- Chapter 17 The Deontic Power of the Internet - Access Controls and the Obsolescence of Legal Norms -- I. What It's All About and what Consequences Does it Entail? -- II. Voluntary Application of Technical Measures Restricting Legal Freedoms Supported by Anti-Circumvention Legislation -- 1. From public goods to technical protection measures -- 2. Technical protection measures and copyright exceptions and limitations -- a) Legislative solutions -- b) Reactions of the courts -- c) Additional issues described in legal literature -- 3. Some thoughts for discussion -- a) Is there really a problem? -- b) Advantages of technological restrictions -- III. Mandatory Decision-Making Power by Private Parties -- 1. Case scenarios -- 2. Structural issues -- 3. Ethical considerations -- IV. Concluding Remarks -- References -- Chapter 18 Algorithmic Censorship of Online Visual Content - Ethical, Political, and Economic Rationales -- I. Introduction -- II. Censorship -- III. Reasons for Censorship -- IV. Algorithmic Judgment and the Pragmatics of Pictorial Speech Acts -- References -- Chapter 19 The Issue of the Image of Algorithms -- I. The Need for Regulating Algorithms -- 1. Fear of algorithms and technology -- 2. Improvements through regulation -- 3. Present impact of algorithms. II. Some Remarks Concerning Terminology. |
| Record Nr. | UNISA-996540352703316 |
| Baden-Baden, Germany : , : Nomos Verlagsgesellschaft, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Digital histories : emergent approaches within the new digital history / / edited by Mats Fridlund, Mila Oiva & Patri Paju
| Digital histories : emergent approaches within the new digital history / / edited by Mats Fridlund, Mila Oiva & Patri Paju |
| Pubbl/distr/stampa | [Helsinki] : , : HUP, Helsinki University Press, , 2020 |
| Descrizione fisica | 1 online resource (xix, 360 pages) : illustrations (chiefly colour), maps; digital file(s) |
| Disciplina | 025.069 |
| Soggetto topico |
History - Methodology
Electronic information resources Electronic records Digital images |
| ISBN | 952-369-021-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | Emergent approaches within the new digital history |
| Record Nr. | UNINA-9910427725003321 |
| [Helsinki] : , : HUP, Helsinki University Press, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital image processing / / edited by Stefan G. Stanciu
| Digital image processing / / edited by Stefan G. Stanciu |
| Pubbl/distr/stampa | [Place of publication not identified] : , : IntechOpen, , [2012] |
| Descrizione fisica | 1 online resource (210 pages) |
| Disciplina | 777 |
| Soggetto topico | Digital images |
| ISBN | 953-51-5594-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910138446703321 |
| [Place of publication not identified] : , : IntechOpen, , [2012] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital image processing applications / / edited by Paulo Ambrosio
| Digital image processing applications / / edited by Paulo Ambrosio |
| Pubbl/distr/stampa | London, England : , : IntechOpen, , [2022] |
| Descrizione fisica | 1 online resource (128 pages) : illustrations |
| Disciplina | 777 |
| Soggetto topico | Digital images |
| ISBN | 1-83969-795-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910586650903321 |
| London, England : , : IntechOpen, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
