Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Getting started with Audacity 1.3 [[electronic resource] ] : create your own podcasts, edit music, and more with this open source audio editor / / Bethany Hiitola
| Getting started with Audacity 1.3 [[electronic resource] ] : create your own podcasts, edit music, and more with this open source audio editor / / Bethany Hiitola |
| Autore | Hiitola Bethany |
| Pubbl/distr/stampa | Birmingham [England], : Packt Pub., 2010 |
| Descrizione fisica | 1 online resource (220 p.) |
| Disciplina | 006.7 |
| Collana | From technologies to solutions |
| Soggetto topico | Digital audio editors |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-55725-4
9786612557255 1-84719-765-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Copyright; Credits; About the Author; About the Reviewers; Table of Contents; Preface; Chapter 1: Audacity and the World of Audio Editing; What is Audacity?; Will it work for me?; Windows and Mac OS; GNU/Linux; Moving up to Audacity 1.3; Common audio editing terms used in Audacity; Opening Audacity; Audio controls and editing toolbars; Project View; Selection Toolbar; Using the main menu; Understanding the toolbars; Control Toolbar; Mixer Toolbar; Tools Toolbar; Meter Toolbar; Edit Toolbar; Transcription Toolbar; Selection Toolbar; Understanding projects
Pointers for working in AudacityUsing the best equipment; Sound cards; Microphones; Summary; Chapter 2: The Basics: Setting Up a Project; Creating a new project; Setting the Audacity Preferences; Verifying playback and recording settings; Quality settings check; Setting up for importing and exporting; Planning for your recording session; Performing an equipment check; Positioning your microphone; Planning a podcast; Summary; Chapter 3: Ready and Action! Creating a Voice Track and Recording Interviews; Recording voice tracks; The simple voice track; Adding to a voice track Labeling recorded audio tracksDeleting an audio track; Recording an interview with Skype; Download and install Skype; Set up Skype for your telephone interview; Recording the Skype call; For better volume control; Using timed recordings; Summary; Chapter 4: Making It Sound Better: Editing Your Podcast; Dissecting the recorded audio; Voice waves; Silence; Timeline; Working within the project; Playback; Rewinding and fast forwarding; Selecting portions of your track; Magnifying your view; Viewing your project; The basics of editing; Cut and Paste; Copy and Paste; Trimming; Deleting; Silencing Adjusting volume levelsSummary; Chapter 5: Advanced Editing: Fixing the Glitches and Removing the Noise; Using filters; Additional filter plug-ins; Plug-in installation; Removing noise; Setting up the noise profile; Removing the noise; Evening out the sound; Using Compressor; Normalizing; More sound effects; Changing pitch; Changing the speed; Changing the tempo; Summary; Chapter 6: Saving Projects and Exporting Podcasts; Audio formats to which Audacity exports; Podcast formats; Installing libraries; Exporting your project as an MP3; Opening and exporting your project Adding tagging informationGenres; Templates; Saving your exported file; Distributing your podcast; Sending the file; Uploading to a website; Website with hosting; Free blogging service; RSS feeds; Uploading to iTunes; Other Export File Options; Summary; Chapter 7: Beyond the Basics: Editing for Even Better Sound; Softening sibilants; Clip and replace sounds; Aligning tracks and using Time Shift; Using Time Shift; Aligning tracks; Splitting and duplicating audio; Splitting tracks; Split and Time Shift; Split and cut; Split Delete; Duplicating tracks; Joining audio tracks Modifying settings for the entire track |
| Record Nr. | UNINA-9910459432203321 |
Hiitola Bethany
|
||
| Birmingham [England], : Packt Pub., 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Getting started with Audacity 1.3 [[electronic resource] ] : create your own podcasts, edit music, and more with this open source audio editor / / Bethany Hiitola
| Getting started with Audacity 1.3 [[electronic resource] ] : create your own podcasts, edit music, and more with this open source audio editor / / Bethany Hiitola |
| Autore | Hiitola Bethany |
| Pubbl/distr/stampa | Birmingham [England], : Packt Pub., 2010 |
| Descrizione fisica | 1 online resource (220 p.) |
| Disciplina | 006.7 |
| Collana | From technologies to solutions |
| Soggetto topico | Digital audio editors |
| ISBN |
1-282-55725-4
9786612557255 1-84719-765-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Copyright; Credits; About the Author; About the Reviewers; Table of Contents; Preface; Chapter 1: Audacity and the World of Audio Editing; What is Audacity?; Will it work for me?; Windows and Mac OS; GNU/Linux; Moving up to Audacity 1.3; Common audio editing terms used in Audacity; Opening Audacity; Audio controls and editing toolbars; Project View; Selection Toolbar; Using the main menu; Understanding the toolbars; Control Toolbar; Mixer Toolbar; Tools Toolbar; Meter Toolbar; Edit Toolbar; Transcription Toolbar; Selection Toolbar; Understanding projects
Pointers for working in AudacityUsing the best equipment; Sound cards; Microphones; Summary; Chapter 2: The Basics: Setting Up a Project; Creating a new project; Setting the Audacity Preferences; Verifying playback and recording settings; Quality settings check; Setting up for importing and exporting; Planning for your recording session; Performing an equipment check; Positioning your microphone; Planning a podcast; Summary; Chapter 3: Ready and Action! Creating a Voice Track and Recording Interviews; Recording voice tracks; The simple voice track; Adding to a voice track Labeling recorded audio tracksDeleting an audio track; Recording an interview with Skype; Download and install Skype; Set up Skype for your telephone interview; Recording the Skype call; For better volume control; Using timed recordings; Summary; Chapter 4: Making It Sound Better: Editing Your Podcast; Dissecting the recorded audio; Voice waves; Silence; Timeline; Working within the project; Playback; Rewinding and fast forwarding; Selecting portions of your track; Magnifying your view; Viewing your project; The basics of editing; Cut and Paste; Copy and Paste; Trimming; Deleting; Silencing Adjusting volume levelsSummary; Chapter 5: Advanced Editing: Fixing the Glitches and Removing the Noise; Using filters; Additional filter plug-ins; Plug-in installation; Removing noise; Setting up the noise profile; Removing the noise; Evening out the sound; Using Compressor; Normalizing; More sound effects; Changing pitch; Changing the speed; Changing the tempo; Summary; Chapter 6: Saving Projects and Exporting Podcasts; Audio formats to which Audacity exports; Podcast formats; Installing libraries; Exporting your project as an MP3; Opening and exporting your project Adding tagging informationGenres; Templates; Saving your exported file; Distributing your podcast; Sending the file; Uploading to a website; Website with hosting; Free blogging service; RSS feeds; Uploading to iTunes; Other Export File Options; Summary; Chapter 7: Beyond the Basics: Editing for Even Better Sound; Softening sibilants; Clip and replace sounds; Aligning tracks and using Time Shift; Using Time Shift; Aligning tracks; Splitting and duplicating audio; Splitting tracks; Split and Time Shift; Split and cut; Split Delete; Duplicating tracks; Joining audio tracks Modifying settings for the entire track |
| Record Nr. | UNINA-9910784925703321 |
|
Hiitola Bethany
|
||
| Birmingham [England], : Packt Pub., 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Getting started with Audacity 1.3 : create your own podcasts, edit music, and more with this open source audio editor / / Bethany Hiitola
| Getting started with Audacity 1.3 : create your own podcasts, edit music, and more with this open source audio editor / / Bethany Hiitola |
| Autore | Hiitola Bethany |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Birmingham [England], : Packt Pub., 2010 |
| Descrizione fisica | 1 online resource (220 p.) |
| Disciplina | 006.7 |
| Collana | From technologies to solutions |
| Soggetto topico | Digital audio editors |
| ISBN |
9786612557255
9781282557253 1282557254 9781847197658 1847197655 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Copyright; Credits; About the Author; About the Reviewers; Table of Contents; Preface; Chapter 1: Audacity and the World of Audio Editing; What is Audacity?; Will it work for me?; Windows and Mac OS; GNU/Linux; Moving up to Audacity 1.3; Common audio editing terms used in Audacity; Opening Audacity; Audio controls and editing toolbars; Project View; Selection Toolbar; Using the main menu; Understanding the toolbars; Control Toolbar; Mixer Toolbar; Tools Toolbar; Meter Toolbar; Edit Toolbar; Transcription Toolbar; Selection Toolbar; Understanding projects
Pointers for working in AudacityUsing the best equipment; Sound cards; Microphones; Summary; Chapter 2: The Basics: Setting Up a Project; Creating a new project; Setting the Audacity Preferences; Verifying playback and recording settings; Quality settings check; Setting up for importing and exporting; Planning for your recording session; Performing an equipment check; Positioning your microphone; Planning a podcast; Summary; Chapter 3: Ready and Action! Creating a Voice Track and Recording Interviews; Recording voice tracks; The simple voice track; Adding to a voice track Labeling recorded audio tracksDeleting an audio track; Recording an interview with Skype; Download and install Skype; Set up Skype for your telephone interview; Recording the Skype call; For better volume control; Using timed recordings; Summary; Chapter 4: Making It Sound Better: Editing Your Podcast; Dissecting the recorded audio; Voice waves; Silence; Timeline; Working within the project; Playback; Rewinding and fast forwarding; Selecting portions of your track; Magnifying your view; Viewing your project; The basics of editing; Cut and Paste; Copy and Paste; Trimming; Deleting; Silencing Adjusting volume levelsSummary; Chapter 5: Advanced Editing: Fixing the Glitches and Removing the Noise; Using filters; Additional filter plug-ins; Plug-in installation; Removing noise; Setting up the noise profile; Removing the noise; Evening out the sound; Using Compressor; Normalizing; More sound effects; Changing pitch; Changing the speed; Changing the tempo; Summary; Chapter 6: Saving Projects and Exporting Podcasts; Audio formats to which Audacity exports; Podcast formats; Installing libraries; Exporting your project as an MP3; Opening and exporting your project Adding tagging informationGenres; Templates; Saving your exported file; Distributing your podcast; Sending the file; Uploading to a website; Website with hosting; Free blogging service; RSS feeds; Uploading to iTunes; Other Export File Options; Summary; Chapter 7: Beyond the Basics: Editing for Even Better Sound; Softening sibilants; Clip and replace sounds; Aligning tracks and using Time Shift; Using Time Shift; Aligning tracks; Splitting and duplicating audio; Splitting tracks; Split and Time Shift; Split and cut; Split Delete; Duplicating tracks; Joining audio tracks Modifying settings for the entire track |
| Record Nr. | UNINA-9910966581603321 |
|
Hiitola Bethany
|
||
| Birmingham [England], : Packt Pub., 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Instant audio processing with Web Audio / / Chris Khoo
| Instant audio processing with Web Audio / / Chris Khoo |
| Autore | Khoo Chris |
| Pubbl/distr/stampa | Birmingham, England : , : Packt Publishing, , 2013 |
| Descrizione fisica | 1 online resource (76 p.) |
| Disciplina | 006.5 |
| Soggetto topico |
Computer sound processing
Digital audio editors |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-78216-880-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Copyright; Credits; About the Author; About the Reviewer; www.PacktPub.com; Table of Contents; Preface; Instant Audio Processing with Web Audio; Setting up a web host (Simple); Playing audio in a loop (Simple); Setting the volume (Simple); Automating the audio parameters (Intermediate); Building an equalizer using BiquadFilterNode (Advanced) |
| Record Nr. | UNINA-9910452366603321 |
|
Khoo Chris
|
||
| Birmingham, England : , : Packt Publishing, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Instant audio processing with Web Audio / / Chris Khoo
| Instant audio processing with Web Audio / / Chris Khoo |
| Autore | Khoo Chris |
| Pubbl/distr/stampa | Birmingham, England : , : Packt Publishing, , 2013 |
| Descrizione fisica | 1 online resource (76 p.) |
| Disciplina | 006.5 |
| Soggetto topico |
Computer sound processing
Digital audio editors |
| ISBN | 1-78216-880-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Copyright; Credits; About the Author; About the Reviewer; www.PacktPub.com; Table of Contents; Preface; Instant Audio Processing with Web Audio; Setting up a web host (Simple); Playing audio in a loop (Simple); Setting the volume (Simple); Automating the audio parameters (Intermediate); Building an equalizer using BiquadFilterNode (Advanced) |
| Record Nr. | UNINA-9910790425403321 |
|
Khoo Chris
|
||
| Birmingham, England : , : Packt Publishing, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Instant audio processing with Web Audio / / Chris Khoo
| Instant audio processing with Web Audio / / Chris Khoo |
| Autore | Khoo Chris |
| Pubbl/distr/stampa | Birmingham, England : , : Packt Publishing, , 2013 |
| Descrizione fisica | 1 online resource (76 p.) |
| Disciplina | 006.5 |
| Soggetto topico |
Computer sound processing
Digital audio editors |
| ISBN | 1-78216-880-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Copyright; Credits; About the Author; About the Reviewer; www.PacktPub.com; Table of Contents; Preface; Instant Audio Processing with Web Audio; Setting up a web host (Simple); Playing audio in a loop (Simple); Setting the volume (Simple); Automating the audio parameters (Intermediate); Building an equalizer using BiquadFilterNode (Advanced) |
| Record Nr. | UNINA-9910825488803321 |
|
Khoo Chris
|
||
| Birmingham, England : , : Packt Publishing, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Interactive composition : strategies using Ableton Live and Max for Live / / V. J. Manzo and Will Kuhn
| Interactive composition : strategies using Ableton Live and Max for Live / / V. J. Manzo and Will Kuhn |
| Autore | Manzo V. J. |
| Pubbl/distr/stampa | Oxford, England : , : Oxford University Press, , 2015 |
| Descrizione fisica | 1 online resource (281 p.) |
| Disciplina | 781.3/453 |
| Soggetto topico |
Digital audio editors
Software synthesizers Composition (Music) - Computer programs |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-997381-4
0-19-997394-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Foreword; Preface; Acknowledgments; About the Companion Website; 1 Basics; Companion Site and Files; Basic Setup; Working in Live; On Your Own; 2 Session View; Session View; Adding Effects; Key and MIDI Mapping; Record to Arrangement View; On Your Own; 3 Introduction to Max for Live; Why Would I Want to Start Programming?; Writing a MIDI Program; On Your Own; 4 Ambient; Getting Started; Other Instruments; Form; On Your Own; 5 Pop and Rock Music; Enhancing the Recording with Effects; Automation; Making It Performable in a Live Situation
Using the Return Tracks as Monitor MixesMultiple Sessions in One Session; Live for Practicing; On Your Own; Monkey FX Guide; 6 Electroacoustic Music; Preparing the Canvas; Preparing the Form; Preparing Computer-Generated Sounds; Preparing the Session for Performance; Composition Examples; On Your Own; 7 Modern Hip-Hop and Trap Music; Drum Patterns; Sub Kicks and Bass Lines; Buildup Patterns; Chord Sequences; Stabs; Lasers; Chipmunk Vocals and Shouts; Composition Examples; On Your Own; 8 House Music; Kick Drum and Essential Elements; Electro Bass Synth Setting Up Mix Groups and Sidechain DuckingForm and Arrangement; On Your Own; 9 Breakbeat/Drum and Bass; Creating a Sampled Loop; Reese Bass; Sub Bass and Advanced Reese; Sampled Sirens and Other Instruments; Buildup Scene; Mixing; Form Considerations; On Your Own; 10 Chiptune; Designing a Custom Chip Instrument; Using the Custom Chip Sounds; Auto-Chords and MIDI Reuse; Sampled Chip Sounds; 8-Bit Drums; Form and Structure; On Your Own; 11 Granular Synthesis; Basic Sampling; Wavetable Synthesis with Simpler; Granular Synthesis with Granulator II; Drums from a Voice; Mixing; On Your Own 12 DubstepDrum Patterns; Bass Instruments and Resampling; Treble Leads; Risers; Initial Mixing; On Your Own; 13 Remixing and Loop Sampling; Simple Remixing; Mashups; Sampling Loops from Preexisting Songs; Remixing an Acapella; On Your Own; 14 Mastering; Generic Mixing Technique; The Master Track; The Limiter; The Mastering Chain; Compression on the Master Track; Equalizing on the Master Track; Multiband Dynamics; The Loudness War; Exporting; On Your Own; 15 Analysis of Projects; Live Rig; Pedalman Pro; Wrap-Up; On Your Own; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P QR; S; T; U; V; W; Y; Z |
| Record Nr. | UNINA-9910459926003321 |
|
Manzo V. J.
|
||
| Oxford, England : , : Oxford University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Interactive composition : strategies using Ableton Live and Max for Live / / V. J. Manzo and Will Kuhn
| Interactive composition : strategies using Ableton Live and Max for Live / / V. J. Manzo and Will Kuhn |
| Autore | Manzo V. J. |
| Pubbl/distr/stampa | Oxford, England : , : Oxford University Press, , 2015 |
| Descrizione fisica | 1 online resource (281 p.) |
| Disciplina | 781.3/453 |
| Soggetto topico |
Digital audio editors
Software synthesizers Composition (Music) - Computer programs |
| ISBN |
0-19-997381-4
0-19-997394-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Foreword; Preface; Acknowledgments; About the Companion Website; 1 Basics; Companion Site and Files; Basic Setup; Working in Live; On Your Own; 2 Session View; Session View; Adding Effects; Key and MIDI Mapping; Record to Arrangement View; On Your Own; 3 Introduction to Max for Live; Why Would I Want to Start Programming?; Writing a MIDI Program; On Your Own; 4 Ambient; Getting Started; Other Instruments; Form; On Your Own; 5 Pop and Rock Music; Enhancing the Recording with Effects; Automation; Making It Performable in a Live Situation
Using the Return Tracks as Monitor MixesMultiple Sessions in One Session; Live for Practicing; On Your Own; Monkey FX Guide; 6 Electroacoustic Music; Preparing the Canvas; Preparing the Form; Preparing Computer-Generated Sounds; Preparing the Session for Performance; Composition Examples; On Your Own; 7 Modern Hip-Hop and Trap Music; Drum Patterns; Sub Kicks and Bass Lines; Buildup Patterns; Chord Sequences; Stabs; Lasers; Chipmunk Vocals and Shouts; Composition Examples; On Your Own; 8 House Music; Kick Drum and Essential Elements; Electro Bass Synth Setting Up Mix Groups and Sidechain DuckingForm and Arrangement; On Your Own; 9 Breakbeat/Drum and Bass; Creating a Sampled Loop; Reese Bass; Sub Bass and Advanced Reese; Sampled Sirens and Other Instruments; Buildup Scene; Mixing; Form Considerations; On Your Own; 10 Chiptune; Designing a Custom Chip Instrument; Using the Custom Chip Sounds; Auto-Chords and MIDI Reuse; Sampled Chip Sounds; 8-Bit Drums; Form and Structure; On Your Own; 11 Granular Synthesis; Basic Sampling; Wavetable Synthesis with Simpler; Granular Synthesis with Granulator II; Drums from a Voice; Mixing; On Your Own 12 DubstepDrum Patterns; Bass Instruments and Resampling; Treble Leads; Risers; Initial Mixing; On Your Own; 13 Remixing and Loop Sampling; Simple Remixing; Mashups; Sampling Loops from Preexisting Songs; Remixing an Acapella; On Your Own; 14 Mastering; Generic Mixing Technique; The Master Track; The Limiter; The Mastering Chain; Compression on the Master Track; Equalizing on the Master Track; Multiband Dynamics; The Loudness War; Exporting; On Your Own; 15 Analysis of Projects; Live Rig; Pedalman Pro; Wrap-Up; On Your Own; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P QR; S; T; U; V; W; Y; Z |
| Record Nr. | UNINA-9910787493003321 |
|
Manzo V. J.
|
||
| Oxford, England : , : Oxford University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Interactive composition : strategies using Ableton Live and Max for Live / / V. J. Manzo and Will Kuhn
| Interactive composition : strategies using Ableton Live and Max for Live / / V. J. Manzo and Will Kuhn |
| Autore | Manzo V. J. |
| Pubbl/distr/stampa | Oxford, England : , : Oxford University Press, , 2015 |
| Descrizione fisica | 1 online resource (281 p.) |
| Disciplina | 781.3/453 |
| Soggetto topico |
Digital audio editors
Software synthesizers Composition (Music) - Computer programs |
| ISBN |
0-19-997381-4
0-19-997394-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Foreword; Preface; Acknowledgments; About the Companion Website; 1 Basics; Companion Site and Files; Basic Setup; Working in Live; On Your Own; 2 Session View; Session View; Adding Effects; Key and MIDI Mapping; Record to Arrangement View; On Your Own; 3 Introduction to Max for Live; Why Would I Want to Start Programming?; Writing a MIDI Program; On Your Own; 4 Ambient; Getting Started; Other Instruments; Form; On Your Own; 5 Pop and Rock Music; Enhancing the Recording with Effects; Automation; Making It Performable in a Live Situation
Using the Return Tracks as Monitor MixesMultiple Sessions in One Session; Live for Practicing; On Your Own; Monkey FX Guide; 6 Electroacoustic Music; Preparing the Canvas; Preparing the Form; Preparing Computer-Generated Sounds; Preparing the Session for Performance; Composition Examples; On Your Own; 7 Modern Hip-Hop and Trap Music; Drum Patterns; Sub Kicks and Bass Lines; Buildup Patterns; Chord Sequences; Stabs; Lasers; Chipmunk Vocals and Shouts; Composition Examples; On Your Own; 8 House Music; Kick Drum and Essential Elements; Electro Bass Synth Setting Up Mix Groups and Sidechain DuckingForm and Arrangement; On Your Own; 9 Breakbeat/Drum and Bass; Creating a Sampled Loop; Reese Bass; Sub Bass and Advanced Reese; Sampled Sirens and Other Instruments; Buildup Scene; Mixing; Form Considerations; On Your Own; 10 Chiptune; Designing a Custom Chip Instrument; Using the Custom Chip Sounds; Auto-Chords and MIDI Reuse; Sampled Chip Sounds; 8-Bit Drums; Form and Structure; On Your Own; 11 Granular Synthesis; Basic Sampling; Wavetable Synthesis with Simpler; Granular Synthesis with Granulator II; Drums from a Voice; Mixing; On Your Own 12 DubstepDrum Patterns; Bass Instruments and Resampling; Treble Leads; Risers; Initial Mixing; On Your Own; 13 Remixing and Loop Sampling; Simple Remixing; Mashups; Sampling Loops from Preexisting Songs; Remixing an Acapella; On Your Own; 14 Mastering; Generic Mixing Technique; The Master Track; The Limiter; The Mastering Chain; Compression on the Master Track; Equalizing on the Master Track; Multiband Dynamics; The Loudness War; Exporting; On Your Own; 15 Analysis of Projects; Live Rig; Pedalman Pro; Wrap-Up; On Your Own; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P QR; S; T; U; V; W; Y; Z |
| Record Nr. | UNINA-9910814500803321 |
|
Manzo V. J.
|
||
| Oxford, England : , : Oxford University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Logic Pro 9 and Logic Express 9 / David Nahmani
| Logic Pro 9 and Logic Express 9 / David Nahmani |
| Autore | Nahmani, David |
| Pubbl/distr/stampa | Berkeley, CA : Peachpit Press, c2010 |
| Descrizione fisica | ix, 489 p. : col. ill. ; 23 cm. + 1 DVD-ROM |
| Disciplina | 781.34 |
| Collana | Apple Pro training series |
| Soggetto topico | Digital audio editors |
| ISBN |
9780321636805
0321636805 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Make music with Logic now! -- Recording audio -- Editing audio -- Recording MIDI -- Programming and editing MIDI -- Programming drums -- Manipulating tempo and time stretching -- Arranging and preparing for the mix -- Mixing -- Automating the mix and using control surfaces -- Troubleshooting and optimization. |
| Record Nr. | UNISALENTO-991001657549707536 |
|
Nahmani, David
|
||
| Berkeley, CA : Peachpit Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
| ||
