Abécédaire du Web : 26 concepts pour comprendre la création sur Internet / / Joanne Lalonde |
Autore | Lalonde Joanne <1960-> |
Pubbl/distr/stampa | Baltimore, Maryland : , : Project Muse, , 2013 |
Descrizione fisica | 1 online resource (135 p.) |
Disciplina | 700.1/05 |
Soggetto topico |
Digital art
Art and technology |
Soggetto genere / forma | Electronic books. |
ISBN | 2-7605-3537-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | fre |
Nota di contenuto |
Intro -- L'auteure -- Remerciements -- Introduction -- Activisme -- Un courant, le cyberféminisme -- Une forme d'expression, le manifeste -- Les formes allégoriques de la guerre et de la terreur -- Liens -- Références -- Biographie -- Un courant, la mythographie -- Les récits du soi -- Une oeuvre emblématique, Mouchette -- Liens -- Références -- Citation -- La reprise collective -- Liens -- Références -- Document -- L'archive comme mode d'organisation narrative -- Liens -- Références -- Épistolaire -- Monodie, écho d'une seule voix -- Dyade, confrontation des points de vue -- Polyphonie, la voix chorale -- Liens -- Références -- Flux -- Le flux contemplatif où la fatigue aura raison de l'infini -- De la pléthore à la vacuité -- Liens -- Références -- Générateur, art génératif -- Du résultat au processus -- Les enjeux de l'écriture -- Liens -- Références -- Histoire -- Les mirages du temps présent : le travail de l'histoire contemporaine -- Les mirages du temps passé : la dispersion des traces -- Au-delà des conventions qui mènent à la connaissance -- Liens -- Références -- Interactivité -- La dimension ludique comme stratégie de rétention -- Les rituels de l'interactivité -- Le cimetière des données disparues -- Liens -- Références -- Journal -- Intimité conviviale et formes d'écriture -- Le carnet d'images -- Le carnet éditorial -- Liens -- Références -- Kamikaze -- Quand le pirate prend le contrôle de la machine -- Liens -- Références -- Livre -- Liens -- Références -- Mémoire -- Mémoire de l'abject -- Cartographies d'une mémoire collective -- Liens -- Références -- Numérique -- À quoi ressemble alors l'abstraction technologique ? -- Liens -- Références -- Observatoire -- Du dispositif de surveillance au spectacle -- Big Brother is watching you -- Liens -- Références -- Parodie -- Le canular comme parodie du capitalisme -- Liens -- Références.
Questionnaire -- Liens -- Références -- Réseau -- Le forum hypermoderne -- Liens -- Références -- Sensorialités -- L'enveloppe sonore -- Une tactilité à découvrir -- Le mouvement intrinsèque à l'hypermédia -- Liens -- Témoignage -- La portée cathartique de l'oralité -- Le témoignage, un lieu intersubjectif -- Liens -- Références -- Uchronie -- Le temps du présent éternel -- Liens -- Références -- Voyeurisme -- Déjouer les attentes, une pratique subversive -- Le voyeurisme comme miroir -- Liens -- Références -- Web -- Revendiquer le statut d'artiste Web -- La boîte à outils qui se rebelle -- Le contenu comme matériau -- Liens -- Références -- Xéno -- Exotisme(s), géographique, culturel et sexuel -- Effacer l'étranger -- Liens -- Références -- YouTube -- La plateforme comme outil et matériau -- YouTube comme idéologie, les limites du partage -- Liens -- Références -- Zone -- Territoires réels -- Territoires symboliques -- Liens -- Références. |
Record Nr. | UNINA-9910524887603321 |
Lalonde Joanne <1960-> | ||
Baltimore, Maryland : , : Project Muse, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Computers and Art [[electronic resource]] |
Autore | Mealing Stuart |
Pubbl/distr/stampa | Bristol, : Intellect, 2007 |
Descrizione fisica | 1 online resource (161 p.) |
Disciplina |
700.105
702.85 |
Soggetto topico |
Art and technology
Computer art Digital art |
Soggetto genere / forma | Electronic books. |
ISBN |
978058520246X
0-585-20246-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Front Cover; Preliminaries; Contents; Introduction; On drawing a circle; Why use computers to make drawings?; Representing representation: artificial intelligence and drawing; Some trends in computer graphic art; Fatal attraction: print meets computer; A year and a day on the road to Omniana; The art of interactivity: interactive installation from gallery to street; Networks and artworks: the failure of the user-friendly interface; Virtual reality and art; Visual technology and the poetics of knowledge
Post-modem art, or: Virtual reality as Trojan donkey, or: Horsetail tartan literature groin artArtificial consciousness - artificial art; Back Cover |
Record Nr. | UNINA-9910455473603321 |
Mealing Stuart | ||
Bristol, : Intellect, 2007 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Computers and art [[electronic resource]] |
Autore | Mealing Stuart |
Pubbl/distr/stampa | Bristol, : Intellect, 2007 |
Descrizione fisica | 1 online resource (161 p.) |
Disciplina |
700.105
702.85 |
Soggetto topico |
Art and technology
Computer art Digital art |
ISBN |
978058520246X
0-585-20246-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Front Cover; Preliminaries; Contents; Introduction; On drawing a circle; Why use computers to make drawings?; Representing representation: artificial intelligence and drawing; Some trends in computer graphic art; Fatal attraction: print meets computer; A year and a day on the road to Omniana; The art of interactivity: interactive installation from gallery to street; Networks and artworks: the failure of the user-friendly interface; Virtual reality and art; Visual technology and the poetics of knowledge
Post-modem art, or: Virtual reality as Trojan donkey, or: Horsetail tartan literature groin artArtificial consciousness - artificial art; Back Cover |
Record Nr. | UNINA-9910778898503321 |
Mealing Stuart | ||
Bristol, : Intellect, 2007 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Computers and art [[electronic resource]] |
Autore | Mealing Stuart |
Pubbl/distr/stampa | Bristol, : Intellect, 2007 |
Descrizione fisica | 1 online resource (161 p.) |
Disciplina |
700.105
702.85 |
Soggetto topico |
Art and technology
Computer art Digital art |
ISBN |
978058520246X
0-585-20246-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Front Cover; Preliminaries; Contents; Introduction; On drawing a circle; Why use computers to make drawings?; Representing representation: artificial intelligence and drawing; Some trends in computer graphic art; Fatal attraction: print meets computer; A year and a day on the road to Omniana; The art of interactivity: interactive installation from gallery to street; Networks and artworks: the failure of the user-friendly interface; Virtual reality and art; Visual technology and the poetics of knowledge
Post-modem art, or: Virtual reality as Trojan donkey, or: Horsetail tartan literature groin artArtificial consciousness - artificial art; Back Cover |
Record Nr. | UNINA-9910820800103321 |
Mealing Stuart | ||
Bristol, : Intellect, 2007 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Context providers [[electronic resource] ] : conditions of meaning in media arts / / edited by Margot Lovejoy, Christiane Paul, and Victoria Vesna |
Pubbl/distr/stampa | Bristol ; ; Chicago, : Intellect, 2011 |
Descrizione fisica | 1 online resource (360 p.) |
Disciplina |
700.1
709/.04 |
Altri autori (Persone) |
LovejoyMargot
PaulChristiane BulajićViktorija Vesna |
Soggetto topico |
Art, Modern - 21st century
Art, Modern - 20th century Art and society Digital art Creation (Literary, artistic, etc.) |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-16289-X
9786613162892 1-84150-539-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Part Three; Introduction; Part One; Defining Conditions For Digital Arts: Social Function, Authorship, and Audience; Missing In Action: Agency and Meaning In Interactive Art; Collaborative Systems: Redefining Public Art; Play, Participation, and Art: Blurring the Edges; Part Two; Contextual Networks: Data, Identity, and Collective Production; Aesthetics of Information Visualization; Identity Operated In New Mode: Context and Body/Space/Time; Game Engines As Creative Frameworks; Mapping the Collective
Shifting Media Contexts: When Scientific Labs Become Art StudiosBiotechnical Art and the Ethico-Aesthetic Paradigm; Working With Wetware; Defining Life: Artists Challenge Conventional Classifications; Art and Science Research: Active Contexts and Discourses; Index; Biographies; Back Cover |
Record Nr. | UNINA-9910456799703321 |
Bristol ; ; Chicago, : Intellect, 2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Context providers [[electronic resource] ] : conditions of meaning in media arts / / edited by Margot Lovejoy, Christiane Paul, and Victoria Vesna |
Pubbl/distr/stampa | Bristol ; ; Chicago, : Intellect, 2011 |
Descrizione fisica | 1 online resource (360 p.) |
Disciplina |
700.1
709/.04 |
Altri autori (Persone) |
LovejoyMargot
PaulChristiane BulajićViktorija Vesna |
Soggetto topico |
Art, Modern - 21st century
Art, Modern - 20th century Art and society Digital art Creation (Literary, artistic, etc.) |
ISBN |
1-283-16289-X
9786613162892 1-84150-539-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Part Three; Introduction; Part One; Defining Conditions For Digital Arts: Social Function, Authorship, and Audience; Missing In Action: Agency and Meaning In Interactive Art; Collaborative Systems: Redefining Public Art; Play, Participation, and Art: Blurring the Edges; Part Two; Contextual Networks: Data, Identity, and Collective Production; Aesthetics of Information Visualization; Identity Operated In New Mode: Context and Body/Space/Time; Game Engines As Creative Frameworks; Mapping the Collective
Shifting Media Contexts: When Scientific Labs Become Art StudiosBiotechnical Art and the Ethico-Aesthetic Paradigm; Working With Wetware; Defining Life: Artists Challenge Conventional Classifications; Art and Science Research: Active Contexts and Discourses; Index; Biographies; Back Cover |
Record Nr. | UNINA-9910781215503321 |
Bristol ; ; Chicago, : Intellect, 2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Context providers : conditions of meaning in media arts / / edited by Margot Lovejoy, Christiane Paul, and Victoria Vesna |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bristol ; ; Chicago, : Intellect, 2011 |
Descrizione fisica | 1 online resource (360 p.) |
Disciplina |
700.1
709/.04 |
Altri autori (Persone) |
LovejoyMargot
PaulChristiane BulajićViktorija Vesna |
Soggetto topico |
Art, Modern - 21st century
Art, Modern - 20th century Art and society Digital art Creation (Literary, artistic, etc.) |
ISBN |
1-283-16289-X
9786613162892 1-84150-539-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Part Three; Introduction; Part One; Defining Conditions For Digital Arts: Social Function, Authorship, and Audience; Missing In Action: Agency and Meaning In Interactive Art; Collaborative Systems: Redefining Public Art; Play, Participation, and Art: Blurring the Edges; Part Two; Contextual Networks: Data, Identity, and Collective Production; Aesthetics of Information Visualization; Identity Operated In New Mode: Context and Body/Space/Time; Game Engines As Creative Frameworks; Mapping the Collective
Shifting Media Contexts: When Scientific Labs Become Art StudiosBiotechnical Art and the Ethico-Aesthetic Paradigm; Working With Wetware; Defining Life: Artists Challenge Conventional Classifications; Art and Science Research: Active Contexts and Discourses; Index; Biographies; Back Cover |
Record Nr. | UNINA-9910825760903321 |
Bristol ; ; Chicago, : Intellect, 2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Crisis of transcendence [[electronic resource] ] : a theology of digital art and culture / / J. Sage Elwell |
Autore | Elwell J. Sage <1975-> |
Pubbl/distr/stampa | Lanham, MD, : Lexington Books, 2010 |
Descrizione fisica | 1 online resource (321 p.) |
Disciplina | 261.5/7 |
Soggetto topico |
Christianity and art
Digital art Christianity and culture Technology - Religious aspects - Christianity |
Soggetto genere / forma | Electronic books. |
ISBN |
1-282-93659-X
9786612936593 0-7391-4110-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | acknowledgments; introduction; 1; 2; 3; 4 |
Record Nr. | UNINA-9910458880403321 |
Elwell J. Sage <1975-> | ||
Lanham, MD, : Lexington Books, 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Crisis of transcendence [[electronic resource] ] : a theology of digital art and culture / / J. Sage Elwell |
Autore | Elwell J. Sage <1975-> |
Pubbl/distr/stampa | Lanham, MD, : Lexington Books, 2010 |
Descrizione fisica | 1 online resource (321 p.) |
Disciplina | 261.5/7 |
Soggetto topico |
Christianity and art
Digital art Christianity and culture Technology - Religious aspects - Christianity |
ISBN |
1-282-93659-X
9786612936593 0-7391-4110-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | acknowledgments; introduction; 1; 2; 3; 4 |
Record Nr. | UNINA-9910785596903321 |
Elwell J. Sage <1975-> | ||
Lanham, MD, : Lexington Books, 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Crisis of transcendence : a theology of digital art and culture / / J. Sage Elwell |
Autore | Elwell J. Sage <1975-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Lanham, MD, : Lexington Books, 2010 |
Descrizione fisica | 1 online resource (321 p.) |
Disciplina | 261.5/7 |
Soggetto topico |
Christianity and art
Digital art Christianity and culture Technology - Religious aspects - Christianity |
ISBN |
1-282-93659-X
9786612936593 0-7391-4110-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | acknowledgments; introduction; 1; 2; 3; 4 |
Record Nr. | UNINA-9910822980103321 |
Elwell J. Sage <1975-> | ||
Lanham, MD, : Lexington Books, 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|