Channeling wonder : fairy tales on television / / edited by Pauline Greenhill and Jill Terry Rudy |
Pubbl/distr/stampa | Detroit, Michigan : , : Wayne State University Press, , 2014 |
Descrizione fisica | 1 online resource (464 p.) |
Disciplina | 791.4561 |
Collana | Series in fairy-tale studies |
Soggetto topico |
Detective and mystery television programs - United States - History and criticism
Fairy tales |
Soggetto genere / forma | Electronic books. |
ISBN | 0-8143-3923-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | ; Introduction: Channeling wonder : fairy tales, television, and intermediality / Pauline Greenhill ; and Jill Terry Rudy -- ; Part I: For and about kids and adults. Who's got the power? : Super Why!, viewer agency, and traditional narrative / Ian Brodie ; and Jodi McDavid ; Merlin as initiation tale : a contemporary fairy-tale manual for adolescent relationships / Emma Nelson ; and Ashley Walton ; Lost in the woods : adapting "Hansel and Gretel" for television / Don Tresca ; Things Jim Henson showed us : intermediality and the artistic making of Jim Henson's The storyteller / Jill Terry Rudy -- ; Part II: Masculinities and/or femininities. Things Walt Disney didn't tell us (but at which Rodgers and Hammerstein at least hinted) : the 1965 made-for-TV musical of Cinderella / Patricia Sawin ; "Appearance does not make the man" : masculinities in Japanese television retellings of "Cinderella" / Christie Barber ; Molding messages : analyzing the reworking of "Sleeping Beauty" in Grimm's Fairy Tale Classics and Dollhouse / Jeana Jorgensen ; and Brittany Warman ; The power to revolutionize the world, or absolute gender apocalypse? : queering the new fairy-tale feminine in Revolutionary Girl Utena / Kristian Lezubski -- ; Part III: Beastly humans. Criminal beasts and swan girls : the Red Riding trilogy and Little Red Riding Hood on television / Pauline Greenhill ; and Steven Kohm ; New fairy tales are old again : Grimm and the Brothers Grimm / Kristiana Willsey ; A dark story retold : adaptation, representation, and design in Snow White : a tale of terror / Andrea Wright ; Judith or Salome? Holofernes or John the Baptist? Catherine Breillat's rescripting of Charles Perrault's "Bluebeard" / Shuli Barzilai -- ; Part IV: Fairy tales are real! Reality TV, fairy-tale reality, commerce, and discourse. Ugly stepsisters and unkind girls : reality TV's repurposed fairy tales / Linda J. Lee ; Getting real with fairy tales : magic realism in Grimm and Once Upon a Time / Claudia Schwabe ; Happily never after : the commodification and critique of fairy tale in ABC's Once Upon a Time / Rebecca Hay ; and Christa Baxter ; The fairy tale and the commercial in Carosello and Fractured Fairy Tales / Christina Bacchilega ; and John Rieder -- ; Part V: Fairy-tale teleography. A critical introduction ot the fairy tale teleography / Kendra Magus-Johnston. |
Record Nr. | UNINA-9910465106403321 |
Detroit, Michigan : , : Wayne State University Press, , 2014 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Channeling wonder : fairy tales on television / / edited by Pauline Greenhill and Jill Terry Rudy |
Pubbl/distr/stampa | Detroit, Michigan : , : Wayne State University Press, , 2014 |
Descrizione fisica | 1 online resource (464 p.) |
Disciplina | 791.4561 |
Collana | Series in fairy-tale studies |
Soggetto topico |
Detective and mystery television programs - United States - History and criticism
Fairy tales |
ISBN | 0-8143-3923-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | ; Introduction: Channeling wonder : fairy tales, television, and intermediality / Pauline Greenhill ; and Jill Terry Rudy -- ; Part I: For and about kids and adults. Who's got the power? : Super Why!, viewer agency, and traditional narrative / Ian Brodie ; and Jodi McDavid ; Merlin as initiation tale : a contemporary fairy-tale manual for adolescent relationships / Emma Nelson ; and Ashley Walton ; Lost in the woods : adapting "Hansel and Gretel" for television / Don Tresca ; Things Jim Henson showed us : intermediality and the artistic making of Jim Henson's The storyteller / Jill Terry Rudy -- ; Part II: Masculinities and/or femininities. Things Walt Disney didn't tell us (but at which Rodgers and Hammerstein at least hinted) : the 1965 made-for-TV musical of Cinderella / Patricia Sawin ; "Appearance does not make the man" : masculinities in Japanese television retellings of "Cinderella" / Christie Barber ; Molding messages : analyzing the reworking of "Sleeping Beauty" in Grimm's Fairy Tale Classics and Dollhouse / Jeana Jorgensen ; and Brittany Warman ; The power to revolutionize the world, or absolute gender apocalypse? : queering the new fairy-tale feminine in Revolutionary Girl Utena / Kristian Lezubski -- ; Part III: Beastly humans. Criminal beasts and swan girls : the Red Riding trilogy and Little Red Riding Hood on television / Pauline Greenhill ; and Steven Kohm ; New fairy tales are old again : Grimm and the Brothers Grimm / Kristiana Willsey ; A dark story retold : adaptation, representation, and design in Snow White : a tale of terror / Andrea Wright ; Judith or Salome? Holofernes or John the Baptist? Catherine Breillat's rescripting of Charles Perrault's "Bluebeard" / Shuli Barzilai -- ; Part IV: Fairy tales are real! Reality TV, fairy-tale reality, commerce, and discourse. Ugly stepsisters and unkind girls : reality TV's repurposed fairy tales / Linda J. Lee ; Getting real with fairy tales : magic realism in Grimm and Once Upon a Time / Claudia Schwabe ; Happily never after : the commodification and critique of fairy tale in ABC's Once Upon a Time / Rebecca Hay ; and Christa Baxter ; The fairy tale and the commercial in Carosello and Fractured Fairy Tales / Christina Bacchilega ; and John Rieder -- ; Part V: Fairy-tale teleography. A critical introduction ot the fairy tale teleography / Kendra Magus-Johnston. |
Record Nr. | UNINA-9910792211103321 |
Detroit, Michigan : , : Wayne State University Press, , 2014 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Channeling wonder : fairy tales on television / / edited by Pauline Greenhill and Jill Terry Rudy |
Pubbl/distr/stampa | Detroit, Michigan : , : Wayne State University Press, , 2014 |
Descrizione fisica | 1 online resource (464 p.) |
Disciplina | 791.4561 |
Collana | Series in fairy-tale studies |
Soggetto topico |
Detective and mystery television programs - United States - History and criticism
Fairy tales |
ISBN | 0-8143-3923-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | ; Introduction: Channeling wonder : fairy tales, television, and intermediality / Pauline Greenhill ; and Jill Terry Rudy -- ; Part I: For and about kids and adults. Who's got the power? : Super Why!, viewer agency, and traditional narrative / Ian Brodie ; and Jodi McDavid ; Merlin as initiation tale : a contemporary fairy-tale manual for adolescent relationships / Emma Nelson ; and Ashley Walton ; Lost in the woods : adapting "Hansel and Gretel" for television / Don Tresca ; Things Jim Henson showed us : intermediality and the artistic making of Jim Henson's The storyteller / Jill Terry Rudy -- ; Part II: Masculinities and/or femininities. Things Walt Disney didn't tell us (but at which Rodgers and Hammerstein at least hinted) : the 1965 made-for-TV musical of Cinderella / Patricia Sawin ; "Appearance does not make the man" : masculinities in Japanese television retellings of "Cinderella" / Christie Barber ; Molding messages : analyzing the reworking of "Sleeping Beauty" in Grimm's Fairy Tale Classics and Dollhouse / Jeana Jorgensen ; and Brittany Warman ; The power to revolutionize the world, or absolute gender apocalypse? : queering the new fairy-tale feminine in Revolutionary Girl Utena / Kristian Lezubski -- ; Part III: Beastly humans. Criminal beasts and swan girls : the Red Riding trilogy and Little Red Riding Hood on television / Pauline Greenhill ; and Steven Kohm ; New fairy tales are old again : Grimm and the Brothers Grimm / Kristiana Willsey ; A dark story retold : adaptation, representation, and design in Snow White : a tale of terror / Andrea Wright ; Judith or Salome? Holofernes or John the Baptist? Catherine Breillat's rescripting of Charles Perrault's "Bluebeard" / Shuli Barzilai -- ; Part IV: Fairy tales are real! Reality TV, fairy-tale reality, commerce, and discourse. Ugly stepsisters and unkind girls : reality TV's repurposed fairy tales / Linda J. Lee ; Getting real with fairy tales : magic realism in Grimm and Once Upon a Time / Claudia Schwabe ; Happily never after : the commodification and critique of fairy tale in ABC's Once Upon a Time / Rebecca Hay ; and Christa Baxter ; The fairy tale and the commercial in Carosello and Fractured Fairy Tales / Christina Bacchilega ; and John Rieder -- ; Part V: Fairy-tale teleography. A critical introduction ot the fairy tale teleography / Kendra Magus-Johnston. |
Record Nr. | UNINA-9910820424103321 |
Detroit, Michigan : , : Wayne State University Press, , 2014 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The philosophy of TV noir / / edited by Steven M. Sanders and Aeon J. Skoble ; contributors, Jerold J. Abrams [and fifteen others] |
Pubbl/distr/stampa | Lexington, Kentucky : , : The University Press of Kentucky, , 2008 |
Descrizione fisica | 1 online resource (284 p.) |
Disciplina | 791.45/61 |
Collana | Philosophy of Popular Culture |
Soggetto topico |
Detective and mystery television programs - United States - History and criticism
Fantasy television programs - United States - History and criticism Film noir - United States - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN |
0-8131-5678-5
0-8131-7262-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Half-title ; Title; Copyright; Contents; Preface and Acknowledgments; An Introduction to the Philosophy of TV Noir; From Film Noir to TV Noir; The Through-Line of Film Noir; Realism and Relativism; An Unreasoning Annihilation; Alienation and Moral Ambiguity; Sunshine Noir; Existentialism, Crisis, and Revolt; Nihilism, Noir, and The Sopranos; Postmodernism and Crime Story; Paranoia, Detection, and Crime Scene Investigation; Espionage, Science Fiction, and Realism; The Ambiguous Perspective on Life; Notes; Part 1: Realism, Relativism, and Moral Ambiguity
Dragnet, Film Noir, and Postwar Realism Realism and Documentary in the Film Noir; He Walked by Night; Dragnet: A Different Kind of Realism; ""The Story You Are about to See Is True""; Notes; Naked City: The Relativist Turn in TV Noir; The Relativist Turn; Relativism of Morality and Normality; Cultural Relativism; Problems with Cultural Relativism; Individual Relativism; Notes; John Drake in Greeneland: Noir Themes in Secret Agent; Why Drake Is Not Bond; The Influence of Graham Greene; Noir Themes in Secret Agent; Notes; Action and Integrity in The Fugitive; Duty and Motivation Angels Travel on Lonely Roads The White Knight; Never Stop Running; Notes; Part 2: Existentialism, Nihilism, and the Meaning of Life; Noir et Blanc in Color: Existentialism and Miami Vice; Amphetamine Theatre; Points on a Compass of Cultural Reference; Life Lessons and Death Sentences; Existential Errors; Miami Masquerade; An ""I"" Exam Is Existential; Two Existentialist Approaches; Out of Whose Past?; New Hope for the Living; Notes; 24 and the Existential Man of Revolt; 24 and Noir; Jack Bauer: Noir Protagonist; Camus' ""Man of Revolt""; Jack Bauer: Existential Hero; Notes Carnivale Knowledge: Give Me That Old-time Noir Religion Carnivale and Religious Film Noir; Graham Greene's Whiskey Priest; Brother Justin's ""Fear and Trembling""; Notes; The Sopranos, Film Noir, and Nihilism; Nihilism and Film Noir; God and Gary Cooper Are Dead; ""It's All a Big Nothing""; Animals and Animosity; The Sad Clown; Notes; Part 3: Crime Scene Investigation and the Logic of Detection; CSI and the Art of Forensic Detection; The Corrupt City and CSI Storylines; CSI as Procedural Noir; The Investigative Team; Case Studies; Notes; Detection and the Logic of Abduction in The X-Files Alien NoirThe X-Files Mythology; Mulder and Scully as Sherlock Holmes and Dr. Watson; Mulder and Scully as Noir Detectives; Mulder and Scully and Clifford and James; The Logic of Abduction-the Other ""Abduction""; Detective Semiotics and the ""Absence Sign""; Mulder Thinks Outside the Paradigm; Return to the ""Will to Believe""; Scully and Mulder as One Mind; Notes; Part 4: Autonomy, Selfhood, and Interpretation; Kingdom of Darkness: Autonomy and Conspiracy in The X-Files and Millennium; Mr. (and Ms.) Noir; G-Men; ""Trust No One""; The Carceral Archipelago and the Panoptical Regime; Fugitives Coda: A Noir World Order |
Record Nr. | UNINA-9910452146003321 |
Lexington, Kentucky : , : The University Press of Kentucky, , 2008 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The philosophy of TV noir / / edited by Steven M. Sanders and Aeon J. Skoble ; contributors, Jerold J. Abrams [and fifteen others] |
Pubbl/distr/stampa | Lexington, Kentucky : , : The University Press of Kentucky, , 2008 |
Descrizione fisica | 1 online resource (284 p.) |
Disciplina | 791.45/61 |
Collana | Philosophy of Popular Culture |
Soggetto topico |
Detective and mystery television programs - United States - History and criticism
Fantasy television programs - United States - History and criticism Film noir - United States - History and criticism |
ISBN |
0-8131-5678-5
0-8131-7262-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Half-title ; Title; Copyright; Contents; Preface and Acknowledgments; An Introduction to the Philosophy of TV Noir; From Film Noir to TV Noir; The Through-Line of Film Noir; Realism and Relativism; An Unreasoning Annihilation; Alienation and Moral Ambiguity; Sunshine Noir; Existentialism, Crisis, and Revolt; Nihilism, Noir, and The Sopranos; Postmodernism and Crime Story; Paranoia, Detection, and Crime Scene Investigation; Espionage, Science Fiction, and Realism; The Ambiguous Perspective on Life; Notes; Part 1: Realism, Relativism, and Moral Ambiguity
Dragnet, Film Noir, and Postwar Realism Realism and Documentary in the Film Noir; He Walked by Night; Dragnet: A Different Kind of Realism; ""The Story You Are about to See Is True""; Notes; Naked City: The Relativist Turn in TV Noir; The Relativist Turn; Relativism of Morality and Normality; Cultural Relativism; Problems with Cultural Relativism; Individual Relativism; Notes; John Drake in Greeneland: Noir Themes in Secret Agent; Why Drake Is Not Bond; The Influence of Graham Greene; Noir Themes in Secret Agent; Notes; Action and Integrity in The Fugitive; Duty and Motivation Angels Travel on Lonely Roads The White Knight; Never Stop Running; Notes; Part 2: Existentialism, Nihilism, and the Meaning of Life; Noir et Blanc in Color: Existentialism and Miami Vice; Amphetamine Theatre; Points on a Compass of Cultural Reference; Life Lessons and Death Sentences; Existential Errors; Miami Masquerade; An ""I"" Exam Is Existential; Two Existentialist Approaches; Out of Whose Past?; New Hope for the Living; Notes; 24 and the Existential Man of Revolt; 24 and Noir; Jack Bauer: Noir Protagonist; Camus' ""Man of Revolt""; Jack Bauer: Existential Hero; Notes Carnivale Knowledge: Give Me That Old-time Noir Religion Carnivale and Religious Film Noir; Graham Greene's Whiskey Priest; Brother Justin's ""Fear and Trembling""; Notes; The Sopranos, Film Noir, and Nihilism; Nihilism and Film Noir; God and Gary Cooper Are Dead; ""It's All a Big Nothing""; Animals and Animosity; The Sad Clown; Notes; Part 3: Crime Scene Investigation and the Logic of Detection; CSI and the Art of Forensic Detection; The Corrupt City and CSI Storylines; CSI as Procedural Noir; The Investigative Team; Case Studies; Notes; Detection and the Logic of Abduction in The X-Files Alien NoirThe X-Files Mythology; Mulder and Scully as Sherlock Holmes and Dr. Watson; Mulder and Scully as Noir Detectives; Mulder and Scully and Clifford and James; The Logic of Abduction-the Other ""Abduction""; Detective Semiotics and the ""Absence Sign""; Mulder Thinks Outside the Paradigm; Return to the ""Will to Believe""; Scully and Mulder as One Mind; Notes; Part 4: Autonomy, Selfhood, and Interpretation; Kingdom of Darkness: Autonomy and Conspiracy in The X-Files and Millennium; Mr. (and Ms.) Noir; G-Men; ""Trust No One""; The Carceral Archipelago and the Panoptical Regime; Fugitives Coda: A Noir World Order |
Record Nr. | UNINA-9910778379203321 |
Lexington, Kentucky : , : The University Press of Kentucky, , 2008 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The philosophy of TV noir / / edited by Steven M. Sanders and Aeon J. Skoble ; contributors, Jerold J. Abrams [and fifteen others] |
Pubbl/distr/stampa | Lexington, Kentucky : , : The University Press of Kentucky, , 2008 |
Descrizione fisica | 1 online resource (284 p.) |
Disciplina | 791.45/61 |
Collana | Philosophy of Popular Culture |
Soggetto topico |
Detective and mystery television programs - United States - History and criticism
Fantasy television programs - United States - History and criticism Film noir - United States - History and criticism |
ISBN |
0-8131-5678-5
0-8131-7262-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Half-title ; Title; Copyright; Contents; Preface and Acknowledgments; An Introduction to the Philosophy of TV Noir; From Film Noir to TV Noir; The Through-Line of Film Noir; Realism and Relativism; An Unreasoning Annihilation; Alienation and Moral Ambiguity; Sunshine Noir; Existentialism, Crisis, and Revolt; Nihilism, Noir, and The Sopranos; Postmodernism and Crime Story; Paranoia, Detection, and Crime Scene Investigation; Espionage, Science Fiction, and Realism; The Ambiguous Perspective on Life; Notes; Part 1: Realism, Relativism, and Moral Ambiguity
Dragnet, Film Noir, and Postwar Realism Realism and Documentary in the Film Noir; He Walked by Night; Dragnet: A Different Kind of Realism; ""The Story You Are about to See Is True""; Notes; Naked City: The Relativist Turn in TV Noir; The Relativist Turn; Relativism of Morality and Normality; Cultural Relativism; Problems with Cultural Relativism; Individual Relativism; Notes; John Drake in Greeneland: Noir Themes in Secret Agent; Why Drake Is Not Bond; The Influence of Graham Greene; Noir Themes in Secret Agent; Notes; Action and Integrity in The Fugitive; Duty and Motivation Angels Travel on Lonely Roads The White Knight; Never Stop Running; Notes; Part 2: Existentialism, Nihilism, and the Meaning of Life; Noir et Blanc in Color: Existentialism and Miami Vice; Amphetamine Theatre; Points on a Compass of Cultural Reference; Life Lessons and Death Sentences; Existential Errors; Miami Masquerade; An ""I"" Exam Is Existential; Two Existentialist Approaches; Out of Whose Past?; New Hope for the Living; Notes; 24 and the Existential Man of Revolt; 24 and Noir; Jack Bauer: Noir Protagonist; Camus' ""Man of Revolt""; Jack Bauer: Existential Hero; Notes Carnivale Knowledge: Give Me That Old-time Noir Religion Carnivale and Religious Film Noir; Graham Greene's Whiskey Priest; Brother Justin's ""Fear and Trembling""; Notes; The Sopranos, Film Noir, and Nihilism; Nihilism and Film Noir; God and Gary Cooper Are Dead; ""It's All a Big Nothing""; Animals and Animosity; The Sad Clown; Notes; Part 3: Crime Scene Investigation and the Logic of Detection; CSI and the Art of Forensic Detection; The Corrupt City and CSI Storylines; CSI as Procedural Noir; The Investigative Team; Case Studies; Notes; Detection and the Logic of Abduction in The X-Files Alien NoirThe X-Files Mythology; Mulder and Scully as Sherlock Holmes and Dr. Watson; Mulder and Scully as Noir Detectives; Mulder and Scully and Clifford and James; The Logic of Abduction-the Other ""Abduction""; Detective Semiotics and the ""Absence Sign""; Mulder Thinks Outside the Paradigm; Return to the ""Will to Believe""; Scully and Mulder as One Mind; Notes; Part 4: Autonomy, Selfhood, and Interpretation; Kingdom of Darkness: Autonomy and Conspiracy in The X-Files and Millennium; Mr. (and Ms.) Noir; G-Men; ""Trust No One""; The Carceral Archipelago and the Panoptical Regime; Fugitives Coda: A Noir World Order |
Record Nr. | UNINA-9910828029403321 |
Lexington, Kentucky : , : The University Press of Kentucky, , 2008 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The television crime fighters factbook : over 9,800 details from 301 programs, 1937-2003 / / Vincent Terrace |
Autore | Terrace Vincent <1948-> |
Pubbl/distr/stampa | Jefferson, North Carolina : , : McFarland & Company, Inc., Publishers, , 2004 |
Descrizione fisica | 1 online resource (223 p.) |
Disciplina | 791.456556 |
Soggetto topico |
Detective and mystery television programs - United States - History and criticism
Television cop shows - United States |
ISBN | 1-4766-1143-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; Preface ; Angel Street ; B.A.D. Cats ; Baywatch Nights ; B.J. and the Bear ; B.L. Stryker ; Boston Blackie ; Bourbon Street Beat ; Broken Badges ; The Brothers Brannagan ; Buddy Faro ; Burke's Law ; Cagney and Lacey ; The Cases of Eddie Drake ; Charlie's Angels
Chase CHiPs ; Columbo ; The Commish ; The Cosby Mysteries ; Crime Photographer ; Crossing Jordan ; C.S.I.: Crime Scene Investigation ; Danger Theater; Decoy ; Dellaventura ; Department S ; Diagnosis Murder ; Dick Tracy ; The District ; Dog and Cat ; Downtown ; Dragnet ; The Eddie Capra Mysteries Ellery Queen Eye to Eye ; Fastlane ; Father Dowling Mysteries ; Gallery of Mme. Liu Tsong ; Get Christie Love ; The Great Defender ; Griff; Hack ; Hardball ; Hardcastle and McCormick ; The Hardy Boys ; Harry O ; Hart to Hart ; The Hat Squad ; Haunted; Hawaiian Eye Heart of the City Honey West ; Hudson Street ; Hunter ; I Had Three Wives ; In the Heat of the Night ; Jake and the Fatman ; The Job ; John Doe ; Johnny Midnight ; Just Cause ; Kate Loves a Mystery ; Kojak ; Lady Blue ; The Last Precinct ; The Law and Harry McGraw ; Leg Work MacGruder and Loud Magnum, P.I. ; Martin Kane, Private Eye ; Matlock ; Matt Helm ; Matt Houston ; McMillan and Wife ; Me and Mom ; Miami Vice ; Michael Shayne ; Mike Hammer ; Mr. and Mrs. North ; The Mod Squad ; Monk ; Moon Over Miami ; Moonlighting ; Murder, She Wrote Murphy's Law |
Record Nr. | UNINA-9910797649403321 |
Terrace Vincent <1948-> | ||
Jefferson, North Carolina : , : McFarland & Company, Inc., Publishers, , 2004 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The television crime fighters factbook : over 9,800 details from 301 programs, 1937-2003 / / Vincent Terrace |
Autore | Terrace Vincent <1948-> |
Pubbl/distr/stampa | Jefferson, North Carolina : , : McFarland & Company, Inc., Publishers, , 2004 |
Descrizione fisica | 1 online resource (223 p.) |
Disciplina | 791.456556 |
Soggetto topico |
Detective and mystery television programs - United States - History and criticism
Television cop shows - United States |
ISBN | 1-4766-1143-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; Preface ; Angel Street ; B.A.D. Cats ; Baywatch Nights ; B.J. and the Bear ; B.L. Stryker ; Boston Blackie ; Bourbon Street Beat ; Broken Badges ; The Brothers Brannagan ; Buddy Faro ; Burke's Law ; Cagney and Lacey ; The Cases of Eddie Drake ; Charlie's Angels
Chase CHiPs ; Columbo ; The Commish ; The Cosby Mysteries ; Crime Photographer ; Crossing Jordan ; C.S.I.: Crime Scene Investigation ; Danger Theater; Decoy ; Dellaventura ; Department S ; Diagnosis Murder ; Dick Tracy ; The District ; Dog and Cat ; Downtown ; Dragnet ; The Eddie Capra Mysteries Ellery Queen Eye to Eye ; Fastlane ; Father Dowling Mysteries ; Gallery of Mme. Liu Tsong ; Get Christie Love ; The Great Defender ; Griff; Hack ; Hardball ; Hardcastle and McCormick ; The Hardy Boys ; Harry O ; Hart to Hart ; The Hat Squad ; Haunted; Hawaiian Eye Heart of the City Honey West ; Hudson Street ; Hunter ; I Had Three Wives ; In the Heat of the Night ; Jake and the Fatman ; The Job ; John Doe ; Johnny Midnight ; Just Cause ; Kate Loves a Mystery ; Kojak ; Lady Blue ; The Last Precinct ; The Law and Harry McGraw ; Leg Work MacGruder and Loud Magnum, P.I. ; Martin Kane, Private Eye ; Matlock ; Matt Helm ; Matt Houston ; McMillan and Wife ; Me and Mom ; Miami Vice ; Michael Shayne ; Mike Hammer ; Mr. and Mrs. North ; The Mod Squad ; Monk ; Moon Over Miami ; Moonlighting ; Murder, She Wrote Murphy's Law |
Record Nr. | UNINA-9910813904703321 |
Terrace Vincent <1948-> | ||
Jefferson, North Carolina : , : McFarland & Company, Inc., Publishers, , 2004 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
TV cops : the contemporary American television police drama / / Jonathan Nichols-Pethick |
Autore | Nichols-Pethick Jonathan |
Pubbl/distr/stampa | New York : , : Routledge, , 2012 |
Descrizione fisica | 1 online resource (233 p.) |
Disciplina | 791.45/6556 |
Soggetto topico |
Detective and mystery television programs - United States - History and criticism
Television cop shows - United States - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN |
1-280-66473-8
9786613641663 1-136-99467-X 0-203-85502-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Cover; Title; Copyright; Dedication; CONTENTS; ACKNOWLEDGMENTS; 1 INTRODUCTION; 2 PROGRAMMING THE CRISIS: The Police Drama in the Post-Network Era; 3 THE POLICE DRAMA IN TRANSITION: Reconstituting the Cultural Forum in the 1980s; 4 STOP MAKING SENSE: Reflection, Realism, and Community in Homicide; 5 DO THE RIGHT THING: NYPD Blue and the Making of the Model Citizen; 6 ONE THING LEADS TO ANOTHER: Crime and the Commerce of Law & Order; 7 THIS COP'S FOR YOU: The Multiple Logics of the 21st Century Police Drama; 8 CONCLUSION; NOTES; BIBLIOGRAPHY; INDEX |
Record Nr. | UNINA-9910462012103321 |
Nichols-Pethick Jonathan | ||
New York : , : Routledge, , 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
TV cops : the contemporary American television police drama / / Jonathan Nichols-Pethick |
Autore | Nichols-Pethick Jonathan |
Pubbl/distr/stampa | New York : , : Routledge, , 2012 |
Descrizione fisica | 1 online resource (233 p.) |
Disciplina | 791.45/6556 |
Soggetto topico |
Detective and mystery television programs - United States - History and criticism
Television cop shows - United States - History and criticism |
ISBN |
1-136-99466-1
1-280-66473-8 9786613641663 1-136-99467-X 0-203-85502-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Cover; Title; Copyright; Dedication; CONTENTS; ACKNOWLEDGMENTS; 1 INTRODUCTION; 2 PROGRAMMING THE CRISIS: The Police Drama in the Post-Network Era; 3 THE POLICE DRAMA IN TRANSITION: Reconstituting the Cultural Forum in the 1980s; 4 STOP MAKING SENSE: Reflection, Realism, and Community in Homicide; 5 DO THE RIGHT THING: NYPD Blue and the Making of the Model Citizen; 6 ONE THING LEADS TO ANOTHER: Crime and the Commerce of Law & Order; 7 THIS COP'S FOR YOU: The Multiple Logics of the 21st Century Police Drama; 8 CONCLUSION; NOTES; BIBLIOGRAPHY; INDEX |
Record Nr. | UNINA-9910790232103321 |
Nichols-Pethick Jonathan | ||
New York : , : Routledge, , 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|