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African Design Futures : Decolonising Minds, Education, Spaces, and Practices
| African Design Futures : Decolonising Minds, Education, Spaces, and Practices |
| Autore | Ofosu-Asare Yaw |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cham : , : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (267 pages) |
| Disciplina | 744.096 |
| Collana | Sustainable Development Goals Series |
| Soggetto topico |
Decolonization in art
Education and globalization |
| ISBN |
9783031717543
3031717546 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preface -- Acknowledgements -- Contents -- The Year Before the Arrival of the White Masks -- Chapter 1: Reimagining Design -- The Arrival of Europeans and the Establishment of Formal Schools in Africa: Theoretical Foundations and Religious Influences -- References -- Chapter 2: Foundations Revisited -- Historical Context of Design Education -- Indigenous Design Philosophies -- Sustainability and Reciprocity -- Community and Identity -- Philosophical Questions -- Personal Anecdotes -- Reimagining Design -- The Need for Inclusivity in Design Curriculum -- Broadening Perspectives Through Multicultural Narratives -- Empathy and Context in Design Thinking -- Innovation Through Cultural Fusion -- Global Market Realities and Cultural Competence -- Social Justice and Equity in Design -- Challenges and Considerations -- Designing an Inclusive Future -- Proposed Framework for Inclusive Design Education -- References -- Chapter 3: The Legacy of African Design Aesthetics -- Historical Foundations of African Design -- Impact of Colonization on African Design -- Resistance and Preservation -- Key Elements of African Design Aesthetics |
| Record Nr. | UNINA-9910983351803321 |
Ofosu-Asare Yaw
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| Cham : , : Palgrave Macmillan, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Art activism for an anticolonial future / / Carlos Garrido Castellano
| Art activism for an anticolonial future / / Carlos Garrido Castellano |
| Autore | Garrido Castellano Carlos |
| Pubbl/distr/stampa | Albany, New York : , : State University of New York Press, , [2021] |
| Descrizione fisica | 1 online resource (x, 337 pages) : illustrations |
| Disciplina | 701.03 |
| Collana | SUNY series, praxis: theory in action |
| Soggetto topico |
Art - Political aspects
Decolonization in art Art and social action |
| ISBN | 1-4384-8574-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Undisciplining Socially Engaged Art -- Practicing Decolonialization -- Homegrown Theory -- Chapter Outline -- Part 1: Undisciplining Socially Engaged Art -- 1. Art Biennials and Postcolonialism's Politics of Discourse -- Postcolonialism Dematerialized (I): Biennialism and the Contemporary -- Postcolonialism Dematerialized (II): Theoretical Limitations -- Looking for Alternatives (I): Subversive Excavations -- Looking for Alternatives (II): Critical Regionalism -- Looking for Alternatives (III): Curated and Noncurated Collaboration -- Conclusion -- 2. The Lexicon of Social Practice and Socially Engaged Art's Futures -- The Lexicon of Social Practice -- Dealing with Socially Engaged Art's Master Narratives -- Birth of a Discipline -- Looking Anew: Racializing the "US" Genealogy of Socially Engaged Art -- Conclusion -- Part 2: Radical Affinities and the Horizon of Decolonization -- 3. On Experience, Land Use, and the Threats of the Bourgeoisie: Learning from Amílcar Cabral -- 4. Art, Engagement, and Popular Imagination: Around the "Missed Encounter" between Theodor Adorno and C. L. R. James -- Jamesian Aesthetics -- Paying Attention: James as Engaged Critic of Culture -- Creative Forms, Transnational Linkages, and the Militant Avant-Garde -- Conclusion -- Part 3: Legacies -- 5. The Boda Moment: Repositioning Socially Engaged Art in Contemporary Uganda -- II -- III -- IV -- Interlude I: Locating Socially Engaged Art in Africa -- V -- Interlude II: The Makerere Moment -- VI -- VII -- 6. Art and Politics in Times of Reform: The Collective and the Contemporary in Indonesia -- Taring Padi -- Periodizing Indonesian Collectivism -- Excursus: Collective Sampling/Sampling Collectivism -- ruangrupa -- Expanding the Field -- Conclusion.
7. Agency and (Street) Art Politics in Beirut: On Temporary Art Platform's Guide for Urban Intervention -- Part 4: Enclosures, Apertures, and the Performative -- 8. Utility, Multispecies Agency, and Speculative Study: On Ensayos -- Introduction -- Ensayos -- Historicizing Utility in the Americas -- Collaborative Art and/as Multispecies Entanglements -- Ensayos as Study Ecosystems -- Conclusions: Redefining Utility after the Privatization of Everything -- 9. Activism and Performance in the Age of Intellectual and Artistic Witch Hunting -- Some Facts … and Fictions -- Fantasmagorias do Império (Imperial Ghosting) and the Making of Exclusionary Public Spaces -- Acting, the Enclosed, and the Unforeseeable -- Beyond Control, Hopefully -- Conclusion: Exposing Ourselves to Others -- Open Coda: Black Lives Matter and/for the Genealogies of Subversive Artistic Creativity -- Notes -- Bibliography -- Index. |
| Record Nr. | UNINA-9910563095703321 |
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Garrido Castellano Carlos
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| Albany, New York : , : State University of New York Press, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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