The dance in theory [[electronic resource] /] / by John Martin |
Autore | Martin John Joseph <1893-> |
Pubbl/distr/stampa | Princeton, NJ, : Princeton Book Co., 1989 |
Descrizione fisica | 1 online resource (114 p.) |
Disciplina | 792.8/0973 |
Soggetto topico |
Modern dance - United States - History
Dance - United States - History |
Soggetto genere / forma | Electronic books. |
ISBN | 0-87127-273-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Introduction; 1 The Nature of Movement; 2 Form and Composition; 3 The Basis of Style |
Record Nr. | UNINA-9910451040203321 |
Martin John Joseph <1893-> | ||
Princeton, NJ, : Princeton Book Co., 1989 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The dance in theory [[electronic resource] /] / by John Martin |
Autore | Martin John Joseph <1893-> |
Pubbl/distr/stampa | Princeton, NJ, : Princeton Book Co., 1989 |
Descrizione fisica | 1 online resource (114 p.) |
Disciplina | 792.8/0973 |
Soggetto topico |
Modern dance - United States - History
Dance - United States - History |
ISBN | 0-87127-273-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Introduction; 1 The Nature of Movement; 2 Form and Composition; 3 The Basis of Style |
Record Nr. | UNINA-9910784219203321 |
Martin John Joseph <1893-> | ||
Princeton, NJ, : Princeton Book Co., 1989 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Dance in US popular culture / / edited by Jennifer Atkins |
Pubbl/distr/stampa | Abingdon, England : , : Routledge, , [2024] |
Descrizione fisica | 1 online resource (387 pages) |
Disciplina | 792.80973 |
Soggetto topico |
Dance - United States - History
Popular culture - United States - History Dance - Study and teaching |
ISBN |
1-00-301117-9
1-003-01117-9 1-000-90452-0 1-000-90454-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- List of Figures -- List of Contributors -- Acknowledgments -- Introduction -- Part I: Popular Dance as Primary Source -- 1 Locating Popular Dance and Dance in Popular Culture -- Chapter 1 Case Studies: The Invented Choreographies of the Tomahawk Chop -- Popular Dance Cultural Masters -- Do the Hustle: A Saturday Night Reclamation -- Bestowing Blessings and Cultivating Community: Lion Dancing in Boston's Chinatown -- ~Pop Culture Conversation~ -- Watching from Another Place: Outside Perceptions of American Popular Culture -- Chapter 1: Next Steps and Your Move! -- 2 Describing Dance, Writing Moving Worlds -- Chapter 2 Case Studies: In the Interest of Health and Cooperation: Women Dancing "The Most Important College Interests" -- Dammn Baby! Janet Jackson Dances Pop Feminism -- Resistance in Rhythm: The Shim Sham Shimmy -- Queerness, Closure, and the Finale Dance in It's Always Sunny in Philadelphia -- Chapter 2: Next Steps and Your Move! -- Part II: Stereotypes and Spectatorship -- 3 Interpreting (Multi)racial Movements in Popular Dance -- Chapter 3 Case Studies: From a Black Cinderella and Filipino Prince to a Career in Commercial Dance -- Plasticity in Lexus's Black Panther Commercial: Choreographing Blackness as Other through Visual Echoing -- Riverdance: Remaking Race -- ~Pop Culture Conversation~ -- The Law of the Jungle: Talking with Philip Ancheta about Performing for Walt Disney World -- Chapter 3: Next Steps and Your Move! -- 4 Male Bodies and Masculinity in Popular Dance -- Chapter 4 Case Studies: Macho Sensibilities: A Dancer's Autoethnographic Journey -- The Nicholas Brothers: Dancing Masculinity in Down Argentine Way (1940) -- Manning the Pit: Techniques of White Masculinity in Hardcore Punk Moshing.
Bey-Boy: Channing Tatum, Mimesis, and a Test of Masculinity -- Chapter 4: Next Steps and Your Move! -- 5 Femininity and Female Empowerment in Commercial Dance: Shakira and J. Lo at Super Bowl LIV -- Chapter 5 Case Studies: Subverting Body Ideals: Abject, Tactile Film Style in John Waters's Hairspray -- Dancing Girls and Dance Moms: Performing Femininity on the Dance Competition Stage -- #Burberry and the Utility of Black Femininity -- Toying with Chauvinism: Parody in Anna Nikki's Pole Classique Routine -- Chapter 5: Next Steps and Your Move! -- 6 Spectacle, the Gaze, and Agency in Popular Dance -- Chapter 6 Case Studies: "Fosse Meets Fetish": When Fosse Goes (Really) Kinky -- Spectacular Choreographies of Epic Proportions: Ricki Starr the Ballet-Dancing Wrestler -- Sparkling Subversion -- Belly Dance as Restaurant Entertainment -- ~Pop Culture Conversation~ -- "Far Across the Distance": A Competition Judge's Perspective from behind the Table -- Chapter 6: Next Steps and Your Move! -- Part III: Recognitions and Revisions -- 7 Popular Dance and Intersectionality -- Chapter 7 Case Studies: Naomi Osaka's Hafuness and Polycultural Dance Moves -- "Como La Flor": Selena's Animation of Intersectional Identity -- Gender is a Drag: Performing Hybridity on RuPaul's Drag Race's Maxi Challenge "Prancing with the Queens" -- ~Pop Culture Conversation~ -- Resistance, Resilience, Overcoming a Lot: Talking with NaTonia Monét about Performing in the Broadway Musical Tina -- Chapter 7: Next Steps and Your Move! -- 8 Mass Media and Social Circulations of Popular Dance -- Chapter 8 Case Studies: "They're the Same Picture": Repetition as Political Critique in Instagram Dance Memes -- Legitimization and Circulation of Hip Hop Dance in "Real Talk: Hip-Hop Education for Social Justice" -- "Just Stick to the Flamenco": Flamenco on NBC's World of Dance. Dancing Doctors and TikTok Meme-ography: Pointing Toward Female Health Access -- ~Pop Culture Conversation~ -- Everybody has a Dream: Talking with Taz Loft about Filming In the Heights (2021) -- Chapter 8: Next Steps and Your Move! -- 9 Close Up: Step-Touch in New Orleans Popular Dance -- Chapter 9 Case Studies: Is He… You Know… -- Meghan Trainor's "All About That Bass": A White Girl's Booty Anthem -- B-Girl Sunny and the Performativity of the Gaze -- Varsity Spirit's Propertied, White Settler Femininity -- Chapter 9: Next Steps and Your Move! -- 10 The Politics of Popular Movements -- Chapter 10 Case Studies: New Deal Rhythm: Hollywood Chorus Girls Get Political -- "To Exist is to Survive Unfair Choices": The OA and Queer Acts of Protest -- Orderly Chaos: Moshing in SLC Punk! -- Asserting Indigenous Agency Beyond Colonial Spatialities through RainbowGlitz's Burlesque Love Medicine -- Chapter 10: Next Steps and Your Move! -- 11 Popularizing "American-ness" -- 11 Case Studies: Ballet at the Movies or Dancing on the Limits of American-ness: Thalia Zanou -- Romanticizing the Old South in the Confederate Pageant -- Experimenting with Lady J: A Trans Take on Drag -- Welcome to America: Reassigning Appropriation through Choreography in Soft Power -- ~Pop Culture Conversation~ -- closet disco: a meditation -- Chapter 11: Next Steps and Your Move! -- Index. |
Record Nr. | UNINA-9910772090103321 |
Abingdon, England : , : Routledge, , [2024] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Dancing in paradise, burning in hell : women in Maine's historic working class dance industry / / Trudy Irene Scee |
Autore | Scee Trudy Irene |
Pubbl/distr/stampa | Camden, Maine : , : Down East Books, , 2016 |
Descrizione fisica | 1 online resource (281 p.) |
Disciplina | 792.80973 |
Soggetto topico |
Dance - United States - History
Dancers - United States - History - 19th century Women dancers - Maine - History - 19th century Women dancers - United States - Social conditions Sex in dance |
ISBN | 1-60893-510-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Acknowledgments; Introduction. Dancers for Money: America Meets the New Dancing Women of the 1800s, Recoils in Shock, and Yet Whispers "Come a Little Bit Closer"; The Hurdy Gurdy Girls, Burlesque Women, Little Egypts, and Taxi-Dancers of the 1800s-1940s; Chapter One. The Road to Perdition: The Early Barroom Dancers, the Hurdy Gurdy Girls, the Circus and Fair Come to Town, Native Americans Perform, and the Dance Hall or Whorehouse Riot of 1849
Chapter Two. Scandal on the Stage and the Search for Much More: Early Vaudeville Comes to Maine, the Midways Beckon, the "Wiggle Dance" Shocks, and Other Vice Concerns of the Early 1900sChapter Three. Oh, for the Satin Slippers and the Gold and the Silver Purses: Scandal in the Dance Halls, Taxi-Dancers, Lucy Nicolar Retires as Molly Spotted Elk Dances Out, and the Early Dance Contests of the 1920s; Chapter Four. And the Victrola Played On: The Early Marathons in Maine and the Start of the Large Dance Endurance Contests, 1923-1933 Chapter Five. Dancing in Paradise, Burning in Hell: The Paradise Dance Pavilion Fire of 1933 and the End of the Endurance Dance EraChapter Six. The Dance Didn't Go On, and They Really Weren't Strippers: The Shipyard Workers' Riot of 1943, Another Dance Hall Fire, and the New Vaudeville, Burlesque, and Movie Dancers in Maine; Chapter Seven. Bring Back the Hootchie-Cootchie: America and Maine Greet the New Eastern Dancers of the 1950s and 1960s, Exotic and Erotic Dancers Spread through the State, and a Little "Supper Club" Showcases Female Dancers in the North Chapter Eight. "Little Egypt" Grows Up and Becomes the Queen of the Coast: The Emergence of Modern Ethnic and Belly Dancing in Maine in the 1960s and BeyondChapter Nine. Conclusion: The Same Old Moves with New Respectability, at Least in the Eyes of Many: Maine's Transformed Belly Dancers, Taxi-Dancers, and Burlesque Performers of the Late 1900s and Early 2000s; Notes; Selected Bibliography; Index |
Record Nr. | UNINA-9910798143303321 |
Scee Trudy Irene | ||
Camden, Maine : , : Down East Books, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Dancing in paradise, burning in hell : women in Maine's historic working class dance industry / / Trudy Irene Scee |
Autore | Scee Trudy Irene |
Pubbl/distr/stampa | Camden, Maine : , : Down East Books, , 2016 |
Descrizione fisica | 1 online resource (281 p.) |
Disciplina | 792.80973 |
Soggetto topico |
Dance - United States - History
Dancers - United States - History - 19th century Women dancers - Maine - History - 19th century Women dancers - United States - Social conditions Sex in dance |
ISBN | 1-60893-510-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Acknowledgments; Introduction. Dancers for Money: America Meets the New Dancing Women of the 1800s, Recoils in Shock, and Yet Whispers "Come a Little Bit Closer"; The Hurdy Gurdy Girls, Burlesque Women, Little Egypts, and Taxi-Dancers of the 1800s-1940s; Chapter One. The Road to Perdition: The Early Barroom Dancers, the Hurdy Gurdy Girls, the Circus and Fair Come to Town, Native Americans Perform, and the Dance Hall or Whorehouse Riot of 1849
Chapter Two. Scandal on the Stage and the Search for Much More: Early Vaudeville Comes to Maine, the Midways Beckon, the "Wiggle Dance" Shocks, and Other Vice Concerns of the Early 1900sChapter Three. Oh, for the Satin Slippers and the Gold and the Silver Purses: Scandal in the Dance Halls, Taxi-Dancers, Lucy Nicolar Retires as Molly Spotted Elk Dances Out, and the Early Dance Contests of the 1920s; Chapter Four. And the Victrola Played On: The Early Marathons in Maine and the Start of the Large Dance Endurance Contests, 1923-1933 Chapter Five. Dancing in Paradise, Burning in Hell: The Paradise Dance Pavilion Fire of 1933 and the End of the Endurance Dance EraChapter Six. The Dance Didn't Go On, and They Really Weren't Strippers: The Shipyard Workers' Riot of 1943, Another Dance Hall Fire, and the New Vaudeville, Burlesque, and Movie Dancers in Maine; Chapter Seven. Bring Back the Hootchie-Cootchie: America and Maine Greet the New Eastern Dancers of the 1950s and 1960s, Exotic and Erotic Dancers Spread through the State, and a Little "Supper Club" Showcases Female Dancers in the North Chapter Eight. "Little Egypt" Grows Up and Becomes the Queen of the Coast: The Emergence of Modern Ethnic and Belly Dancing in Maine in the 1960s and BeyondChapter Nine. Conclusion: The Same Old Moves with New Respectability, at Least in the Eyes of Many: Maine's Transformed Belly Dancers, Taxi-Dancers, and Burlesque Performers of the Late 1900s and Early 2000s; Notes; Selected Bibliography; Index |
Record Nr. | UNINA-9910806957003321 |
Scee Trudy Irene | ||
Camden, Maine : , : Down East Books, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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