Costumes for the stage : a complete handbook for every kind of play / / Sheila Jackson |
Autore | Jackson Sheila |
Edizione | [Second edition.] |
Pubbl/distr/stampa | London, England : , : A. & C. Black, , 2020 |
Descrizione fisica | 1 online resource (154 p.) |
Disciplina | 792.026 |
Collana | Backstage |
Soggetto topico |
Costume
Dance & other performing arts |
ISBN |
1-4081-4845-5
1-4081-1690-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1 Planning and equipment; 2 Measurements, patterns and fitting; 3 The changing shape of period costume; 4 Greek Drama; 5 Medieval costume, miracles and mysteries; 6 Shakespeare and the sixteenth century; 7 The seventeenth century; 8 The eighteenth century; 9 The nineteenth century; 10 From 1895 to the First World War; 11 The twenties and thirties; 12 Yesterday and today; 13 Underwear and nightwear; 14 Thinking about design; 15 Trimmings; 16 Adapting a hat; 17 Fabrics, plain and patterned; 18 Some simple methods for accessories; 19 Musicals; 20 Pantomimes; 21 Pageants and carnivals; 22 Especially for schools; 23 Curtain up. |
Record Nr. | UNINA-9910792169503321 |
Jackson Sheila
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London, England : , : A. & C. Black, , 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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Costumes for the stage : a complete handbook for every kind of play / / Sheila Jackson |
Autore | Jackson Sheila |
Edizione | [Second edition.] |
Pubbl/distr/stampa | London, England : , : A. & C. Black, , 2020 |
Descrizione fisica | 1 online resource (154 p.) |
Disciplina | 792.026 |
Collana | Backstage |
Soggetto topico |
Costume
Dance & other performing arts |
ISBN |
1-4081-4845-5
1-4081-1690-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1 Planning and equipment; 2 Measurements, patterns and fitting; 3 The changing shape of period costume; 4 Greek Drama; 5 Medieval costume, miracles and mysteries; 6 Shakespeare and the sixteenth century; 7 The seventeenth century; 8 The eighteenth century; 9 The nineteenth century; 10 From 1895 to the First World War; 11 The twenties and thirties; 12 Yesterday and today; 13 Underwear and nightwear; 14 Thinking about design; 15 Trimmings; 16 Adapting a hat; 17 Fabrics, plain and patterned; 18 Some simple methods for accessories; 19 Musicals; 20 Pantomimes; 21 Pageants and carnivals; 22 Especially for schools; 23 Curtain up. |
Record Nr. | UNINA-9910816914003321 |
Jackson Sheila
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London, England : , : A. & C. Black, , 2020 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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Theatre and Its Other : Abhinavagupta on Dance and Dramatic Acting |
Autore | Ganser Elisa |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Boston : , : BRILL, , 2022 |
Descrizione fisica | 1 electronic resource (428 p.) |
Disciplina | 792 |
Altri autori (Persone) |
Bharata Muni
Abhinavagupta, Rājānaka |
Collana | Gonda indological studies |
Soggetto topico | Dance & other performing arts |
Soggetto genere / forma | Criticism, interpretation, etc. |
Soggetto non controllato |
The arts
Dance & other performing arts |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Intro -- Contents -- Preface -- Introduction -- Chapter 1. Nāṭyaśāstra and Abhinavabhāratī: Trends and Open Questions -- 1.1. Editorial History and Textual Reception -- 1.2. Archiving Performance: Texts and Images -- 1.3. The Nāṭyaśāstra and the Place of Dance -- 1.3.1. Composition, Authorship, and Date -- 1.3.2. Narrative Structure -- 1.3.3. The Tāṇḍavādhyāya -- 1.4. The Abhinavabhāratī: A Medieval Document on Performance -- 1.4.1. The Many Voices Recorded in the Chapter on Dance -- Part 1. Practice and Aesthetics of Indian Dance -- Chapter 2. Formalizing Dance, Codifying Performance -- 2.1. Nāṭya, nṛtta, and nṛtya between Movement and Mimesis -- 2.2. Dance as Technique: aṅgahāra, karaṇa, recaka -- 2.3. Between Gender and Genre: tāṇḍava, sukumāra, lāsya -- 2.3.1. Grace and Vehemence in the Nāṭyaśāstra -- 2.3.2. Grace and Vehemence in the Abhinavabhāratī -- 2.4. Expanding the Idea of nṛtta -- 2.5. Tradition, Creativity, and Artistry: A Śaiva Perspective -- Chapter 3. The Aesthetics of Dance -- 3.1. Dance within Theatre, Dance without Theatre -- 3.2. Enacting Emotions: A vademecum for the Actor -- 3.3. Communication without Words -- 3.3.1. Dramatic Mimesis vs Imitation -- 3.4. Dance, Beauty, and the Fabrication of Dramatic Fiction -- 3.4.1. On the Psychagogic Power of Dance -- 3.4.2. Like a Fire-Wheel: Dance and Fiction -- 3.5. Reshaping the Idea of abhinaya in Dance -- Part 2. Critical Edition and Annotated Translation of Abhinavabhāratī ad Nāṭyaśāstra 4.261cd-269ab -- Chapter 4. Introduction to the Edition -- 4.1. General Remarks on the Transmission of the Abhinavabhāratī -- 4.2. Genealogy of the Present Text: The Sources -- 4.2.1. Editions -- 4.2.1.1. The Baroda or Gaekwad Edition (= E1) -- 4.2.1.2. The Madhusudan Shastri Edition (= E2) -- 4.2.1.3. The Nagar Edition (= E3).
4.2.1.4. The Dvivedi Edition (= E4) -- 4.2.2. Manuscripts -- 4.2.2.1. Manuscripts Containing the Fourth Chapter -- 4.2.2.2. Relationship between the Manuscripts -- 4.3. A Note on the Sanskrit Text and Translation -- 4.4. Symbols and Abbreviations in the Apparatus -- Analysis of ABh ad NŚ 4.261cd-269ab -- Edition and Translation: Abhinavabhāratī ad Nāṭyaśāstra 4.261cd-269ab -- Appendix: Hemacandra's Kāvyānuśāsana -- Bibliography -- Index. |
Record Nr. | UNINA-9910558095403321 |
Ganser Elisa
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Boston : , : BRILL, , 2022 | ||
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Lo trovi qui: Univ. Federico II | ||
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